Complete Edition

~ Release by Ludwig van Beethoven (see all versions of this release, 5 available)

Tracklist

1CD: Symphonies 1 & 3
2CD: Symphonies 2 & 4
3CD: Symphonies 5 & 6
4CD: Symphonies 7 & 8
5CD: Symphony No. 9 'Choral'
6CD: Piano Concertos 1 & 2
7CD: Piano Concertos 3 & 5
8CD: Piano Concertos No. 4 & Op. 61
9CD: Violin Concerto, Romances for Violin and Orchestra
10CD: Triple Concerto, Piano Concerto WoO4, Rondo WoO6
11CD: Overtures, Die Weihe des Hauses - Excerpts
12CD: Orchestral Works, Organ Works
13CD: Dances I
14CD: Dances II
15CD: Music for Wind Ensemble I
16CD: Music for Wind Ensemble II
17CD: Chamber Music for Flute I
18CD: Chamber Music for Flute II
19CD: Septet Op. 20, Sextet Op. 81b
20CD: Quintet Op. 16, Trio Op. 11, Horn Sonata
21CD: Serenade Op. 25; Rondo WoO 41; Trio Hess 48; Works for Mandolin & Piano; Variations WoO 40
22CD: Piano Quartets
23CD: Piano Trios I
24CD: Piano Trios II
25CD: Piano Trios III
26CD: Piano Trios IV
27CD: Piano Trios V
28CD: Cello Sonatas I
29CD: Cello Sonatas II; Cello Variations
30CD: Violin Sonatas I
31CD: Violin Sonatas II
32CD: Violin Sonatas III
33CD: Violin Sonatas IV
34CD: String Trios I
35CD: String Trios II
36CD: String Quartets Op. 18 Nos. 1-3
37CD: String Quartets Op. 18 Nos. 4-6, Minuet In A Flat Hess 33
38CD: String Quartets Op. 59 'Rasumovsky' Nos. 1 & 2
39CD: String Quartets Op. 59 No. 3 'Rasumovsky'; Op. 74 'Harp'
40CD: String Quartets Opp. 95 'Quartetto Serioso' & 130; Grosse Fuge Op. 133
41CD: String Quartets Opp. 127 & 131
42CD: String Quartets Opp. 132 & 135
43CD: Music for String Ensembles I
44CD: Music for String Ensembles II
45CD: Piano Sonatas Opp. 106 'Hammerklavier' & 111
46CD: Piano Sonatas Opp. 101, 109, 110 & 90
47CD: Piano Sonatas Op. 57 'Appassionata', Op. 54, Op. 81a 'Les Adieux', Op. 31 No. 1
48CD: Piano Sonatas Op. 31 No. 2 'Tempest', Op. 31 No. 3, Op. 53 'Waldstein', Op. 49 No. 1
49CD: Piano Sonatas Op. 2 No. 1, Op. 79, Op. 10 Nos. 1 & 2, Op. 14 No. 1
50CD: Piano Sonatas Op. 14 No. 2, Op. 27 Nos. 1 & 2 'Moonlight', Op. 28 'Pastoral'
51CD: Piano Sonatas Op. 10 No. 3, Op. 2 Nos. 2 & 3
52CD: Piano Sonatas Op. 13 'Pathetique', Op. 22, Op. 26 'Funeral March', Op. 78
53CD: Piano Sonatas Op. 7, Op. 49 No. 2; Piano Variations Opp. 34, 35 & 76
54CD: Piano Variations WoO 74-80
55CD: Piano Variations WoO 68-73
56CD: Piano Variations WoO 63-67
57CD: 'Diabelli' Variations Op. 120; Bagatelles Op. 119; Rondo Op. 51 No. 2
58CD: Bagatelles Opp. 33 & 126; Miscellaneous Piano Works; "Für Elise"; "Rage Over a Lost Penny"
59CD: Miscellaneous Piano Works; Early Piano Sonatas WoO 47 Nos. 1 & 2
60CD: Works for Piano Four Hands; Early Piano Sonata WoO 47 No. 3
61CD: Leonore (beginning)
#TitleRatingLength
1Leonore: Overture
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Overture “Leonore” no. 2 in C major, op. 72a
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72a)
part of:
Leonore, Hess 109
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
14:03
2Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline)
soprano vocals:
Helen Donath (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
0:35
3Leonore: Act I. No. 1 Aria: "O wär'ich schon mit dir vereint" (Marzelline)
soprano vocals:
Helen Donath (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 1 Aria "O wär' ich schon mit dir vereint" (Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
4:33
4Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline)
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
0:23
5Leonore: Act I. No. 2 Duetto: "Jetzt, Schätzchen" (Jaquino, Marzelline)
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
5:04
6Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
2:00
