Ultimate Sinatra: The Centennial Collection

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, 16 vorhanden)

Titelliste

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1▼Digitales Medium
Nr.TitelBewertungLänge
1All or Nothing at All (78 RPM version)
recorded in:
New York, Vereinigte Staaten (am 1939-08-31)
alto saxophone:
Claude Lakey (am 1939-08-31) und Dave Matthews (jazz saxophonist) (am 1939-08-31)
Gitarre:
Red Kent (am 1939-08-31)
Klavier:
Jack Gardner (piano) (am 1939-08-31)
Kontrabass:
Thurman Teague (Jazz bassist) (am 1939-08-31)
Posaune:
Russell Brown (Swing trombonist) (am 1939-08-31), Truett Jones (Jazz trombonist) (am 1939-08-31) und Dalton Rizzotto (Jazz trombonist) (am 1939-08-31)
Schlagzeug:
Ralph Hawkins (jazz drummer) (am 1939-08-31)
Tenorsaxophon:
Bill Luther (Jazz saxophonist) (am 1939-08-31) und Drew Page (am 1939-08-31)
Trompete:
Claude Bowen (am 1939-08-31), Harry James (US big band leader, trumpeter & actor) (am 1939-08-31), Jack Palmer (jazz trumpeter and singer) (am 1939-08-31) und Jack Schaeffer (am 1939-08-31)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1939-08-31)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1939-08-31)
Orchester:
Harry James and His Orchestra (am 1939-08-31)
conductor:
Harry James (US big band leader, trumpeter & actor) (am 1939-08-31)
arranger:
Andy Gibson (trumpet, arranger, composer) (am 1939-08-31)
recording of:
All or Nothing at All (am 1939-08-31)
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Arthur Altman und Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
32:58
2I’ll Never Smile Again
Gitarre:
Clark Yocum (am 1940-05-23)
Klavier:
Joe Bushkin (am 1940-05-23)
Kontrabass:
Sid Weiss (am 1940-05-23)
Posaune:
George Arus (am 1940-05-23), Les Jenkins (am 1940-05-23) und Lowell Martin (jazz trombonist) (am 1940-05-23)
Saxophon:
Don Lodice (am 1940-05-23), Paul Mason (jazz saxophonist) (am 1940-05-23), Johnny Mince (am 1940-05-23), Hymie Shertzer (am 1940-05-23) und Fred Stulce (am 1940-05-23)
Schlagzeug:
Buddy Rich (am 1940-05-23)
Trompete:
Bunny Berigan (am 1940-05-23), Jimmy Blake (jazz trumpeter) (am 1940-05-23), Leon Dubrow (am 1940-05-23) und Ray Linn (am 1940-05-23)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1940-05-23)
Orchester:
Tommy Dorsey and His Orchestra (am 1940-05-23)
conductor:
Tommy Dorsey (swing trombone player & band leader) (am 1940-05-23)
arranger:
Fred Stulce
aufgenommen bei:
RCA Studio 2 in New York, New York, Vereinigte Staaten (am 1940-05-23)
recording of:
I’ll Never Smile Again (am 1940-05-23)
Texter und Komponist(in):
Ruth Lowe
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Pickwick Music (publisher), Universal Music Corp. (USA, affiliated with ASCAP) und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
23:10
3Street of Dreams
alto saxophone:
Fred Stulce (am 1942-05-18)
Bass:
Phil Stevens (country bass player) (am 1942-05-18)
Bratsche / Viola:
Leonard Atkins (am 1942-05-18) und Sam Ross (violin) (am 1942-05-18)
Cello:
Harold Bemko (am 1942-05-18)
Geige / Violine:
Alex Beller (am 1942-05-18), William Ehrenkrantz (am 1942-05-18), Leonard Posner (am 1942-05-18), Irving Raymond (am 1942-05-18) und Bernie Tinterow (am 1942-05-18)
Gitarre:
Clark Yocum (am 1942-05-18)
Harfe:
Ruth Hill (harpist) (am 1942-05-18)
Klavier:
Milt Raskin (Milton Raskin) (am 1942-05-18)
Posaune:
George Arus (am 1942-05-18), Dave Jacobs (jazz trombonist) (am 1942-05-18) und Jimmy Skiles (am 1942-05-18)
Saxophon:
Harry Schuchman (am 1942-05-18)
Schlagzeug:
Buddy Rich (am 1942-05-18)
Tenorsaxophon:
Heinie Beau (am 1942-05-18), Don Lodice (am 1942-05-18) und Bruce Snyder (am 1942-05-18)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1942-05-18), Ziggy Elman (am 1942-05-18), Chuck Peterson (trumpet) (am 1942-05-18) und Jimmy Zito (am 1942-05-18)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1942-05-18)
vocals:
John Huddleston (vocalist) (am 1942-05-18), Chuck Lowry (am 1942-05-18), The Pied Pipers (American vocal group, active 1930s-50s) (am 1942-05-18), Jo Stafford (am 1942-05-18) und Clark Yocum (am 1942-05-18)
conductor:
Tommy Dorsey (swing trombone player & band leader) (am 1942-05-18)
arranger:
Axel Stordahl
aufgenommen bei:
RCA Studio 2 in New York, New York, Vereinigte Staaten (am 1942-05-18)
recording of:
Street of Dreams (am 1942-05-18)
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. und Miller Music Corp.
