Billboard Hottest Hits 1950-1990

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Volume 1: Greatest Top 10 Hits 1950-1965
#TitleArtistRatingLength
1Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini
vocals:
Brian Hyland
recording of:
Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
writer:
Lee Pockriss and Paul Vance (US songwriter and producer)
publisher:
Campbell Connelly & Co. Ltd., Emily Music Corp. (publisher) and Music Sales Corporation (American copyright holder in both popular and classical music)
Brian Hyland42:22
2Bye Bye Love
recording of:
Bye Bye Love
writer:
Boudleaux Bryant and Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers2:21
3Wake Up Little Susie
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 21) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 311)
recording of:
Wake Up Little Susie (in 1957)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:03
4Don't Be Cruel
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (on 1956-07-02)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 11) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 197)
recording of:
Don’t Be Cruel (on 1956-07-02)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. and Williamson Music Company
Elvis Presley3.82:04
5It's Now or Never
recording of:
It’s Now or Never
lyricist:
Wally Gold and Aaron Schroeder (1950s~1960s US songwriter)
composer:
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music and Williamson Music Company
version of:
’O sole mio
Elvis Presley3:16
6Save the Last Dance for Me
recorded in:
New York, New York, United States (on 1960-05-19)
producer:
Leiber and Stoller (songwriting team)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1960-05-19)
baritone vocals:
Doc Green (on 1960-05-19)
bass vocals:
Elsbeary Hobbs (on 1960-05-19)
lead vocals:
Benny Nelson (on 1960-05-19)
tenor vocals:
Charlie Thomas (The Drifters) (on 1960-05-19) and Johnny Williams (soul/blues vocalist) (on 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 12) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 182)
recording of:
Save the Last Dance for Me (on 1960-05-19)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) and Trio Music (publisher) (in 1974)
The Drifters52:31
7Tom Dooley
recording of:
Tom Dooley
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 4192)
The Kingston Trio43:04
8Banana Boat Song (Day-O)
producer:
Herman Diaz, Jr.
congas:
Alexander Cambrelen (on 1955-10-20) and Mario Castillo (on 1955-10-20)
double bass:
Milt Hinton (on 1955-10-20)
drums (drum set):
Osie Johnson (on 1955-10-20)
flute:
Herbert Levy (on 1955-10-20)
guitar:
Millard Thomas (on 1955-10-20)
choir vocals:
Charles Colman (on 1955-10-20), J. Hamilton Grandison (on 1955-10-20), Herbert L. Stubbs (on 1955-10-20), Joseph Lewis (on 1955-10-20), Lord Burgess (on 1955-10-20), Brock Peters (on 1955-10-20), Sherman Sneed (on 1955-10-20), John White (50s US vocalist) (on 1955-10-20) and Gloria Wynder (on 1955-10-20)
lead vocals:
Harry Belafonte (on 1955-10-20)
vocals:
Harry Belafonte
orchestra:
Tony Scott's Orchestra & Chorus (on 1955-10-20)
conductor:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-10-20)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1955-10-20)
recording of:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte) (on 1955-10-20)
additional lyricist:
William Attaway (in 1955) and Irving Burgie (in 1955)
composer:
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp (American copyright holder in both popular and classical music) and Reservoir Media Music
version of:
Day‐O (The Banana Boat Song) (original folk song)
Harry Belafonte4.653:00
9Diana
vocals:
Paul Anka (Canadian singer, songwriter and actor)
conductor:
Don Costa (US pop music arranger & producer)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 26)
recording of:
Diana (on 1957-05-20)
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Pamco Music Inc. (ended), Epa Publishing and Warner Chappell Music (publisher as Warner/Chappell Music)
Paul Anka4.752:28
10Singing the Blues
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 37)
cover recording of:
Singing the Blues
lyricist and composer:
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) and Acuff-Rose Music Limited (UK)
Guy Mitchell2:28
11That'll Be the Day
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly2:17
12Rock Around the Clock
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 158)
Bill Haley & His Comets2:09
13The Twist
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 249) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 451)
cover recording of:
The Twist
