| # | Title | Artist | Rating | Length |
|---|
| 1 | Nutbush City Limits- producer:
- Ike Turner
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1973), EMI Records USA (in 1973) and EMI Records Ltd. (in 2004)
- recording of:
- Nutbush City Limits
- lyricist and composer:
- Tina Turner
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing , EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
| Ike & Tina Turner | 3.75 | 2:57 |
| 2 | Lieve kleine Piranha | Gorki | | 3:10 |
| 3 | You Ain’t Seen Nothing Yet | Bachman–Turner Overdrive | 4.65 | 3:52 |
| 4 | Dikke Lu | The Clement Peerens Explosition | | 2:42 |
| 5 | I Want You to Want Me | Cheap Trick | | 3:40 |
| 6 | A Town Called Maice | The Jam | 4.8 | 2:53 |
| 7 | Centerfold- engineer:
- Dave Thoener
- producer:
- Seth Justman
- arranger:
- Seth Justman
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1981), Capitol Records, LLC (in 1981), EMI Records USA (in 1981) and EMI Catalog (in 2006)
- recorded at:
- Long View Farm in North Brookfield, Massachusetts, United States
- mixed at:
- Mix Room, Record Plant in New York, New York, United States
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (number: 314)
- recording of:
- Centerfold
- lyricist and composer:
- Seth Justman
- publisher:
- Center City Music, Copyright Control , Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. and Warner/Chappell Music Ltd.
| The J. Geils Band | 4 | 3:37 |
| 8 | Perfectly Good Guitar | John Hiatt | | 4:39 |
| 9 | Piece of My Heart | Big Brother & the Holding Company | 4.5 | 4:15 |
| 10 | The Weight | The Band | 4.1 | 4:35 |
| 11 | For What It’s Worth | Buffalo Springfield | 4.25 | 2:37 |
| 12 | Summer in the City- additional electric piano:
- Artie Schroeck
- lead vocals:
- John Sebastian
- conductor:
- Michael Kamen
- phonographic copyright (℗) by:
- Buddah Records (in 1966), Kama Sutra (in 1966), Sony Music Entertainment (in 1966) and Sony Music Entertainment Inc. (in 1966)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 393)
- recording of:
- Summer in the City
- writer:
- Steve Boone, John Sebastian and Mark Sebastian
- publisher:
- Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. , Bug Music , Copyright Control , EMI Music Publishing , EMI Music Publishing Ltd. , Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., Trio Music and Trio Music Co., Inc.
| The Lovin’ Spoonful | 4.8 | 2:38 |
| 13 | Eye of the Tiger- assistant engineer:
- Hill Swimmer
- engineer:
- Phil Bonnano and Mike Clink
- producer:
- Jim Peterik and Frankie Sullivan
- phonographic copyright (℗) by:
- Scotti Bros. Industries Inc (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) and Sony Music Entertainment UK Limited (in 2016)
- recorded at:
- Rumbo Recorders in Canoga Park, Los Angeles, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 28) and VH1: 100 Greatest Hard Rock Songs (number: 63)
- recording of:
- Eye of the Tiger
- writer:
- Jim Peterik and Frankie Sullivan
- publisher:
- Copyright Control , Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music , Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited , Warner/Chappell North America Limited , WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
- part of:
- The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
| Survivor | 4.45 | 4:00 |
| 14 | The Final Countdown | Europe | | 4:14 |
| 15 | Marliese | Fischer‐Z | | 3:51 |
| 16 | Denis- engineer:
- Rob Freeman
- producer:
- Richard Gottehrer
- bass guitar:
- Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
- drums (drum set):
- Clem Burke (from 1977-06 until 1977-07)
- electric guitar [lead guitar] and vibraphone:
- Chris Stein (from 1977-06 until 1977-07)
- electric guitar [rhythm guitar]:
- Frank Infante (from 1977-06 until 1977-07)
- farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
- Jimmy Destri (from 1977-06 until 1977-07)
- background vocals:
- Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
- lead vocals:
- Deborah Harry (from 1977-06 until 1977-07)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1977), Chrysalis Records, Inc. (in 1977, in 2001) and Chrysalis Records Ltd. (in 1978)
- recorded at:
- Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
- cover recording of:
- Denise (from 1977-06 until 1977-07)
- lyricist and composer:
- Neil Levenson
- publisher:
- Bright Tunes Music Corp., EMI Music Publishing Ltd. , Minder Music Ltd. and Taking Care of Business Music Inc.
| Blondie | 3.5 | 2:16 |
| 17 | Down Under- additional engineer:
- Paul Ray
- engineer:
- Jim Barbour and Peter McIan
- producer:
- Peter McIan
- bass:
- John Rees
- drums (drum set):
- Jerry Speiser
- guitar:
- Ron Strykert
- keyboard and woodwind:
- Greg Ham
- vocals:
- Colin Hay
- phonographic copyright (℗) by:
- CBS Records Australia Limited (in 1981), Columbia Records (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (in 1981), Sony Music Productions Pty. Ltd. (in 1981, in 1982), CBS, Inc. (in 1982), Sony Music Entertainment Inc. (in 1982) and Diski CBS AEBE (in 1986)
- recorded at:
- Richmond Recorders in Melbourne, Victoria, Australia
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 21) and VH1: 100 Greatest Songs of the 80’s (number: 96)
- recording of:
- Down Under
- lyricist:
- Colin Hay
- composer:
- Colin Hay and Ron Strykert
- publisher:
- April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music , EMI Music Australia Pty. Limited , EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
| Men at Work | 3.95 | 3:42 |
| 18 | Spanish Stroll | Mink DeVille | | 3:32 |
| 19 | Love Blonde- engineer:
- Keith Fernley, Will Gosling, Simon Schofield and Pete Schwier
- producer:
- Ricky Wilde
- bass guitar:
- Mark Heyward-Chaplin and Ricky Wilde
- drums (drum set):
- Trevor Murrell
- electric guitar [lead guitar]:
- Steve Byrd
- guitar, keyboard and synclavier:
- Ricky Wilde
- saxophone:
- Gary Barnacle
- background vocals:
- Steve Byrd, Mark Heyward-Chaplin and Ricky Wilde
- lead vocals:
- Kim Wilde
- phonographic copyright (℗) by:
- EMI France (in 1993), EMI Records Ltd. (in 2001) and EMI Records Limited (in 2006)
- recorded at:
- Nivram Studios, RAK Studios in London , England, United Kingdom and Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom
- mixed at:
- RAK Studios in London , England, United Kingdom and Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom
- edit of:
- Love Blonde by Kim Wilde
- recording of:
- Love Blonde
- writer:
- Marty Wilde and Ricky Wilde
| Kim Wilde | 3 | 3:32 |
| 20 | The Passenger | Iggy Pop | 4.6 | 4:41 |
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