32:40
4You’ll Never Know (78 RPM version)
recorded in:
New York, New York, Vereinigte Staaten (am 1943-06-07)
Hintergrundgesang:
The Bobby Tucker Singers (am 1943-06-07)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1943-06-07)
vocals:
Bobby Tucker (am 1943-06-07)
arranger:
Alec Wilder (American composer)
cover recording of:
You’ll Never Know (am 1943-06-07)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (beendet), EMI Blackwood Music Inc. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1943 winner)
3:00
5If You Are but a Dream
recorded in:
New York, New York, Vereinigte Staaten (am 1944-11-14)
Bass:
Ward Lay (am 1944-11-14)
Bratsche / Viola:
Morris Kahan (violist) (am 1944-11-14), Sol Pfaeff (am 1944-11-14) und Sol Rumberg (am 1944-11-14)
Cello:
Emmerick Gara (cellist) (am 1944-11-14), George Poliakin (am 1944-11-14) und Avron Twerdowky (cellist) (am 1944-11-14)
Geige / Violine:
Julius Brand (am 1944-11-14), Frederick Buldrini (am 1944-11-14), Sid Harris (am 1944-11-14), Leonard Kanter (violinist) (am 1944-11-14), Murray Kellner (am 1944-11-14), Bernard Kundell (am 1944-11-14), William Lockwood (violinist) (am 1944-11-14), Arthur Loesserman (violinist) (am 1944-11-14), Harold Micklin (violinist) (am 1944-11-14), Seymour Miroff (am 1944-11-14), Gene Orloff (am 1944-11-14) und Raoul Polikian (am 1944-11-14)
Gitarre:
Matty Golizio (am 1944-11-14)
Harfe:
Ruth Hill (harpist) (am 1944-11-14)
Holzblasinstrumente:
Artie Baker (saxophonist, flutist and clarinetist) (am 1944-11-14), Harry Feldman (am 1944-11-14), Bernie Kaufman (am 1944-11-14), Pete Pumiglio (am 1944-11-14) und Hank Ross (am 1944-11-14)
Posaune:
John D'Agostino (trombonist) (am 1944-11-14), Andy Russo (Jazz trombonist) (am 1944-11-14) und Charlie Small (trombone) (am 1944-11-14)
Schlagzeug:
Johnny Blowers (am 1944-11-14)
Trompete:
Carl Poole (am 1944-11-14), Sammy Shapiro (Sandy Spears, Big Band-era trumpeter) (am 1944-11-14) und Melvin "Red" Solomon (am 1944-11-14)
Waldhorn:
Karl Chlupsa (am 1944-11-14)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1944-11-14)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
Axel Stordahl and His Orchestra (am 1944-11-14)
conductor:
Axel Stordahl (am 1944-11-14)
arranger:
Axel Stordahl
Teil von:
V Disc (by matrix number) (Nummer: VP 1030 (1))
cover recording of:
If You Are But a Dream (am 1944-11-14)
Texter und Komponist(in):
Nat Bonx, Jack Fulton (US jazz trombonist, composer & vocalist) und Moe Jaffe (songwriter / bandleader)
publisher:
Barton Music Corp.
recording of:
If You Are But a Dream (am 1944-11-14)
Texter und Komponist(in):
Nat Bonx, Jack Fulton (US jazz trombonist, composer & vocalist) und Moe Jaffe (songwriter / bandleader)
publisher:
Barton Music Corp.
3:04
6Saturday Night (Is the Lonliest Night of the Week) (78 RPM version)
Bass:
Ward Lay (am 1944-11-14)
Bratsche / Viola:
Morris Kahn (am 1944-11-14), Sol Paeff (am 1944-11-14) und Sol Rumberg (am 1944-11-14)
Cello:
E. Gara (am 1944-11-14), George Polikian (am 1944-11-14) und Avron Twerdowsky (am 1944-11-14)
Geige / Violine:
Julius Brand (am 1944-11-14), Fred Buldrini (am 1944-11-14), Sid Harris (am 1944-11-14), L. Kanter (am 1944-11-14), Murray Kellner (am 1944-11-14), Bernard Kundell (am 1944-11-14), William Lockwood (violinist) (am 1944-11-14), Arthur Loesserman (violinist) (am 1944-11-14), Harold Micklin (violinist) (am 1944-11-14), Seymour Miroff (am 1944-11-14), Gene Orloff (am 1944-11-14) und Raoul Polikian (am 1944-11-14)
Gitarre:
Matty Golizio (am 1944-11-14)
Harfe:
Ruth Hill (harpist) (am 1944-11-14)
Klarinette:
Arthur Baker (saxophonist, flutist and clarinetist)
Klavier:
Billy Rowland (am 1944-11-14)
Posaune:
Charles Small (trombone) (am 1944-11-14), John D'Agostino (trombonist) (am 1944-11-14) und Andy Russo (Jazz trombonist) (am 1944-11-14)
Saxophon:
Arthur Baker (saxophonist, flutist and clarinetist) (am 1944-11-14), Harold Feldman (woodwind player) (am 1944-11-14), Bernard Kaufman (am 1944-11-14), Peter Pumiglio (am 1944-11-14) und Henry Ross (am 1944-11-14)
Schlagzeug:
Johnny Blowers (am 1944-11-14)
Trompete:
Carl Poole (am 1944-11-14), Sammy Shapiro (Sandy Spears, Big Band-era trumpeter) (am 1944-11-14) und Melvin "Red" Solomon (am 1944-11-14)
Waldhorn:
Karl Chlupse (French horn player) (am 1944-11-14)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1944-11-14)
conductor:
Axel Stordahl (am 1944-11-14)
arranger:
George Siravo
recording of:
Saturday Night (Is the Loneliest Night in the Week) (am 1944-11-14)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell Music Ltd., Producers Music Publishing Co., Quaytor Productions LLC, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), WC Music Corp., フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:43
7Nancy (With the Laughing Face) (78 RPM version)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-08-22)
Bass:
Jack Ryan (jazz bassist) (am 1945-08-22)
Bratsche / Viola:
Allan Harshman (violist) (am 1945-08-22), Maurice Perlmutter (am 1945-08-22) und Dave Sterkin (am 1945-08-22)
Cello:
Cy Bernard (am 1945-08-22), Arthur Kafton (am 1945-08-22) und Jack Sewell (am 1945-08-22)
Geige / Violine:
William Bloom (violinist, worked with Frank Sinatra) (am 1945-08-22), Walter Edelstein (am 1945-08-22), Peter Ellis (1940s violinist) (am 1945-08-22), Sam Freed, Jr. (Violinist) (am 1945-08-22), David Frisina (am 1945-08-22), Howard Halbert (am 1945-08-22), Gerald Joyce (am 1945-08-22), Sol Kindler (am 1945-08-22), Samuel Levine (violinist) (am 1945-08-22), Anthony Perrotti (am 1945-08-22), Nicholas Pisani (am 1945-08-22) und Mischa Russell (violinist) (am 1945-08-22)
Gitarre:
Perry Botkin (am 1945-08-22)
Harfe:
Ann Mason Stockton (American harpist) (am 1945-08-22)
Holzblasinstrumente:
Heinie Beau (am 1945-08-22), Leonard Hartman (am 1945-08-22), Harold Lawson (am 1945-08-22), Don Lodice (am 1945-08-22) und Fred Stulce (am 1945-08-22)
Klavier:
Frank Leithner (am 1945-08-22)
Posaune:
Peter Beilman (trombonist) (am 1945-08-22), Carl Loeffler (am 1945-08-22) und Elmer Smithers (am 1945-08-22)
Schlagzeug:
Ray Hagan (am 1945-08-22)
Trompete:
Bruce Hudson (am 1945-08-22), Leonard Mach (am 1945-08-22) und Uan Rasey (am 1945-08-22)
Waldhorn:
James Stagliano (am 1945-08-22)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1945-08-22)
conductor:
Axel Stordahl (am 1945-08-22)
arranger:
Axel Stordahl
recording of:
Nancy (With the Laughing Face) (am 1945-08-22)
Texter:
Phil Silvers (actor)
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
Nancy
Verfasser(in):
Phil Silvers (actor) und Jimmy Van Heusen
publisher:
Barton Music Corp.
