100 Chefs-d’œuvre de la musique classique

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Carmen, suite No. 1: Les Toréadors
orchestra:
Orchestre de l’Opéra de la Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1991-03)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1991-03)
recorded at:
Opéra Bastille in Paris, Île-de-France, France (in 1991-03)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (in 1991-03)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
part of:
Carmen Suite no. 2
Georges Bizet2:11
2Nabucco: Chœur des esclaves "Va pensiero"
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Wolfgang Stengel (in 1982-05)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1982-05, in 1983)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05, in 1983)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:58
3Concerto pour piano No. 1 (excerpt)
piano:
Lazar Berman (pianist) (in 1975-11)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1975-11)
conductor:
Herbert von Karajan (conductor) (in 1975-11)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed) (in 1975-11)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский3:48
4Symphonie No. 5: Adagietto
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1971-01)
conductor:
Rafael Kubelík (conductor) (in 1971, in 1971-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-01)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-01)
partial recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1971-01)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler2:27
5Sonate pour piano KV 331: Marche turque
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
piano:
Christoph Eschenbach (pianist and conductor) (in 1967-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1967-05)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1967-05)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:40
6Pomp & Circumstance March No. 1
orchestra:
Royal Philharmonic Orchestra (in 1975-06)
conductor:
Norman Del Mar (conductor) (in 1975-06)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (in 1975-06)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
recording of:
Pomp and Circumstance Marches, op. 39: March no. 1 in D major (catch‐all for arrangements)
composer:
Edward Elgar (composer) (in 1901)
arrangement of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
Sir Edward Elgar6:01
7La Flûte enchantée: Air de la Reine de la Nuit "Der Hölle Rache" (excerpt)
producer:
Wolfgang Lohse
soprano vocals [Die Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1955)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:09
8Asturias (excerpt)
guitar:
Narciso Yepes (classical guitarist)
recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
Isaac Albéniz2:37
9Gymnopédie No. 1
assistant sound engineer:
Hans‐Rudolf Müller (engineer)
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Arend Prohmann (producer / editor)
piano:
Jean‐Marc Luisada (pianist) (in 1994-07)
vocals:
Jeanne Moreau (in 1994-07)
performer:
Jean‐Marc Luisada (pianist)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1994-07)
recording of:
Première Gymnopédie: Lent et douloureux (catch-all for arrangements) (in 1994-07)
composer:
Erik Satie (French composer)
publisher:
Das Maschine GMBH, Hanseatic Musikverlag GmbH & Co. KG (2001–2017) and Londek Edition
arrangement of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie53:59
10Te Deum: Prélude. Rondo
recording engineer:
Jürgen Bulgrin (sound engineer)
engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Stephan Flock
orchestra:
Les Musiciens du Louvre (from 1997-03 to present, in 1997-03)
conductor:
Marc Minkowski (bassoonist and conductor) (from 1997-03 to present, in 1997-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1997-03 to present)
recording of:
Te Deum, H. 146: Prélude (in 1997-03)
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:22
11Valse "Minute" Op. 64, No. 1
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1965-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965) and Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1965-05)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (in 1965-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Frédéric Chopin1:42
12L'Arlésienne: Prélude
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Ferdinand Leitner (conductor)
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:02
13La Walkyrie: Chevauchée des Walkyries
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Werner Mayer (classical producer) (in 1983-01)
orchestra:
Orchestre de Paris (in 1983-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1983-01)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1983-01)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (in 1983-01)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1983-01)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:02
14L'Apprenti sorcier
orchestra:
Orchestre de Paris
conductor:
Daniel Barenboim (pianist and conductor)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas11:35
15Greensleeves
classical guitar and guitar:
Göran Söllscher (classical guitarist)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recording of:
Greensleeves (generic entry for traditional and unknown arrangements)
lyricist and composer:
[traditional] (special purpose artist)
recording of:
Greensleeves Divisions
composer:
Francis Cutting (composer and lutenist)
is based on:
Greensleeves
[unknown]3:40
16Madama Butterfly: "Un bel di vedremo"
producer:
Wolfgang Stengel
soprano vocals [Butterfly]:
Mirella Freni (soprano) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:06
17Concerto pour flûte et harpe KV 299: Andatino
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
flute:
Susan Palma (flutist) (in 1988-12)
harp:
Nancy Allen (harpist) (in 1988-12)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1988-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1988-12)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino (in 1988-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart7:48
18Symphonie No. 9, Op. 125: Final: Ode à la joie
bass vocals:
Karl Ridderbusch (operatic bass) (in 1970)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1970)
mezzo-soprano vocals:
Tatiana Troyanos (mezzo-soprano) (in 1970)
soprano vocals:
Gwyneth Jones (soprano) (in 1970)
tenor vocals:
Jess Thomas (tenor) (in 1970)
vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor) (in 1970)
recording of:
Ode an die Freude (Ode to Joy)
anthem of:
Europe (from 1972-01-19 to present)
composer:
Ludwig van Beethoven (German composer) (in 1824)
is based on:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven3:00