Ultimate Classical Relaxation: The Essential Masterpieces

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

BOX catalog no.: 478 0096
CD1 catalog no.: 478 0097
CD2 catalog no.: 478 0098
CD3 catalog no.: 478 0099
CD4 catalog no.: 478 0100
CD5 catalog no.: 478 0101

Annotation last modified on 2022-05-17 05:55 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Suite no. 3 in D, BWV 1068: II. Air
producer:
Michael Bremner (producer/engineer)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1970-12)
conductor:
Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:14
2Liebster Jesu, wir sind hier, BWV 731
piano:
Alicia de Larrocha (pianist)
recording of:
Liebster Jesu, wir sind hier, BWV 731 (for piano, Cohen)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Harriet Cohen (pianist)
arrangement of:
Liebster Jesu, wir sind hier, BWV 731
Johann Sebastian Bach3:36
3Christmas Oratorio, BWV 248: Part Two, For the second Day of Christmas: No. 10. Sinfonia
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1966-09)
orchestra:
Stuttgart Chamber Orchestra (in 1966-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) and Karl Münchinger (German conductor) (in 1966-09)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany and Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1966-09)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1966-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:40
4Concerto for Harpsichord, Strings, and Continuo no. 2 in E, BWV 1053: Siciliano
oboe:
Neil Black (oboist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
arranger:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Oboe Concerto in F major, BWV 1053R: II. Siciliano
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe Concerto in F major, BWV 1053R
Johann Sebastian Bach5:11
5Prelude in E-flat minor
engineer:
Arthur Lilley (engineer)
producer:
Raymond Few (Ray Few, producer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
arranger:
Leopold Stokowski (conductor)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
live recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude (orch. Stokowski) (from 1972-09-07 until 1972-09-08)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
orchestration of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude
Johann Sebastian Bach5:18
6Herz und Mund und Tat und Leben, Cantata BWV 147: VI. Choral: Jesu, joy of man's desiring
piano:
Julius Katchen (pianist) (in 1961-06)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1961-06)
recording of:
Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess) (in 1961-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Dame Myra Hess (pianist)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:42
7Suite no. 2 in B minor, BWV 1067: III. Sarabande
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
flute:
William Bennett (flautist) (in 1970-12)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
instruments:
William Bennett (flautist) (in 1970-12)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach3:05
8Suite no. 2 in B minor, BWV 1067: VI. Menuet - VII. Badinerie
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
flute:
William Bennett (flautist) (in 1970-12)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
instruments:
William Bennett (flautist)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
arranger:
Myra Hess (pianist)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
compilation of:
Suite no. 2 in B minor, BWV 1067: VI. Minuet (1970 recording) by William Bennett (flautist), Thurston Dart (conductor and keyboard player), Academy of St Martin in the Fields, Sir Neville Marriner (conductor) and Orchestral Suite no. 2 in B minor, BWV 1067: VII: Badinerie (1970 recording) by William Bennett (flautist), Thurston Dart (conductor and keyboard player), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2:43
9Brandenburg Concerto no. 4 in G, BWV 1049: I. Allegro
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (from 1972-07 until 1972-09)
flute:
Aurèle Nicolet (flutist) (from 1972-07 until 1972-09) and Peter Reidemeister (Liner Notes author) (from 1972-07 until 1972-09)
violin:
Stoika Milanova (violinist) (from 1972-07 until 1972-09)
orchestra:
Stuttgart Chamber Orchestra (from 1972-07 until 1972-09)
conductor:
Karl Münchinger (German conductor) (from 1972-07 until 1972-09)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (from 1972-07 until 1972-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach7:36
10Wachet auf, ruft uns die Stimme, BWV 645 ('Sleepers, awake')
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (in 1958-05)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer) (in 1958-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-05)
recording of:
Wachet auf, ruft uns die Stimme, BWV 645 (Bantock orchestration) (in 1958-05)
orchestrator:
Sir Granville Bantock (British composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:35
11Cantata no. 22 "Jesus nahm zu sich die Zwölfe", BWV 22: XI. Sanctify us