lyricist and composer:
Hank Ballard
publisher:
Carlin Music Corp., J. Albert & Son P/L and Embassy Music Corporation (from 2016-06 to present)
Chubby Checker4.22:37
14Stay
double bass:
Albert Hill (double bassist)
drums (drum set) [drums]:
Willie Morrow
baritone vocals:
Charles Thomas (The Zodiacs)
lead vocals:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
tenor vocals:
Wiley Bennett
tenor vocals [falsetto tenor]:
Henry Gaston
phonographic copyright (℗) by:
Vestron Music Inc. (in 1987)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 1)
recording of:
Stay
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. and Cherio Corp. (in 1960)
Maurice Williams and the Zodiacs51:41
15Stuck on You
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-03-20)
drums (drum set):
D.J. Fontana (on 1960-03-20) and Buddy Harman (Session drummer and songwriter) (on 1960-03-20)
electric bass guitar:
Hank Garland (on 1960-03-20)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1960-03-20) and Elvis Presley (“The King of Rock and Roll”) (on 1960-03-20)
piano:
Floyd Cramer (on 1960-03-20)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-03-20)
vocals:
The Jordanaires (southern gospel group) (on 1960-03-20)
additional performer:
The Jordanaires (southern gospel group) (on 1960-03-20)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-03-20)
recording of:
Stuck on You (on 1960-03-20)
lyricist:
Aaron Schroeder (1950s~1960s US songwriter) (on 1960-03-20)
composer:
J. Leslie McFarland (composer) (on 1960-03-20)
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music and Williamson Music Company
Elvis Presley12:18
16Jailhouse Rock
drums (drum set):
D.J. Fontana (on 1957-04-30)
electric bass guitar:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-04-30)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-04-30)
additional vocals:
The Jordanaires (southern gospel group) (on 1957-04-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1957) and BMG Music (in 1957)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 67) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 216)
recording of:
Jailhouse Rock (on 1957-04-30)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC and Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley3.552:26
17Everybody's Somebody's Fool
recording of:
Everybody’s Somebody’s Fool
lyricist:
Howard Greenfield
composer:
Jack Keller
Connie Francis2:40
18At the Hop
recording of:
At the Hop
writer:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music and Tristan Music Ltd.
Danny & the Juniors2:33
19Poor Little Fool
Ricky Nelson2:32
20Party Doll
recording of:
Party Doll
lyricist and composer:
Buddy Knox (US country rocker, of The Rhythm Orchids)
writer:
Dave Alldred, Jimmy Bowen (producer, rockabilly musician and songwriter), Buddy Knox (US country rocker, of The Rhythm Orchids) and Don Lanier
publisher:
EMI Longitude Music, Music of Stage Three and Patricia Music Publ. Corp.
Buddy Knox2:15
2▼Medium: Volume 2: Greatest Top 10 Hits 1950-1965
#TitleArtistRatingLength
1Oh Pretty Woman
recorded in:
Nashville, Tennessee, United States (on 1964-08-01)
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
vocals:
Roy Orbison
phonographic copyright (℗) by:
Orbison Records, Orbison Records, Inc. and Monument Record Corp. (not for release label use!) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees (songwriter, singer, guitarist) and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (BMI) (in 1972)
Roy Orbison4.22:57
2Rhythm of the Rain
phonographic copyright (℗) by:
Warner Music H.K. Ltd. (in 1997)
recording of:
Rhythm of the Rain (in 1962)
lyricist and composer:
John Gummoe
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Cascades32:30
3Breaking Up Is Hard to Do
vocals:
Neil Sedaka
conductor:
Al Lorber
arranger:
Al Lorber
recording of:
Breaking Up Is Hard to Do
lyricist and composer:
Howard Greenfield and Neil Sedaka
publisher:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Careers and Aldon (in 1962)
Neil Sedaka3.252:20
4Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:01
5Limbo Rock
cover recording of:
Limbo Rock
lyricist:
Jon Sheldon
composer:
Billy Strange
Chubby Checker2:27
6I Want to Hold Your Hand
recording of:
I Want to Hold Your Hand
writer:
John Lennon (The Beatles) (in 1963-09) and Paul McCartney (The Beatles) (in 1963-09)
publisher:
Duchess Music Corporation (BMI-affiliated), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
part of:
Sailor Moon (1995 DiC dub soundtrack)
The Beatles2:28
7Love Me Do
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (on 1962-09-11)
producer:
Ron Richards (on 1962-09-11)
