120 Years Of Deutsche Grammophon – 120 Legendary Tracks – The Anniversary Edition

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Recorded 2017 – 2007
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1Fantaisie‐impromptu in C‐sharp minor, op. 66
piano:
Daniil Trifonov (pianist) (from 2017-04 until 2017-05)
recorded at:
Konzerthaus Dortmund in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2017-04 until 2017-05)
recording of:
Fantaisie‐impromptu in C‐sharp minor, op. 66 (from 2017-04 until 2017-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
part of:
Classic 100: Piano (2004) (number: 13) and Works of Fryderyk Chopin by opus number (number: op. 66)
Fryderyk Chopin5:41
2Lohengrin, WWV 75: Prelude to Act I
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Andris Nelsons (conductor)
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75
Richard Wagner9:20
3Suite bergamasque, L. 75: 3. Clair de lune
recording engineer:
Marcus Herzog (engineer)
producer:
Sid McLauchlan (engineer/producer)
piano:
Seong‐Jin Cho (pianist) (in 2017-06)
piano technician:
Siegmar Kesselmann (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2017)
recorded at:
Siemens‐Villa in Berlin, Germany (in 2017-06)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 2017-06)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:27
4Romeo and Juliet, op. 64: 4. Dance of the Knights (Arr. for Solo Violin and Orchestra by Tamás Batiashvili)
violin:
Lisa Batiashvili (violinist) (in 2017-02)
orchestra:
Chamber Orchestra of Europe (in 2017-02)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017-02)
arranger:
Tamás Batiashvili
recorded at:
Auditorium Saint‐Pierre des Cuisines in Toulouse, Haute-Garonne, Occitanie (Occitania), France (in 2017-02)
recording of:
Romeo and Juliet, op. 64: Act I. Scene II. No. 13. Dance of the knights (arr. for solo violin and orchestra) (in 2017-02)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Tamás Batiashvili
arrangement of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights
Sergei Prokofiev3:40
5Italian Concerto in F major, BWV 971: 1. Allegro
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2015-02)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2017)
recorded at:
Meistersaal in Berlin, Germany (in 2015-02)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (in 2015-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach3:48
6La Wally: Atto I. “Ebben ne andrò lontana”
soprano vocals:
Anna Netrebko (soprano) (in 2016-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 2016-06)
conductor:
Antonio Pappano (conductor and pianist) (in 2016-06)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2016-06)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 2016-06)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani3:48
7Études: no. 9
engineer, producer and editor:
Christopher Tarnow
additional editor:
Karsten Zimmermann
piano:
Víkingur Ólafsson (pianist) (from 2016-10-24 until 2016-10-25)
piano technician:
Sigurður Kristinsson
recorded at:
Harpa Concert House in Reykjavík, Höfuðborgarsvæðið (Capital Region), Iceland (from 2016-10-24 until 2016-10-25)
recording of:
Etude no. 9 (from 2016-10-24 until 2016-10-25)
composer:
Philip Glass (US composer & pianist) (from 1994 until 1995)
version of:
Aguas da Amazonia: Negro River
part of:
Etudes for Piano, Volume 1
Philip Glass2:25
8Iubilate Deo
vocals:
Sistine Chapel Choir (in 2015)
conductor:
Massimo Palombella (chorus master) (in 2015)
recorded at:
Sistine Chapel in Vatican City (in 2015)
recording of:
Iubilate Deo (in 2015)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
Roland de Lassus1:30
9Mass I. Devotions Before Mass: 2. Hymn and Psalm “A Simple Song”
vocals:
Kevin Vortmann
orchestra:
The Philadelphia Orchestra
conductor:
Yannick Nézet‐Séguin (Canadian conductor)
recording of:
Mass: I. Devotions before Mass, No. 2. Hymn and Psalm: “A Simple Song”
additional lyricist:
Leonard Bernstein (American conductor, composer, pianist) (in 1971) and Stephen Schwartz (musical theatre lyricist/composer) (in 1971)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1971)
premiered at:
The John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (on 1971-09-08)
part of:
Mass: A Theatre Piece for Singers, Players, and Dancers
Leonard Bernstein4:25
10French Suite no. 5 in G major, BWV 816: 7. Gigue
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
piano:
Murray Perahia (pianist and conductor) (in 2013-07)
balance engineer:
Martin Nagorni
piano technician:
Ulrich Gerhartz
recorded at:
Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (in 2013-07)
recording of:
Französische Suite Nr. 5 G-dur, BWV 816: VII. Gigue (in 2013-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 5 G-dur, BWV 816 (French Suite No. 5 in G major, BWV 816)
Johann Sebastian Bach3:20
11Messa da Requiem: Dies Irae. Ingemisco
tenor vocals:
Rolando Villazón (tenor) (in 2012-09)
orchestra:
