Die Zauberflöte

~ Release by Mozart; Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Karl Böhm (see all versions of this release, 3 available)

Tracklist

1▶12" Vinyl
2▼12" Vinyl
#TitleArtistRatingLength
C1Die Zauberflöte, K. 620: Act I, Recitativo "Die Weisheitslehre dieser Knaben" (Tamino)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. Rezitativ „Die Weisheitslehre dieser Knaben” (Tamino, Coro) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:56
C2Die Zauberflöte, K. 620: Act I, "Wo willst du, kühner Fremdling, hin?" (Priester)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. „Zurück!” … „Zurück?” … „Wo willst du kühner Fremdling hin?” … „O ewige Nacht” (Priester, Tamino) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:24
C3Die Zauberflöte, K. 620: Act I, Andante "Wie stark ist nicht dein Zauberton" (Tamino)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:25
C4Die Zauberflöte, K. 620: Act I, "Schnelle Füße, rascher Mut" (Pamina, Papageno)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
tenor vocals [Monostatos]:
August Jaresch (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:14
C5Die Zauberflöte, K. 620: Act I, Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1955-05-23 until 1955-05-28)
bass vocals [Sarastro]:
Kurt Böhme (operatic bass) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:53
C6Die Zauberflöte, K. 620: Act I, "Herr, ich bin zwar Verbecherin" (Sarastro, Pamina)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Sarastro]:
Kurt Böhme (operatic bass) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
tenor vocals [Monostatos]:
August Jaresch (tenor) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt I. „Herr, ich bin zwar Verbrecherin” (Pamina, Sarastro) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart7:37
D1Die Zauberflöte, K. 620: Act II, Marsch der Priester
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:35
D2Die Zauberflöte, K. 620: Act II, Aria and Chorus "O Isis und Osiris!" (Sarastro)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Sarastro]:
Kurt Böhme (operatic bass) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:35
D3Die Zauberflöte, K. 620: Act II, Duet "Bewahret euch vor Weibertücken" (Papageno, Tamino)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:57
D4Die Zauberflöte, K. 620: Act II, Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:38
D5Die Zauberflöte, K. 620: Act II, Aria "Alles fühlt der Liebe Freuden" (Monostatos)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
tenor vocals [Monostatos]:
August Jaresch (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:21
D6Die Zauberflöte, K. 620: Act II, Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Queen of the Night]:
Wilma Lipp (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:59
D7Die Zauberflöte, K. 620: Act II, Aria "In diesen heil'gen Hallen kennt" (Sarastro)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Sarastro]:
Kurt Böhme (operatic bass) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:23
D8Die Zauberflöte, K. 620: Act II, Trio "Seid uns zum zweiten Mal willkommen" (Knaben)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:48
D9Die Zauberflöte, K. 620: Act II, Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:53
3▶12" Vinyl