| # | Title | Artist | Rating | Length |
|---|
| 1 | Be the One- engineer:
- John Hanes (task: engineered for mix)
- producer:
- Digital Farm Animals and Jack Tarrant (task: vocal)
- mixer:
- Serban Ghenea
- guitar:
- Jack Tarrant
- background vocals:
- Dua Lipa and Lucy Taylor
- lead vocals:
- Dua Lipa
- phonographic copyright (℗) by:
- Dua Lipa Limited (in 2015)
- miscellaneous support:
- Warner Music UK Limited (task: under exclusive license to)
- recorded at:
- Sony/ATV Recording Studios in London , England, United Kingdom, Strongroom 7 in Shoreditch, Hackney, London , England, United Kingdom and TaP Studio in London , England, United Kingdom
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- music videos:
- Be the One by Dua Lipa
- recording of:
- Be the One
- writer:
- Digital Farm Animals , Lucy Taylor and Jack Tarrant
- publisher:
- Sony/ATV Music Publishing Ltd. and Stellar Sun Songs
| Dua Lipa | 3.85 | 3:22 |
| 2 | I Love It | Icona Pop feat. Charli XCX | 3.75 | 2:35 |
| 3 | High Hopes- recording engineer:
- Peter Cobbin and Steve Genewick
- miscellaneous support:
- Ron Cabiltes and Danny Zook
- programming:
- Jonny Coffer and Cook Classics
- engineer:
- Suzy Shinn
- producer:
- Jake Sinclair
- mixer:
- Claudius Mittendorfer
- bass:
- Jake Sinclair
- cello:
- Jacob Braun , Eric Byers , Caroline Dale , Steve Erdody and Tim Gill
- drums (drum set), piano and lead vocals:
- Brendon Urie
- guitar:
- Kenneth Harris and Jake Sinclair
- saxophone:
- Ryan Dragon , Jason Fabus, Morgan Jones and Peter Slocombe
- trumpet:
- Jonathan Bradley and Mike Rocha
- viola:
- Robert Brophy, Zach Dellinger, Brian Dembow, Peter Lale , Shawn Mann and Bruce White
- violin:
- Charlie Bisharat , Thomas Bowes , Bruce Dukov, Julie Gigante, Peter Hanson , Jackie Hartley , Jessica E. Guideri, Lisa Liu, Maya Magub, Rita Manning , Serena McKinney, Helen Nightengale, Tom Pigott‐Smith , Katia Popov, Emlyn Singleton , Tereza Stanislav, Cathy Thompson and Warren Zielinski
- background vocals:
- Kenneth Harris , Ilsey Juber, Suzy Shinn, Jake Sinclair and Brendon Urie
- conductor:
- Rob Mathes
- arranger:
- Rob Mathes
- concertmaster:
- Lori Casteel and Mike Casteel
- phonographic copyright (℗) by:
- Fueled by Ramen, LLC (in 2018) and WEA International Inc. (in 2018)
- part of:
- Billboard Year-End Hot 100 singles of 2019 (number: 11), Spotify: Top Hits of 2019 (number: 47) and BILLIONS CLUB
- recording of:
- High Hopes
- writer:
- Sam Hollander , Ilsey Juber, Jonas Jeberg, Tayla Parx, Lauren Pritchard , Jake Sinclair, Brendon Urie, William Lobbin Bean and Jenny Owen Youngs
| Panic! at the Disco | 3.35 | 3:12 |
| 4 | Am I Wrong | Nico & Vinz | 3.4 | 4:05 |
| 5 | Let You Love Me | Rita Ora | 4 | 3:11 |
| 6 | Turn Me On | Kevin Lyttle | 4.15 | 3:12 |
| 7 | Return of the Mack | Mark Morrison | 3.5 | 3:33 |
| 8 | Informer | Snow | 4.5 | 4:28 |
| 9 | 24K Magic- recording engineer:
- Charles Moniz
- assistant engineer:
- Jacob Dennis
- engineer:
- John Hanes (task: engineered for mix)
- additional producer:
- The Stereotypes
- producer:
- Shampoo Press & Curl
- mixer:
- Serban Ghenea
- guitar:
- Dave Foreman
- talkbox:
- Byron “Mr. Talkbox” Chambers and Bruno Mars
- background vocals:
- Christopher Brody Brown, James Fauntleroy, Philip Lawrence and Bruno Mars
- recorded at:
- Glenwood Place Studios in Burbank, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- a cappella versions:
- 24k Magic by Tufts Beelzebubs
- part of:
- Grammy Award: Record of the Year nominees (number: 2018 winner) and Billboard Year-End Hot 100 singles of 2017 (number: 16)
- recording of:
- 24K Magic
- writer:
- Christopher Brody Brown, Philip Lawrence and Bruno Mars
- publisher:
- BMG Rights Management (from 2016 to present), Late 80’s Music (from 2016 to present), Mars Force Songs, LCC (from 2016 to present), Universal Music Publishing (from 2016 to present), WB Music Corp. (from 2016 to present) and ZZR Music, LCC (from 2016 to present)
