| # | Title | Artist | Rating | Length |
|---|
| 1 | Out of Touch | Hall & Oates | | 4:10 |
| 2 | She Bop- additional engineer:
- John Jansen and Rod O’Brien
- assistant engineer:
- John Agnello
- engineer:
- William Wittman
- associate producer:
- William Wittman
- producer:
- Rick Chertoff
- lead vocals:
- Cyndi Lauper
- phonographic copyright (℗) by:
- Epic Records (in 1983) and Sony Music Entertainment Inc. (in 1983)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- recording of:
- She Bop
- writer:
- Rick Chertoff, Gary Corbett, Cyndi Lauper and Steve Lunt
- publisher:
- PolyGram International Publishing, Inc. (ended), ATV/Sony Songs, LLC, Concord Copyrights , Hobbler Music, Mushroom Music Pty. Ltd., Noyb Music Company, Perfect Punch Music , Rellla Music Company, Sony Music Publishing (Japan) Inc. , Spirit One Music, Twenty Twenty 6 Music, Universal PolyGram International Publishing, Inc. , Wall to Wall Music, シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
- part of:
- “The Filthy Fifteen” (number: 15)
| Cyndi Lauper | 4.1 | 3:47 |
| 3 | I Ran (So Far Away) | A Flock of Seagulls | 4 | 4:00 |
| 4 | Road to Nowhere- recording engineer and mixer:
- Eric “E.T.” Thorngren
- assistant engineer:
- Melanie West (task: second engineer)
- producer:
- Talking Heads
- bass synthesizer [synth bass]:
- Tina Weymouth
- drums (drum set):
- Chris Frantz
- guest accordion:
- Jimmy MacDonell
- guest bongos, guest congas and guest tambourine:
- Steve Scales
- guest saxophone:
- Lenny Pickett
- guest washboard:
- Andrew Cader
- guitar:
- David Byrne and Jerry Harrison
- guitar and keyboard and keyboard:
- Jerry Harrison
- background vocals:
- Jerry Harrison and Tina Weymouth
- guest background vocals:
- Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves and Kurt Yahijian
- lead vocals:
- David Byrne
- vocals:
- David Byrne
- arranger:
- David Byrne , Chris Frantz, Jerry Harrison and Tina Weymouth
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1985), Sire Records Company (in 1985) and Talking Heads Tours Inc. (in 1985)
- recorded at and mixed at:
- Sigma Sound in New York, New York, United States
- music videos:
- Road to Nowhere by Talking Heads
- recording of:
- Road to Nowhere
- lyricist and composer:
- David Byrne
- publisher:
- Bleu Disque Music Co. , Index Music, Inc., Warner Bros. Music Co., Ltd. and Warner Bros. Music Corp.
| Talking Heads | 4.2 | 4:19 |
| 5 | Tainted Love- engineer:
- Paul Hardiman
- producer:
- Mike Thorne
- mixer:
- Harvey Goldberg
- electronic instruments and other instruments:
- Dave Ball
- saxophone:
- David Tofani
- background vocals:
- Vicious Pink
- vocals:
- Marc Almond
- phonographic copyright (℗) by:
- Mercury Records Ltd. (London) (in 1981)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- music videos:
- Tainted Love by Soft Cell
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (number: 33) and Billboard: The 500 Best Pop Songs (number: 46)
- cover recording of:
- Tainted Love
- lyricist and composer:
- Ed Cobb
- publisher:
- Burlington Music Co., Ltd. and Embassy Music Corporation
- sub-publisher:
- ミュージック・セールス
| Soft Cell | 3.95 | 2:40 |
| 6 | Listening | Pseudo Echo | 5 | 2:59 |
| 7 | Obsession | Animotion | 3.35 | 3:57 |
| 8 | Chant No 1 (I Don’t Need This Pressure on) | Spandau Ballet | 4 | 4:04 |
| 9 | Barracuda- producer:
- Mike Flicker
- acoustic guitar:
- Nancy Wilson (from 1977-02 until 1977-04)
- bass guitar:
- Steve Fossen (from 1977-02 until 1977-04)
- drums (drum set):
- Michael Derosier (from 1977-02 until 1977-04)
- electric guitar:
- Roger Fisher (from 1977-02 until 1977-04)
- guitar and mellotron:
- Howard Leese (from 1977-02 until 1977-04)
- lead vocals:
- Ann Wilson (from 1977-02 until 1977-04)
- arranger:
- Heart
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977), Epic Records (in 1977), Sony BMG Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
- recorded at:
- Kaye–Smith Studios in Seattle, Washington, United States (from 1977-02 until 1977-04)
- mixed at:
- Royaltone Studios in North Hollywood, Los Angeles, California, United States and Kaye–Smith Studios in Seattle, Washington, United States (from 1977-02 until 1977-04)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and VH1: 100 Greatest Hard Rock Songs (number: 34)
- recording of:
- Barracuda (from 1977-02 until 1977-04)
- writer:
- Michael Derosier, Roger Fisher , Ann Wilson and Nancy Wilson
- publisher:
- BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd. , Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. and Wilsongs
- sub-publisher:
- Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
| Heart | 4.2 | 4:23 |
| 10 | Somebody Is Watching Me | Rockwell | 3.85 | 3:57 |
| 11 | Some Like It Hot | The Power Station | | 3:46 |
| 12 | Rebel Yell- engineer:
- Michael Frondelli
- producer:
- Keith Forsey
- mixer:
- Dave Wittman
- bass guitar:
- Steve Webster (in 1983)
- bass, guitar and keyboard:
- Steve Stevens (in 1983)
- drums (drum set):
- Thommy Price (in 1983)
- keyboard:
- Judi Dozier (in 1983)
- lead vocals:
- Billy Idol (in 1983)
- arranger:
- Billy Idol and Steve Stevens
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1983), Capitol Records, LLC (in 1983), Chrysalis Records, Inc. (in 1983, in 1999) and Chrysalis Records Ltd. (in 1986)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1983)
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Rebel Yell by Billy Idol
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 79)
- recording of:
- Rebel Yell (in 1983)
- lyricist and composer:
- Billy Idol and Steve Stevens
- publisher:
- BMG Monarch, Boneidol Music, Chrysalis Music , Chrysalis Music Holdings GmbH , Chrysalis Music Ltd. , Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. , Neue Welt Musikverlag GmbH & Co. KG , Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. , Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. and WC Music Corp.
| Billy Idol | 4.55 | 4:47 |
| 13 | No Say in It | Machinations | | 3:19 |
| 14 | Stimulation | Wa Wa Nee | 5 | 3:39 |
| 15 | Left of Center | Suzanne Vega | | 3:33 |
| 16 | Get to Know Ya | Jesse Johnson | 3 | 3:34 |
| 17 | Dance Hall Days | Wang Chung | 3.2 | 3:59 |
| 18 | Hold Me Now- recording engineer, engineer and mixer:
- Phil Thornalley
- drums (drum set) programming:
- Tom Bailey
- producer:
- Tom Bailey and Alex Sadkin
- congas and synthesizer [Prophet V]:
- Joe Leeway
- double bass [contrabass], guitar, harmonica, piano and synthesizer:
- Tom Bailey
- drums (drum set), marimba, percussion and xylophone:
- Alannah Currie
- background vocals:
- Alannah Currie and Joe Leeway
- vocals:
- Tom Bailey
- phonographic copyright (℗) by:
- Arista Records Ltd. (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (in 1983), Arista Records Ltd. (in 1984) and Arista Records, Inc. (in 1984)
- music videos:
- Hold Me Now by Thompson Twins
- recording of:
- Hold Me Now
- writer:
- Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey
- vocals arranger:
- Tom Bailey , Alannah Currie and Joe Leeway
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Point Music and Point Music Ltd.
| Thompson Twins | 4.5 | 4:43 |
| 19 | Fade to Grey- engineer:
- John Hudson
- producer:
- Midge Ure and Visage
- performer:
- Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange and Midge Ure
- arranger:
- Visage
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1980) and Universal Records (in 1980)
- recorded at:
- Genetic Studios in West Berkshire, England, United Kingdom
- mixed at:
- Mayfair Sound in London , England, United Kingdom
- recording of:
- Fade to Grey
- writer:
- Billy Currie, Chris Payne and Midge Ure
- publisher:
- Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. and Performance Music Ltd
| Visage | 4.1 | 3:58 |
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