33:12
8Oh, What It Seemed to Be
recorded in:
New York, New York, Vereinigte Staaten (am 1945-11-30)
Bass:
Sam Shoobe (bassist) (am 1945-11-30)
Bratsche / Viola:
Theodore Adoff (violist) (am 1945-11-30), Sidney Brecher (am 1945-11-30) und Hyman Dickler (violist) (am 1945-11-30)
Geige / Violine:
Benjamin Altman (violinist) (am 1945-11-30), Harry Azen (am 1945-11-30), Milton Bornstein (violinist) (am 1945-11-30), Sam Caplan (am 1945-11-30), Samuel Finkel (violinist) (am 1945-11-30), Walter Hagen (violinist) (am 1945-11-30), Sid Harris (am 1945-11-30), Harold Micklin (violinist) (am 1945-11-30), Felix Orlewitz (am 1945-11-30), Raoul Polikian (am 1945-11-30), Leonard Posner (am 1945-11-30) und Eugene Powers (violinist) (am 1945-11-30)
Gitarre:
Matty Golizio (am 1945-11-30)
Harfe:
Elaine Vito Ricci (am 1945-11-30)
Holzblasinstrumente:
Artie Baker (saxophonist, flutist and clarinetist) (am 1945-11-30), Harry Feldman (am 1945-11-30), Bernie Kaufman (am 1945-11-30), Wolffe Taninbaum (am 1945-11-30) und Milt Yaner (am 1945-11-30)
Instrumente:
Bill Clifton (jazz pianist) (am 1945-11-30)
Posaune:
William Pritchard (am 1945-11-30), Seymour Shaffer (trombonist) (am 1945-11-30) und Herbert Winfield (trombonist) (am 1945-11-30)
Schlagzeug:
Nat Polen (am 1945-11-30)
Trompete:
Melvin "Red" Solomon (am 1945-11-30), Lyman Vunk (am 1945-11-30) und Bart Wallace (am 1945-11-30)
Waldhorn:
Karl Chlupsa (am 1945-11-30)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1945-11-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1945-11-30)
conductor:
Axel Stordahl (am 1945-11-30)
arranger:
Axel Stordahl
recording of:
Oh, What It Seemed to Be (am 1945-11-30)
Verfasser(in):
Bennie Benjamin, Frankie Carle und George David Weiss
publisher:
Anne-Rachel Music Corp., Santly-Joy, Inc. und The Songwriters Guild
2:58
9Five Minutes More
recording of:
Five Minutes More
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Melrose Music Corp.
2:35
10Time After Time
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1946-10-24)
conductor:
Axel Stordahl (am 1946-10-24)
arranger:
Axel Stordahl
recording of:
Time After Time (am 1946-10-24)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd. und Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
3:10
11Night and Day
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-22)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Jack Marsh
flute:
Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Abe Most und Bud Shank
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Ben Gill, Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Russ Cheever und Arthur Smith (Saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Jules Jacob (US jazz woodwind player)
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Saxophon:
Russ Cheever, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jack Marsh, Abe Most, Bud Shank und Arthur Smith (Saxophonist)
Schlagzeug:
John Markham
Trompete:
Bobby Bryant, Don Fagerquist, Conrad Gozzo und Al Porcino
Waldhorn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-22)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer) und Nelson Riddle
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1961-11-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
53:39
12The Song Is You
recording of:
The Song Is You
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
3:15
13I’m a Fool to Want You (78 RPM version)
recording of:
I’m a Fool to Want You
Verfasser(in):
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) und Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network und Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:56
14The Birth of the Blues (78 RPM version)
recording of:
Birth of the Blues
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
3:27
15Why Try to Change Me Now (78 RPM version)
recording of:
Why Try to Change Me Now
Texter:
Joseph McCarthy, Jr. (Joseph Allen McCarthy, 1922–1975)
Komponist(in):
Cy Coleman
publisher:
Notable Music Co., Inc.
2:48
16I’ve Got the World on a String
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-04-30)
Bass:
Philip Stephens (bass and tuba player) (am 1953-04-30)
Gitarre:
Al Hendrickson (am 1953-04-30)
Klavier:
Bill Miller (pianist) (am 1953-04-30)
Posaune:
Milt Bernhart (am 1953-04-30), Francis Howard (trombone) (am 1953-04-30), Jimmy Priddy (am 1953-04-30) und Si Zentner (am 1953-04-30)
Rohrblattinstrumente:
Jack Dumont (am 1953-04-30), Skeets Herfurt (am 1953-04-30), Plas Johnson (am 1953-04-30), Joe Koch (am 1953-04-30), Ernest Romersa (am 1953-04-30) und Theodore Nash (40s-80s US swing reedman, uncle of the other) (am 1953-04-30)
Schlagzeug:
Alvin Stoller (am 1953-04-30)
Trompete:
Harry “Sweets” Edison (am 1953-04-30), Conrad Gozzo (am 1953-04-30), Vito "Mickey" Mangano (am 1953-04-30) und Rubin "Zeke" Zarchy (am 1953-04-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-04-30)
Orchester:
The Nelson Riddle Orchestra (am 1953-04-30)
conductor:
Nelson Riddle (am 1953-04-30)
arranger:
Nelson Riddle
recording of:
I’ve Got the World on a String (am 1953-04-30)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
42:09
17Don’t Worry ’Bout Me
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Jack Dumont, Skeets Herfurt, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) und Ted Romersa
Klavier:
Bill Miller (pianist)
Kontrabass:
Phil Stephens (bass and tuba player)
Posaune:
Milt Bernhart, Joe Howard (american trombone player), Jimmy Priddy und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Rubin "Zeke" Zarchy
conductor:
Nelson Riddle
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-04-30)
recording of:
Don’t Worry ’Bout Me
Texter:
Ted Koehler (in 1939)
Verfasser(in):
Rube Bloom (American songwriter, pianist and vocalist) und Ted Koehler
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. und Redwood Music Ltd. (Carlin)
3:06
18My Funny Valentine
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-05)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-05)
conductor:
Nelson Riddle (am 1953-11-05)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-05)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1953-11-05)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Teil von:
Waiting to Exhale (1995 film)
32:30
19They Can’t Take That Away From Me
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-05)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-05)
conductor:
Nelson Riddle (am 1953-11-05)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-05)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1953-11-05)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
3.51:57
20I Get a Kick Out of You
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-06)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-06)
conductor:
Nelson Riddle (am 1953-11-06)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-06)
cover recording of:
I Get a Kick Out of You (am 1953-11-06)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
42:53
21Young at Heart
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-12-09)
conductor:
Nelson Riddle (am 1953-12-09)
arranger:
Nelson Riddle
recording of:
Young at Heart (Frank Sinatra song) (am 1953-12-09)
Texter:
Carolyn Leigh
Komponist(in):
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
42:49
22Last Night When We Were Young
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Cello:
Cy Bernard, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, Mischa Russell (violinist), Paul Shure und Felix Slatkin
Gitarre:
Bobby Gibbons
Harfe:
Kathryn Julye und Ann Mason Stockton (American harpist)
Holzblasinstrumente und Saxophon:
Bart Caldarelli (saxophone), Mahlon Clark, Mort Friedman, Harry Klee, Champ Webb und James Williamson (Saxophone player)
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort und Ed Gilbert
Schlagzeug:
Frankie Carlson
Trompete:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-03-01)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1954-03-01)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-03-01)
cover recording of:
Last Night When We Were Young (am 1954-03-01)
Texter:
Yip Harburg
Komponist(in):
Harold Arlen
publisher:
Bourne Co. (not for release label use, this is a music publisher) und S.A. Music Co.