Orchestra del Teatro Regio di Torino (in 2012-09)
conductor:
Gianandrea Noseda (conductor) (in 2012-09)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (in 2012-09)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore) (in 2012-09)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi3:34
12Petrouchka: Three Movements for Piano, 1921 Version. Scene 1: Russian Dance
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer and balance engineer:
Helmut Burk
piano:
Wang, Yuja (Yuja Wang, pianist) (in 2010-01)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2010-01)
recording of:
Trois mouvements de Pétrouchka : I. Danse russe (arrangement for piano, 1921) (in 2010-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Trois mouvements de Pétrouchka (arrangement for piano, 1921)
Igor Stravinsky2:31
13Concerto for Violin in G major (Edited by Olivier Fourés): Allegro
recording engineer:
Ulrich Vette (engineer)
producer:
Arend Prohmann (producer / editor)
violin:
Giuliano Carmignola (violinist) (in 2009-03)
orchestra:
Venice Baroque Orchestra (in 2009-03)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2009-03)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal in Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (in 2009-03)
recording of:
Violin Concerto in G major: III. Allegro (in 2009-03)
composer:
Pietro Nardini (18th century composer)
recording of:
Concerto in G major for Violin and Cello, RV 814: I. Allegro (reconstructed by Olivier Fourés)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
reconstructed by:
Olivier Fourés
part of:
Concerto in G major for Violin and Cello, RV 814 (reconstructed by Olivier Fourés)
Pietro Nardini5:27
14Waltz no.7 in C‐sharp minor, op. 64 no. 2
recording engineer and producer:
Rainer Maillard
assistant engineer:
Evert Menting (engineer)
executive producer:
Christian Leins
piano:
Alice Sara Ott (pianist) (in 2009-08)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009, in 2010)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-08)
recording of:
Waltz no. 7 in C‐sharp minor, op. 64 no. 2 (in 2009-08)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Fryderyk Chopin3:40
15Estancia: Danzas del ballet: 4. Danza final (Malambo)
orchestra:
Orquesta Sinfónica Simón Bolívar (Simón Bolívar Symphony Orchestra)
conductor:
Gustavo Dudamel (conductor and violinist)
recorded at:
Centro de Acción Social por la Música in Caracas, Venezuela (in 2008-01)
recording of:
Danzas de “Estancia”, op. 8a: IV. Danza final (Malambo)
composer:
Alberto Ginastera (Argentinean composer) (in 1941)
part of:
Danzas de “Estancia”, op. 8a
Alberto Ginastera3:23
1624 Préludes, op. 28, C. 166 -189: 24. Allegro Appassionato in D minor, C. 189
piano:
Grigory Sokolov (pianist)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin2:33
17Six Songs, op. 34: 2. Auf den Flügeln des Gesanges, MWV K86
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer and editor:
John H. West (classical engineer/producer)
piano:
Sebastian Knauer (pianist) (in 2007-06)
violin:
Daniel Hope (violinist) (in 2007-06)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Grazer Congress: Kammermusiksaal in Graz, Steiermark (Styria), Austria (in 2007-06) and Stefaniensaal in Graz, Steiermark (Styria), Austria (in 2007-06)
recording of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch-all for arrangements) (in 2007-06)
composer:
Felix Mendelssohn (composer)
arrangement of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
Felix Mendelssohn2:21
2▼CD: Recorded 2007- 1993
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1Piano Sonata no. 28 in A major, op. 101: Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo)
piano:
Hélène Grimaud (French pianist)
recording of:
Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Sonata for Piano no. 28 in A major, op. 101
Ludwig van Beethoven4:02
2Bachianas Brasileiras no. 5, W. 389: Aria (Cantilena)
executive producer:
Christian Leins
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
arranger:
[anonymous] (special purpose artist)
balance engineer:
Hans‐Ulrich Bastin and Andrew Wedman (producer and engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-07)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (catch-all for arrangements) (in 2006-07)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1936)
arrangement of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
Heitor Villa‐Lobos6:19
3Die Schöpfung, Hob. XXI‐2, Erster Teil: 14. Chor und Terzett “Die Himmel erzählen die Ehre Gottes”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
instruments:
English Baroque Soloists (The English Baroque Soloists)
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-02-16 until 1995-02-21)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (from 1995-02-16 until 1995-02-21)
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:45
4Le nozze di Figaro, K. 492: Atto I. "Non so più cosa son, cosa faccio’’
recording engineer:
Wolf‐Dieter Karwatky (in 2005-12)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) (in 2005-12)
producer:
Marita Prohmann
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (in 2005-12)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2005-12)
orchestra:
Orchestra of the Age of Enlightenment (in 2005-12)
conductor:
Simon Rattle (conductor) (in 2005-12)
balance engineer:
Ulrich Vette (engineer) (in 2005-12)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2005-12)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 2005-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:38
5Organum
recording engineer:
Steve Parr
producer and mixer:
Max Richter (German pianist and score composer)
electronic instruments [electronics]:
Max Richter (German pianist and score composer)
performer:
Max Richter (German pianist and score composer)
recording of:
Organum
composer:
Max Richter (German pianist and score composer)
Max Richter3:15
6Annie’s Song (Arranged by Charles Gerhardt, Adapted by Craig Leon)
producer:
Craig Leon (musician, arranger, composer and producer)
flute:
James Galway (flautist) (in 2004-06)
orchestra:
London Symphony Orchestra (in 2004-06)
conductor:
Klauspeter Seibel (conductor) (in 2004-06)
arranger:
Charles Gerhardt (conductor, producer, arranger) and Craig Leon (musician, arranger, composer and producer)
balance engineer:
Jonathan Allen (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2004-06) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2004-06)
recording of:
Annie’s Song (John Denver song) (in 2004-06)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen, Colorado, United States (in 1973-01)
instrumental recording of:
Annie’s Song (John Denver song) (in 2004-06)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen, Colorado, United States (in 1973-01)
John Denver2:54
7Kinderszenen, op. 15: 7. Träumerei
piano:
Lang Lang (Chinese pianist) (in 2003-11)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 2003-11)
live recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 2003-11)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann3:23
8Violin Concerto no. 2 in E major, BWV 1042: 3. Allegro assai
assistant engineer:
Sherri Hendrickson (in 2002-10)
engineer:
Marc Stedman (in 2002-10)
producer:
Thomas Frost (classical music producer)
violin:
Hilary Hahn (violinist) (in 2002-10)
orchestra:
Los Angeles Chamber Orchestra (in 2002-10)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2002-10)
balance engineer:
Tom Lazarus (in 2002-10)
recorded at:
Zipper Hall in Los Angeles, California, United States (in 2002-10)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai (Violin Concerto in E major, BWV 1042: III. Allegro assai) (in 2002-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach2:23
9Requiem, op. 48: 4. Pie Jesu
organ:
Daniele Rossi (Italian organist) (in 1998-06)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1998-06)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano) (in 1998-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1998-06)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1998-06)
chorus master:
Roberto Gabbiani (chorus master) (in 1998-06)
recorded at:
Auditorium Conciliazione in Roma (Rome), Roma, Lazio, Italy (in 1998-06)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1998-06)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:49
10Lohengrin, WWV 75: Akt III. Vorspiel zu Akt III
orchestra:
The Philadelphia Orchestra (in 1997-04)
conductor:
Christian Thielemann (German conductor) (in 1997-04)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1997-04)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel (in 1997-04)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner3:05
11Messiah, HWV 56, Pt 2: “Hallelujah”
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:35
12Die schöne Müllerin, op. 25, D. 795: Das Wandern
piano:
Justus Zeyen (pianist)
baritone vocals and bass-baritone vocals:
Thomas Quasthoff (bass-baritone)
recording of:
Die schöne Müllerin, D. 795: Nr. 1. Das Wandern
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Die schöne Müllerin, D. 795
Joseph Haydn2:32
13Songs of Travel: 3. The Roadside Fire
piano:
Malcolm Martineau (pianist)
baritone vocals and bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
recording of:
Songs of Travel: III. The Roadside Fire
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer) (from 1901 until 1904)
part of:
Songs of Travel
Ralph Vaughan Williams2:18
14Baba‐Yaga, op. 56
recording engineer:
Reinhard Lagemann (in 1994-04)
producer:
Christian Gansch (conductor) (in 1994-04)
editor:
Mark Bücker (recording engineer)
orchestra:
Russian National Orchestra (in 1994-04)
conductor:
Mikhail Pletnev (pianist & conductor) (in 1994-04)
balance engineer:
Rainer Maillard
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moscow Conservatory: The Grand Hall) in Moscow, Russia (in 1994-04)
recording of:
Baba-Yaga, op. 56 (in 1994-04)