acoustic guitar, harmonica and background vocals:
John Lennon (The Beatles) (on 1962-09-11)
acoustic guitar [rhythm guitar]:
George Harrison (The Beatles) (on 1962-09-11)
drums (drum set):
Andy White (Scottish drummer) (on 1962-09-11)
electric bass guitar and lead vocals:
Paul McCartney (The Beatles) (on 1962-09-11)
tambourine:
Ringo Starr (The Beatles) (on 1962-09-11)
vocals:
John Lennon (The Beatles) (on 1962-09-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962, in 1963, in 1982, in 1987)
recorded at and mixed at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1962-09-11)
recording of:
Love Me Do (on 1962-09-11)
writer:
John Lennon (The Beatles) (from 1958 until 1962-05) and Paul McCartney (The Beatles) (from 1958 until 1962-05)
publisher:
Ardmore & Beechwood Ltd., Beechwood Music Corp., Castle Music (AU label of Castle Music Pty. Limited), EMI Music Publishing (do not use as a release label!), Lenono Publishing, McCartney Music and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
The Beatles3.952:24
8I Will Follow Him
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1963) and ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 2009)
recording of:
I Will Follow Him (on 1963-01-07)
lyricist:
Norman Gimbel and Jacques Plante
composer:
Paul Mauriat and Franck Pourcel
publisher:
Universal MCA Music Publishing (France) and Universal Music Corporation (USA, affiliated with ASCAP)
version of:
Chariot
Peggy March4.22:30
9The Lion Sleeps Tonight
recording of:
The Lion Sleeps Tonight (in 1961)
lyricist:
George David Weiss (in 1961)
writer:
Luigi Creatore, Hugo Peretti and Albert Stanton (pseudonym for Al Brackman)
composer:
Solomon Linda
publisher:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) and Memory Lane Music Ltd.
is based on:
Mbube
is based on:
Wimoweh
version of:
Wimoweh
part of:
The Lion King (stage musical)
part of:
The Lion King (2019 film soundtrack)
The Tokens2:42
10Runaway
solo clavioline [musitron]:
Max Crook
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 100) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 466)
recording of:
Runaway (on 1961-01-24)
writer:
Max Crook and Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. and Vicki Music
Del Shannon4.42:22
11Can’t Buy Me Love
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 289)
recording of:
Can’t Buy Me Love
writer:
John Lennon (The Beatles) (in 1964-01) and Paul McCartney (The Beatles) (in 1964-01)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP) and Unart Music Corp.
written at:
George V Hotel in Paris, Île-de-France, France (from 1964-01 until 1964-02)
The Beatles2:11
12Do Wah Diddy Diddy
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 35)
cover recording of:
Do Wah Diddy Diddy
writer:
Jeff Barry and Ellie Greenwich
publisher:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:23
13Hit the Road Jack
producer:
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (on 1961-07-05)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (on 1961-07-05)
bass:
Edgar Willis (bass) (on 1961-07-05)
drums (drum set):
Edward "Bruno" Carr (on 1961-07-05)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1961-07-05)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1961-07-05)
trumpet:
Phillip Guilbeau (on 1961-07-05) and John Hunt (trumpeter) (on 1961-07-05)
background vocals:
The Raelettes (on 1961-07-05)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1961-07-05) and Margie Hendrix (on 1961-07-05)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-07-05)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 248)
recording of:
Hit the Road Jack (on 1961-07-05)
lyricist and composer:
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles4.41:59
14Corinna, Corinna
cover recording of:
Corrine, Corrina
lyricist:
[traditional] (special purpose artist), Armetia Chatman (blues musician, aka Bo Chatmon) (in 1929), J. Mayo ‘Ink’ Williams (in 1929) and Mitchell Parish (in 1932)
composer:
[traditional] (special purpose artist)
publisher:
Belwin-Mills Publishing Corp., EMI Music Publishing France and Gotham Music Service, Inc. (on 1932-03-18)
Ray Peterson32:37
15Let’s Twist Again
vocals:
Chubby Checker (in 1961-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 40)
recording of:
Let’s Twist Again (in 1961-06)
lyricist:
Kal Mann
composer:
Dave Appell
publisher:
Kalmann Music Inc., Warner/Chappell Music Australia Pty. Ltd. and Belinda (Scandinavia) AB (in 1974)
Chubby Checker4.652:24
16Sheila
recording of:
Sheila
lyricist and composer:
Tommy Roe
publisher:
Low Twi Music Inc (publisher) and Sony/ATV Music Publishing (UK) Ltd.
