| # | Title | Artist | Rating | Length |
|---|
| A1 | I Say a Little Prayer | Aretha Franklin | | ?:?? |
| A2 | Walk On By- recording of:
- Walk On By
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control , JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. , Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- フジパシフィックミュージック BMG事業部 and フジパシフィックミュージック 第2事業部
- part of:
- Baby It’s You!
| Dionne Warwick | | ?:?? |
| A3 | I Heard It Through the Grapevine- producer:
- Norman Whitfield
- bass [1962 Fender Precision Bass]:
- James Jamerson (from 1967-02-03 until 1967-04-10)
- congas and tambourine:
- Jack Ashford (from 1967-02-03 until 1967-04-10)
- drums (drum set):
- Uriel Jones (from 1967-02-03 until 1967-04-10)
- French horn:
- Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
- guitar [1964 Gibson Firebird III]:
- Eddie Willis (from 1967-02-03 until 1967-04-10)
- guitar [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (from 1967-02-03 until 1967-04-10)
- Hammond organ [B-3]:
- Earl Van Dyke (from 1967-02-03 until 1967-04-10)
- instruments:
- The Funk Brothers (from 1967-02-03 until 1967-04-10)
- tom-tom:
- Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
- Wurlitzer electric piano:
- Johnny Griffith (from 1967-02-03 until 1967-04-10)
- background vocals:
- The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
- lead vocals:
- Marvin Gaye (from 1967-02-03 until 1967-04-10)
- orchestra:
- Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
- strings arranger:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- orchestrator:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- phonographic copyright (℗) by:
- Motown Record Company (in 1968)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
- cover recording of:
- I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music , Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
- cover recording of:
- I Heard It Through the Grapevine (on 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music , Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
| Marvin Gaye | 4.05 | ?:?? |
| A4 | I Was Made to Love Her- producer:
- Henry Cosby
- bass:
- James Jamerson (on 1967-03-31)
- electric sitar:
- Eddie Willis (on 1967-03-31)
- harmonica and lead vocals:
- Stevie Wonder (on 1967-03-31)
- instruments:
- The Funk Brothers (on 1967-03-31)
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1966) and Motown Record Corporation (in 1967)
- recorded at:
- Hitsville in Detroit, Michigan, United States (on 1967-03-31)
- recording of:
- I Was Made to Love Her (on 1967-03-31)
- writer:
- Henry Cosby, Lula Mae Hardaway , Sylvia Moy and Stevie Wonder
- publisher:
- Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽
| Stevie Wonder | 4.65 | ?:?? |
| A5 | Save the Last Dance for Me- recorded in:
- New York, New York, United States (on 1960-05-19)
- producer:
- Leiber and Stoller
- guitar:
- Billy Davis (on 1960-05-19)
- baritone vocals:
- Doc Green (on 1960-05-19)
- bass vocals:
- Elsbeary Hobbs (on 1960-05-19)
- lead vocals:
- Benny Nelson (on 1960-05-19)
- tenor vocals:
- Charlie Thomas (on 1960-05-19) and Johnny Williams (on 1960-05-19)
- conductor:
- Stan Applebaum (on 1960-05-19)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1988) and WEA International Inc. (in 1998)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 12) and Rolling Stone: 500 Greatest Songs of All Time (number: 182)
- recording of:
- Save the Last Dance for Me (on 1960-05-19)
- writer:
- Doc Pomus and Mort Shuman
- publisher:
- Hill and Range Southwind Mus S A , Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , Hill and Range Songs, Inc. (in 1974) and Trio Music (in 1974)
| The Drifters | 5 | ?:?? |
| A6 | My Girl- producer:
- Smokey Robinson and Ronald White
- bass:
- James Jamerson (from 1964-09-25 until 1964-11-17)
- drums (drum set):