composer:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer) (in 1905)
part of:
Works of Anatoly Lyadov by opus number (number: op. 56)
Anatoly Liadov3:27
15String Quartet in C, op. 59, no. 3 “Rasumovsky”: 4. Allegro molto
producer and balance engineer:
Max Wilcox (engineer/editor/producer)
cello:
David Finckel (in 1994-12)
string quartet:
Emerson String Quartet (in 1994-12)
viola:
Lawrence Dutton (violist) (in 1994-12)
violin:
Eugene Drucker (in 1994-12) and Philip Setzer (violinist) (in 1994-12)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1994-12)
edit of:
String Quartet op. 59, no. 3: IV. Allegro molto by Emerson String Quartet
recording of:
String Quartet no. 9 in C major, op. 59 no. 3: IV. Allegro molto (in 1994-12)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
String Quartet no. 9 in C major, op. 59 no. 3
Ludwig van Beethoven5:30
16Violin Sonata no. 7 in C minor, op. 30, no. 2: 3. Scherzo (Allegro)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer and editor:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1993-12)
violin:
Gidon Kremer (violinist) (in 1993-12)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Auditorium Stravinski in Montreux, Vaud (Canton of Vaud), Switzerland (in 1993-12)
recording of:
Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro (in 1993-12)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2
Ludwig van Beethoven3:34
17Nocturnes, L. 91 (Orchestral Version): 2. Fêtes
producer:
Karl-August Naegler (balance engineer)
orchestra:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (composer and conductor) (in 1993-03)
balance engineer:
Helmut Burk (in 1993-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1993-03)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (in 1993-03)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:32
3▼CD: Recorded 1992 – 1983
#TitleArtistRatingLength
1Thaïs: Acte II. Méditation
recording engineer:
Wolf‐Dieter Karwatky (from 1992-11-17 until 1992-11-18) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (from 1992-11-17 until 1992-11-18)
additional producer:
Werner Mayer (classical producer) (from 1992-11-17 until 1992-11-18)
co-producer:
Ewald Markl
executive producer:
Roger Wright (pianist)
violin:
Anne‐Sophie Mutter (violinist) (from 1992-11-17 until 1992-11-18)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1992-11-17 until 1992-11-18)
conductor:
James Levine (US conductor and pianist) (from 1992-11-17 until 1992-11-18)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 1992-11-17 until 1992-11-18)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1992-11)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet6:42
2La traviata: Atto II. “Lunge da lei” / “De’ miei bollenti spiriti”
recording engineer:
Wolfgang Mitlehner
executive producer:
Pål Christian Moe
producer:
Wolfgang Stengel
tenor vocals [Alfredo Germont]:
Luciano Pavarotti (tenor) (in 1991-06)
orchestra:
Metropolitan Opera Orchestra (in 1991-06)
conductor:
James Levine (US conductor and pianist) (in 1991-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1991-06)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi3:23
3Préludes, Book 1, L. 117: 10. La Cathédrale engloutie
producer and editor:
Helmut Burk
piano:
Krystian Zimerman (pianist) (in 1991-08)
balance engineer:
Helmut Burk (in 1991-08)
recorded at:
Kassel, Stadthalle, Festsaal in Kassel, Hessen (Hesse), Germany (in 1991-08)
live recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme (in 1991-08)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy7:17
4L’Arlésienne Suite no. 1, WD 40: Carillon
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-whun Chung (Myung-Whun Chung, pianist and conductor)
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:15
5Sieben frühe Lieder: 3. Die Nachtigall
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: III. Die Nachtigall (in 1991-12)
lyricist:
Theodor Storm
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
Alban Berg2:18
6String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: 3. Scherzo (Allegro molto)
string quartet:
Hagen Quartett (Hagen Quartet, Austrian string quartet) (in 1990-10)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1990-10)
recording of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: III. Scherzo (Allegro molto) (in 1990-10)
composer:
Franz Schubert (composer)
part of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”
Franz Schubert3:30
7Piano Sonata no. 15 in C, K. 545 “Facile”: 1. Allegro
producer:
Christopher Alder (editor/engineer/producer)
editor:
Thilo Grahmann
piano:
Maria João Pires (pianist) (in 1989-02)
balance engineer:
Helmut Burk (in 1989-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
Sonata for Piano no. 16 in C major, K. 545 “Sonata facile”: I. Allegro (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 1. Allegro) (in 1989-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
Wolfgang Amadeus Mozart4:12