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alicia de Larrocha (pianist) (in 1977-06)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-06)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte" (for piano, Cohen) (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Harriet Cohen (pianist)
arrangement of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte"
Johann Sebastian Bach3:17
12Concerto for 2 Harpsichords, Strings, and Continuo in C minor, BWV 1060: II. Adagio
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1974-08) and Nicholas Kraemer (harpsichordist and conductor) (in 1974-08)
oboe:
Tess Miller (oboist) (in 1974-08)
violin:
Carmel Kaine (violinist) (in 1974-08)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1974-08)
conductor:
Sir Neville Marriner (conductor) (in 1974-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973 until 1974, in 1974-08)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1974-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach5:17
13Concerto for Harpsichord, Strings, and Continuo no. 7 in G minor, BWV 1058: II. Andante
engineer:
Stanley Goodall (engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1989-01-24 until 1989-01-26)
orchestra:
Chamber Orchestra of Europe (from 1989-01-24 until 1989-01-26)
conductor:
András Schiff (pianist) (from 1989-01-24 until 1989-01-26)
performer:
András Schiff (pianist)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1990)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1989-01-24 until 1989-01-26)
recording of:
Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058: II. Andante (from 1989-01-24 until 1989-01-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058
Johann Sebastian Bach5:43
14Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: II. Largo ma non tanto
violin:
Granville Jones (violinist) and Carl Pini (violinist)
orchestra:
Philomusica of London
conductor:
Thurston Dart (conductor and keyboard player)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach5:29
15Prelude and Fugue in C (WTK, Book I no. 1), BWV 846: Prelude
piano:
András Schiff (pianist) (in 1984-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1984-09)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach1:55
16Was mir behagt, ist nur die muntre Jagd, Cantata BWV 208: Schafe können sicher weiden (Sheep may safely graze)
producer:
James Mallinson (producer)
orchestra:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (in 1977-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:36
2▼CD
#TitleArtistRatingLength
1Piano Concerto no. 21 in C, K. 467: II. Andante
producer:
Christopher Raeburn (producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1977-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1977-12)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1977-12)
balance engineer:
Andrew Pinder (in 1977-12) and Kenneth Wilkinson (engineer) (in 1977-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-12)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1977-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart8:00
2Divertimento in D, K. 334: III. Menuetto - Trio - Menuetto
conductor:
Willi Boskovsky (violinist and conductor) (in 1975)
performer:
Wiener Mozart Ensemble (recorded for Decca) (in 1975)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recording of:
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: III. Minuetto
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 17 in D major, K. 320b/334
Wolfgang Amadeus Mozart4:47
3Clarinet Concerto in A, K. 622: II. Adagio
producer:
Christopher Raeburn (producer)
clarinet:
Alfred Prinz (clarinetist) (from 1962-09-16 until 1962-09-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1962-09-16 until 1962-09-21)
conductor:
Karl Münchinger (German conductor) (from 1962-09-16 until 1962-09-21)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1962-09-16 until 1962-09-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1963)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1962-09-16 until 1962-09-21)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (from 1962-09-16 until 1962-09-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:19
4Piano Sonata no. 16 in C, K. 545 "Sonata facile": II. Andante
engineer:
Arthur Lilley (engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1980-02-01 until 1980-02-03)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1981)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1980-02-01 until 1980-02-03)
recording of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": II. Andante (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 2. Andante) (from 1980-02-01 until 1980-02-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
Wolfgang Amadeus Mozart5:25
5Violin Concerto no. 3 in G, K. 216: II. Adagio
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
orchestra:
Academy of St Martin in the Fields
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
Wolfgang Amadeus Mozart8:13
6Serenade in G, K. 525 "Eine kleine Nachtmusik": II. Romance (Andante)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Mozart Ensemble (recorded for Decca) (in 1968-10)