7Leonore: Act I. No. 3 Terzetto: "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
3:41
8Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Ist Fidelio noch nicht nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
1:18
9Leonore: Act I. No. 4 Canon (Quartetto): "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
4:52
10Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
0:48
11Leonore: Act I. No. 5 Aria: "Hat man nich auch Gold beineben" (Rocco)
bass vocals:
Karl Ridderbusch (operatic bass)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 5 Aria "Hat man nicht auch Gold beineben" (Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
2:47
12Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
2:38
13Leonore: Act I. No. 6 Terzetto: "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline)
bass vocals:
Karl Ridderbusch (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
7:08
14Leonore: Act II. No. 7 March
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. No. 7 March
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
1:58
15Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco)
bass vocals:
Theo Adam (German classical bass-baritone) and Karl Ridderbusch (operatic bass)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
1:35
16Leonore: Act II. No. 8 Aria with Chorus: "Ha! Welch ein Augenblick!" (Pizarro, Rocco)
bass vocals:
Theo Adam (German classical bass-baritone) and Karl Ridderbusch (operatic bass)
choir vocals:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
2:58
17Leonore: Act II. "Rocco!" (Pizarro, Rocco)
bass vocals:
Theo Adam (German classical bass-baritone) and Karl Ridderbusch (operatic bass)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. "Rocco!" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
0:09
18Leonore: Act II. No. 9 Duetto: "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)
bass vocals:
Theo Adam (German classical bass-baritone) and Karl Ridderbusch (operatic bass)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
5:00
19Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
0:10
20Leonore: Act II. No. 10 Duetto: "Im in der Ehe froh zu leben" (Marzelline, Leonore)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. No. 10 Duet "Um in der Ehe froh zu leben" (Marzelline, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
6:05
21Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore)
soprano vocals:
Helen Donath (soprano) and Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
1:17
22Leonore: Act II. No. 11 Recitative and Aria: "Ach, brich noch nicht" (Leonore)
soprano vocals:
Edda Moser (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor) (in 1976)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1976)
recording of:
Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
8:18
62CD: Leonore (conclusion)
63CD: Fidelio (beginning)
64CD: Fidelio (conclusion)
65CD: Egmont
66CD: The Creatures of Prometheus; Ritterballett
67CD: The Ruins of Athens; King Stephan; Germania; Chor Auf Die Verbündeten Fürsten: 'Ihr Weisen Gründer'
68CD: Arias
69CD: Cantatas: On the Death of Joseph II; On the Accession of Leopold II
70CD: Der Glorreiche Augenblick; Polyphonic Italian Songs WoO 99
71CD: Miscellaneous Vocal Works
72CD: Christus am Ölberge
73CD: Mass in C
74CD: Missa Solemnis
75CD: Songs I
76CD: Songs II
77CD: Songs III
78CD: Songs IV
79CD: Canons, Epigrams and Jokes; Irish Songs WoO 152 & 153
80CD: Irish Songs WoO 152 & 153 (continued)
81CD: 12 Irish Songs WoO 154
82CD: 26 Welsh Songs WoO 155
83CD: 12 Scottish Songs WoO 156; 12 verschiedene Volkslieder WoO 157
84CD: 25 Scottish Songs Op. 108; 23 Lieder verschiedener Völker WoO158a (selection)
85CD: Folk Songs WoO 158