| Bruno Mars | 3.5 | 3:45 |
| 10 | Good Times (2018 remaster) | Chic | 5 | 8:06 |
| 11 | Young Hearts Run Free | Candi Staton | 4.2 | 4:09 |
| 12 | Hymn for the Weekend (Seeb remix) | Coldplay | | 3:32 |
| 13 | Take On Me | a‐ha | 4.5 | 3:45 |
| 14 | Feel It Still- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 2017) and WEA International Inc. (in 2017)
- music videos:
- Feel It Still by Portugal. The Man
- part of:
- Billboard Decade End Chart: Adult Contemporary Songs (number: 33), Billboard Year-End Hot 100 singles of 2018 (number: 33), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2018 winner), Billboard Year-End Hot 100 singles of 2017 (number: 45), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 386)
- recording of:
- Feel It Still
- writer:
- Robert Bateman , Zachary Scott Carothers, Frederick Gorman, John Baldwin Gourley, John Hill , Brian Holland , Eric Howk, Zoe Manville, Kyle O'Quin, Jason Wade Sechrist and Asa Taccone
- publisher:
- Warner–Tamerlane Publishing Corp.
- is based on:
- Please Mr. Postman
| Portugal. The Man | 4.15 | 2:42 |
| 15 | FRIENDS- programming and producer:
- Marshmello
- engineer:
- Cameron Gower Poole
- assistant mixer:
- Michael Freeman
- mixer:
- Mark “Spike” Stent
- vocals:
- Anne‐Marie
- phonographic copyright (℗) by:
- Joytime Collective (in 2018)
- recorded at:
- Sarm Music Village in Ladbroke Grove, Kensington and Chelsea, London , England, United Kingdom
- mixed at:
- Mixsuite LA in Los Angeles, California, United States and Mixsuite UK in London , England, United Kingdom
- part of:
- Billboard Year-End Hot 100 singles of 2018 (number: 26) and BILLIONS CLUB
- recording of:
- Friends
- writer:
- Anne-Marie Nicholson , Marshmello and Natalie Dunn
- publisher:
- EMI Music Publishing Ltd. , Mushroom Music and Young & Vicious
| Marshmello & Anne‐Marie | 3.5 | 3:22 |
| 16 | Treasured Soul (radio edit) | Michael Calfan | | 2:54 |
| 17 | Groove Is in the Heart | Deee‐Lite | 4.1 | 3:51 |
| 18 | Running Out | Matoma & Astrid S | | 3:31 |
| 19 | Can’t Get You out of My Head- drum machine programming:
- Rob Davis
- engineer and mixer:
- Tim Orford
- producer:
- Rob Davis and Cathy Dennis
- electric guitar and keyboard:
- Rob Davis
- background vocals and lead vocals:
- Kylie Minogue
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 2001) and KDB Pty Limited (in 2001)
- produced for:
- 19 Productions
- music videos:
- Can’t Get You Out of My Head by Kylie Minogue
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 27), Billboard Year-End Hot 100 singles of 2002 (number: 45) and Billboard: The 500 Best Pop Songs (number: 207)
- recording of:
- Can’t Get You Out of My Head
- lyricist:
- Cathy Dennis
- composer:
- Rob Davis
- publisher:
- Colgems-EMI Music Inc., EMI Music Publishing , EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. , Toxic Songs Ltd., Universal Music , Universal‐MCA Music Publishing , Universal/MCA Music Limited , シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Kylie Minogue | 3.85 | 3:50 |
| 20 | Nothing Like This | Blonde & Craig David | 4 | 3:03 |
| 21 | No Worries | Disciples & David Guetta | | 3:28 |
| 22 | Hello Friday | Flo Rida feat. Jason Derulo | | 3:21 |
| 23 | A Little Bit | Dusky Grey | | 2:57 |
| 24 | Good as Hell- programming and producer:
- Ricky Reed
- engineer:
- Ethan Shumaker
- assistant mixer:
- Chris Galland and Ike Schultz
- mixer:
- Manny Marroquin
- instruments:
- Ricky Reed
- vocals:
- Lizzo
- recorded at:
- Elysian Park in Echo Park, Los Angeles, California, United States
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Spotify: Top Hits of 2019 (number: 23) and Billboard Year-End Hot 100 singles of 2020 (number: 31)
- recording of:
- Good as Hell
- writer:
- Eric Frederic and Melissa “Lizzo” Jefferson
- publisher:
- Frederic and Ried Music, Lizzo Music , Songs from the Boardwalk, Sony/ATV Music Publishing, LLC , Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp.