conductor:
Willi Boskovsky (violinist and conductor) (in 1968-10)
balance engineer:
Gordon Parry (engineer) (in 1968-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (in 1968-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:49
7Concerto for Flute, Harp, and Orchestra in C, K. 299: II. Andantino
producer:
Christopher Raeburn (producer)
flute:
Werner Tripp (flute player) (from 1962-09-16 until 1962-09-21)
harp:
Hubert Jellinek (from 1962-09-16 until 1962-09-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1962-09-16 until 1962-09-21)
conductor:
Karl Münchinger (German conductor) (from 1962-09-16 until 1962-09-21)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1962-09-16 until 1962-09-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1962-09-16 until 1962-09-21)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino (from 1962-09-16 until 1962-09-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart8:28
8Piano Sonata no. 12 in F, K. 332: II. Adagio
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1980-02-01 until 1980-02-03)
balance engineer:
Arthur Lilley (engineer) (from 1980-02-01 until 1980-02-03)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1981)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1980-02-01 until 1980-02-03)
recording of:
Sonata for Piano no. 12 in F major, K. 300k/332: II. Adagio (from 1980-02-01 until 1980-02-03)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 12 in F major, K. 300k/332
Wolfgang Amadeus Mozart4:51
9Clarinet Quintet in A, K. 581: II. Larghetto
clarinet:
Alfred Boskovsky (clarinetist)
strings:
Members of the Wiener Oktett
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart6:29
10Sinfonia concertante for Violin, Viola and Orchestra in E-flat, K. 364: II. Andante
producer:
Chris Hazell
viola:
Josef Suk (violinist/conductor, 1929–2011) (from 1983-07-15 until 1983-07-16)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1983-07-15 until 1983-07-16)
orchestra:
Academy of St Martin in the Fields (from 1983-07-15 until 1983-07-16)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1983-07-15 until 1983-07-16)
balance engineer:
Stanley Goodall (engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1983-07-15 until 1983-07-16)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: II. Andante (from 1983-07-15 until 1983-07-16)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart11:07
11Divertimento in D, K. 205: Adagio
instruments:
Wiener Mozart Ensemble (recorded for Decca)
conductor:
Willi Boskovsky (violinist and conductor)
recording of:
Divertimento no. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: III. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 7 for 2 Horns, Bassoon & Strings in D major, K. 167a/205
Wolfgang Amadeus Mozart4:42
3▼CD
#TitleArtistRatingLength
1Romeo and Juliet, Fantasy Overture: Love Theme
producer:
John Culshaw (in 1960-06) and Erik Smith (British producer, pianist and harpsichordist) (in 1960-06)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
partial recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) (in 1960-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky33:12
2Serenade for Strings in C, op. 48: II. Walzer: Moderato (Tempo di valse)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1968-04)
conductor:
Neville Marriner (conductor) (in 1968-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1968-04)
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse (in 1968-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Pyotr Ilyich Tchaikovsky3:37
3None but the lonely heart, op. 6 no. 6 (Nyet, tolko tot, kto znal)
recorded in:
London (Greater London), England, United Kingdom
producer:
Raymond Few (Ray Few, producer)
violin:
Josef Sakonov
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
conductor:
Josef Sakonov
arranger:
Sidney Sax (violinist)
recording of:
6 Romances, op. 6: No. 6. Нет, только тот, кто знал / None but the Lonely Heart (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
arrangement of:
6 Romances, op. 6, no. 6: None but the Lonely Heart (Нет, только тот, кто знал) (6 Romances, Op. 6: No. 6. None but the Lonely Heart, original for voice and piano)
Pyotr Ilyich Tchaikovsky3:30
4Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I
recording engineer and balance engineer:
Kenneth Wilkinson (engineer) (in 1963-04)
producer:
Ray Minshull (record producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1963-04-06 until 1963-04-07)
orchestra:
London Symphony Orchestra (from 1963-04-06 until 1963-04-07)
conductor:
Lorin Maazel (conductor) (from 1963-04-06 until 1963-04-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1963-04-06 until 1963-04-07)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed) (from 1963-04-06 until 1963-04-07)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky6:48
5Sextet in D minor, op. 70 "Souvenir de Florence" (Version for Orchestra): II. Adagio cantabile e con moto
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1968-04)