3:16
23Three Coins in the Fountain
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
recording of:
Three Coins in the Fountain
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1954 winner)
3:03
24Just One of Those Things
recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
3:12
25All of Me
recording of:
All of Me
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
22:07
26Someone to Watch Over Me
Produzent(in):
Voyle Gilmore
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Cy Bernard, Stanley Harris (US big band viola player), Maxine Johnson und Dave Sterkin
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, Mischa Russell (violinist), Eudice Shapiro (Violinist), Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark, John Hacker, Jules Kinsler, Harry Klee und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Milt Bernhart
Schlagzeug:
Alvin Stoller
Waldhorn:
John Cave (french horn) und Vincent DeRosa
vocals:
June Hutton, The Pied Pipers (American vocal group, active 1930s-50s) und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-09-23)
Orchester:
The Nelson Riddle Orchestra (am 1954-09-23)
conductor:
Nelson Riddle (am 1954-09-23)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-23)
recording of:
Someone to Watch Over Me (Oh, Kay!) (am 1954-09-23)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
2:54
27I Get Along Without You Very Well
recording of:
I Get Along Without You Very Well
Texter:
Jane Brown Thompson
Komponist(in):
Hoagy Carmichael (in 1939)
publisher:
Songs of Peer, Ltd. (ASCAP) und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:41
2▼Digitales Medium
Nr.TitelBewertungLänge
1This Love of Mine
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn und Dave Sterkin
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Morty Corb (bass, USA) und Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Louis Singer (percussionist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-17)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-02-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-17)
cover recording of:
This Love of Mine (am 1955-02-17)
Texter:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Komponist(in):
Sol Parker (songwriter) und Henry Sanicola
publisher:
Embassy Music Corporation und Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:34
2In the Wee Small Hours of the Morning
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn und Dave Sterkin
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Morty Corb (bass, USA) und Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Louis Singer (percussionist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-17)
Orchester:
The Nelson Riddle Orchestra (am 1955-02-17)
conductor:
Nelson Riddle (am 1955-02-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (am 1955-02-17)
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
2:59
3Learnin’ the Blues
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-03-23)
Rohrblattinstrumente:
Plas Johnson (am 1955-03-23)
Trompete:
Harry “Sweets” Edison (am 1955-03-23)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-03-23)
Orchester:
The Nelson Riddle Orchestra (am 1955-03-23)
conductor:
Nelson Riddle (am 1955-03-23)
arranger:
Nelson Riddle
recording of:
Learnin’ the Blues (am 1955-03-23)
Texter und Komponist(in):
Dolores Vicki Silvers
publisher:
Barton Music Corp.
3:00
4Love and Marriage
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-08-15)
conductor:
Nelson Riddle (am 1955-08-15)
arranger:
Nelson Riddle
recording of:
Love and Marriage (am 1955-08-15)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und WB Music Corp. (1929–2019)
3.52:37
5(Love Is) The Tender Trap
recording of:
(Love Is) The Tender Trap
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und Maraville Music Corp.
