100 Chefs-d’œuvre de la musique classique

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Toccata BWV 565 (excerpt)
miscellaneous support:
Erich Thienhaus (task: production and recording supervision)
producer:
Erich Thienhaus
organ:
Helmut Walcha (German organist) (on 1956-09-17)
balance engineer:
Hansjoachim Reiser (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1959) and Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1956-09-17)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (on 1956-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach2:46
2Le Messie: Alléluia
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
vocals:
The John Alldis Choir
orchestra:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) and London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:06
3Concerto pour piano et orchestre No. 21, KV 467: Andante
recording engineer and producer:
Hans Weber (producer/engineer)
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
piano:
Géza Anda (Geza Anda, pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (Geza Anda, pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:18
4Le Beau Danube bleu, valse (excerpt)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II3:23
5Étude Op. 10, No. 3 "Tristesse"
producer:
Wolfgang Lohse
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1965-05)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965) and Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1965-05)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo (in 1965-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1832)
part of:
Études, op. 10
Frédéric Chopin4:10
6Cantate BWV 147, Choral "Jésus que ma joie demeure"
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) and Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:36
7Romances sans paroles, Chanson de printemps
recording engineer:
Hans‐Rudolf Müller (engineer)
executive producer:
Günther Breest (producer for classical music)
producer:
Cord Garben (pianist and conductor)
piano:
Daniel Barenboim (pianist and conductor) (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1973-06)
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1973-06)
recording of:
Lied ohne Worte A-Dur, op. 62 Nr. 6 (Song Without Words in A major, Op. 62 No. 6, Frühlingslied / Spring Song; original for piano) (in 1973-06)
composer:
Felix Mendelssohn (composer) (from 1842 until 1844)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 161)
part of:
Lieder ohne Worte, op. 62 (Songs Without Words, op. 62, for piano)
Felix Mendelssohn2:10
8Aida, Marche triomphale "Gloria all' Egitto"
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Grand March (catch-all for arrangements)
composer:
Giuseppe Verdi (Italian opera composer)
arrangement of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
Giuseppe Verdi5:12
9L'Amour sorcier, Danse rituelle du feu (excerpt)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Lorin Maazel (conductor)
edit of:
El Amor Brujo (Liebeszauber) - Balletsuite: Danza Ritual Del Fuego by Manuel De Falla (Spanish composer); Lorin Maazel (conductor), Orchestre Radio-Symphonique De Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
recording of:
El amor brujo: VIII. Danza ritual del fuego
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla2:05
10Suite bergamesque, Clair de lune
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-04)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1969-04)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy55:23
11Suite pour orchestre No. 2, BWV 1067: Badinerie
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (in 1960-06)
orchestra:
Munich Bach Orchestra (in 1960-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1960-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1960-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1960-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie (orch. Mahler) (in 1960-06)
orchestrator:
Gustav Mahler (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
part of:
Suite from Orchestral Works of Bach (orch. Mahler)
Johann Sebastian Bach1:33
12Rêve d'amour No. 3
recording engineer:
Rainer Hoepfner (engineer)
producer:
Werner Mayer (classical producer) and Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1980-04)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1980-04)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1980-04)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano) (in 1980-04)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:43
13Le Carnaval des animaux, Le Cygne
engineer:
Klaus Scheibe (editor/engineer)
producer:
Werner Mayer (classical producer)
cello:
Wolfgang Herzer (in 1974-10)
piano:
Alfons Kontarsky (pianist) and Aloys Kontarsky (pianist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) (in 1974-10)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:54
14Largo de Xerxes
engineer and balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04) and Edward Brewer (harpsichordist) (in 1990)
oboe:
Randall Wolfgang (oboist) (in 1989-04, in 1990)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (from 1989-04 to present, in 1989-04)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (from 1989-04 to present) and State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (in 1989-04)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel3:00
15Bagatelle "Pour Élise"
piano:
Anatol Ugorski (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven4:05
16Le Coucou
recording engineer:
Eiji Yoshioka (engineer) (in 1983)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1983)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Ongaku No Tomo (in 1983)
recording of:
Premier livre de clavecin: Troisième suite: I. Le coucou. Rondeau. Vif (The Cuckoo) (in 1983)
composer:
Louis‐Claude Daquin
part of:
Premier livre de clavecin: Troisième suite
Louis-Claude Daquin2:08
17Caprice Op. 1, No. 24 pour violon seul
recording engineer:
Klaus Behrens (engineer)
producer:
Werner Mayer (classical producer)
violin:
Salvatore Accardo (violinist and conductor) (in 1977-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1977-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-05)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto (in 1977-05)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini4:29
18Gianni Schicchi "O mio babbino caro"
soprano vocals:
Rita Streich (soprano)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Reinhard Peters (conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:14
19Vocalise
producer:
Wolfgang Stengel
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1983-03)
conductor:
Lorin Maazel (conductor) (in 1983-03)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1983-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1983-03)
recording of:
Vocalise, op. 34 no. 14 (arr. by composer for orchestra) (in 1983-03)
orchestrator:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1919)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
orchestration of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Сергей Васильевич Рахманинов5:33
20Scènes de la forêt, L'Oiseau prophète
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Cord Garben (pianist and conductor)
piano:
Wilhelm Kempff (pianist) (in 1973-02)
balance engineer:
Klaus Scheibe (editor/engineer)
recording of:
Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart (in 1973-02)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann3:28
21Samson et Dalila "Mon cœur s'ouvre à ta voix"
vocals:
Grace Bumbry (mezzo‐soprano)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Kulka János (János Kulka, conductor and composer)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns5:28
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