conductor:
Sir Neville Marriner (conductor) (in 1968-04)
balance engineer:
Kenneth Wilkinson (engineer) (in 1968-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1968-04)
recording of:
Souvenir de Florence in D minor, op. 70: II. Adagio cantabile e con moto (in 1968-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1890-06 until 1890-07)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1891-11 until 1892-01)
part of:
Souvenir de Florence in D minor, op. 70
Pyotr Ilyich Tchaikovsky8:04
6Nutcracker Suite, op. 71a: Dance of the Sugar-Plum Fairy
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1961-09-05 until 1961-09-22)
conductor:
Herbert von Karajan (conductor) (from 1961-09-05 until 1961-09-22)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1961-09-05 until 1961-09-22) and Gordon Parry (engineer) (from 1961-09-05 until 1961-09-22)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1961-09-05 until 1961-09-22)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (from 1961-09-05 until 1961-09-22)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:39
7String Quartet no. 1 in D, op. 11 (Version for Orchestra): II. Andante cantabile
producer:
Michael Williamson (classical music producer)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (in 1958-05)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer) (in 1958-05)
balance engineer:
Kenneth Wilkinson (engineer) (in 1958-05)
recording of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile (catch-all for arrangements) (in 1958-05)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1871)
arrangement of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile
Pyotr Ilyich Tchaikovsky8:21
8Chant sans paroles, op. 40 no. 6
recording engineer:
Arthur Lilley (engineer) (on 1972-06-15)
producer:
Raymond Few (Ray Few, producer) and Tim McDonald (producer)
orchestra:
London Symphony Orchestra (on 1972-06-15)
conductor:
Leopold Stokowski (conductor) (on 1972-06-15)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1972-06-15)
live recording of:
Chant sans paroles (orch. by Stokowski) (on 1972-06-15)
orchestrator:
Leopold Stokowski (conductor)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
orchestration of:
12 pieces, op. 40 no. 6: Chant sans paroles (for piano)
Pyotr Ilyich Tchaikovsky3:24
9Nutcracker Suite, op. 71a: Dance of the Reed-Pipes (Merlitons)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1961-09-05 until 1961-09-22)
conductor:
Herbert von Karajan (conductor) (from 1961-09-05 until 1961-09-22)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1961-09-05 until 1961-09-22) and Gordon Parry (engineer) (from 1961-09-05 until 1961-09-22)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1961-09-05 until 1961-09-22)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai (from 1961-09-05 until 1961-09-22)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky2:36
10Elegie in G for strings
engineer and producer:
Paul Myers (classical record producer)
orchestra:
Royal Philharmonic Orchestra (in 1987-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1987-10)
balance engineer:
Colin Moorfoot (engineer) (in 1987-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-10)
recording of:
Elegie in G for Strings (in 1987-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1884-11)
dedicated to:
Иван Васильевич Самарин
premiered at:
[Ivan Samarin's Jubilee Concert] (1884-12-28)
publisher:
P. Jurgenson (in 1890)
part of:
The Tchaikovsky Handbook (number: TH 51) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 48)
Pyotr Ilyich Tchaikovsky8:05
11Valse sentimentale, op. 51 no. 6
producer:
Christopher Raeburn (producer)
piano:
Phillip Moll (pianist) (in 1985-10)
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1985-10)
balance engineer:
Simon Eadon (classical music engineer) (in 1985-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1985-10)
recording of:
6 Pieces, op. 51 no. 6: Valse sentimentale (for violin and piano, arr. Press) (in 1985-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
arranger:
Михаил Пресс (Michael Press, Russian-American violinist, conductor and music educator)
arrangement of:
6 Pieces, op. 51 no. 6: Valse sentimentale (for piano)
Pyotr Ilyich Tchaikovsky2:31
12Suite for Orchestra no. 4 in G, op. 61 "Mozartiana": III. Preghiera
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": III. Preghiera: Andante non tanto
composer:
Franz Liszt (Hungarian composer, pianist and conductor) and Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1887)
orchestration of:
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version)
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
Pyotr Ilyich Tchaikovsky5:15
13Swan Lake, op. 20 Suite: IV. Scene
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1965-03-15 until 1965-03-19)
conductor:
Herbert von Karajan (conductor) (from 1965-03-15 until 1965-03-19)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1965-03-15 until 1965-03-19) and Gordon Parry (engineer) (from 1965-03-15 until 1965-03-19)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1965-03-15 until 1965-03-19)