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
42:56
6Love Is Here to Stay
recording of:
Love Is Here to Stay
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
42:38
7You Make Me Feel So Young
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-09) und Wilbur Schwartz (am 1956-01-09)
baritone saxophone:
Mort Friedman (am 1956-01-09)
Bass:
Joe Comfort (am 1956-01-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-09)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-09), Maxine Johnson (am 1956-01-09) und Milton Thomas (violist) (am 1956-01-09)
Cello:
Cy Bernard (am 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-09) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-09)
Geige / Violine:
Victor Bay (am 1956-01-09), Alex Beller (am 1956-01-09), Harry Bluestone (am 1956-01-09), Harold Dicterow (am 1956-01-09), David Frisina (am 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-09), Mischa Russell (violinist) (am 1956-01-09), Paul Shure (am 1956-01-09), Felix Slatkin (am 1956-01-09) und Marshall Sosson (am 1956-01-09)
Gitarre:
George van Eps (am 1956-01-09)
Harfe:
Kathryn Julye (am 1956-01-09)
Klavier:
Bill Miller (pianist) (am 1956-01-09)
Posaune:
Milt Bernhart (am 1956-01-09), Francis Howard (trombone) (am 1956-01-09) und Juan Tizol (am 1956-01-09)
Schlagzeug:
Frank Flynn (am 1956-01-09) und Alvin Stoller (am 1956-01-09)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-01-09) und Irving “Babe” Russin (am 1956-01-09)
Trompete:
Harry “Sweets” Edison (am 1956-01-09), Conrad Gozzo (am 1956-01-09), Manny Klein (am 1956-01-09) und Mickey Mangano (am 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-09)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-09)
conductor:
Nelson Riddle (am 1956-01-09)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-09)
recording of:
You Make Me Feel So Young (am 1956-01-09)
Texter:
Mack Gordon
Komponist(in):
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
E bi eit barn med deg
42:54
8Memories of You
recording of:
Memories of You
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
32:51
9I’ve Got You Under My Skin
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jimmy Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (am 1956-01-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
43:42
10Too Marvelous for Words
recording of:
Too Marvelous for Words
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:27
11(How Little It Matters) How Little We Know
recording of:
(How Little It Matters) How Little We Know
Texter:
Carolyn Leigh
Komponist(in):
Philip Springer
publisher:
Carwin Music, Inc. und Tamir Music
32:38
12I Couldn’t Sleep a Wink Last Night
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin (am 1956-11-01)
Celesta und Klavier:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller) (am 1956-11-01)
flute:
James Williamson (Saxophone player)
Geige / Violine:
Marvin Limonick, Paul Shure (am 1956-11-01) und Felix Slatkin (am 1956-11-01)
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Instrumente:
The Hollywood String Quartet (am 1956-11-01)
Klarinette:
Mahlon Clark
Kontrabass:
Ed Gilbert
Schlagzeug:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-11-01)
conductor:
Nelson Riddle (am 1956-11-01)
arranger:
Nelson Riddle
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-01)
recording of:
I Couldn’t Sleep a Wink Last Night (am 1956-11-01)
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Higher and Higher (1944 film)
33:23
13I Wish I Were in Love Again
recording of:
I Wish I Were in Love Again
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
Teil von:
Babes in Arms (full musical)
32:27
14The Lady Is a Tramp
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee und Willie Schwartz
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player) und Maxine Johnson
Cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) und Joseph Stepansky
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Murray McEachern, Dick Noel (trombone) und Juan Tizol
Schlagzeug:
Irv Cottler
Tenorsaxophon:
Jules Kinsler und James Williamson (Saxophone player)
Trompete:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano und Shorty Sherock
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-11-26)
Orchester:
The Nelson Riddle Orchestra (am 1956-11-26)
conductor:
Nelson Riddle (am 1956-11-26)
arranger und Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-26)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1956-11-26)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
53:13
15From This Moment On
recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
Texter und Komponist(in):
Cole Porter (composer) (in 1950)
Teil von:
Kiss Me, Kate (musical)
33:49
16Laura
Bratsche / Viola:
William Baffa, Ray Menhennick (Violist), Paul Robyn und Dave Sterkin
Cello:
Armand Kaproff und Ray Kramer
flute:
Dent Eckels, Clyde Hylton und Matty Matlock
Geige / Violine:
Leonard Atkins, Alex Beller, Emil Briano (Violinist), Howard Colf (cellist), Harold Dicterow, Walter Edelstein, David Frisina, Jacques Gasselin, Ben Gill, Sol Kindler, Samuel Levine (violinist), Joseph Livoti (violinist), Amerigo Marino, Achille Mierlot Jr. (violinist), Mischa Russell (violinist) und Marshall Sosson
Gitarre:
Allan Reuss
Harfe:
Kathryn Thompson (harpist)
Holzblasinstrumente:
Jack Chaney, Dent Eckels, Clyde Hylton, Matty Matlock und Wayne Songer (clarinetist and saxophonist)
Klavier:
Bill Miller (pianist)
Kontrabass:
Jack Ryan (jazz bassist)
Schlagzeug:
Nick Fatool
Waldhorn:
Vincent DeRosa, Arthur Frantz und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-04-29)
conductor:
Gordon Jenkins (am 1957-04-29)
arranger:
Gordon Jenkins
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-04-29)
recording of:
Laura (1945 song) (am 1957-04-29)
Texter:
Johnny Mercer (in 1945)
Komponist(in):
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. und United Partnership Ltd.
Version von:
Laura (original 1944 film theme)
23:26
17Where Are You?
Bratsche / Viola:
William Baffa, Ray Menhennick (Violist), Paul Robyn und Dave Sterkin
Cello:
Cy Bernard und Armand Kaproff
Geige / Violine:
Victor Arno, Harold Dicterow, Walter Edelstein, David Frisina, Jacques Gasselin, Joseph Quadri, Murray Kellner, Sol Kindler, Samuel Levine (violinist), Joseph Livoti (violinist), Dan Lube, Achille Mierlot Jr. (violinist), Erno Neufeld, Lou Raderman, Mischa Russell (violinist) und Marshall Sosson
Gitarre:
Allan Reuss
Harfe:
Kathryn Thompson (harpist)
Holzblasinstrumente:
Jack Chaney, Jack Dumont, Dent Eckels, Matty Matlock und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Jack Ryan (jazz bassist)
Schlagzeug:
Nick Fatool
Waldhorn:
Vincent DeRosa, Arthur Frantz und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-05-01)
conductor:
Gordon Jenkins (am 1957-05-01)
arranger:
Gordon Jenkins
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-05-01)
cover recording of:
Where Are You? (am 1957-05-01)
Texter:
Harold Adamson
Verfasser(in):
Harold Adamson und Jimmy McHugh (songwriter)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, Harold Adamson Music und Leo Feist, Inc.
3:28
18Witchcraft
Produzent(in):
Dave Cavanaugh
Bass:
Joe Comfort (am 1957-05-20)
Bassposaune:
George Roberts (american bass trombone) (am 1957-05-20)
Bratsche / Viola:
Maxine Johnson (am 1957-05-20) und Barbara Simons (am 1957-05-20)
Cello:
Cy Bernard (am 1957-05-20), Edgar Lustgarten (am 1957-05-20) und Eleanor Slatkin (US cellist, b. Aller) (am 1957-05-20)
Geige / Violine:
Alex Beller (am 1957-05-20), Harry Bluestone (am 1957-05-20), Robert Cross (violinist) (am 1957-05-20), Walter Edelstein (am 1957-05-20), Ben Gill (am 1957-05-20), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1957-05-20), Mischa Russell (violinist) (am 1957-05-20), Marshall Sosson (am 1957-05-20) und Gerald Vinci (American violinist and strings conductor) (am 1957-05-20)
Gitarre:
Nick Bonney (guitarist) (am 1957-05-20)
Harfe:
Kathryn Julye (am 1957-05-20)
Klavier:
Bill Miller (pianist) (am 1957-05-20)
Posaune:
Jim Priddy (am 1957-05-20), Dick Noel (trombone) (am 1957-05-20) und Juan Tizol (am 1957-05-20)
Rohrblattinstrumente:
Buddy Collette (am 1957-05-20), Harry Klee (am 1957-05-20), Joe Koch (am 1957-05-20), Wilbur Schwartz (am 1957-05-20) und Warren Webbe (am 1957-05-20)
Schlagzeug:
Frank DeVito (american jazz drummer) (am 1957-05-20)
Trompete:
Clarence "Shorty" Sherock (am 1957-05-20), Harry “Sweets” Edison (am 1957-05-20), Conrad Gozzo (am 1957-05-20) und Vito "Mickey" Mangano (am 1957-05-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-05-20)
Orchester:
The Nelson Riddle Orchestra (am 1957-05-20)
conductor:
Nelson Riddle (am 1957-05-20)
arranger:
Nelson Riddle
Herausgeber:
Morley Music Corp. und Notable Music Co., Inc.