Tommy Roe2:06
17Walk Like a Man
engineer:
Gordon Clark (recording engineer)
producer:
Bob Crewe
conductor:
Charles Calello
vocals arranger:
Nick Massi
orchestrator:
Charles Calello
engineered at:
Stea-Phillips in New York, New York, United States
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 39)
recording of:
Walk Like a Man
writer:
Bob Crewe and Bob Gaudio
publisher:
Gavadema Music Inc. and Saturday Music, Inc.
The Four Seasons52:17
18Take Good Care of My Baby
recording of:
Take Good Care of My Baby
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner/Chappell Music Ltd. (1996–2019)
Bobby Vee2:40
19Hey Baby
Bruce Channel2:21
20I Can’t Stay Mad at You
Skeeter Davis2:12
3▼Medium: Volume 3: Love Story From 1950-1965
#TitleArtistRatingLength
1Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, France (on 1958-09-24)
producer:
Buck Ram
lead vocals:
Tony Williams (lead singer for The Platters)
performer:
The Platters
cover recording of:
Smoke Gets in Your Eyes (on 1958-09-24)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
The Platters3.752:44
2All I Have to Do Is Dream
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 141) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 323)
recording of:
All I Have to Do Is Dream (on 1958-03-06)
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Acuff-Rose Publications, Inc. (BMI) (on 1958-04-21)
The Everly Brothers42:20
3Devoted to You
recording of:
Devoted to You (on 1958-07-10)
lyricist and composer:
Boudleaux Bryant
publisher:
Acuff-Rose (BMI)
The Everly Brothers2:25
4Put Your Head on My Shoulder
Paul Anka2:37
5Whatever Will Be, Will Be
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (publisher as Warner/Chappell Music)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1956 winner)
Doris Day2:08
6My Special Angel
recording of:
My Special Angel
lyricist and composer:
Jimmy Duncan (US songwriter & producer from Texas)
publisher:
J. Albert & Son and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Bobby Helms3:02
7To Know Him Is to Love Him
engineer:
Stan Ross (recording engineer, mixer & producer)
producer:
Phil Spector
instruments:
Phil Spector (in 1958-07)
membranophone:
Sandy Nelson (in 1958-07)
arranger:
Phil Spector
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1958-07)
recording of:
To Know Him Is to Love Him (in 1958-07)
lyricist and composer:
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. and Vogue Music
The Teddy Bears2:27
8Love Me Tender
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (Percussion) (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (Session Musician (Guitar)) (from 1956-08-24 until 1956-09-04)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
Jon Dodson (from 1956-08-24 until 1956-09-04, on 1956-09-01), Charles Prescott (from 1956-08-24 until 1956-09-04, on 1956-09-01) and Rad Robinson (from 1956-08-24 until 1956-09-04, on 1956-09-01)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 437)
recording of:
Love Me Tender (from 1956-08-24 until 1956-09-04)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Aura Lea
Elvis Presley42:49
9Are You Lonesome Tonight
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (Session drummer and songwriter) (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (on 1960-04-03)
additional performer:
The Jordanaires (southern gospel group) (on 1960-04-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960, in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 9)
cover recording of:
Are You Lonesome Tonight? (on 1960-04-03)
lyricist:
Roy Turk
composer:
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music and Redwood Music Ltd. (Carlin)
Elvis Presley3.153:11
10Only You
recording of:
Only You
lyricist, writer and composer:
Buck Ram and Ande Rand
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music and Sherwin Music (publisher) (in 1973)
The Platters2:40
11Just Walking in the Rain
recording of:
Just Walkin’ in the Rain
writer:
Johnny Bragg, Buddy Killen and Robert Riley
Johnnie Ray2:54
12Mr. Blue
The Fleetwoods2:31
13The Three Bells
The Browns2:56
14Twilight Time
recorded in:
New York, New York, United States (in 1958-01)
phonographic copyright (℗) by:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
cover recording of:
Twilight Time (in 1958-01)
lyricist:
Buck Ram
composer:
Artie Dunn, Al Nevins and Morty Nevins
publisher:
Chappell Music (UK), Devon Music Inc., EMI Davis Music Australia Pty Limited, Porgie Music, Songs of Universal, Inc. (BMI) and Victoria Music Publishing Co. Ltd.
