The Greatest Classical Album

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶Medium
2▼Medium
#TitleArtistRatingLength
1The Four Seasons: Allegro "Spring"
violin:
Kenneth Sillito (violinist)
orchestra:
The Virtuosi of England
conductor:
Arthur Davidson (conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:18
2Enigma Variations: Nimrod
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1970-08-04 until 1970-08-06)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:55
3The Sorcerer's Apprentice
orchestra:
Oslo‐Filharmonien (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
partial recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas6:38
4Suite bergamasque: Clair de Lune
engineer:
Mark Vigars (engineer)
producer:
David Groves (classical music producer at EMI)
piano:
Cécile Ousset (French pianist)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy4:58
5Songs of the Auvergne: Bailero
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra)
conductor:
Jean‐Pierre Jacquillat (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Première Série
Joseph Canteloube34:47
6Carnival of the Animals: Aquarium
piano:
Philip Fowke (pianist) and Peter Katin
orchestra:
Royal Scottish National Orchestra
conductor:
Sir Alexander Gibson (conductor)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:06
7Pavane
choir vocals:
Hallé Choir
vocals:
Hallé Choir
orchestra:
Hallé Orchestra
conductor:
Maurice Handford (hornist/conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:07
8Vespere solonnes de confessore: Laudate Dominum
organ:
Stephen Layton (English conductor)
choir vocals:
Choir of King’s College, Cambridge
soprano vocals:
Lynne Dawson (soprano)
vocals:
The Hilliard Ensemble (British male vocal quartet)
orchestra:
Cambridge Classical Players
conductor:
Stephen Cleobury (organist, conductor)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:51
9Porgy & Bess: Summertime
engineer:
Mark Vigars (engineer)
assistant producer:
Tony Harrison (producer and sound engineer for classical music)
producer:
David R. Murray
piano:
Wayne Marshall (British pianist, organist and conductor) (in 1988-02)
choir vocals:
The Glyndebourne Chorus (in 1988-02)
soprano vocals and soprano vocals [Bess]:
Harolyn Blackwell (soprano)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (in 1988, in 1988-02)
conductor:
Simon Rattle (conductor) (in 1988, in 1988-02)
chorus master:
Craig Rutenberg (pianist, vocal accompanist, coach and teacher) (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-02)
edit of:
Porgy and Bess: Act I, Scene I. "Summertime" (Clara, Chorus) by Harolyn Blackwell (soprano), Glyndebourne Chorus, London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Simon Rattle (conductor)
recording of:
Porgy and Bess: Act III, Scene I. “Summertime” (Bess) (in 1988)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene I
recording of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene I
George Gershwin3:11
10The Tales of Hoffmann: Barcarolle
producer:
Gerd Berg (producer) and Dietmar Wolf (Classical Music Producer)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1987-03-09 until 1987-03-12)
conductor:
Sir Neville Marriner (conductor) (from 1987-03-09 until 1987-03-12)
balance engineer:
Franck Richter (engineer)
recorded at:
Studio Villa Berg in Stuttgart, Baden-Württemberg, Germany (from 1987-03-09 until 1987-03-12)
instrumental recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements) (from 1987-03-09 until 1987-03-12)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach3:05
11Madama Butterfly: Humming Chorus
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1972)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1972)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:08
12Il travatore: II. Anvil Chorus
choir vocals:
Chorus of the Royal Opera House, Covent Garden
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Lamberto Gardelli (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:07
13O sole mio
tenor vocals:
Franco Corelli (tenor)
conductor:
Franco Ferraris (conductor)
recording of:
’O sole mio
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898) and Alfredo Mazzucchi (Italian composer, known for “’O sole mio”) (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) and Gennarelli Casa Editrice
Eduardo di Capua3:19
14Symphony No. 9 in D minor, Op. 125 "Choral": Allegro assai vivace. Alla marcia "Ode to Joy"
producer:
Andrew Keener (engineer/editor/producer)
alto vocals:
Della Jones (mezzo-soprano) (from 1991-01-03 until 1991-01-05)
bass vocals:
Bryn Terfel (bass‐baritone opera singer) (from 1991-01-03 until 1991-01-05)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1991-01-03 until 1991-01-05)
soprano vocals:
Joan Rodgers (soprano) (from 1991-01-03 until 1991-01-05)
tenor vocals:
Peter Bronder (British tenor) (from 1991-01-03 until 1991-01-05)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1991-01-03 until 1991-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1991-01-03 until 1991-01-05)
chorus master:
Ian Tracey (organist and choir master) (from 1991-01-03 until 1991-01-05)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1991-01-03 until 1991-01-05)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (from 1991-01-03 until 1991-01-05)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven3:50
15Peer Gynt: In the Hall of the Mountain King
producer:
Lawrance Collingwood
choir vocals:
Beecham Choral Society
orchestra:
Royal Philharmonic Orchestra (from 1956-11-05 until 1957-04-01)
conductor:
Sir Thomas Beecham (conductor) (from 1956-11-05 until 1957-04-01)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1956-11-05 until 1957-04-01)
recording of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall (from 1956-11-05 until 1957-04-01)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg2:12
16Carmina Burana: O Fortuna
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
choir vocals:
London Philharmonic Chorus (in 1989-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1989-11)
conductor:
Franz Welser‐Möst (conductor) (in 1989-11)
chorus master:
Richard Cooke (chorus master/conductor) (in 1989-11)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-11)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (in 1989-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:31