8Peer Gynt, op. 23, Incidental Music, no. 8. In the Hall of the Mountain King
choir vocals:
Gösta Ohlin's Vocal Ensemble (in 1987-06) and Pro Musica Chamber Choir (Swedish choir) (in 1987-06)
spoken vocals:
Tor Stokke (in 1987-06)
vocals:
Tor Stokke
orchestra:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (Estonian conductor) (in 1987-06)
chorus master:
Gösta Ohlin (in 1987-06)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (in 1987-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
recording of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg52:50
912 Études for Piano, op. 8, no. 12 in D‐sharp minor
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer)
recording of:
12 études, op. 8: No. 12 in D-sharp minor
composer:
Александр Николаевич Скрябин (Alexander Scriabin, pianist and composer) (in 1894)
part of:
12 études, op. 8
Alexander Scriabin2:09
10Violin Sonata no. 26 in B‐flat major, K. 378: 2. Andantino sostenuto e cantabile
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
editor:
Klaus Behrens (engineer)
piano:
Daniel Barenboim (pianist and conductor) (in 1986-11)
violin:
Itzhak Perlman (violinist and conductor) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1986-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-11) and Performing Arts Center: Theatre C (Purchase College) in Purchase, Harrison, New York, United States (in 1986-11)
recording of:
Violin Sonata in B-flat major, K. 317d/378: II. Andantino sostenuto e cantabile (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Violin Sonata in B-flat major, K. 317d/378
Wolfgang Amadeus Mozart5:57
11Brandenburg Concerto no. 3 in G major, BWV 1048: 2. Allegro
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Wolfgang Mitlehner
violin:
Reinhard Goebel (violinist and conductor) (in 1986-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-06)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-06)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (in 1986-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach3:51
12Requiem, op. 48, 7. In paradisum
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor) (in 1986-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:46
13Viola da Gamba Sonata no. 2 in D major, BWV 1028: 2. Allegro
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1985-03)
piano:
Martha Argerich (Argentine pianist) (in 1985-03)
performer:
Martha Argerich (Argentine pianist) (in 1985-03) and Mischa Maisky (cellist) (in 1985-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1985-03)
recording of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028: II. Allegro (in 1985-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028
Johann Sebastian Bach3:54
14West Side Story: America
mezzo-soprano vocals:
Louise Edeiken (mezzo-soprano) and Tatiana Troyanos (mezzo-soprano)
soprano vocals:
Angelina Réaux (US soprano) and Stella Zambalis (spinto soprano)
recording of:
West Side Story: America (Anita, Shark Girls)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Jalni Publications Inc., Universal/MCA Music (music publisher; do not use as release label!) and The Leonard Bernstein Music Publishing Company LLC (in 1957)
part of:
West Side Story
Leonard Bernstein4:52
15Symphony no. 5 in F minor, op. 42 no.1 for Organ: 5. Toccata (Allegro)
miscellaneous support:
Dr. Gerd Ploebsch (engineer) (task: recording supervision)
engineer:
Hans‐Peter Schweigmann (engineer) (in 1983-09)
organ:
Simon Preston (organist, conductor, composer) (in 1983-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1984)
recorded at:
Westminster Abbey in London (Greater London), England, United Kingdom (in 1983-09)
recording of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata (in 1983-09)
composer:
Charles‐Marie Widor (French organist, composer and teacher) (in 1879)
part of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1
Charles‐Marie Widor5:29
16Symphony no. 4 in A major, op. 90, MWV N 16, “Italian”: 4. Saltarello (Presto)
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1983-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1983-06)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1983-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-06)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto (in 1983-06)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:09
17Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: 2. Adagio cantabile
producer:
Werner Mayer (classical producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1983-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1983-12)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (in 1983-12)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven5:21
4▼CD: Recorded 1982 – 1966
#TitleArtistRatingLength
1Brandenburg Concerto no. 2 in F major, BWV 1047: 3. Allegro assai
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
baroque trumpet:
Michael Laird (classical trumpeter) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
oboe:
David Reichenberg (oboist) (from 1982-03 until 1982-05)
treble recorder / alto recorder:
Philip Pickett (musician) (from 1982-03 until 1982-05)
violin:
Simon Standage (English violinist and conductor) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:01
2Piano Sonata no. 17 in D, K. 576: 1. Allegro
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Friedrich Gulda (pianist) (in 1978-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1978-09)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-09)
recording of:
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": I. Allegro (in 1978-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt"
Wolfgang Amadeus Mozart5:16
3Nutcracker Suite, op. 71a: Dance of the Reed‐Pipes (Mirlitons)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-06)
conductor:
Mstislav Rostropovich (cellist/conductor) (in 1978-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai (in 1978-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Pyotr Ilyich Tchaikovsky2:36
4Préludes Book 1, L. 117: 7. Ce qu’a vu le vent d’ouest
recording engineer:
Cord Garben (pianist and conductor)
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: VII. Ce qu'a vu le vent d'ouest. Animé et tumultueux (in 1978-06)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-07-26)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:39
5La Traviata: “Libiamo ne’lieti calici” (Brindisi)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera)
soprano vocals:
Ileana Cotrubaș (Romanian soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Carlos Kleiber (conductor)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:58
6Suite populaire espagnole: 6. Jota
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 4: Jota (catch-all for arrangements) (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
arrangement of:
Siete canciones populares españolas, G. 40, nº 4: Jota
Manuel de Falla3:00
7Nocturne
contralto vocals and mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Orchestre de Paris
conductor:
Daniel Barenboim (pianist and conductor)
recording of:
Nocturne, CFF 156
lyricist:
Louis de Fourcaud
composer:
César Franck (Belgian‐born French composer) (in 1884)
publisher:
International Music Corp.
part of:
Catalogue of the works of César Franck by Joël-Marie Fauquet (CFF) (number: CFF 156) and Franck Werke Verzeichnis (number: 85)
César Franck4:03
8Ancient Airs and Dances, Suite no. 3, P. 172: 1. Italiana
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Ancient Airs and Dances Suite no. 3: I. Italiana
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi2:51
9Prelude in A‐flat major, no. 18, op. 28: Allegretto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 17 in A‐flat major, op. 28: Allegretto (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin2:48
10Nabucco: ‘’Va, pensiero, sull’ali dorate’’
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1974-11)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1974-11)
conductor:
Claudio Abbado (conductor) (in 1974-11)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1974-11)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1974-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi34:20
11Partita for Violin Solo no. 3 in E major, BWV 1006: 1. Preludio
engineer:
Klaus Hiemann (engineer/producer)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973, in 1974-04)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio (in 1974-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach3:36
12Sinfonia in D major, WQ 183 no. 1: 3. Presto
producer:
Dr. Gerd Ploebsch (engineer)
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer) (in 1969-07)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in D major, Wq 183 no. 1, H 663: III. Presto (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in D major, Wq. 183 no. 1, H. 663
Carl Philipp Emanuel Bach2:46
13Fantasia in D minor, K. 397 – Andante – Adagio – Allegretto
piano:
Emil Gilels (pianist)
recording of:
Fantasia for Piano in D minor, K. 397/385g
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 385g), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 397), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 397) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 385g)
Wolfgang Amadeus Mozart6:15
14Symphony no. 4 in G major: 4. Sehr behaglich: ‘’Wir genießen die himmlischen Freuden’’
producer:
Hans Weber (producer/engineer)
soprano vocals:
Elsie Morison (soprano) (in 1968-04)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1968-04)
conductor:
Rafael Kubelík (conductor) (in 1968-04)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-04)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (in 1968-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler8:05
15Piano Sonata no. 11 in A major, K. 331: 3. Alla turca (Allegretto)
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
piano:
Christoph Eschenbach (pianist and conductor) (in 1967-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1967-05)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1967-05)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:34
16Recuerdos de la Alhambra
guitar:
Narciso Yepes (classical guitarist) (from 1967-09-26 until 1967-09-28)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1967-09-26 until 1967-09-28)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra) (from 1967-09-26 until 1967-09-28)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega3:12
17An die Musik, op. 88 no. 4, D. 547
producer:
Hans Ritter
piano:
Hubert Giesen (pianist) (from 1966-07-02 until 1966-07-05)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-07-02 until 1966-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1966-07-02 until 1966-07-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1966-07-02 until 1966-07-05)
recording of:
An die Musik, D. 547 (original, for solo voice and piano) (in 1966-07)
lyricist:
Franz von Schober (Austrian poet, librettist, lithographer, actor)
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)
Franz Schubert2:20
18Die Walküre, WWV 86b: Akt III. Magic Fire Music
producer:
Hans Weber (producer/engineer)
bass-baritone vocals [Wotan]:
Thomas Stewart (bass-baritone) (in 1966-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-08-25 until 1966-12-30, in 1966-12)
conductor:
Herbert von Karajan (conductor) (from 1966-08-25 until 1966-12-30, in 1966-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-08-25 until 1966-12-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-08-25 until 1966-12-30)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene III, Wotans Abschied und Feuerzauber (from 1966-08-25 until 1966-12-30)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
part of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach"
Richard Wagner3:49
5▼CD: Recorded 1966 – 1953
#TitleArtistRatingLength
1Vado, ma dove oh Dei!, K. 583
soprano vocals:
Gundula Janowitz (soprano) (in 1966-06)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1966-06)
conductor:
Wilfried Böttcher (conductor) (in 1966-06)
recording of:
Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!” (in 1966-06)
lyricist:
Lorenzo Da Ponte
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 583) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 583)
Wolfgang Amadeus Mozart4:41
22 Études de concert, S. 145: No. 1. Waldesrauschen
piano:
Géza Anda (Geza Anda, pianist) (in 1966-05)
recorded at:
Studio Rosenhügel in Wien (Vienna), Austria (in 1966-05)
recording of:
Zwei Konzertetüden, S. 145, Nr. 1: Waldesrauschen (in 1966-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
Franz Liszt3:33
3Locus iste, WAB 23
producer:
Wolfgang Lohse
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1966-06)
conductor:
Eugen Jochum (conductor) (in 1966-06)
chorus master:
Wolfgang Schubert (conductor) (in 1966-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1966-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-06)
recording of:
Locus iste, WAB 23 (in 1966-06)
composer:
Anton Bruckner (Austrian composer) (in 1869)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 23)
Anton Bruckner3:43
4Piano Sonata no. 29 in B‐flat major, op. 106 – “Hammerklavier”: 2. Scherzo. Assai vivace
producer:
Hans Weber (producer/engineer) (in 1964-01)
piano:
Wilhelm Kempff (pianist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1964-01)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1964-01)
recording of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": II. Scherzo. Assai vivace (in 1964-01)
composer:
Ludwig van Beethoven (German composer) (from 1817 until 1818)
part of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier" (Sonata for Piano no. 29 in B-flat major, op. 106 "Hammerklavier")
Ludwig van Beethoven2:41
5Symphony no. 3 in E‐flat major, op. 55 “Eroica” 3. Scherzo (Allegro vivace)
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-11-11 until 1962-11-15)
conductor:
Herbert von Karajan (conductor) (from 1962-11-11 until 1962-11-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-11-11 until 1962-11-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-11-11 until 1962-11-15)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (from 1962-11-11 until 1962-11-15)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven5:49
6Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude
recording engineer:
Karl-Heinz Schneider (producer) (in 1960-12)
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965) and Karl-Heinz Schneider (producer)
cello:
Pierre Fournier (cellist) (in 1960-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-12)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-12)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1960-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:48
7Symphony no. 4 in F minor, op. 36, TH. 27: 3. Scherzo. Pizzicato ostinato – Allegro
