| # | Title | Artist | Rating | Length |
|---|
| 1 | For Your Eyes Only | Sheena Easton | 3.5 | 3:04 |
| 2 | Don’t Stand So Close to Me- engineer:
- Nigel Gray
- producer:
- Nigel Gray and The Police
- drums (drum set):
- Stewart Copeland (from 1980-07-07 until 1980-08-07)
- electric bass guitar, synthesizer and lead vocals:
- Sting (from 1980-07-07 until 1980-08-07)
- electric guitar:
- Andy Summers (from 1980-07-07 until 1980-08-07)
- background vocals:
- Stewart Copeland (from 1980-07-07 until 1980-08-07), Sting (from 1980-07-07 until 1980-08-07) and Andy Summers (from 1980-07-07 until 1980-08-07)
- phonographic copyright (℗) by:
- A&M Records Ltd. (in 1980, in 2003) and A&M Records, Inc. (in 1980, in 1997)
- recorded at:
- Wisseloord Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands (from 1980-07-07 until 1980-08-07)
- recording of:
- Don’t Stand So Close to Me (from 1980-07-07 until 1980-08-07)
- lyricist and composer:
- Sting
- publisher:
- Warner Bros. (ended), EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc. (Sting), GM Sumner, Chappell Music (from 1980 to ????), Chappell Music Co. (from 1980 to ????), Virgin Music (Publishers) Ltd. (from 1980 to ????), Virgin Music, Inc. (from 1980 to ????), Virgin Publishing (from 1984 to ????), EMI Music Publishing, Ltd. (from 2003 to ????) and Songs of Universal, Inc. (from 2022-02 to present)
| The Police | 3.95 | 3:59 |
| 3 | Kids in America- recording engineer:
- Jeo (from 1980 until 1981)
- programming:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- engineer:
- Steve Stewart
- producer:
- Ricky Wilde
- additional keyboard:
- Nick Priessnitz (from 1980 until 1981)
- bass guitar:
- Martin Russell (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- drums (drum set):
- Bernhard Hahn (from 1980 until 1981), Chris North (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
- guitar:
- Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde (from 1980 until 1981)
- phonographic copyright (℗) by:
- Cherry Red Records Ltd. , EMI Records Ltd. (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (in 2006)
- recorded at:
- Amira Studio (from 1980 until 1981), RAK Studios in London , England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- Jeopark in Buchholz, Niedersachsen , Germany, RAK Studios in London , England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (from 1980 until 1981)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- All Nations Music, EMI Music Publishing , Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
| Kim Wilde | 4.35 | 3:26 |
| 4 | You Drive Me Crazy | Shakin’ Stevens | | 2:47 |
| 5 | Tainted Love | Soft Cell | 5 | 8:54 |
| 6 | The Rose | Bette Midler | 4.2 | 3:31 |
| 7 | Could You Be Loved- assistant engineer:
- Chiao Ng
- engineer:
- Errol Brown
- executive producer:
- Chris Blackwell
- producer:
- Bob Marley & The Wailers
- mixer:
- Chris Blackwell and The Wailers
- bass guitar [1972 Fender Jazz Bass] and piano [Hamburg Steinway Piano]:
- Aston “Family Man” Barrett
- claves, cuíca, percussion, shakers and tambourine:
- Alvin “Seeco” Patterson
- clavinet [Hohner D6] and Hammond organ [B-3]:
- Earl “Wya” Lindo
- drums (drum set) [1979 Yamaha 9000]:
- Carlton “Carly” Barrett
- electric guitar [1973 Gibson Les Paul Special] and lead vocals:
- Bob Marley
- electric guitar [1977 Gibson Les Paul Standard]:
- Al Anderson
- electric guitar [1978 Gibson Les Paul Custom]:
- Junior Marvin
- instruments:
- Bob Marley & The Wailers
- background vocals:
- Tyrone Downie, Marcia Griffiths , Rita Marley, Junior Marvin and Judy Mowatt
- phonographic copyright (℗) by:
- Island Records, Inc. (in 1980)
- recorded at and mixed at:
- Tuff Gong Studios in Kingston , Jamaica
- part of:
- BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 363)
- recording of:
- Could You Be Loved
- lyricist and composer:
- Bob Marley
- publisher:
- Almo Music Corp. , Bob Marley Music, Gallo Music Publishers, Rondor Music (London) Ltd., Blue Mountain Music (in 1980), Bob Marley Music Inc. (in 1980), Fifty Six Hope Road Music Limited (in 1980) and Odnil Music Ltd. (in 1980)
| Bob Marley & The Wailers | 4.15 | 3:54 |
| 8 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:31 |
| 9 | Celebration- background vocals:
- Kelly Barretto, Ronald Bell, George Brown , Dee Dee Bryant, Gwen Hester, Cynthia Huggins, Joan Motley, Meekaeel Muhammad, Robert Bell, Robert Mickens, Elaine Sims, James “J.T.” Taylor , Cedric Toon and Earl Toon, Jr.
- lead vocals:
- James “J.T.” Taylor
- performer:
- Kool & the Gang
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1980, in 2020)
- part of:
- Billboard: The 500 Best Pop Songs (number: 298)
- recording of:
- Celebration
- writer:
- Robert “Kool” Bell, Ronald Bell, George Brown , Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor , Dennis “D.T.” Thomas and Earl Toon, Jr.
- publisher:
- Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd , EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. (in 1980) and WB Music Corp. (in 1980)
| Kool & the Gang | 4.5 | 4:55 |
| 10 | Sexy Eyes | Dr. Hook | 3.5 | 2:59 |
| 11 | King’s Call | Phil Lynott | | 3:39 |
| 12 | Waiting for a Girl Like You | Foreigner | 3.5 | 4:45 |
| 13 | My Girl | Madness | 3.7 | 2:45 |
| 14 | Oops Upside Your Head | The Gap Band | | 4:51 |
| 15 | What’s Another Year | Johnny Logan | | 2:57 |
| 16 | Rock This Town | Stray Cats | 4.35 | 2:40 |
| 17 | Sailing- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, background vocals and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and synthesizer:
- Rob Meurer
- percussion:
- Victor Feldman
- piano:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1979, in 1981, in 2001)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Sailing
- lyricist and composer:
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music , Universal Music Corp. and Universal Music–MGB Songs
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Christopher Cross | 4.1 | 4:15 |
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