Ultimate Classical Relaxation: The Essential Masterpieces

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

BOX catalog no.: 478 0096
CD1 catalog no.: 478 0097
CD2 catalog no.: 478 0098
CD3 catalog no.: 478 0099
CD4 catalog no.: 478 0100
CD5 catalog no.: 478 0101

Anmerkung zuletzt geändert am 2022-05-17 05:55 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Suite no. 3 in D, BWV 1068: II. Air
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo:
Thurston Dart (conductor and keyboard player) (in 1970-12)
Orchester:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1970-12)
conductor:
Neville Marriner (conductor) (in 1970-12)
Tonmeister(in):
Stanley Goodall (engineer) (in 1970-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1970-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1970-12)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:14
2Liebster Jesu, wir sind hier, BWV 731
Klavier:
Alicia de Larrocha (pianist)
recording of:
Liebster Jesu, wir sind hier, BWV 731 (for piano, Cohen)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Klavier arranger:
Harriet Cohen (pianist)
Arrangement von:
Liebster Jesu, wir sind hier, BWV 731
Johann Sebastian Bach3:36
3Christmas Oratorio, BWV 248: Part Two, For the second Day of Christmas: No. 10. Sinfonia
recorded in:
Ludwigsburg, Baden-Württemberg, Deutschland (in 1966-09)
Orchester:
Stuttgart Chamber Orchestra (in 1966-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) und Karl Münchinger (German conductor) (in 1966-09)
aufgenommen bei:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Deutschland und Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1966-09)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1966-09)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:40
4Concerto for Harpsichord, Strings, and Continuo no. 2 in E, BWV 1053: Siciliano
Oboe:
Neil Black (oboist)
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
arranger:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Oboe Concerto in F major, BWV 1053R: II. Siciliano
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Oboe Concerto in F major, BWV 1053R
Johann Sebastian Bach5:11
5Prelude in E-flat minor
Techniker(in):
Arthur Lilley (engineer)
Produzent(in):
Raymond Few (Ray Few, producer)
Orchester:
Česká filharmonie (Tschechische Philharmonie, formerly Czech Philharmonic Orchestra) (von 1972-09-07 bis 1972-09-08)
conductor:
Leopold Stokowski (conductor) (von 1972-09-07 bis 1972-09-08)
arranger:
Leopold Stokowski (conductor)
aufgenommen bei:
Rudolfinum (House of Artists) in Praha (Prague), Tschechien (von 1972-09-07 bis 1972-09-08)
live recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude (orch. Stokowski) (von 1972-09-07 bis 1972-09-08)
Orchestrator(in):
Leopold Stokowski (conductor)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Orchestrierung von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude
Johann Sebastian Bach5:18
6Herz und Mund und Tat und Leben, Cantata BWV 147: VI. Choral: Jesu, joy of man's desiring
Klavier:
Julius Katchen (pianist) (in 1961-06)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1961-06)
recording of:
Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess) (in 1961-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Klavier arranger:
Dame Myra Hess (pianist)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:42
7Suite no. 2 in B minor, BWV 1067: III. Sarabande
Techniker(in):
Stanley Goodall (engineer)
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo:
Thurston Dart (conductor and keyboard player) (in 1970-12)
flute:
William Bennett (flautist) (in 1970-12)
Instrumente:
William Bennett (flautist) (in 1970-12)
Orchester:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
Tonmeister(in):
Stanley Goodall (engineer) (in 1970-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1970-12)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) (in 1970-12)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach3:05
8Suite no. 2 in B minor, BWV 1067: VI. Menuet - VII. Badinerie
Techniker(in):
Stanley Goodall (engineer)
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo:
Thurston Dart (conductor and keyboard player) (in 1970-12)
flute:
William Bennett (flautist) (in 1970-12)
Instrumente:
William Bennett (flautist)
Orchester:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
arranger:
Myra Hess (pianist)
Tonmeister(in):
Stanley Goodall (engineer) (in 1970-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1970-12)
Kompilation von:
Suite no. 2 in B minor, BWV 1067: VI. Minuet (1970 recording) von William Bennett (flautist), Thurston Dart (conductor and keyboard player), Academy of St Martin in the Fields, Sir Neville Marriner (conductor) und Orchestral Suite no. 2 in B minor, BWV 1067: VII: Badinerie (1970 recording) von William Bennett (flautist), Thurston Dart (conductor and keyboard player), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (in 1970-12)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1970-12)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2:43
