Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

1CD: Cantatas 150, 4, 71, 196 (1706-1708)
2CD: Cantatas 131, 106, 143, 18 (1708-1713)
3CD: Cantatas 182, 12, 54, 172 (1714)
4CD: Cantatas 21, 199 (1714)
5CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8CD: Cantatas 75, 76, 24 (1723)
9CD: Cantatas 167, 147, 186, 136 (1723)
10CD: Cantatas 105, 46, 179, 50, 69a (1723)
11CD: Cantatas 77, 25, 119, 138 (1723)
12CD: Cantatas 95, 148, 48, 109 (1723)
13CD: Cantatas 89, 60, 90, 70, 40 (1723)
14CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15CD: Cantatas 73, 81, 83, 144, 181 (1724)
16CD: Cantatas 18, 66, 134, 67 (1724)
17CD: Cantatas 104, 166, 86, 37, 44 (1724)
18CD: Cantatas 173, 184, 194 (1724)
19CD: Cantatas 20, 2, 7, 135 (1724)
20CD: Cantatas 10, 93, 107, 178 (1724)
21CD: Cantatas 94, 101, 113 (1724)
22CD: Cantatas 33, 78, 99, 8 (1724)
23CD: Cantatas 130, 114, 96, 5 (1724)
24CD: Cantatas 180, 38, 115, 139 (1724)
25CD: Cantatas 26, 116, 62, 91, 121 (1724)
26CD: Cantatas 133, 122, 41, 123 (1724-1725)
27CD: Cantatas 124, 3, 111, 92 (1725)
28CD: Cantatas 125, 126, 127 (1725)
29CD: Cantatas 1, 6, 42 (1725)
30CD: Cantatas 85, 103, 108, 87, 128 (1725)
31CD: Cantatas 183, 74, 68, 175, 176 (1725)
32CD: Cantatas 168, 137, 164, 79, 110 (1725)
33CD: Cantatas 57, 151, 28, 16 (1725-1726)
34CD: Cantatas 32, 13, 72, 43 (1726)
35CD: Cantatas 146, 129, 39 (1726)
36CD: Cantatas 88, 170, 187, 45 (1726)
37CD: Cantatas 102, 35, 17, 19 (1726)
38CD: Cantatas 27, 47, 169, 56 (1726)
39CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40CD: Cantatas 82, 157, 84 (1727)
41CD: Cantatas 34, 193, 117, 188 (1727-1728)
42CD: Cantatas 171, 156, 159, 120a (1729)
43CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44CD: Cantatas 29, 140, 36 (1731)
45CD: Cantatas 177, 9, 97, 14 (1732-1735)
46CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49CD: 4-Part Chorales, BWV 250-318 AC-GO
50CD: 4-Part Chorales, BWV 319-381 GO-ME
51CD: 4-Part Chorales, BWV 382-438 MI-WO
52CD: Magnificat BWV 243, 243a
53CD: Motets
54CD: Mass in B minor (1 Mortensen)
55CD: Mass in B minor (2 Mortensen)
56CD: Mass in B minor (1 Brüggen)
57CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58CD: Missas BWV 234-236
59CD: St. John Passion (1724) (1 Gardiner)
60CD: St. John Passion (1724) (2 Gardiner)
61CD: St. John Passion (1749) (1 Suzuki)
62CD: St. John Passion (1749) (2 Suzuki)
63CD: St. Matthew Passion (1 Gardiner)
64CD: St. Matthew Passion (2 Gardiner)
65CD: St. Matthew Passion (1 McCreesh)
66CD: St. Matthew Passion (2 McCreesh)
67CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69CD: Christmas Oratorio (1 Gardiner)
70CD: Christmas Oratorio (2 Gardiner)
71CD: Christmas Oratorio (1 Chailly)
72CD: Christmas Oratorio (2 Chailly)
73CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75CD: Cantatas 36c, 205, 34a (1725-1726)
76CD: Cantatas 207, 204, 216a (1726-1728)
77CD: Cantatas 198, 201 (1727-1729)
78CD: Cantatas 213, 214 (1733)
79CD: Cantatas 211, 215 (1734)
80CD: Cantatas 206, 30a (1736-1737)
81CD: Cantatas 209, 210, 212 (1730s-1740s)
82CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83CD: Cantatas 56, 82, 4
84CD: Cantatas 31, 104, 57
85CD: Cantatas 199, 173, 74, 151
86CD: Easter Oratorio / Cantata 140
87CD: Cantatas 170, 159, 102
88CD: Cantatas 80, 52, 84, 209
89CD: Cantatas 82, 158, 56
90CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92CD: Cantatas 92, 126, 182 (Easter)
93CD: Cantatas 1, 4, 67, 104 (Easter)
94CD: Cantatas 34, 68, 39 (Whitsun)
95CD: Cantatas 30, 147 (Whitsun)
96CD: Cantatas 76, 21 (Trinity)
97CD: Cantatas 135, 10, 45, 105 (Trinity)
98CD: Cantatas 51, 78, 8, 130 (Trinity)
99CD: Cantatas 27, 5, 60, 26 (Trinity)
100CD: St. Matthew Passion (1 Richter)
101CD: St. Matthew Passion (2 Richter)
102CD: St. Matthew Passion (3 Richter)
103CD: Great Singers (1952-1965)
104CD: Great Singers (1967-2011)
105CD: Great Singers (Period Instruments)
106CD: Organ Works (Introduction 1)
107CD: Organ Works (Introduction 2)
108CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115CD: Early Chorale Preludes / Chorale Partitas
116CD: Chorale Preludes (Mühlhausen & Weimar)
117CD: Breitkopf Collection, BWV 690-713
118CD: Orgelbüchlein (Preston)
119CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122CD: Clavier-Übung III (1) (Preston)
123CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124CD: Free Works of Unproven Authenticity
125CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126CD: Keyboard Works (Introduction 1: Harpsichord)
127CD: Keyboard Works (Introduction 2: Piano)
128CD: Early Fugues & Capriccios
129CD: Early Suites & Sonatas
130CD: Toccatas, BWV 910-916
131CD: Virtuoso Fantasias & Fugues
132CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134CD: English Suites 1-3 (Dreyfus)
135CD: English Suites 4-6 (Dreyfus)
136CD: French Suites 1-4 (Hogwood)
137CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138CD: Partitas 1, 2, 6 (Rousset)
139CD: Partitas 3-5 (Rousset)
140CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145CD: Goldberg Variations (Rousset)
146CD: Goldberg Variations (Esfahani)
147CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149CD: French Suites 1-3 (Perahia)
150CD: French Suites 4-6 (Perahia)
151CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154CD: The Well-Tempered Clavier, Book I (1 Pollini)
155CD: The Well-Tempered Clavier, Book I (2 Pollini)
156CD: The Well-Tempered Clavier, Book II (1 Schiff)
157CD: The Well-Tempered Clavier, Book II (2 Schiff)
158CD: Goldberg Variations (Schiff)
159CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163CD: Orgelbüchlein (Walcha)
164CD: Brandenburg Concertos 1-6 (Goebel)
165CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167CD: Orchestral Suites 1-3 (Goebel)
168CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169CD: Orchestral Suites 1-4 (Pinnock)
170CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180CD: Concertos (Alternative Instrumentations)
181CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183CD: Suites for "Lute"
184CD: Cello Suites 1, 3, 5 (Watkin)
185CD: Cello Suites 2, 4, 6 (Watkin)
186CD: Violin Sonatas BWV 1014-1018
187CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188CD: 5 Flute Sonatas / Partita for Solo Flute
189CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190CD: Musical Offering / Canons (Goebel)
191CD: The Art of Fugue (Accademia Bizantina, Dantone)
192CD: The Art of Fugue (Aimard)
193CD: The Art of Fugue (1742) (Gilbert)
194CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198CD: Cello Suites 1-3 (Fournier)
199CD: Cello Suites 4-6 (Fournier)
200CD: Solo & Chamber Works (Alternative Instrumentations)
201CD: Clavier-Büchlein W. F. Bach (1)
202CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203CD: Notenbüchlein A. M. Bach (1725) (1)
204CD: Notenbüchlein A. M. Bach (1725) (2)
205CD: Schemelli Gesangbuch BWV 439-474
206CD: Schemelli Gesangbuch BWV 475-507
207CD: Bach: Early Influences
208CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209CD: Concertos at Weimar (Vivaldi)
210CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211CD: The Bach Family
212CD: Bach & Other Composers (c. 1715-1730)
213CD: Bach & Other Composers (c. 1730-1742)
214CD: Bach & Other Composers (1742-1750)
#TitleRatingLength
1Aria: Bekennen will ich seinen Namen, BWV 200 (from Passion Oratorio "Die leidende und am Kreuz sterbende Liebe") (after Gottfried Heinrich Stölzel (1690–1749))
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Kantate (Aria), BWV 200 "Bekennen will ich seinen Namen" (in 2003-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Gottfried Heinrich Stölzel (composer)
librettist:
[anonymous] (special purpose artist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1742 until 1743)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 200), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 200), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 200) and Bach Compendium (number: BC A 192)
3:27
2Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 1. Chorus: Magnificat anima
producer:
Stephan Schmidt (classical producer and editor)
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke (from 2009-03 until 2009-05)
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30)
3:52
3Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 2. Duet: Quia respexit
producer:
Stephan Schmidt (classical producer and editor)
alto vocals [alto I]:
Marnix De Cat (Belgian counter-tenor, conductor, organist, percussionist) (from 2009-03 until 2009-05)
tenor vocals [tenor I]:
Harry Van Berne (tenor) (from 2009-03 until 2009-05)
vocals:
Members of Gesualdo Consort Amsterdam (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30)
1:46
4Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 3. Duet: Quia fecit mihi magna
producer:
Stephan Schmidt (classical producer and editor)
bass vocals [bass I]:
Harry van der Kamp (operatic bass) (from 2009-03 until 2009-05)
soprano vocals [soprano I]:
Nele Gramss (soprano) (from 2009-03 until 2009-05)
vocals:
Members of Gesualdo Consort Amsterdam (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30)
2:09
5Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 4. Chorus: Et misericordia ejus
producer:
Stephan Schmidt (classical producer and editor)
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke (from 2009-03 until 2009-05)
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30)
2:43
6Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 5. Duet: Fecit, fecit, fecit potentiam
producer:
Stephan Schmidt (classical producer and editor)
alto vocals [alto II]:
Jan Moritz von Cube (from 2009-03 until 2009-05)
tenor vocals [tenor II]:
Jan Hübner (tenor) (from 2009-03 until 2009-05)
vocals:
Members of Solistenquartett der Hochschule Bremen (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30)
1:27
7Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 6. Chorus: Deposuit, deposuit potentes de sede
producer:
Stephan Schmidt (classical producer and editor)
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30)
1:05
8Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 7. Duet: Suscepit Israel puerum suum
producer:
Stephan Schmidt (classical producer and editor)
bass vocals [bass II]:
Carsten Krüger (from 2009-03 until 2009-05)
soprano vocals [soprano II]:
Manja Stephan (from 2009-03 until 2009-05)
vocals:
Members of Solistenquartett der Hochschule Bremen (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke (from 2009-03 until 2009-05)
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30)
1:45
9Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 8. Chorus: Sicut locutus est ad patres nostros
producer:
Stephan Schmidt (classical producer and editor)
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (from 2009-03 until 2009-05)
vocals:
Gesualdo Consort Amsterdam (from 2009-03 until 2009-05) and Solistenquartett der Hochschule Bremen (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke (from 2009-03 until 2009-05)
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Magnificat in C major, BWV Anh. 30 (from 2009-03 until 2009-05)
composer:
Pietro Torri (baroque composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 30), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 658) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 30)
4:20
10Missa Sine Nomine (J. S. Bach’s colla parte arrangement App. C) (after Giovanni Pierluigi da Palestrina (1525–1594)): 1. Kyrie
recorded in:
Germany
orchestra:
Concerto Palatino (early music wind instruments ensemble)
conductor:
Bruce Dickey (cornett player)
recording of:
Missa Sine Nomine
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
3:16
11Missa Sine Nomine (J. S. Bach’s colla parte arrangement App. C) (after Giovanni Pierluigi da Palestrina (1525–1594)): 2. Gloria
recorded in:
Germany
orchestra:
Concerto Palatino (early music wind instruments ensemble)
conductor:
Bruce Dickey (cornett player)
recording of:
Missa Sine Nomine
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
2:26
12Missa Sine Nomine (J. S. Bach’s colla parte arrangement App. C) (after Giovanni Pierluigi da Palestrina (1525–1594)): 2. Qui Tollis
recorded in:
Germany
orchestra:
Concerto Palatino (early music wind instruments ensemble)
conductor:
Bruce Dickey (cornett player)
recording of:
Missa Sine Nomine
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
3:00
13"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 1. Versus 1: Tilge, Höchster, meine Sünden
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 1 (Sopran, Alt) "Tilge, Höchster meine Sünden" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
4:25
14"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 2. Versus 2: Ist mein Herz in Missetaten
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 2 (Sopran) "Ist mein Herz in Missetaten" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:09
15"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 3. Versus 3: Missetaten, die mich drücken
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 3 (Sopran, Alt) "Missetaten, die mich drücken" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:31
16"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 4. Versus 4: Dich erzürnt mein Tun und Lassen
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 4 (Alt) "Dich erzürnt mein Tun und Lassen" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:03
17"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 5. Versus 5–6: Wer wird seine Schuld verneinen
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 5 & 6 (Sopran, Alt) "Wer wird seine Schuld verneinen" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (1) Duo: Quis est homo, qui non fleret (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:10
18"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 6. Versus 7: Sieh! ich bin in Sünd empfangen
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 7 (Sopran, Alt) "Sieh! ich bin in Sünd empfangen" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (2) Duo: Pro peccatis suae gentis (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
0:46
19"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 7. Versus 8: Sieh, du willst die Wahrheit haben
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 8 (Sopran) "Sieh, du willst die Wahrheit haben" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria (soprano): Vidit suum dulcem natum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:49
20"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 8. Versus 9: Wasche mich doch rein, rein von Sünden
