120 Years Of Deutsche Grammophon – 120 Legendary Tracks – The Anniversary Edition

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Recorded 2017 – 2007
2▶CD: Recorded 2007- 1993
3▶CD: Recorded 1992 – 1983
4▶CD: Recorded 1982 – 1966
5▼CD: Recorded 1966 – 1953
#TitleArtistRatingLength
1Vado, ma dove oh Dei!, K. 583
soprano vocals:
Gundula Janowitz (soprano) (in 1966-06)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1966-06)
conductor:
Wilfried Böttcher (conductor) (in 1966-06)
recording of:
Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!” (in 1966-06)
lyricist:
Lorenzo Da Ponte
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 583) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 583)
Wolfgang Amadeus Mozart4:41
22 Études de concert, S. 145: No. 1. Waldesrauschen
piano:
Géza Anda (Geza Anda, pianist) (in 1966-05)
recorded at:
Studio Rosenhügel in Wien (Vienna), Austria (in 1966-05)
recording of:
Zwei Konzertetüden, S. 145, Nr. 1: Waldesrauschen (in 1966-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
Franz Liszt3:33
3Locus iste, WAB 23
producer:
Wolfgang Lohse
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1966-06)
conductor:
Eugen Jochum (conductor) (in 1966-06)
chorus master:
Wolfgang Schubert (conductor) (in 1966-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1966-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-06)
recording of:
Locus iste, WAB 23 (in 1966-06)
composer:
Anton Bruckner (Austrian composer) (in 1869)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 23)
Anton Bruckner3:43
4Piano Sonata no. 29 in B‐flat major, op. 106 – “Hammerklavier”: 2. Scherzo. Assai vivace
producer:
Hans Weber (producer/engineer) (in 1964-01)
piano:
Wilhelm Kempff (pianist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1964-01)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1964-01)
recording of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": II. Scherzo. Assai vivace (in 1964-01)
composer:
Ludwig van Beethoven (German composer) (from 1817 until 1818)
part of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier" (Sonata for Piano no. 29 in B-flat major, op. 106 "Hammerklavier")
Ludwig van Beethoven2:41
5Symphony no. 3 in E‐flat major, op. 55 “Eroica” 3. Scherzo (Allegro vivace)
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-11-11 until 1962-11-15)
conductor:
Herbert von Karajan (conductor) (from 1962-11-11 until 1962-11-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-11-11 until 1962-11-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-11-11 until 1962-11-15)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (from 1962-11-11 until 1962-11-15)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven5:49
6Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude
recording engineer:
Karl-Heinz Schneider (producer) (in 1960-12)
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965) and Karl-Heinz Schneider (producer)
cello:
Pierre Fournier (cellist) (in 1960-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-12)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-12)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1960-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:48
7Symphony no. 4 in F minor, op. 36, TH. 27: 3. Scherzo. Pizzicato ostinato – Allegro
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Yevgeny Mravinsky (conductor) (in 1960-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1960-09-14 until 1960-09-15)
recording of:
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato (in 1960-09)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Ilyich Tchaikovsky5:55
8Himbeerernte (Arr. Schvedoff)
choir vocals:
Don Kosaken Chor Russland
solo vocals:
Georg Tymczenko
conductor:
Serge Jaroff
arranger:
Constantine Shvedoff
[traditional]2:37
9Études‐caprices for 2 Violins, op. 18: No. 5 in E major
violin:
David Oistrakh (violinist) (on 1957-04-19) and Igor Oistrakh (violinist) (on 1957-04-19)
recording of:
Étude-Caprice, op. 18 no. 5, in E major, Praeludium. Allegretto scherzando (on 1957-04-19)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 5)
part of:
Études-Caprices, op. 18
recording of:
Étude-Caprice, op. 18 no. 2, in E-flat major, Andante (for 2 violins)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 2)
part of:
Études-Caprices, op. 18
Henryk Wieniawski1:54
10Dichterliebe, op. 48: 7. Ich grolle nicht
executive producer:
Otto Gerdes (conductor and producer)
producer:
Karl Faust (producer) and Hans Ritter
piano:
Jörg Demus (pianist) (from 1957-02-07 until 1957-02-08, in 1965-05)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1957-02-07 until 1957-02-08, in 1965-05)
balance engineer:
Harald Baudis (sound engineer) and Hans‐Peter Schweigmann (engineer)
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien (Vienna), Austria (from 1957-02-07 until 1957-02-08) and UFA-Tonstudio in Berlin, Germany (in 1965-05)
recording of:
Dichterliebe, op. 48: VII. Ich grolle nicht (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
recording of:
Dichterliebe, op. 48: VII. Ich grolle nicht (in 1965-05)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:41
11Romeo and Juliet, Ballet Suite, op. 64a, no. 1: 7. Death of Tybalt
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1957-06)
conductor:
Lorin Maazel (conductor) (in 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-06)
recording of:
Romeo and Juliet Suite no. 1, op. 64bis: VII. Death of Tybalt (in 1957-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet Suite no. 1, op. 64bis
Prokofiev4:47
12Waldszenen, op. 82: 7. Vogel als Prophet
producer:
Wolfgang Lohse
editor:
Günter Hermanns (producer/engineer)
piano:
Sviatoslav Richter (pianist) (from 1956-11-26 until 1956-11-29)
balance engineer:
Alfred Steinke
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1956-11-26 until 1956-11-29)
recording of:
Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart (from 1956-11-26 until 1956-11-29)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann2:47
13Five Neapolitan Songs (1956) for Baritone and Chamber Orchestra: 1. Aggio saputo ca la morte vene
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Richard Kraus (conductor)
recording of:
Neapolitan Lieder: No. 1. Aggio saputo ca la morte vene
composer:
Hans Werner Henze (German composer) (in 1956)
part of:
Fünf neapolitanische Lieder
Hans Werner Henze1:52
14Serenade in G major, K. 525 “Eine kleine Nachtmusik” (Orchestral Version): 4. Rondo (Allegro)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
double bass:
Lenus Wilhelm (double bass player) (in 1956-12)
viola:
Dietrich Gerhardt (German violist) (in 1956-12)
violin:
Michel Schwalbé (Polish violinist) (in 1956-12) and Hanns-Joachim Westphal (violinist) (in 1956-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1956-12)
conductor:
Karl Böhm (Austrian conductor) (in 1956-12)
balance engineer:
Werner Wolf (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1956-12)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (in 1956-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:34
15Die Zauberflöte, K. 620, Akt II. “Der Hölle Rache kocht in meinem Herzen”
soprano vocals and soprano vocals [Königin der Nacht]:
Rita Streich (soprano)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Ferenc Fricsay (conductor)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:03
16Christmas Oratorio, BWV 248, Part Two, For the Second Day of Christmas: No. 15 Aria (Tenor): “Frohe Hirten, eilt, ach eilet”
tenor vocals:
Helmut Krebs (tenor) (from 1955-08-03 until 1955-08-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1955-08-03 until 1955-08-10)
conductor:
Fritz Lehmann (conductor) (from 1955-08-03 until 1955-08-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 1955-08-03 until 1955-08-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:48
17Symphonie fantastique, op. 14, H 48: 4. Marche au supplice (Allegretto non troppo)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1953-11-23 until 1953-11-29)
conductor:
Igor Markevitch (conductor) (from 1953-11-23 until 1953-11-29)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 1953-11-23 until 1953-11-29)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:27
6▶CD: Recorded 1952 – 1935
7▶CD: Recorded 1935 – 1897