The Decca Sound

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

a newer 2016 release with barcode 028947892625 (possibly with Decca cat # 478 9262) is available at https://www.amazon.com/dp/B018FCVK8U/ (released Jan 15, 2016, referred to from https://www.deccaclassics.com/us/cat/4789262 )

Annotation last modified on 2018-03-03 07:12 UTC.

Tracklist

1CD: Ansermet · Falla: El sombrero de tres picos / Debussy: Images
2CD: Argenta · España / Tchaikovsky: Violin Concerto
3CD: Ashkenazy · Rachmaninov: Piano Concerto 3 / Piano Sonata
4CD: Ashkenazy · Sibelius 1 / Mussorgsky: Pictures at an Exhibition
5CD: Bartoli · Italian Songs
6CD: Bell · Barber & Walton Concertos
7CD: Blomstedt · R. Strauss: Eine Alpensinfonie
8CD: Böhm · Bruckner 4
9CD: Boskovsky · New Year’s Day Concert, 1979
10CD: Britten · War Requiem
11CD: Chailly · Messiaen: Turangalîla‐sinfonie
12CD: Chung · Bruch & Mendelssohn Concertos
13CD: Curzon · Mozart: Piano Concertos 20 & 27
14CD: Dohnányi · Schoenberg / Berg / Webern
15CD: Dorati · Stravinsky: L’Oiseau de feu / Le Sacre du printemps
16CD: Dutoit · Ravel: Ma Mère l’Oye / Boléro
17CD: Fleming · Opera Scenes
18CD: Freire · Brahms: Piano Concerto 1 / Schumann: Carnaval
19CD: Haitink · Shostakovich 4 & 9
20CD: Hogwood · Purcell: Dido and Aeneas
21CD: Jansen · Britten & Beethoven Violin Concertos
22CD: Karajan · Holst: The Planets
23CD: Katchen · Bartók / Prokofiev: Piano Concerto 3 / Ravel: Piano Concerto
24CD: Kertész · Dvořak: New World Symphony / Symphony 8
25CD: King’s College Choir & St John’s College Choir · Haydn: Nelson Mass & Paukenmesse
#TitleArtistRatingLength
1Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Kyrie
recording engineer:
Kenneth Wilkinson (engineer) (from 1962-07 until 1962-08)
producer:
Andrew Raeburn
organ:
Simon Preston (organist, conductor, composer) (from 1962-07 until 1962-08)
choir vocals:
Choir of King’s College, Cambridge (from 1962-07 until 1962-08)
soprano vocals:
Sylvia Stahlman (soprano) (from 1962-07 until 1962-08)
orchestra:
London Symphony Orchestra (from 1962-07 until 1962-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1962-07 until 1962-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1962-07 until 1962-08)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": I. Kyrie (soprano solo) (from 1962-07 until 1962-08)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn5:04
2Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Gloria. Gloria in excelsis Deo
recording engineer:
Kenneth Wilkinson (engineer) (from 1962-07 until 1962-08)
producer:
Andrew Raeburn
organ:
Simon Preston (organist, conductor, composer) (from 1962-07 until 1962-08)
baritone vocals:
Tom Krause (bass-baritone) (from 1962-07 until 1962-08)
choir vocals:
Choir of King’s College, Cambridge (from 1962-07 until 1962-08)
contralto vocals:
Helen Watts (contralto) (from 1962-07 until 1962-08)
soprano vocals:
Sylvia Stahlman (soprano) (from 1962-07 until 1962-08)
tenor vocals:
Wilfred Brown (tenor) (from 1962-07 until 1962-08)
orchestra:
London Symphony Orchestra (from 1962-07 until 1962-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1962-07 until 1962-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1962-07 until 1962-08)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": Gloria: Gloria in excelsis Deo (soli SATB) (from 1962-07 until 1962-08)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": II. Gloria
Joseph Haydn3:30
3Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Gloria. Qui tollis
recording engineer:
Kenneth Wilkinson (engineer) (from 1962-07 until 1962-08)
producer:
Andrew Raeburn
organ:
Simon Preston (organist, conductor, composer) (from 1962-07 until 1962-08)
baritone vocals:
Tom Krause (bass-baritone) (from 1962-07 until 1962-08)
choir vocals:
Choir of King’s College, Cambridge (from 1962-07 until 1962-08)
soprano vocals:
Sylvia Stahlman (soprano) (from 1962-07 until 1962-08)
orchestra:
London Symphony Orchestra (from 1962-07 until 1962-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1962-07 until 1962-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1962-07 until 1962-08)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": Gloria: Qui tollis peccata mundi (soli soprano, baritone) (from 1962-07 until 1962-08)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": II. Gloria
Joseph Haydn4:29
4Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Gloria. Quoniam
recording engineer:
Kenneth Wilkinson (engineer) (from 1962-07 until 1962-08)
producer:
Andrew Raeburn
organ:
Simon Preston (organist, conductor, composer) (from 1962-07 until 1962-08)
baritone vocals:
Tom Krause (bass-baritone) (from 1962-07 until 1962-08)
choir vocals:
Choir of King’s College, Cambridge (from 1962-07 until 1962-08)
contralto vocals:
Helen Watts (contralto) (from 1962-07 until 1962-08)
soprano vocals:
Sylvia Stahlman (soprano) (from 1962-07 until 1962-08)
tenor vocals:
Wilfred Brown (tenor) (from 1962-07 until 1962-08)
orchestra:
London Symphony Orchestra (from 1962-07 until 1962-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1962-07 until 1962-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1962-07 until 1962-08)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": Gloria: Quoniam tu solus Sanctus (soli SATB) (from 1962-07 until 1962-08)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": II. Gloria
Joseph Haydn2:47
5Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Credo. Credo in unum Deum
recording engineer:
Kenneth Wilkinson (engineer) (from 1962-07 until 1962-08)
producer:
Andrew Raeburn
organ:
Simon Preston (organist, conductor, composer) (from 1962-07 until 1962-08)
baritone vocals:
Tom Krause (bass-baritone) (from 1962-07 until 1962-08)
choir vocals:
Choir of King’s College, Cambridge (from 1962-07 until 1962-08)
contralto vocals:
Helen Watts (contralto) (from 1962-07 until 1962-08)
soprano vocals:
Sylvia Stahlman (soprano) (from 1962-07 until 1962-08)
tenor vocals:
Wilfred Brown (tenor) (from 1962-07 until 1962-08)
orchestra:
London Symphony Orchestra (from 1962-07 until 1962-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1962-07 until 1962-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1962-07 until 1962-08)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": Credo: Credo in unum Deum (from 1962-07 until 1962-08)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": III. Credo
Joseph Haydn1:53
6Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Credo. Et incarnatus est
recording engineer:
Kenneth Wilkinson (engineer) (from 1962-07 until 1962-08)
producer:
Andrew Raeburn
organ:
Simon Preston (organist, conductor, composer) (from 1962-07 until 1962-08)
baritone vocals:
Tom Krause (bass-baritone) (from 1962-07 until 1962-08)
choir vocals:
Choir of King’s College, Cambridge (from 1962-07 until 1962-08)
contralto vocals:
Helen Watts (contralto) (from 1962-07 until 1962-08)
soprano vocals:
Sylvia Stahlman (soprano) (from 1962-07 until 1962-08)
tenor vocals:
Wilfred Brown (tenor) (from 1962-07 until 1962-08)
orchestra:
London Symphony Orchestra (from 1962-07 until 1962-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1962-07 until 1962-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1962-07 until 1962-08)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": Credo: Et incarnatus est (soli SATB) (from 1962-07 until 1962-08)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": III. Credo
Joseph Haydn4:17
7Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Credo. Et resurrexit
recording engineer:
Kenneth Wilkinson (engineer) (from 1962-07 until 1962-08)
producer:
Andrew Raeburn
organ:
Simon Preston (organist, conductor, composer) (from 1962-07 until 1962-08)
choir vocals:
Choir of King’s College, Cambridge (from 1962-07 until 1962-08)
soprano vocals:
Sylvia Stahlman (soprano) (from 1962-07 until 1962-08)
orchestra:
London Symphony Orchestra (from 1962-07 until 1962-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1962-07 until 1962-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1962-07 until 1962-08)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": Credo: Et resurrexit (soprano solo) (from 1962-07 until 1962-08)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": III. Credo
Joseph Haydn3:47
8Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Sanctus
recording engineer:
Kenneth Wilkinson (engineer) (from 1962-07 until 1962-08)
producer:
Andrew Raeburn
organ:
Simon Preston (organist, conductor, composer) (from 1962-07 until 1962-08)
baritone vocals:
Tom Krause (bass-baritone) (from 1962-07 until 1962-08)
choir vocals:
Choir of King’s College, Cambridge (from 1962-07 until 1962-08)
contralto vocals:
Helen Watts (contralto) (from 1962-07 until 1962-08)
soprano vocals:
Sylvia Stahlman (soprano) (from 1962-07 until 1962-08)
tenor vocals:
Wilfred Brown (tenor) (from 1962-07 until 1962-08)
orchestra:
London Symphony Orchestra (from 1962-07 until 1962-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1962-07 until 1962-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1962-07 until 1962-08)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": IV. Sanctus (from 1962-07 until 1962-08)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn2:24
9Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Benedictus
recording engineer:
Kenneth Wilkinson (engineer) (from 1962-07 until 1962-08)
producer:
Andrew Raeburn
organ:
Simon Preston (organist, conductor, composer) (from 1962-07 until 1962-08)
baritone vocals:
Tom Krause (bass-baritone) (from 1962-07 until 1962-08)
choir vocals:
Choir of King’s College, Cambridge (from 1962-07 until 1962-08)
contralto vocals:
Helen Watts (contralto) (from 1962-07 until 1962-08)
soprano vocals:
Sylvia Stahlman (soprano) (from 1962-07 until 1962-08)
tenor vocals:
Wilfred Brown (tenor) (from 1962-07 until 1962-08)
orchestra:
London Symphony Orchestra (from 1962-07 until 1962-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1962-07 until 1962-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1962-07 until 1962-08)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": V. Benedictus (soli SATB) (from 1962-07 until 1962-08)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn6:01
10Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Agnus Dei. Agnus Dei qui tollis
recording engineer:
Kenneth Wilkinson (engineer) (from 1962-07 until 1962-08)
producer:
Andrew Raeburn
organ:
Simon Preston (organist, conductor, composer) (from 1962-07 until 1962-08)
baritone vocals:
Tom Krause (bass-baritone) (from 1962-07 until 1962-08)
choir vocals:
Choir of King’s College, Cambridge (from 1962-07 until 1962-08)
contralto vocals:
Helen Watts (contralto) (from 1962-07 until 1962-08)
soprano vocals:
Sylvia Stahlman (soprano) (from 1962-07 until 1962-08)
tenor vocals:
Wilfred Brown (tenor) (from 1962-07 until 1962-08)
orchestra:
London Symphony Orchestra (from 1962-07 until 1962-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1962-07 until 1962-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1962-07 until 1962-08)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": Agnus Dei: Agnus Dei (soli SATB) (from 1962-07 until 1962-08)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": VI. Agnus Dei