recording of:
The Swan Lake (suite from the ballet), op. 20a: IV. Scène (from 1965-03-15 until 1965-03-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky6:35
14The Sleeping Beauty, op. 66 - Suite: Panorama (Act 2)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1965-03-15 until 1965-03-19)
conductor:
Herbert von Karajan (conductor) (from 1965-03-15 until 1965-03-19)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1965-03-15 until 1965-03-19) and Gordon Parry (engineer) (from 1965-03-15 until 1965-03-19)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1965-03-15 until 1965-03-19)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama (from 1965-03-15 until 1965-03-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Acte II, no. 17. Panorama
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte II
Pyotr Ilyich Tchaikovsky3:36
15Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-04)
conductor:
Lorin Maazel (conductor) (in 1964-04)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1964-04)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia (in 1964-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky7:01
4▼CD
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1Adagio for Strings and Organ in G minor
organ:
Alastair Ross (organist and harpsichordist)
violin:
Simon Standage (English violinist and conductor)
orchestra:
Richard Hickox Orchestra
conductor:
Richard Hickox (conductor)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni9:03
2Kol Nidrei, op. 47: Adagio on Hebrew Melodies for Cello and Orchestra (Adagio ma non troppo)
engineer and balance engineer:
Stanley Goodall (engineer)
producer:
Paul Myers (classical record producer)
cello:
Lynn Harrell (cellist) (in 1982-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1982-02)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1982-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982, in 1982-02)
recording of:
Kol Nidrei, op. 47 (in 1982-02)
composer:
Max Bruch (composer and conductor) (in 1880-07)
dedicated to:
Robert Hausmann
part of:
Works of Max Bruch by opus number (number: op. 47)
recording of:
Kol Nidrei, op. 47 (in 1982)
composer:
Max Bruch (composer and conductor) (in 1880-07)
dedicated to:
Robert Hausmann
part of:
Works of Max Bruch by opus number (number: op. 47)
Max Bruch10:16
3Symphony no. 5 in C-sharp minor: IV. Adagietto (Sehr langsam)
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic (in 1976-04)
conductor:
Zubin Mehta (conductor) (in 1976-04)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-04) and James Lock (James Locke, engineer) (in 1976-04)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1976-04)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1976-04)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler49:46
4Concierto de Aranjuez for Guitar and Orchestra: II. Adagio
classical guitar [Spanish guitar]:
Carlos Bonell (classical guitarist)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada
recording of:
Concierto de Aranjuez: II. Adagio (ended)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo10:58
5Adagio for Strings, op. 11
engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1976-10)
conductor:
Sir Neville Marriner (conductor) (in 1976-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-10)
recording of:
Adagio for Strings (in 1976-10)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber8:49
6Adagio for Clarinet and String Quintet
engineer:
James Brown (Decca engineer, 1960s) (in 1961-04)
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Nikolaus Hübner (cellist) (in 1961-04)
clarinet:
Alfred Boskovsky (clarinetist) (in 1961-04)
double bass:
Johann Krump (double bass player) (in 1961-04)
instruments:
Members Of The Wiener Oktett (in 1961-04)
viola:
Günther Breitenbach (violist) (in 1961-04)
violin:
Anton Fietz (violinist) (in 1961-04) and Philipp Matheis (Austrian violinist) (in 1961-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-04)
recording of:
Quintet for Clarinet and Strings no. 3, op. 23: II. Adagio (in 1961-04)
composer:
Heinrich Baermann (German clarinetist and composer)
previously attributed to:
Richard Wagner (composer)
part of:
Quintet for Clarinet and Strings no. 3, op. 23
Heinrich Baermann4:48
7Le Carnaval des Animaux: Le Cygne
producer:
John Mordler (producer)
cello:
Jascha Silberstein (cellist) (in 1969-12)
harp:
Marie Goossens (UK harpist) (in 1969-12)
balance engineer:
Kenneth Wilkinson (engineer) (in 1969-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1969-12)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (in 1969-12)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns3:24
8Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-11-21 until 1966-12-03)
conductor:
István Kertész (conductor) (from 1966-11-21 until 1966-12-03)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-11-21 until 1966-12-03)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo) (from 1966-11-21 until 1966-12-03)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák12:35