translated version of:
Al caer la noche
The Platters4.52:49
15The Great Pretender
recording of:
The Great Pretender
lyricist and composer:
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) and Southern Music Publishing Company Limited
The Platters2:39
16April Love
conductor:
Billy Vaughn
phonographic copyright (℗) by:
Geffen Records. (in 1957)
recording of:
April Love (on 1957-09-15)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Leo Feist, Inc.
part of:
The 30th Academy Award for Best Original Song (number: 2)
Pat Boone2:47
17You Send Me
producer:
Robert “Bumps” Blackwell
bass:
Ted Brinson (on 1957-06-01)
drums (drum set):
Earl Palmer (on 1957-06-01)
guitar:
Clifton White (on 1957-06-01) and René Hall (on 1957-06-01)
background vocals:
Charles Parlato, Alicia Adams (singer) (on 1957-06-01), Sue Allen (on 1957-06-01) and Lee Gotch (on 1957-06-01)
lead vocals:
Sam Cooke (American singer and songwriter, “King of Soul”) (on 1957-06-01)
orchestra:
Bumps Blackwell Orchestra (Robert Alexander "Bumps" Blackwell) (on 1957-06-01)
conductor:
Glenn Osser (on 1957-06-01)
phonographic copyright (℗) by:
Keen (in 1958)
recorded at:
Specialty Studios in Los Angeles, California, United States (on 1957-06-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 115)
recording of:
You Send Me (on 1957-06-01)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
additional writer:
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Sam Cooke4.52:48
18Venus
vocals:
Frankie Avalon (American actor, singer)
conductor and chorus master:
Peter de Angelis
phonographic copyright (℗) by:
Chancellor Records Inc. (in 1959)
recording of:
Venus
lyricist and composer:
Ed Marshall
publisher:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:26
19Tammy
Debbie Reynolds3:09
20Yellow Rose of Texas
recording of:
The Yellow Rose of Texas (on 1955-06-10)
lyricist:
[traditional] (special purpose artist) and Don George (US songwriter/composer, 1909–1987)
composer:
[traditional] (special purpose artist)
publisher:
EMI Full Keel Music
Mitch Miller3:02
4▼Medium: Volume 4: Love Story From 1950-1965
#TitleArtistRatingLength
1Crying in the Rain
recording of:
Crying in the Rain (Everly Brothers song) (on 1961-11-14)
lyricist:
Howard Greenfield
writer:
Carole King
publisher:
Screen Gems–EMI Music Ltd.
The Everly Brothers52:00
2Let It Be Me
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1960)
cover recording of:
Let It Be Me (on 1959-12-15)
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
translated version of:
Je t’appartiens
The Everly Brothers2:42
3The House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.254:32
4My Guy
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (US drummer) (in 1964)
guitar:
Robert White (US funk/soul guitarist) (in 1964) and Eddie Willis (in 1964)
instruments:
The Funk Brothers (in 1964)
organ:
Earl Van Dyke (in 1964)
piano:
Johnny Griffith (in 1964)
trombone:
George Bohanon (in 1964) and Paul Riser (in 1964)
trumpet:
Russell Conway (trumpet player) (in 1964) and Herbert Williams (trumpet player) (in 1964)
vibraphone:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
background vocals:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) and Jackie Hicks (in 1964)
lead vocals:
Mary Wells (Motown singer) (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1964)
recording of:
My Guy (in 1964)
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:52
5Mr. Lonely
Bobby Vinton2:42
6Why
phonographic copyright (℗) by:
Chancellor (from 1959 to present) and Chancellor Records Inc. (in 1959)
recording of:
Why (1959 song)
lyricist:
Robert P. Marcucci
composer:
Peter de Angelis
publisher:
Debmar Publishing Co., Inc.