Joseph Haydn3:29
11Missa in angustiis in D minor, Hob. XXII:11 “Nelson Mass”: Agnus Dei. Dona nobis pacem
recording engineer:
Kenneth Wilkinson (engineer) (from 1962-07 until 1962-08)
producer:
Andrew Raeburn
organ:
Simon Preston (organist, conductor, composer) (from 1962-07 until 1962-08)
baritone vocals:
Tom Krause (bass-baritone) (from 1962-07 until 1962-08)
choir vocals:
Choir of King’s College, Cambridge (from 1962-07 until 1962-08)
contralto vocals:
Helen Watts (contralto) (from 1962-07 until 1962-08)
soprano vocals:
Sylvia Stahlman (soprano) (from 1962-07 until 1962-08)
tenor vocals:
Wilfred Brown (tenor) (from 1962-07 until 1962-08)
orchestra:
London Symphony Orchestra (from 1962-07 until 1962-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1962-07 until 1962-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1962-07 until 1962-08)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": Agnus Dei: Dona nobis pacem (soli SATB) (from 1962-07 until 1962-08)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": VI. Agnus Dei
Joseph Haydn2:56
12Missa in tempore belli in C major, Hob. XXII:9 “Paukenmesse”: Kyrie
organ:
Stephen Cleobury (organist, conductor) (from 1969-07-21 until 1969-07-23)
bass vocals:
Barry McDaniel (baritone) (from 1969-07-21 until 1969-07-23)
choir vocals:
Choir of St John’s College, Cambridge (from 1969-07-21 until 1969-07-23)
contralto vocals:
Helen Watts (contralto) (from 1969-07-21 until 1969-07-23)
soprano vocals:
April Cantelo (soprano) (from 1969-07-21 until 1969-07-23)
tenor vocals:
Robert Tear (tenor) (from 1969-07-21 until 1969-07-23)
orchestra:
Academy of St Martin in the Fields (from 1969-07-21 until 1969-07-23)
conductor:
George Guest (organist and conductor) (from 1969-07-21 until 1969-07-23)
organ arranger:
Stephen Cleobury (organist, conductor) (in 1969-07)
concertmaster:
Neville Marriner (conductor) (from 1969-07-21 until 1969-07-23)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1969-07-21 until 1969-07-23)
recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": I. Kyrie (from 1969-07-21 until 1969-07-23)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn5:06
13Missa in tempore belli in C major, Hob. XXII:9 “Paukenmesse”: Gloria
organ:
Stephen Cleobury (organist, conductor) (from 1969-07-21 until 1969-07-23)
bass vocals:
Barry McDaniel (baritone) (from 1969-07-21 until 1969-07-23)
choir vocals:
Choir of St John’s College, Cambridge (from 1969-07-21 until 1969-07-23)
contralto vocals:
Helen Watts (contralto) (from 1969-07-21 until 1969-07-23)
soprano vocals:
April Cantelo (soprano) (from 1969-07-21 until 1969-07-23)
tenor vocals:
Robert Tear (tenor) (from 1969-07-21 until 1969-07-23)
orchestra:
Academy of St Martin in the Fields (from 1969-07-21 until 1969-07-23)
conductor:
George Guest (organist and conductor) (from 1969-07-21 until 1969-07-23)
organ arranger:
Stephen Cleobury (organist, conductor) (in 1969-07)
concertmaster:
Neville Marriner (conductor) (from 1969-07-21 until 1969-07-23)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1969-07-21 until 1969-07-23)
recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": II. Gloria (from 1969-07-21 until 1969-07-23)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn10:55
14Missa in tempore belli in C major, Hob. XXII:9 “Paukenmesse”: Credo
organ:
Stephen Cleobury (organist, conductor) (from 1969-07-21 until 1969-07-23)
bass vocals:
Barry McDaniel (baritone) (from 1969-07-21 until 1969-07-23)
choir vocals:
Choir of St John’s College, Cambridge (from 1969-07-21 until 1969-07-23)
contralto vocals:
Helen Watts (contralto) (from 1969-07-21 until 1969-07-23)
soprano vocals:
April Cantelo (soprano) (from 1969-07-21 until 1969-07-23)