| Lizzo | 3.65 | 2:39 |
| 25 | That’s the Way (I Like It) (2004 remaster) | KC and the Sunshine Band | 4.3 | 3:05 |
| 26 | All My Love | Crystal Fighters | | 3:39 |
| 27 | Fly Like an Eagle | Seal | 3 | 4:14 |
| 28 | Ain’t Nobody | Rufus & Chaka Khan | 4.05 | 4:45 |
| 29 | Chain Reaction | Diana Ross | 4.35 | 3:50 |
| 30 | Love Shack | The B‐52’s | | 5:23 |
| 31 | Chain of Fools- recorded in:
- New York, New York, United States
- recording engineer and mixer:
- Tom Dowd
- producer:
- Jerry Wexler
- bass guitar:
- Tommy Cogbill (on 1967-06-23)
- drums (drum set):
- Roger Hawkins (on 1967-06-23)
- electric piano:
- Spooner Oldham (on 1967-06-23)
- guitar:
- Jimmy Johnson (on 1967-06-23) and Joe South (on 1967-06-23)
- piano:
- Aretha Franklin (on 1967-06-23)
- choir vocals:
- Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
- vocals:
- Aretha Franklin (on 1967-06-23)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1967) and Atlantic Recording Corporation (in 1968)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 249) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 306)
- recording of:
- Chain of Fools (on 1967-06-23)
- lyricist and composer:
- Don Covay
- publisher:
- 14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music , Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. and Warner-Tamerlane Publishing Co.
- adaptation of:
- Verlga norih
| Aretha Franklin | 4.25 | 2:46 |
| 32 | Forget You | CeeLo Green | 3.35 | 3:42 |
| 33 | Hounds of Love | The Futureheads | 5 | 3:02 |
| 34 | La bamba | Los Lobos | 4.15 | 2:52 |
| 35 | Disco Inferno (single edit) | The Trammps | 4.35 | 3:11 |
| 36 | Long Train Runnin’- engineer:
- Donn Landee
- producer:
- Ted Templeman
- congas, cymbal and timbales:
- Michael Hossack
- guest synthesizer:
- Malcolm Cecil and Robert Margouleff
- guitar:
- Jeff “Skunk” Baxter, Tom Johnston and Patrick Simmons
- harmonica:
- Tom Johnston
- keyboard, organ and piano:
- Bill Payne
- membranophone:
- John Hartman and Michael Hossack
- percussion:
- John Hartman and Ted Templeman
- steel guitar:
- Jeff “Skunk” Baxter
- synthesizer:
- Tom Johnston and Patrick Simmons
- vocals:
- John Hartman , Tom Johnston , Tiran Porter and Patrick Simmons
- bass arranger:
- Tiran Porter
- strings arranger:
- Nick de Caro
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (, in 1973) and WEA International Inc. (in 1973)
- recorded at:
- Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
- recording of:
- Long Train Runnin’
- lyricist and composer:
- Tom Johnston
- publisher:
- Warner–Tamerlane Publishing Corp. , Warner Bros. Music (in 1982) and Warner Chappell Music (in 1991)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| The Doobie Brothers | 4 | 3:27 |
| 37 | Tightrope | Janelle Monáe | | 4:24 |
| 38 | Feel Good Inc. | Gorillaz | 4.05 | 3:42 |
| 39 | Spread Love (Paddington) | Boston Bun feat. DVNO | | 3:12 |
| 40 | I Wanna Be the Only One | Eternal feat. BeBe Winans | 2.5 | 3:36 |
| 41 | Freak Like Me (radio edit) | Adina Howard | 4 | 3:55 |
| 42 | Sweet Love | Anita Baker | 3.5 | 4:26 |
| 43 | One More Time | Daft Punk | 3.6 | 5:20 |
| 44 | Girls on Film (2010 remaster) | Duran Duran | 3.7 | 3:32 |
| 45 | Don’t Walk Away | Jade | | 3:37 |
| 46 | Move On Up | Curtis Mayfield | 4 | 2:45 |
| 47 | Spinning Around | Kylie Minogue | 3 | 3:26 |
| 48 | Feel So Good | Mase | | 3:24 |
| 49 | Blue Monday ’88 | New Order | 4 | 4:04 |
| 50 | Gold | Spandau Ballet | 3.5 | 3:51 |
| 51 | I Know Where It’s At | All Saints | 4.5 | 4:53 |
| 52 | I Wanna Sex You Up (single mix)- recording of:
- I Wanna Sex You Up
- writer:
- Bryan Abrams, Bessie Regina Norris , Mark Calderon, Willie Clarke, Elliot Straite, Kevin Thornton and Sam Watters
- publisher:
- Boybig Publishing, Color Me Blessed Music, EMI Full Keel Music, EMI Longitude Music, EMI Songs Ltd., Hifrost Publishing and Hip City Music Inc.
