120 Years Of Deutsche Grammophon – 120 Legendary Tracks – The Anniversary Edition

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Recorded 2017 – 2007
2▶CD: Recorded 2007- 1993
3▶CD: Recorded 1992 – 1983
4▼CD: Recorded 1982 – 1966
#TitleArtistRatingLength
1Brandenburg Concerto no. 2 in F major, BWV 1047: 3. Allegro assai
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
baroque trumpet:
Michael Laird (classical trumpeter) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
oboe:
David Reichenberg (oboist) (from 1982-03 until 1982-05)
treble recorder / alto recorder:
Philip Pickett (musician) (from 1982-03 until 1982-05)
violin:
Simon Standage (English violinist and conductor) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:01
2Piano Sonata no. 17 in D, K. 576: 1. Allegro
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Friedrich Gulda (pianist) (in 1978-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1978-09)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-09)
recording of:
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": I. Allegro (in 1978-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt"
Wolfgang Amadeus Mozart5:16
3Nutcracker Suite, op. 71a: Dance of the Reed‐Pipes (Mirlitons)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-06)
conductor:
Mstislav Rostropovich (cellist/conductor) (in 1978-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai (in 1978-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Pyotr Ilyich Tchaikovsky2:36
4Préludes Book 1, L. 117: 7. Ce qu’a vu le vent d’ouest
recording engineer:
Cord Garben (pianist and conductor)
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: VII. Ce qu'a vu le vent d'ouest. Animé et tumultueux (in 1978-06)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-07-26)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:39
5La Traviata: “Libiamo ne’lieti calici” (Brindisi)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera)
soprano vocals:
Ileana Cotrubaș (Romanian soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Carlos Kleiber (conductor)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:58
6Suite populaire espagnole: 6. Jota
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 4: Jota (catch-all for arrangements) (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
arrangement of:
Siete canciones populares españolas, G. 40, nº 4: Jota
Manuel de Falla3:00
7Nocturne
contralto vocals and mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Orchestre de Paris
conductor:
Daniel Barenboim (pianist and conductor)
recording of:
Nocturne, CFF 156
lyricist:
Louis de Fourcaud
composer:
César Franck (Belgian‐born French composer) (in 1884)
publisher:
International Music Corp.
part of:
Catalogue of the works of César Franck by Joël-Marie Fauquet (CFF) (number: CFF 156) and Franck Werke Verzeichnis (number: 85)
César Franck4:03
8Ancient Airs and Dances, Suite no. 3, P. 172: 1. Italiana
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Ancient Airs and Dances Suite no. 3: I. Italiana
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi2:51
9Prelude in A‐flat major, no. 18, op. 28: Allegretto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 17 in A‐flat major, op. 28: Allegretto (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin2:48
10Nabucco: ‘’Va, pensiero, sull’ali dorate’’
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1974-11)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1974-11)
conductor:
Claudio Abbado (conductor) (in 1974-11)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1974-11)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1974-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi34:20
11Partita for Violin Solo no. 3 in E major, BWV 1006: 1. Preludio
engineer:
Klaus Hiemann (engineer/producer)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973, in 1974-04)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio (in 1974-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach3:36
12Sinfonia in D major, WQ 183 no. 1: 3. Presto
producer:
Dr. Gerd Ploebsch (engineer)
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer) (in 1969-07)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in D major, Wq 183 no. 1, H 663: III. Presto (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in D major, Wq. 183 no. 1, H. 663
Carl Philipp Emanuel Bach2:46
13Fantasia in D minor, K. 397 – Andante – Adagio – Allegretto
piano:
Emil Gilels (pianist)
recording of:
Fantasia for Piano in D minor, K. 397/385g
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 385g), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 397), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 397) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 385g)
Wolfgang Amadeus Mozart6:15
14Symphony no. 4 in G major: 4. Sehr behaglich: ‘’Wir genießen die himmlischen Freuden’’
producer:
Hans Weber (producer/engineer)
soprano vocals:
Elsie Morison (soprano) (in 1968-04)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1968-04)
conductor:
Rafael Kubelík (conductor) (in 1968-04)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-04)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (in 1968-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler8:05
15Piano Sonata no. 11 in A major, K. 331: 3. Alla turca (Allegretto)
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
piano:
Christoph Eschenbach (pianist and conductor) (in 1967-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1967-05)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1967-05)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:34
16Recuerdos de la Alhambra
guitar:
Narciso Yepes (classical guitarist) (from 1967-09-26 until 1967-09-28)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1967-09-26 until 1967-09-28)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra) (from 1967-09-26 until 1967-09-28)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega3:12
17An die Musik, op. 88 no. 4, D. 547
producer:
Hans Ritter
piano:
Hubert Giesen (pianist) (from 1966-07-02 until 1966-07-05)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-07-02 until 1966-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1966-07-02 until 1966-07-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1966-07-02 until 1966-07-05)
recording of:
An die Musik, D. 547 (original, for solo voice and piano) (in 1966-07)
lyricist:
Franz von Schober (Austrian poet, librettist, lithographer, actor)
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)
Franz Schubert2:20
18Die Walküre, WWV 86b: Akt III. Magic Fire Music
producer:
Hans Weber (producer/engineer)
bass-baritone vocals [Wotan]:
Thomas Stewart (bass-baritone) (in 1966-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-08-25 until 1966-12-30, in 1966-12)
conductor:
Herbert von Karajan (conductor) (from 1966-08-25 until 1966-12-30, in 1966-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-08-25 until 1966-12-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-08-25 until 1966-12-30)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene III, Wotans Abschied und Feuerzauber (from 1966-08-25 until 1966-12-30)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
part of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach"
Richard Wagner3:49
5▶CD: Recorded 1966 – 1953
6▶CD: Recorded 1952 – 1935
7▶CD: Recorded 1935 – 1897