9Brandenburg Concerto no. 4 in G, BWV 1049: I. Allegro
recorded in:
Ludwigsburg, Baden-Württemberg, Deutschland (von 1972-07 bis 1972-09)
flute:
Aurèle Nicolet (flutist) (von 1972-07 bis 1972-09) und Peter Reidemeister (Liner Notes author) (von 1972-07 bis 1972-09)
Geige / Violine:
Stoika Milanova (violinist) (von 1972-07 bis 1972-09)
Orchester:
Stuttgart Chamber Orchestra (von 1972-07 bis 1972-09)
conductor:
Karl Münchinger (German conductor) (von 1972-07 bis 1972-09)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (von 1972-07 bis 1972-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach7:36
10Wachet auf, ruft uns die Stimme, BWV 645 ('Sleepers, awake')
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (in 1958-05)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer) (in 1958-05)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1958-05)
recording of:
Wachet auf, ruft uns die Stimme, BWV 645 (Bantock orchestration) (in 1958-05)
Orchestrator(in):
Sir Granville Bantock (British composer)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orchestrierung von:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 645)
basiert auf:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
Teil von:
Sechs Choräle von verschiedener Art
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:35
11Cantata no. 22 "Jesus nahm zu sich die Zwölfe", BWV 22: XI. Sanctify us
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Klavier:
Alicia de Larrocha (pianist) (in 1977-06)
Tonmeister(in):
Colin Moorfoot (engineer)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1977-06)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte" (for piano, Cohen) (in 1977-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Harriet Cohen (pianist)
Arrangement von:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte"
Johann Sebastian Bach3:17
12Concerto for 2 Harpsichords, Strings, and Continuo in C minor, BWV 1060: II. Adagio
Cembalo:
Christopher Hogwood (conductor, harpsichordist) (in 1974-08) und Nicholas Kraemer (harpsichordist and conductor) (in 1974-08)
Geige / Violine:
Carmel Kaine (violinist) (in 1974-08)
Oboe:
Tess Miller (oboist) (in 1974-08)
Orchester:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1974-08)
conductor:
Sir Neville Marriner (conductor) (in 1974-08)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (von 1973 bis 1974, in 1974-08)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1974-08)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
basiert auf:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
Teil von:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach5:17
13Concerto for Harpsichord, Strings, and Continuo no. 7 in G minor, BWV 1058: II. Andante
Techniker(in):
Stanley Goodall (engineer)
Produzent(in):
Michael Haas (classical music producer)
Klavier:
András Schiff (pianist) (von 1989-01-24 bis 1989-01-26)
Orchester:
Chamber Orchestra of Europe (von 1989-01-24 bis 1989-01-26)
conductor:
András Schiff (pianist) (von 1989-01-24 bis 1989-01-26)
Interpret(in):
András Schiff (pianist)
phonographisches Urheberrecht (℗) von:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1990)
aufgenommen bei:
Konzerthaus: Großer Saal in Landstraße, Wien, Österreich (von 1989-01-24 bis 1989-01-26)
recording of:
Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058: II. Andante (von 1989-01-24 bis 1989-01-26)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058
Johann Sebastian Bach5:43
14Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: II. Largo ma non tanto
Geige / Violine:
Granville Jones (violinist) und Carl Pini (violinist)
Orchester:
Philomusica of London
conductor:
Thurston Dart (conductor and keyboard player)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach5:29
15Prelude and Fugue in C (WTK, Book I no. 1), BWV 846: Prelude
Klavier:
András Schiff (pianist) (in 1984-09)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1984-09)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1984-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 29)
Teil von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Revision von:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach1:55
16Was mir behagt, ist nur die muntre Jagd, Cantata BWV 208: Schafe können sicher weiden (Sheep may safely graze)
Produzent(in):
James Mallinson (producer)
Orchester:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1977-10)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (in 1977-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:36
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