recording of:
Witchcraft (am 1957-05-20)
Texter:
Carolyn Leigh
Komponist(in):
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
2:52
19Bewitched
3:37
20All the Way
Produzent(in):
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-08-13)
Orchester:
The Nelson Riddle Orchestra (am 1957-08-13)
conductor:
Nelson Riddle (am 1957-08-13)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
recording of:
All the Way (from “The Joker Is Wild”) (am 1957-08-13)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network und Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1957 winner)
42:51
21Moonlight in Vermont
recording of:
Moonlight in Vermont
Texter:
John Blackburn (songwriter)
Komponist(in):
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:31
22Come Fly With Me
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Shorty Sherock
Tuba:
Joe Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-08)
Orchester:
The Billy May Orchestra (am 1957-10-08)
conductor:
Billy May (am 1957-10-08)
arranger:
Billy May
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-08)
recording of:
Come Fly With Me (am 1957-10-08)
Texter:
Sammy Cahn (in 1957)
Komponist(in):
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) und フジパシフィックミュージック (Fujipacific Music, Inc.)
4.53:18
23Put Your Dreams Away
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-12-11)
arranger:
Nelson Riddle
cover recording of:
Put Your Dreams Away (for Another Day) (am 1957-12-11)
Texter:
Ruth Lowe und Paul Mann (German/American pianist and composer)
Komponist(in):
Stephan Weiss
publisher:
Anne-Rachel Music, Barton Music Corp., BMG Firefly, Cromwell Music, Inc., Tro-Cromwell Music, Inc. und フジパシフィックミュージック (Fujipacific Music, Inc.)
3:11
24Angel Eyes
Produzent(in):
Voyle Gilmore
accordion:
Dominic Frontiere (am 1958-05-29)
Bassklarinette:
Charles Butler (am 1958-05-29) und Chuck Gentry (am 1958-05-29)
Bassposaune:
Ken Shroyer (trombonist) (am 1958-05-29)
Bratsche / Viola:
Alvin Dinkin (am 1958-05-29), Stanley Harris (US big band viola player) (am 1958-05-29), Paul Robyn (am 1958-05-29) und Dave Sterkin (am 1958-05-29)
Cello:
James Arkatov (American cellist and photographer) (am 1958-05-29), Armand Kaproff (am 1958-05-29), Kurt Reher (cellist) (am 1958-05-29) und Eleanor Slatkin (US cellist, b. Aller) (am 1958-05-29)
Fagott:
Don Christlieb (am 1958-05-29) und Jack Marsh (am 1958-05-29)
flute:
Arthur Gleghorn (am 1958-05-29) und Harry Klee (am 1958-05-29)
Geige / Violine:
Israel Baker (American violinist) (am 1958-05-29), Alex Beller (am 1958-05-29), Arnold Belnick (am 1958-05-29), Daniel Karpilowsky (am 1958-05-29), Emo Neufeld (am 1958-05-29), David Frisina (am 1958-05-29), James Getzoff (American concertmaster and violinist) (am 1958-05-29), Henry Hill (Violin player) (am 1958-05-29), Paul Shure (am 1958-05-29), Marshall Sosson (am 1958-05-29) und Victor Amo (am 1958-05-29)
Gitarre:
George van Eps (am 1958-05-29) und Al Viola (am 1958-05-29)
Harfe:
Kathryn Julye (am 1958-05-29)
Instrumente:
Victor Bay (am 1958-05-29)
Klarinette:
Mahlon Clark (am 1958-05-29) und Mitchell Lurie (clarinetist) (am 1958-05-29)
Klavier:
Bill Miller (pianist) (am 1958-05-29) und Harry Sukman (am 1958-05-29)
Kontrabass:
Joe Comfort (am 1958-05-29) und Mike Rubin (US bassist 1930s - 1960s) (am 1958-05-29)
Oboe:
Arnold Koblentz (Oboe player) (am 1958-05-29) und Champ Webb (am 1958-05-29)
Perkussion:
Frank Flynn (am 1958-05-29) und Bill Richmond (am 1958-05-29)
Posaune:
Milt Bernhart (am 1958-05-29) und Tommy Pederson (am 1958-05-29)
Waldhorn:
John Cave (french horn) (am 1958-05-29), James Decker (French hornist) (am 1958-05-29) und Vincent DeRosa (am 1958-05-29)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-05-29)
Orchester:
The Nelson Riddle Orchestra (am 1958-05-29)
conductor:
Nelson Riddle (am 1958-05-29)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-05-29)
cover recording of:
Angel Eyes (1946 jazz standard) (am 1958-05-29)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
recording of:
Angel Eyes (1946 jazz standard)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:42
25Guess I’ll Hang My Tears Out to Dry
recording of:
Guess I’ll Hang My Tears Out to Dry
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Inc. (USA) und Chappell Music (UK)
3:59
3▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Only the Lonely
recording of:
Only the Lonely
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, Cherry Lane Music Publishing Company Inc., DreamWorks Songs und Maraville Music Corp.