tenor vocals:
Robert Tear (tenor) (from 1969-07-21 until 1969-07-23)
orchestra:
Academy of St Martin in the Fields (from 1969-07-21 until 1969-07-23)
conductor:
George Guest (organist and conductor) (from 1969-07-21 until 1969-07-23)
organ arranger:
Stephen Cleobury (organist, conductor) (in 1969-07)
concertmaster:
Neville Marriner (conductor) (from 1969-07-21 until 1969-07-23)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1969-07-21 until 1969-07-23)
recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": III. Credo (from 1969-07-21 until 1969-07-23)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn9:57
15Missa in tempore belli in C major, Hob. XXII:9 “Paukenmesse”: Sanctus
organ:
Stephen Cleobury (organist, conductor) (from 1969-07-21 until 1969-07-23)
bass vocals:
Barry McDaniel (baritone) (from 1969-07-21 until 1969-07-23)
choir vocals:
Choir of St John’s College, Cambridge (from 1969-07-21 until 1969-07-23)
contralto vocals:
Helen Watts (contralto) (from 1969-07-21 until 1969-07-23)
soprano vocals:
April Cantelo (soprano) (from 1969-07-21 until 1969-07-23)
tenor vocals:
Robert Tear (tenor) (from 1969-07-21 until 1969-07-23)
orchestra:
Academy of St Martin in the Fields (from 1969-07-21 until 1969-07-23)
conductor:
George Guest (organist and conductor) (from 1969-07-21 until 1969-07-23)
organ arranger:
Stephen Cleobury (organist, conductor) (in 1969-07)
concertmaster:
Neville Marriner (conductor) (from 1969-07-21 until 1969-07-23)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1969-07-21 until 1969-07-23)
recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": IV. Sanctus (from 1969-07-21 until 1969-07-23)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn2:58
16Missa in tempore belli in C major, Hob. XXII:9 “Paukenmesse”: Benedictus
organ:
Stephen Cleobury (organist, conductor) (from 1969-07-21 until 1969-07-23)
baritone vocals and bass vocals:
Barry McDaniel (baritone) (from 1969-07-21 until 1969-07-23)
choir vocals:
Choir of St John’s College, Cambridge (from 1969-07-21 until 1969-07-23)
contralto vocals:
Helen Watts (contralto) (from 1969-07-21 until 1969-07-23)
soprano vocals:
April Cantelo (soprano) (from 1969-07-21 until 1969-07-23)
tenor vocals:
Robert Tear (tenor) (from 1969-07-21 until 1969-07-23)
orchestra:
Academy of St Martin in the Fields (from 1969-07-21 until 1969-07-23)
conductor:
George Guest (organist and conductor) (from 1969-07-21 until 1969-07-23)
organ arranger:
Stephen Cleobury (organist, conductor) (in 1969-07)
concertmaster:
Neville Marriner (conductor) (from 1969-07-21 until 1969-07-23)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1969-07-21 until 1969-07-23)
recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": V. Benedictus (from 1969-07-21 until 1969-07-23)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn5:55
17Missa in tempore belli in C major, Hob. XXII:9 “Paukenmesse”: Agnus Dei
organ:
Stephen Cleobury (organist, conductor) (from 1969-07-21 until 1969-07-23)
bass vocals:
Barry McDaniel (baritone) (from 1969-07-21 until 1969-07-23)
choir vocals:
Choir of St John’s College, Cambridge (from 1969-07-21 until 1969-07-23)
contralto vocals:
Helen Watts (contralto) (from 1969-07-21 until 1969-07-23)
soprano vocals:
April Cantelo (soprano) (from 1969-07-21 until 1969-07-23)
tenor vocals:
Robert Tear (tenor) (from 1969-07-21 until 1969-07-23)
orchestra:
Academy of St Martin in the Fields (from 1969-07-21 until 1969-07-23)
conductor:
George Guest (organist and conductor) (from 1969-07-21 until 1969-07-23)
organ arranger:
Stephen Cleobury (organist, conductor) (in 1969-07)
concertmaster:
Neville Marriner (conductor) (from 1969-07-21 until 1969-07-23)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1969-07-21 until 1969-07-23)
recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": VI. Agnus Dei (from 1969-07-21 until 1969-07-23)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn5:48
26CD: Larrocha · Granados: Goyescas / Falla: Noches en los jardines de España
27CD: Lemper · Berlin Cabaret Songs
28CD: Lupu · Beethoven: Moonlight, Pathétique & Waldstein Sonatas
29CD: Maag · Mendelssohn: A Midsummer Night’s Dream / Symphony 3
30CD: Maazel · Respighi: Feste romane / Pini di Roma / Rimsky‐Korsakov
31CD: Mackerras · Janáček: Sinfonietta / Taras Bulba / The Cunning Little Vixen Suite
32CD: Marriner · Tchaikovsky: Serenade for strings / Souvenir de Florence
33CD: Martinon · Ibert: Divertissement / Borodin 2
34CD: Mehta · Varèse / Ives 2
35CD: Monteux · Ravel: Daphnis et Chloé / Elgar: Enigma Variations
36CD: Münchinger · Bach: Magnificat / Cantatas 10 & 140
37CD: Nilsson / Solti · Wagner: Der Ring des Nibelungen (great scenes)
38CD: Carreras / Domingo / Pavarotti · In Concert, 1990
39CD: Pavarotti ・ Puccini: Turandot (highlights)
40CD: Pickett · Susato: Dansereye
41CD: Rogé · Saint‐Saëns: Piano Concertos 2, 4 & 5
42CD: Rousset · Pergolesi: Stabat Mater
43CD: Schiff · Bach: Goldber Variations
44CD: Solti · Romantic Russia / Suppé: 4 Overtures
45CD: Solti · Mahler 8
46CD: Sutherland / Horne / Pavarotti · Live from Lincoln Center
47CD: Takács Quartet · Beethoven: Quartets opp. 95, 130 & 133
48CD: Tebaldi / Del Monaco · Puccini: La fanciulla del West (highlights)
49CD: Wiener Oktett · Mendelssohn: Octet / Beethoven: Septet
50CD: Winchester / Terfel · Walton: Belshazzar’s Feast

Credits

Release group

includes:A Midsummer Night’s Dream / Symphony no. 3 “Scottish” by Felix Mendelssohn (composer); Peter Maag (conductor)
Arcana / Intégrales / Ionisation by Edgard Varèse (composer); Los Angeles Philharmonic Orchestra, Zubin Mehta (conductor)
Barber: Violin Concerto / Walton: Violin Concerto / Bloch: Baal Shem by Barber (American composer), Walton (British composer and conductor), Bloch (Swiss-American composer); Joshua Bell (violinist), Baltimore Symphony Orchestra, David Zinman (conductor)
Bartók: Piano Concerto no. 3 / Ravel: Piano Concerto in G major by Bartók (Béla Bartók, composer), Ravel (Maurice Ravel, French composer); Julius Katchen (pianist), London Symphony (London Symphony Orchestra), István Kertész (conductor)
Berlin Cabaret Songs by Ute Lemper
Dansereye (1551) by Tielman Susato (Flemish Renaissance composer); New London Consort, Philip Pickett (musician)
Daphnis et Chloé by Ravel (Maurice Ravel, French composer); London Symphony Orchestra, Pierre Monteux (conductor)
Eine Alpensinfonie / Don Juan by Richard Strauss (German composer); San Francisco Symphony, Herbert Blomstedt (conductor)
España by Argenta (pianist and conductor), The London Symphony Orchestra (London Symphony Orchestra)
Goldberg Variations (1982 recording) by Johann Sebastian Bach (German Baroque period composer & musician); András Schiff (pianist)
Goyescas: Volumes 1 & 2 / El pelele by Granados (composer); Alicia de Larrocha (pianist)
Ibert: Divertissement / Bizet: Jeux d’enfants / Saint‐Säens: Danse macabre / Le rouet d’omphale by Ibert (French composer), Bizet (French composer), Saint‐Saëns (composer); Paris Conservatoire Orchestra, Jean Martinon (French conductor and composer)
In Concert by Carreras (Spanish tenor), Domingo (tenor), Pavarotti (tenor), Mehta (Zubin Mehta, conductor)
Italian Songs by Beethoven (Ludwig van Beethoven, German composer), Schubert (Franz Schubert, composer), Mozart (Wolfgang Amadeus Mozart, classical composer), Haydn (composer); Cecilia Bartoli (mezzo‐soprano), András Schiff (pianist)