Frankie Avalon2:37
7Will You Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (singer for The Shirelles) (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles3.82:38
8Ebony Eyes
recording of:
Ebony Eyes
lyricist and composer:
John D. Loudermilk
The Everly Brothers3:06
9Sad Movie
Sue Thompson3:12
10Johnny Angel
Shelley Fabares2:14
11Hey Paula
vocals:
Ray Hildebrand and Jill Jackson
recording of:
Hey Paula (in 1962)
lyricist and composer:
Ray Hildebrand
publisher:
Speckle Music
Paul & Paula2:30
12Tell Laura I Love Her
recording of:
Tell Laura I Love Her
lyricist:
Ben Raleigh
composer:
Jeff Barry
publisher:
E.B. Marks Music Corp. and Steeplechase Music
Ray Peterson4.52:54
13Teen Angel
recording of:
Teen Angel
lyricist and composer:
Jean Surrey
publisher:
Acuff Rose Musikverlag (German department of the US publishing company Acuff Rose Music, which began its exploration of foreign publishing markets in the 1950s), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Mark Dinning2:39
14I Can't Stop Loving You
cover recording of:
I Can’t Stop Lovin’ You
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (BMI) (on 1958-02-07)
Ray Charles4:13
15Unchain My Heart
cover recording of:
Unchain My Heart
lyricist and composer:
Bobby Sharp
writer:
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
part of:
The Real Book (compilation of jazz standards, Volume I)
Ray Charles2:51
16Michael
recording of:
Michael
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
The Highwaymen2:41
17Wooden Heart
cover recording of:
Wooden Heart
lyricist:
Ben Weisman and Fred Wise
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter) and Kay Twomey
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music and Spirit Two Music Inc.
translated version of:
Muß i denn zum Städtele hinaus
Joe Dowell2:02
18Moody River
recording of:
Moody River
writer:
Chase Webster
translator:
Kari Tuomisaari
publisher:
Gary Bruce Music and Gil Music
Pat Boone2:38
19Dedicated to the One I Love
cover recording of:
Dedicated to the One I Love
writer:
Ralph Bass and Lowman Pauling
publisher:
Carlin Music Corporation, Duchess Music Corporation (BMI-affiliated), Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles2:18
20Spanish Harlem
recording of:
Spanish Harlem
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
Ben E. King2:56
5▼Medium: Volume 5: Greatest Top 10 Hits 1965-1980
#TitleArtistRatingLength
1Longer
engineer:
Jeff Guercio and Marty Lewis (engineer)
producer:
Dan Fogelberg, Marty Lewis (engineer) and Norbert Putnam
mixer:
Marty Lewis (engineer)
acoustic guitar:
Dan Fogelberg
harp:
Gayle Levant (American studio musician, harpist)
solo flugelhorn:
Jerry Hey
vocals:
Dan Fogelberg
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) and Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1980)
mixed at:
Quadrafonic Sound Studios in Nashville, Tennessee, United States
recording of:
Longer
lyricist and composer:
Dan Fogelberg
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Hickory Grove Music
Dan Fogelberg3.153:15
2Words Get in the Way
vocals:
Gloria Estefan
recording of:
Words Get in the Way
lyricist and composer:
Gloria Estefan
writer:
Gloria M. Estefan
Miami Sound Machine23:29
3I Go Crazy
producer:
Phil Benton and Paul Davis (American singer)
vocals:
Paul Davis (American singer)
phonographic copyright (℗) by:
Bang Records (Bert Berns label) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 12)
recording of:
I Go Crazy
lyricist and composer:
Paul Davis (American singer)
publisher:
Paul and Jonathan Songs, Sony/ATV Songs LLC and Web IV Music Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Paul Davis53:55
4Dust in the Wind
additional engineer:
Terry Diane Becker (engineer)
engineer:
Jeff Glixman (from 1977-06 until 1977-07)
producer:
Jeff Glixman (in 1977-06)
acoustic guitar and electric guitar:
Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (guitarist of Kansas) (from 1977-06 until 1977-07)
bass guitar:
Dave Hope (from 1977-06 until 1977-07)
celesta, organ, synthesizer, vibraphone and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
cello, viola and violin [violins]:
Robby Steinhardt (from 1977-06 until 1977-07)
chimes, drums (drum set), gong and timpani:
Phil Ehart (from 1977-06 until 1977-07)
clavinet and synthesizer [synthesizers]:
Kerry Livgren (from 1977-06 until 1977-07)
percussion [additional percussion]:
Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
piano:
Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
background vocals:
Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978)