- Benny Benjamin (from 1964-09-25 until 1964-11-17)
- guitar:
- Robert White (from 1964-09-25 until 1964-11-17)
- instruments:
- The Funk Brothers (from 1964-09-25 until 1964-11-17)
- strings:
- Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
- background vocals:
- Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (from 1964-09-25 until 1964-11-17) and Paul Williams (from 1964-09-25 until 1964-11-17)
- lead vocals:
- David Ruffin (from 1964-09-25 until 1964-11-17)
- performer:
- The Temptations (from 1964-09-25 until 1964-11-17)
- strings arranger:
- Paul Riser
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1964)
- recorded at:
- Hitsville in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
- part of:
- Billboard: The 500 Best Pop Songs (number: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone: 500 Greatest Songs of All Time (number: 88)
- recording of:
- My Girl (from 1964-09-25 until 1964-11-17)
- lyricist:
- Smokey Robinson
- composer:
- Smokey Robinson and Ronald White
- publisher:
- Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa , Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Temptations | 4.5 | ?:?? |
| A7 | The Tracks of My Tears | Smokey Robinson & The Miracles | 4.25 | ?:?? |
| A8 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
- recording of:
- (Sittin’ on) The Dock of the Bay
- composer:
- Steve Cropper and Otis Redding
- arranger:
- Oliver Lake
- arrangement of:
- (Sittin’ on) the Dock of the Bay
| Otis Redding | 4.45 | ?:?? |
| A9 | What Becomes of the Brokenhearted | Jimmy Ruffin | 4.65 | ?:?? |
| B1 | Stop! In the Name of Love | The Supremes | 4.15 | ?:?? |
| B2 | Be My Baby- miscellaneous support:
- Phil Spector (task: under license of)
- engineer:
- Larry Levine
- producer:
- Phil Spector
- vocals:
- Ronnie Spector (in 1963-07)
- performer:
- The Ronettes
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Phil Spector Records (in 1963)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 19), Rolling Stone: 500 Greatest Songs of All Time (number: 22) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 22)
- recording of:
- Be My Baby (in 1963-07)
- writer:
- Jeff Barry, Ellie Greenwich and Phil Spector
- publisher:
- ABKCO Music, Inc. , Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. and Trio Music Co., Inc. (in 1963)
- sub-publisher:
- ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan , Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Warner Tamerlane Publishing Corp. (in 1963), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Ronettes | 4.15 | ?:?? |
| B3 | Please Mr. Postman | The Marvelettes | | ?:?? |
| B4 | He Was Really Sayin’ Somethin’ | The Velvelettes | 4 | ?:?? |
| B5 | (Love Is Like a) Heat Wave | Martha Reeves & the Vandellas | | ?:?? |
| B6 | Reach Out I’ll Be There | Four Tops | 5 | ?:?? |
| B7 | Soul Man- recorded in:
- Memphis, Tennessee, United States (on 1967-08-10)
- producer:
- Isaac Hayes, David Porter and Jim Stewart
- instruments:
- Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
- lead vocals:
- Sam Moore (in 1967) and David Prater (in 1967)
- phonographic copyright (℗) by:
- HHO Recordings Ltd., WEA International Inc. (in 1966) and Atlantic Recording Corporation (in 1967)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 458)
- recording of:
- Soul Man (on 1967-08-10)
- writer:
- Isaac Hayes (in 1967) and David Porter (in 1967)
- publisher:
- EMI Music Publishing , Rondor Music (London) Ltd., Rondor Music Ltd. , Walden Music, Inc., Warner Chappell Music Ltd. , Warner Chappell North America, Almo Music Corp. (in 1986) and Walden Music Corp. (in 1986)
| Sam & Dave | 4.5 | ?:?? |
| B8 | Sweet Soul Music | Arthur Conley | 4 | ?:?? |
| B9 | Knock on Wood | Eddie Floyd | | ?:?? |
| B10 | In the Midnight Hour | Wilson Pickett | | ?:?? |
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