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 9 (Alt) "Wasche mich doch rein von Sünden" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:00
21"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 9. Versus 10: Lass mich Freud und Wonne spüren
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 10 (Sopran, Alt) "Laß mich Freud und Wonne spüren" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:21
22"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 10. Versus 11–15: Schaue nicht auf meine Sünden
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 11-15 (Sopran, Alt) "Schaue nicht auf meine Sünden" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
5:56
23"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 11. Versus 16: Öffne Lippen, Mund und Seele
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 16 (Alt) "Öffne Lippen, Mund und Seele" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut portem Christi mortem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
3:32
24"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 12. Versus 17–18: Denn du willst kein Opfer haben
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 17 & 18 (Sopran, Alt) "Denn du willst kein Opfer haben" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur (without Amen)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
3:11
25"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 13. Versus 19–20: Lass dein Zion blühend dauern
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 19 & 20 (Sopran, Alt) "Laß dein Zion blühend dauern" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
1:51
26"Tilge, Höchster, meine Sünden", BWV 1083 (Psalm Cantata arrangement of Pergolesi’s Stabat Mater) (after Giovanni Battista Pergolesi (1710–1736)): 14. Amen
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": XIV. (Sopran, Alt) "Amen" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician)
composer:
Giovanni Battista Pergolesi (composer)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XIII. Amen (separate Amen variant)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:04
27Sanctus in D major, BWV 241 (Version in E major) from "Missa superba" (after Johann Kaspar Kerll (1627–1693))
producer:
Hans Kipfer
orchestra:
Bach Collegium Japan (from 2014-09 until 2015-10)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 2014-09 until 2015-10)
balance engineer:
Jens Braun (classical engineer)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2014-09 until 2015-10)
recording of:
Sanctus D-Dur, BWV 241 (from 2014-09 until 2015-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 241) and Bach Compendium (number: BC E 17)
2:10
28Credo Intonation, BWV 1081 by J. S. Bach for (after Johann Kaspar Kerll (1627–1693))
producer and balance engineer:
Adrian Hunter (producer and engineer)
choir vocals:
St Salvator’s Chapel Choir (in 2015-06)
orchestra:
Ars Eloquentiae (in 2015-06) and Fitzwilliam String Quartet (in 2015-06)
conductor:
Tom Wilkinson (American musician) (in 2015-06)
recording of:
Credo in unum Deum, BWV 1081 (in 2015-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1081), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 1081 / 236‑>) and Bach Compendium (number: BC E 9)
0:45
29Credo in unum Deum (from Missa No. 5 in F major "Acroama Missale")
producer and balance engineer:
Adrian Hunter (producer and engineer)
choir vocals:
St Salvator’s Chapel Choir (in 2015-06)
orchestra:
Ars Eloquentiae (in 2015-06) and Fitzwilliam String Quartet (in 2015-06)
conductor:
Tom Wilkinson (American musician) (in 2015-06)
recording of:
Missa No. 5 in F major “Acroama Missale”: Credo in unum Deum
composer:
Giovanni Battista Bassani
part of:
Missa No. 5 in F major “Acroama Missale”
5:43
30Der Gerechte kömmt um, BWV 1149 (after motet "Tristis est anima mea", probably by Kuhnau) (after Johann Kuhnau (1660–1722))
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 2000-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 2000-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 2000-07)
balance engineer:
Jean‐Marie Geijsen
recorded at:
St Gumbertus in Ansbach, Bayern (Bavaria), Germany (in 2000-07)
live recording of:
Der Gerechte kömmt um, BWV 1149 (in 2000-07)
composer:
Johann Kuhnau (composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1149) and Bach Compendium (number: BC D 10/3 (= C 8))
7:41
215CD: Bach Renewed (From Bach's Sons to Mahler)
216CD: Bach Reimagined (Chaconne & Passacaglia)
217CD: Bach Orchestrated (Reger to Stokowski)
218CD: Inspired by Bach (Gounod to Pärt)
219CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220CD: Bach & The Virtuoso Piano (The 20th Century)
221CD: Bach à la Jazz
222CD: New Colours of Bach
223DVD-Video: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]