recorded at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1977-08)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 39)
recording of:
Dust in the Wind (from 1977-06 until 1977-07)
lyricist and composer:
Kerry Livgren
publisher:
Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing and Kirshner-Warner Bros Music Ltd.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
adaptations:
As the Sun Rises
Kansas4.053:21
5When Will I See You Again
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson (in 1973), Valerie Holiday (in 1973) and Fayette Pinkney (in 1973)
performer:
MFSB (Mother Father Sister Brother) (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
recording of:
When Will I See You Again (in 1973)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees43:01
6I Can See Clearly Now
producer:
Johnny Nash (US reggae/pop singer-songwriter)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1972) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1972)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 165)
recording of:
I Can See Clearly Now (in 1972)
lyricist and composer:
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash42:45
7Lean on Me
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
drums (drum set) and percussion:
James Gadson (American drummer) (in 1972)
electric bass guitar:
Melvin Dunlap (in 1972)
electric guitar:
Benorce Blackmon (guitarist, producer, writer) (in 1972)
piano and lead vocals:
Bill Withers (in 1972)
Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger) (in 1972)
strings arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 236)
recording of:
Lean on Me (in 1972)
lyricist and composer:
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.34:19
8Kiss and Say Goodbye
recording of:
Kiss and Say Goodbye
lyricist and composer:
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. and EMI Songs Ltd.
The Manhattans4:29
9It Never Rains in Southern California
recording of:
It Never Rains in Southern California (in 1972)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc. (ended), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI April Music Inc.
Albert Hammond3.83:52
10San Francisco (Be Sure to Wear Some Flowers in Your Hair)
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie3.753:00
11Sealed With a Kiss
cover recording of:
Sealed With a Kiss
writer:
Gary Geld and Peter Udell
premiered by:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) and Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Bobby Vinton52:51
12Love Story
Andy Williams3:13
13I Love How You Love Me
producer:
Billy Sherrill (US songwriter/producer/arranger)
arranger:
Bill McElhiney
cover recording of:
I Love How You Love Me
writer:
Larry Kolber and Barry Mann
publisher:
Robert Mellin Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Bobby Vinton2:31
14Please Come to Boston
edit of:
Please Come to Boston by Dave Loggins
recording of:
Please Come to Boston
lyricist and composer:
Dave Loggins
Dave Loggins4:09
15It's a Heartache
producer:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
acoustic guitar and background vocals:
Steve Wolfe (producer, songwriter and guitar player)
bass:
Kevin Dunne
drums (drum set) and percussion:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
produced for:
Soundbarrier Ltd. (production company)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 24)
recording of:
It’s a Heartache
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Mighty Music (publisher) (in 1977) and RAK Publishing (in 1977)
Bonnie Tyler3.83:31
16You Are Only Lonely
recording engineer:
Lee Herschberg
additional engineer:
Loyd Clifft
producer:
J.D. Souther
bass guitar:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
drums (drum set):
Rick Marotta (US drummer/percussionist)
guitar:
Danny Kortchmar (Danny Kootch), J.D. Souther and Waddy Wachtel
lead vocals:
J.D. Souther
performer:
James Taylor (singer-songwriter and guitarist)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
You’re Only Lonely
lyricist and composer:
J.D. Souther
publisher:
EMI Blackwood Music Inc. and Ice Age Music
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
J.D. Souther53:47
6▶Medium: Volume 6: Greatest Top 10 Hits 1965-1980
7▶Medium: Volume 7: Love Story From 1965-1980
8▶Medium: Volume 8: Love Story From 1965-1980
9▶Medium: Volume 9: Greatest Top 10 Hits 1980-1990
10▶Medium: Volume 10: Greatest Top 10: Hits 1980-1990
11▶Medium: Volume 11: Love Story From 1980-1990
12▶Medium: Volume 12: Love Story From 1980-1990

Credits

Release group

part of:Billboard Hottest Hits (number: 1) (order: 1)