120 Years Of Deutsche Grammophon – 120 Legendary Tracks – The Anniversary Edition

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Recorded 2017 – 2007
2▼CD: Recorded 2007- 1993
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1Piano Sonata no. 28 in A major, op. 101: Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo)
piano:
Hélène Grimaud (French pianist)
recording of:
Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Sonata for Piano no. 28 in A major, op. 101
Ludwig van Beethoven4:02
2Bachianas Brasileiras no. 5, W. 389: Aria (Cantilena)
executive producer:
Christian Leins
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
arranger:
[anonymous] (special purpose artist)
balance engineer:
Hans‐Ulrich Bastin and Andrew Wedman (producer and engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-07)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (catch-all for arrangements) (in 2006-07)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1936)
arrangement of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
Heitor Villa‐Lobos6:19
3Die Schöpfung, Hob. XXI‐2, Erster Teil: 14. Chor und Terzett “Die Himmel erzählen die Ehre Gottes”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
instruments:
English Baroque Soloists (The English Baroque Soloists)
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-02-16 until 1995-02-21)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (from 1995-02-16 until 1995-02-21)
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:45
4Le nozze di Figaro, K. 492: Atto I. "Non so più cosa son, cosa faccio’’
recording engineer:
Wolf‐Dieter Karwatky (in 2005-12)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) (in 2005-12)
producer:
Marita Prohmann
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (in 2005-12)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2005-12)
orchestra:
Orchestra of the Age of Enlightenment (in 2005-12)
conductor:
Simon Rattle (conductor) (in 2005-12)
balance engineer:
Ulrich Vette (engineer) (in 2005-12)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2005-12)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 2005-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:38
5Organum
recording engineer:
Steve Parr
producer and mixer:
Max Richter (German pianist and score composer)
electronic instruments [electronics]:
Max Richter (German pianist and score composer)
performer:
Max Richter (German pianist and score composer)
recording of:
Organum
composer:
Max Richter (German pianist and score composer)
Max Richter3:15
6Annie’s Song (Arranged by Charles Gerhardt, Adapted by Craig Leon)
producer:
Craig Leon (musician, arranger, composer and producer)
flute:
James Galway (flautist) (in 2004-06)
orchestra:
London Symphony Orchestra (in 2004-06)
conductor:
Klauspeter Seibel (conductor) (in 2004-06)
arranger:
Charles Gerhardt (conductor, producer, arranger) and Craig Leon (musician, arranger, composer and producer)
balance engineer:
Jonathan Allen (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2004-06) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2004-06)
recording of:
Annie’s Song (John Denver song) (in 2004-06)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen, Colorado, United States (in 1973-01)
instrumental recording of:
Annie’s Song (John Denver song) (in 2004-06)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen, Colorado, United States (in 1973-01)
John Denver2:54
7Kinderszenen, op. 15: 7. Träumerei
piano:
Lang Lang (Chinese pianist) (in 2003-11)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 2003-11)
live recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 2003-11)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann3:23
8Violin Concerto no. 2 in E major, BWV 1042: 3. Allegro assai
assistant engineer:
Sherri Hendrickson (in 2002-10)
engineer:
Marc Stedman (in 2002-10)
producer:
Thomas Frost (classical music producer)
violin:
Hilary Hahn (violinist) (in 2002-10)
orchestra:
Los Angeles Chamber Orchestra (in 2002-10)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2002-10)
balance engineer:
Tom Lazarus (in 2002-10)
recorded at:
Zipper Hall in Los Angeles, California, United States (in 2002-10)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai (Violin Concerto in E major, BWV 1042: III. Allegro assai) (in 2002-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach2:23
9Requiem, op. 48: 4. Pie Jesu
organ:
Daniele Rossi (Italian organist) (in 1998-06)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1998-06)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano) (in 1998-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1998-06)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1998-06)
chorus master:
Roberto Gabbiani (chorus master) (in 1998-06)
recorded at:
Auditorium Conciliazione in Roma (Rome), Roma, Lazio, Italy (in 1998-06)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1998-06)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:49
10Lohengrin, WWV 75: Akt III. Vorspiel zu Akt III
orchestra:
The Philadelphia Orchestra (in 1997-04)
conductor:
Christian Thielemann (German conductor) (in 1997-04)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1997-04)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel (in 1997-04)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner3:05
11Messiah, HWV 56, Pt 2: “Hallelujah”
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:35
12Die schöne Müllerin, op. 25, D. 795: Das Wandern
piano:
Justus Zeyen (pianist)
baritone vocals and bass-baritone vocals:
Thomas Quasthoff (bass-baritone)
recording of:
Die schöne Müllerin, D. 795: Nr. 1. Das Wandern
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Die schöne Müllerin, D. 795
Joseph Haydn2:32
13Songs of Travel: 3. The Roadside Fire
piano:
Malcolm Martineau (pianist)
baritone vocals and bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
recording of:
Songs of Travel: III. The Roadside Fire
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer) (from 1901 until 1904)
part of:
Songs of Travel
Ralph Vaughan Williams2:18
14Baba‐Yaga, op. 56
recording engineer:
Reinhard Lagemann (in 1994-04)
producer:
Christian Gansch (conductor) (in 1994-04)
editor:
Mark Bücker (recording engineer)
orchestra:
Russian National Orchestra (in 1994-04)
conductor:
Mikhail Pletnev (pianist & conductor) (in 1994-04)
balance engineer:
Rainer Maillard
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moscow Conservatory: The Grand Hall) in Moscow, Russia (in 1994-04)
recording of:
Baba-Yaga, op. 56 (in 1994-04)
composer:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer) (in 1905)
part of:
Works of Anatoly Lyadov by opus number (number: op. 56)
Anatoly Liadov3:27
15String Quartet in C, op. 59, no. 3 “Rasumovsky”: 4. Allegro molto
producer and balance engineer:
Max Wilcox (engineer/editor/producer)
cello:
David Finckel (in 1994-12)
string quartet:
Emerson String Quartet (in 1994-12)
viola:
Lawrence Dutton (violist) (in 1994-12)
violin:
Eugene Drucker (in 1994-12) and Philip Setzer (violinist) (in 1994-12)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1994-12)
edit of:
String Quartet op. 59, no. 3: IV. Allegro molto by Emerson String Quartet
recording of:
String Quartet no. 9 in C major, op. 59 no. 3: IV. Allegro molto (in 1994-12)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
String Quartet no. 9 in C major, op. 59 no. 3
Ludwig van Beethoven5:30
16Violin Sonata no. 7 in C minor, op. 30, no. 2: 3. Scherzo (Allegro)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer and editor:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1993-12)
violin:
Gidon Kremer (violinist) (in 1993-12)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Auditorium Stravinski in Montreux, Vaud (Canton of Vaud), Switzerland (in 1993-12)
recording of:
Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro (in 1993-12)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2
Ludwig van Beethoven3:34
17Nocturnes, L. 91 (Orchestral Version): 2. Fêtes
producer:
Karl-August Naegler (balance engineer)
orchestra:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (composer and conductor) (in 1993-03)
balance engineer:
Helmut Burk (in 1993-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1993-03)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (in 1993-03)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:32
3▶CD: Recorded 1992 – 1983
4▶CD: Recorded 1982 – 1966
5▶CD: Recorded 1966 – 1953
6▶CD: Recorded 1952 – 1935
7▶CD: Recorded 1935 – 1897