9Méditation de Thaïs
producer:
John Mordler (producer)
violin:
John Georgiadis (in 1969-12)
orchestra:
London Symphony Orchestra (in 1969-12)
conductor:
Richard Bonynge (conductor and pianist) (in 1969-12)
balance engineer:
Kenneth Wilkinson (engineer) (in 1969-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1969-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1969-12)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet5:48
5▼CD
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1Peer Gynt Suite no. 1, op. 46: I. Morning mood
producer:
John Culshaw
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1961-09-05 until 1961-09-22)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:01
2Wachet auf, ruft uns die Stimme, BWV 645 ('Sleepers, awake')
organ:
Peter Hurford (organist)
recorded at:
Church of Our Lady of Sorrows (Toronto) in Toronto, Ontario, Canada
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (from 1974 until 1986)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach5:16
3Florida - Suite for orchestra: I. Daybreak
choir vocals:
Welsh National Opera Chorus
orchestra:
Orchestra of the Welsh National Opera (in 1990-08)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1990-08)
chorus master:
Andrew Greenwood (conductor)
recording of:
Florida Suite, RT vi/1: I. Daybreak (in 1990-08)
composer:
Frederick Delius (English composer)
part of:
Florida Suite, RT vi/1
Frederick Delius12:30
4Neblina
classical guitar and guitar:
Eduardo Fernández (guitarist)
recording of:
Neblina
composer:
Andrés Segovia (guitarist)
Andrés Segovia1:55
5Aladdin, Concert Suite: II. Aladdin's Dream and Dance of the Morning Mist
engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
San Francisco Symphony Chorus (from 1989-05-30 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-05-30 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-05-30 until 1989-06-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-05-30 until 1989-06-03)
recording of:
Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist (from 1989-05-30 until 1989-06-03)
composer:
Carl Nielsen (Danish composer) (in 1919)
part of:
Aladdin Suite, op. 34
Carl Nielsen2:56
6Morgenblätter, op. 279
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1972-04)
conductor:
Willi Boskovsky (violinist and conductor) (in 1972-04)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1972-04)
recording of:
Morgenblätter, op. 279 (in 1972-04)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 279)
Johann Strauss II9:27
7Early one morning
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Early One Morning
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Roud Folk Song Index (number: 12682)
[anonymous]2:44
8Daphnis & Chloë - Suite no. 2: I. Lever du jour
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Daphnis et Chloé, Suite no. 2: I. Lever du jour
composer:
Maurice Ravel (French composer) (from 1909 until 1912)
publisher:
Durand S.A. Editions Musicales (1909–1947)
part of:
Daphnis et Chloé, Suite no. 2
Maurice Ravel4:58
9Symphony no. 6 in D major, Hob.I:6 "Le Matin": II. Adagio
orchestra:
Philharmonia Hungarica
conductor:
Antal Doráti (conductor)
recording of:
Symphony no. 6 in D major, Hob. I:6 “Le Matin”: II. Adagio - Andante - Adagio
composer:
Joseph Haydn (composer) (in 1761)
part of:
Symphony no. 6 in D major, Hob. I:6 “Le Matin”
Joseph Haydn8:05
10Chanson de Matin, op. 15 no. 2
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recording of:
Chanson de matin, op. 15 no. 2 (for orchestra)
orchestrator and composer:
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
arrangement of:
Chanson de matin, op. 15 no. 2 (for violin and piano)
Sir Edward Elgar3:22
11Scottish Fantasy, op. 46: Introduction - Grave - Adagio cantabile
recording engineer:
James Lock (James Locke, engineer) (in 1972-05)
producer:
Ray Minshull (record producer)
violin:
Kyung Wha-Chung (Kyung-Wha Chung, violinist) (from 1972-05-15 until 1972-05-20)
orchestra:
Royal Philharmonic Orchestra (from 1972-05-15 until 1972-05-20)
conductor:
Rudolf Kempe (conductor) (from 1972-05-15 until 1972-05-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-15 until 1972-05-20)
recording of:
Scottish Fantasy in E-flat major, op. 46: I. Introduction. Grave - Adagio cantabile (from 1972-05-15 until 1972-05-20)
composer:
Max Bruch (composer and conductor) (from 1879 until 1880)
part of:
Scottish Fantasy in E-flat major, op. 46
Max Bruch8:13
12Chants d'Auvergne (Series 5): VII. Uno jionto postouro
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
English Chamber Orchestra
conductor:
Jeffrey Tate (conductor)
recording of:
Chants d'Auvergne: Cinquième Série: No. 7. Uno jionto postouro
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Cinquième Série
Joseph Canteloube3:12
13La Gioconda, Act 3: Dance of the Hours
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Bruno Bartoletti (conductor)
recording of:
La Gioconda: Atto III, scena 2. Danza delle ore
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli7:46