Frank Sinatra4:07
2One for My Baby (and One More for the Road)
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin (am 1958-06-25), Stanley Harris (US big band viola player) (am 1958-06-25), Paul Robyn (am 1958-06-25) und Dave Sterkin (am 1958-06-25)
Cello:
James Arkatov (American cellist and photographer) (am 1958-06-25), Armand Kaproff (am 1958-06-25), Joseph Saxon (am 1958-06-25) und Eleanor Slatkin (US cellist, b. Aller) (am 1958-06-25)
Fagott:
Don Christlieb (am 1958-06-25) und Norman Herzberg (bassoon) (am 1958-06-25)
flute:
Arthur Gleghorn (am 1958-06-25) und Harry Klee (am 1958-06-25)
Geige / Violine:
Israel Baker (American violinist) (am 1958-06-25), Victor Bay (am 1958-06-25), Alex Beller (am 1958-06-25), Arnold Belnick (am 1958-06-25), Daniel Karpilowsky (am 1958-06-25), Emo Neufeld (am 1958-06-25), Ben Gill (am 1958-06-25), Paul Shure (am 1958-06-25), Felix Slatkin (am 1958-06-25), Marshall Sosson (am 1958-06-25), Victor Amo (am 1958-06-25) und Gerald Vinci (American violinist and strings conductor) (am 1958-06-25)
Gitarre:
Al Hendrickson (am 1958-06-25) und Al Viola (am 1958-06-25)
Harfe:
Kathryn Julye (am 1958-06-25)
Klarinette:
Gus Bivona (am 1958-06-25), Sal Franzella (am 1958-06-25), Chuck Gentry (am 1958-06-25) und Morris Bercov (am 1958-06-25)
Klavier:
Bill Miller (pianist) (am 1958-06-25)
Kontrabass:
Joe Comfort (am 1958-06-25) und Eddie Gilbert (am 1958-06-25)
Oboe:
Arnold Koblentz (Oboe player) (am 1958-06-25) und Champ Webb (am 1958-06-25)
Perkussion und Schlagzeug:
Frank Flynn (am 1958-06-25) und Bill Richmond (am 1958-06-25)
Posaune:
Milt Bernhart (am 1958-06-25), Russell Brown (Swing trombonist) (am 1958-06-25), Ray Sims (am 1958-06-25) und Tommy Pederson (am 1958-06-25)
Trompete:
Cappy Lewis (am 1958-06-25)
Waldhorn:
James Decker (French hornist) (am 1958-06-25), James McGee (am 1958-06-25) und George Price (am 1958-06-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-06-25)
Orchester:
The Nelson Riddle Orchestra (am 1958-06-25)
conductor:
Nelson Riddle (am 1958-06-26)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-06-25)
cover recording of:
One for My Baby (and One More for the Road) (am 1958-06-26)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
Frank Sinatra34:23
3Something’s Gotta Give
recording of:
Something’s Gotta Give (from “Daddy Long Legs”)
Texter und Komponist(in):
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
Frank Sinatra42:37
4Come Dance With Me
Produzent(in):
Dave Cavanaugh
Gitarre:
Allan Reuss
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin und Willie Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Posaune:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock und Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-23)
Orchester:
The Billy May Orchestra (am 1958-12-23)
conductor:
Billy May (am 1958-12-23)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-23)
recording of:
Come Dance With Me (am 1958-12-23)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und フジパシフィックミュージック (Fujipacific Music, Inc.)
Frank Sinatra42:29
5Here’s That Rainy Day
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
William Baffa, Allan Harshman (violist), Lou Kievman (violist) und Paul Robyn
Cello:
Armand Kaproff und Ray Kramer
Geige / Violine:
Victor Arno, Harry Bluestone, Walter Edelstein, Jacques Gasselin, Ben Gill, Joseph Quadri, Murray Kellner, Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Allan Reuss
Harfe:
Kathryn Thompson (harpist)
Holzblasinstrumente:
Dent Eckels, Clyde Hylton, Matty Matlock, Paul McLarand und Wayne Songer (clarinetist and saxophonist)
Klavier:
Bill Miller (pianist)
Kontrabass:
Jack Ryan (jazz bassist)
Schlagzeug:
Nick Fatool
Waldhorn:
John Cave (french horn), Arthur Frantz und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1959-03-25)
Orchester:
Gordon Jenkins & His Orchestra (am 1959-03-25) und The Nelson Riddle Orchestra (am 1959-03-25)
conductor:
Gordon Jenkins (am 1959-03-25)
arranger:
Gordon Jenkins
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-03-25)
cover recording of:
Here’s That Rainy Day (am 1959-03-25)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Frank Sinatra3:33
6A Cottage for Sale
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
William Baffa, Lou Kievman (violist), Paul Robyn und Dave Sterkin
Cello:
Armand Kaproff und Ray Kramer
Geige / Violine:
Victor Arno, Harry Bluestone, Walter Edelstein, David Frisina, Jacques Gasselin, Ben Gill, Joseph Quadri, Murray Kellner, Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Allan Reuss
Harfe:
Kathryn Thompson (harpist)
Holzblasinstrumente:
Dent Eckels, Clyde Hylton, Matty Matlock, Wilbur Schwartz und Wayne Songer (clarinetist and saxophonist)
Klavier:
Bill Miller (pianist)
Kontrabass:
Jack Ryan (jazz bassist)
Oboe:
Bert Gassman (woodwinds)
Schlagzeug:
Nick Fatool
Waldhorn:
John Cave (french horn), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1959-03-26)
Orchester:
Gordon Jenkins & His Orchestra (am 1959-03-26)
conductor:
Gordon Jenkins (am 1959-03-26)
arranger:
Gordon Jenkins
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-03-26)
cover recording of:
A Cottage for Sale (am 1959-03-26)
Texter:
Larry Conley (jazz bandleader/songwriter/trombonist)
Komponist(in):
Willard Robison
publisher:
Chappell & Co.
Frank Sinatra3:14
7High Hopes
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
recording of:
High Hopes (1959 song popularized by Frank Sinatra)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Maraville Music Corp.