| Color Me Badd | 3 | 4:04 |
| 53 | Blue Skies | Blinkie & Crazy Cousinz | | 3:13 |
| 54 | Baker Street (edit)- bass:
- Gary Taylor (in 1977)
- drums (drum set):
- Henry Spinetti (in 1977)
- guitar [lead guitar]:
- Hugh Burns (in 1977)
- guitar [rhythm guitar]:
- Nigel Jenkins (in 1977)
- keyboard:
- Tommy Eyre (in 1977)
- percussion:
- Glen LeFleur (in 1977)
- saxophone:
- Raphael Ravenscroft (in 1977)
- lead vocals:
- Gerry Rafferty (in 1977)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1978, in 1980), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
- edit of:
- Baker Street by Gerry Rafferty
- recording of:
- Baker Street (in 1977)
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing , EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. , Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. , Universal Songs and Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 4.15 | 4:07 |
| 55 | December, 1963 (Oh What a Night!)- recording engineer:
- Steve Maslow
- producer:
- Bob Gaudio
- mixer:
- Val Garay
- bass:
- Don Ciccone
- drums (drum set):
- Gerry Polci
- guitar:
- John Paiva
- keyboard:
- Bob Gaudio and Lee Shapiro
- piano:
- Bob Gaudio
- vocals:
- Bob Gaudio, Don Ciccone, Frankie Valli , Gerry Polci and John Paiva
- brass [horns] arranger and strings arranger:
- Lee Shapiro
- phonographic copyright (℗) by:
- WEA International Inc.
- recorded at:
- Sound Factory in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 64)
- recording of:
- December, 1963 (Oh, What a Night)
- lyricist:
- Bob Gaudio and Judy Parker
- composer:
- Bob Gaudio
- publisher:
- EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. and Seasons Music Co.
| Frankie Valli & The Four Seasons | 3.85 | 3:32 |
| 56 | Every 1’s a Winner | Hot Chocolate | 4.15 | 4:04 |
| 57 | Hypnotize (2007 remaster)- recording engineer:
- Axel Niehaus and Doug Wilson
- engineer:
- Lorrenn Argumedes, Rasheed Goodlowe, Lynn Montrose and Steve Jones
- additional producer:
- Richard “Younglord” Frierson
- producer:
- Deric “D‐Dot” Angelettie, Ron “Amen‐Ra” Lawrence and Sean “Puffy” Combs
- mixer:
- Lane Craven and Sean “Puffy” Combs
- editor:
- Richard “Younglord” Frierson
- background vocals:
- Pam Long
- lead vocals:
- The Notorious B.I.G.
- phonographic copyright (℗) by:
- Bad Boy Records LLC (in 2007) and WEA International Inc. (in 2007)
- produced for:
- Bad Boy Entertainment, Inc. and The Mystery System, Inc.
- recorded at:
- Caribbean Sound Basin in Port of Spain, Trinidad and Tobago and Daddy’s House Recording Studios in New York, New York, United States
- mixed at:
- Daddy’s House Recording Studios in New York, New York, United States and The Hit Factory in Manhattan, New York, New York, United States
- engineered at:
- Daddy’s House Recording Studios in New York, New York, United States
- samples:
- Rise by Herb Alpert
- part of:
- BILLIONS CLUB
- recording of:
- Hypnotize
- writer:
- Andy Armer, Christopher Wallace , Deric Angelettie, Ron Lawrence , Randy Alpert and Sean Combs
- publisher:
- Almo Music Corp. , B.I.G. Poppa Music, Badazz Music Company, EMI‐April Music Inc., Justin Combs Publishing and Mystery System Music
- quotes lyrics from:
- La Di Da Di
| The Notorious B.I.G. | 4.8 | 3:50 |
| 58 | Get Ur Freak On | Missy Elliott | 4 | 3:56 |
| 59 | Talking to Myself (edit) | Christian Nielsen | | 3:10 |
| 60 | Cheatin’ | Nathan Dawe | | 2:58 |
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