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Yevgeny Mravinsky (conductor) (in 1960-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1960-09-14 until 1960-09-15)
recording of:
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato (in 1960-09)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Ilyich Tchaikovsky5:55
8Himbeerernte (Arr. Schvedoff)
choir vocals:
Don Kosaken Chor Russland
solo vocals:
Georg Tymczenko
conductor:
Serge Jaroff
arranger:
Constantine Shvedoff
[traditional]2:37
9Études‐caprices for 2 Violins, op. 18: No. 5 in E major
violin:
David Oistrakh (violinist) (on 1957-04-19) and Igor Oistrakh (violinist) (on 1957-04-19)
recording of:
Étude-Caprice, op. 18 no. 5, in E major, Praeludium. Allegretto scherzando (on 1957-04-19)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 5)
part of:
Études-Caprices, op. 18
recording of:
Étude-Caprice, op. 18 no. 2, in E-flat major, Andante (for 2 violins)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 2)
part of:
Études-Caprices, op. 18
Henryk Wieniawski1:54
10Dichterliebe, op. 48: 7. Ich grolle nicht
executive producer:
Otto Gerdes (conductor and producer)
producer:
Karl Faust (producer) and Hans Ritter
piano:
Jörg Demus (pianist) (from 1957-02-07 until 1957-02-08, in 1965-05)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-02-07 until 1957-02-08, in 1965-05)
balance engineer:
Harald Baudis (sound engineer) and Hans‐Peter Schweigmann (engineer)
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien (Vienna), Austria (from 1957-02-07 until 1957-02-08) and UFA-Tonstudio in Berlin, Germany (in 1965-05)
recording of:
Dichterliebe, op. 48: VII. Ich grolle nicht (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
recording of:
Dichterliebe, op. 48: VII. Ich grolle nicht (in 1965-05)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:41
11Romeo and Juliet, Ballet Suite, op. 64a, no. 1: 7. Death of Tybalt
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1957-06)
conductor:
Lorin Maazel (conductor) (in 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-06)
recording of:
Romeo and Juliet Suite no. 1, op. 64bis: VII. Death of Tybalt (in 1957-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet Suite no. 1, op. 64bis
Prokofiev4:47
12Waldszenen, op. 82: 7. Vogel als Prophet
producer:
Wolfgang Lohse
editor:
Günter Hermanns (producer/engineer)
piano:
Sviatoslav Richter (pianist) (from 1956-11-26 until 1956-11-29)
balance engineer:
Alfred Steinke
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1956-11-26 until 1956-11-29)
recording of:
Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart (from 1956-11-26 until 1956-11-29)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann2:47
13Five Neapolitan Songs (1956) for Baritone and Chamber Orchestra: 1. Aggio saputo ca la morte vene
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Richard Kraus (conductor)
recording of:
Neapolitan Lieder: No. 1. Aggio saputo ca la morte vene
composer:
Hans Werner Henze (German composer) (in 1956)
part of:
Fünf neapolitanische Lieder
Hans Werner Henze1:52
14Serenade in G major, K. 525 “Eine kleine Nachtmusik” (Orchestral Version): 4. Rondo (Allegro)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
double bass:
Lenus Wilhelm (double bass player) (in 1956-12)
viola:
Dietrich Gerhardt (German violist) (in 1956-12)
violin:
Michel Schwalbé (Polish violinist) (in 1956-12) and Hanns-Joachim Westphal (violinist) (in 1956-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1956-12)
conductor:
Karl Böhm (Austrian conductor) (in 1956-12)
balance engineer:
Werner Wolf (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1956-12)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (in 1956-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:34
15Die Zauberflöte, K. 620, Akt II. “Der Hölle Rache kocht in meinem Herzen”
soprano vocals and soprano vocals [Königin der Nacht]:
Rita Streich (soprano)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Ferenc Fricsay (conductor)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:03
16Christmas Oratorio, BWV 248, Part Two, For the Second Day of Christmas: No. 15 Aria (Tenor): “Frohe Hirten, eilt, ach eilet”
tenor vocals:
Helmut Krebs (tenor) (from 1955-08-03 until 1955-08-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1955-08-03 until 1955-08-10)
conductor:
Fritz Lehmann (conductor) (from 1955-08-03 until 1955-08-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 1955-08-03 until 1955-08-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:48
17Symphonie fantastique, op. 14, H 48: 4. Marche au supplice (Allegretto non troppo)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1953-11-23 until 1953-11-29)
conductor:
Igor Markevitch (conductor) (from 1953-11-23 until 1953-11-29)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 1953-11-23 until 1953-11-29)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:27
6▶CD: Recorded 1952 – 1935
7▶CD: Recorded 1935 – 1897