Teil von:
The 32nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1959 winner)
Frank Sinatra2:40
8The Nearness of You
recording of:
The Nearness of You
Texter:
Ned Washington (in 1938)
Komponist(in):
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
Frank Sinatra2:41
9I’ve Got a Crush on You
recording of:
I’ve Got a Crush on You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
Frank Sinatra2:15
10Nice ’n’ Easy
Produzent(in):
Dave Cavanaugh (am 1960-04-13)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-13)
Bratsche / Viola:
Lou Kievman (violist) (am 1960-04-13), Alexander Neiman (violist) (am 1960-04-13) und Barbara Simons (am 1960-04-13)
Cello:
James Arkatov (American cellist and photographer) (am 1960-04-13), Victor Gottlieb (am 1960-04-13) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-04-13)
Geige / Violine:
Victor Arno (am 1960-04-13), Victor Bay (am 1960-04-13), Alex Beller (am 1960-04-13), Jacques Gasselin (am 1960-04-13), Dan Lube (am 1960-04-13), Erno Neufeld (am 1960-04-13), Nathan Ross (am 1960-04-13), Felix Slatkin (am 1960-04-13) und Marshall Sosson (am 1960-04-13)
Gitarre:
Al Viola (am 1960-04-13)
Harfe:
Kathryn Julye (am 1960-04-13)
Klavier:
Bill Miller (pianist) (am 1960-04-13)
Kontrabass:
Joe Comfort (am 1960-04-13)
Posaune:
Tommy Shepard (trombonist) (am 1960-04-13) und Ken Shroyer (trombonist) (am 1960-04-13)
Rohrblattinstrumente:
Plas Johnson (am 1960-04-13), Joe Koch (am 1960-04-13), Abe Most (am 1960-04-13), Harry Schuchman (am 1960-04-13) und Wilbur Schwartz (am 1960-04-13)
Schlagzeug:
Irv Cottler (am 1960-04-13)
Trompete:
Carroll Lewis (trumpeter) (am 1960-04-13)
Waldhorn:
William Hinshaw (American horn player) (am 1960-04-13) und James McGee (am 1960-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-04-13)
Orchester:
Nelson Riddle and His Orchestra (am 1960-04-13)
conductor:
Nelson Riddle (am 1960-04-13)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-13)
recording of:
Nice ’n’ Easy (am 1960-04-13)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Lew Spence
publisher:
Spirit Two Music (beendet), Threesome Music Company (beendet), Warner Bros. Music Corp. (beendet), Eddie Shaw Music Co., Fantasy Mus. Co., Spence Lew Music und Spirit Two Music Crescendo
Frank Sinatra2:44
11When the World Was Young
recording of:
When the World Was Young
Texter:
Johnny Mercer
Komponist(in):
Philippe-Gérard (French composer & lyricist)
publisher:
Macmelodies (aka Macmelodies Ltd., or Macmelodies Music Ltd.) und Peter Maurice Music Co. Ltd.
Version von:
Le Chevalier de Paris
Frank Sinatra3:46
12In the Still of the Night
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
Techniker(in):
Bill Putnam (am 1960-12-19)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-19)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-19)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-19)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-19) und Don Fagerquist (am 1960-12-19)
Vibraphon:
Emil Richards (am 1960-12-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
cover recording of:
In the Still of the Night (Cole Porter song) (am 1960-12-19)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) und Chappell & Co., Inc. (USA)
recording of:
In the Still of the Night (Cole Porter song)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) und Chappell & Co., Inc. (USA)
Frank Sinatra3:25
13The Second Time Around
recording of:
The Second Time Around
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Miller Catalog, Inc., Miller Music (publisher), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Twentieth Century Music Corp. (in 1960, in 1988)
Teil von:
The 33rd Academy Award for Best Original Song (Nummer: 2)
Frank Sinatra3:00
14Without a Song
recording of:
Without a Song
Texter:
Edward Eliscu und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild und WB Music Corp. (1929–2019)
Teil von:
Great Day!
Frank Sinatra3:38
15Love Walked In
recording of:
Love Walked In
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
Frank Sinatra2:20
16Stardust
recording of:
Stardust (the jazz standard)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Frank Sinatra2:48
17Come Rain or Come Shine
recording of:
Come Rain or Come Shine
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
Frank Sinatra4:05
18The Girl Next Door
recording of:
The Girl Next Door
Komponist(in):
Ralph Blane und Hugh Martin
publisher:
EMI Feist Catalog Inc. und EMI United Partnership Ltd.
Frank Sinatra3:17
19At Long Last Love (1962 version)
recording of:
At Long Last Love
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
You Never Know
Frank Sinatra2:13
20The Very Thought of You
recording of:
The Very Thought of You
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
Frank Sinatra3:31
21Pennies From Heaven
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-03)
Bass:
Buddy Catlett (am 1962-10-03)
Gitarre:
Freddie Green (am 1962-10-03)
Klavier:
Count Basie (pianist) (am 1962-10-03)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-03) und Benny Powell (jazz trombonist) (am 1962-10-03)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-03), Frank Foster (saxophonist) (am 1962-10-03), Charlie Fowlkes (baritone saxophonist) (am 1962-10-03), Marshall Royal (am 1962-10-03) und Frank Wess (am 1962-10-03)
Schlagzeug:
Sonny Payne (am 1962-10-03)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-03), Sonny Cohn (am 1962-10-03), Thad Jones (American jazz trumpeter) (am 1962-10-03) und Al Porcino (am 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-03)
Orchester:
Count Basie and His Orchestra (am 1962-10-03)
arranger:
Neal Hefti
cover recording of:
Pennies From Heaven (am 1962-10-03)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
recording of:
Pennies From Heaven
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Frank Sinatra & Count Basie3:26
22Ol’ Man River
recording of:
Ol’ Man River (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co. (am 1927-11-30)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
Frank Sinatra4:24
23I Have Dreamed
recording of:
I Have Dreamed (The King and I)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The King and I (Rodgers & Hammerstein musical)
Frank Sinatra2:57
24Luck Be a Lady
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-07-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1963-07-25)
Orchester:
Morris Stoloff and His Orchestra (am 1963-07-25)
conductor:
Morris Stoloff (am 1963-07-25)
arranger:
Billy May (am 1963-07-25)
cover recording of:
Luck Be a Lady (from “Guys and Dolls”) (am 1963-07-25)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp. und MPL UK Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
Teil von:
Guys and Dolls (1955 musical film)
recording of:
Luck Be a Lady (from “Guys and Dolls”) (am 1963-07-25)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp. und MPL UK Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
Teil von:
Guys and Dolls (1955 musical film)
Frank Sinatra55:14
4▶Digitales Medium

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vertrieben von:Universal Music Group (has logo with just “Universal Music Group”)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.) (in 2015)
zum Herunterladen kaufen:https://mora.jp/package/43000006/00602547305794_L/ [Info]
https://mora.jp/package/43000006/00602547305794/ [Info]
https://us.7digital.com/artist/frank-sinatra-(2)/release/ultimate-sinatra-the-centennial-collection-5031950 [Info]
https://www.qobuz.com/us-en/album/ultimate-sinatra-the-centennial-collection-frank-sinatra/0060254730579 [Info]
andere Datenbanken:https://jaxsta.com/release/f63cae8b-c8d2-5096-9994-6bac6addfa16/005862af-42ad-5152-8dc6-93fcf0e2e807 [Info] (bis 2025-12-17)
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https://open.spotify.com/album/22KCcelRH1AeHz7S7x5XhY [Info]
https://www.deezer.com/album/10118288 [Info]
Streaming-Seite:https://tidal.com/album/44568730 [Info]
https://www.qobuz.com/us-en/album/ultimate-sinatra-the-centennial-collection-frank-sinatra/0060254730579 [Info]