La fanciulla del West (1958 studio cast) by Puccini (Italian composer); Tebaldi (soprano), del Monaco (tenor), MacNeil (American baritone), Tozzi (operatic bass), Orchestra (Orchestra of the National Academy of Santa Cecilia) e Coro dell’Accademia di Santa Cecilia, Roma (Chorus of the National Academy of Santa Cecilia), Franco Capuana (conductor)
Le Sacre du printemps / L’Oiseau de feu by Stravinsky (Igor Stravinsky, Russian composer); Antal Doráti (conductor)
Ma Mère l’Oye / Pavane pour une infante défunte / Le Tombeau de Couperin / Valses nobles et sentimentales by Ravel (Maurice Ravel, French composer); Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
Magnificat in D major / Cantata no. 10 by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Ameling (soprano), Van Bork (soprano), Watts (contralto), Krenn (tenor), Rintzler (Romanian operatic bass), Krause (bass-baritone), Wiener Akademiechor (Vienna Chamber Choir, choir), Stuttgart Chamber Orchestra, Karl Münchinger (German conductor)
Mendelssohn Octet / Beethoven Septet by Mendelssohn (Felix Mendelssohn, composer), Beethoven (Ludwig van Beethoven, German composer); Wiener Oktett
New Year's Day Concert in Vienna 1979 by Wiener Philharmoniker (Vienna Philharmonic), Willi Boskovsky (violinist and conductor)
Piano Concertos No. 20 K.466 & No. 27 K.595 by Mozart (Wolfgang Amadeus Mozart, classical composer); Clifford Curzon (classical pianist, knighted in 1977), English Chamber Orchestra, Benjamin Britten (English composer, conductor, and pianist)
Piano Concertos nos. 2, 4 & 5 by Saint‐Saëns (composer); Pascal Rogé (pianist), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Charles Dutoit (conductor)
Piano Sonata op. 27 no. 2 “Moonlight” / Piano Sonata op. 13 “Pathetique” / Piano Sonata op. 53 “Waldstein” by Beethoven (Ludwig van Beethoven, German composer); Radu Lupu (Romanian concert pianist)
Respighi: Feste romane / Pini di Roma / Rimsky‐Korsakov: Le Coq d’or (suite) by Respighi (composer), Rimsky‐Korsakov (Nikolai Rimsky‐Korsakov, Russian composer); The Cleveland Orchestra, Lorin Maazel (conductor)
Serenade for Strings / Souvenir de Florence by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer), Academy of St Martin in the Fields, Neville Marriner (conductor)
Signatures: Great Opera Scenes by Renée Fleming (soprano), Sir Georg Solti (conductor), London Symphony Orchestra
Sinfonietta / Taras Bulba / The Cunning Little Vixen Suite by Janáček (Czech composer); Wiener Philharmoniker (Vienna Philharmonic), Charles Mackerras (Australian conductor)
Stabat Mater / Salve Regina by Pergolesi (composer); Andreas Scholl (countertenor), Barbara Bonney (soprano), Christophe Rousset (French harpsichordist & conductor), Les Talens Lyriques (French classical musical ensemble)
Symphonie no. 8 (1971 recording) by Mahler (composer); Chicago Symphony Orchestra, Georg Solti (Sir Georg Solti, conductor)
Symphony no. 4 by Bruckner (Austrian composer); Vienna Philharmonic Orchestra (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Symphony no. 9 in E minor, op. 95 “New World” by Dvořák (Antonín Dvořák, composer); Vienna Philharmonic Orchestra (Vienna Philharmonic), István Kertész (conductor)
The Planets by Holst (Gustav Holst, composer); Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
The Three-cornered Hat / La Vida Breve - Interlude and Dance by Falla (Spanish composer); Teresa Berganza (mezzo-soprano), L’Orchestre de la Suisse Romande (OSR), Ernest Ansermet (conductor)
Turandot (1972 studio cast) by Puccini (Italian composer); Sutherland (soprano), Pavarotti (tenor), Caballé (soprano), Ghiaurov (operatic bass), Krause (bass-baritone), Pears (tenor), John Alldis Choir (The John Alldis Choir), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Zubin Mehta (conductor)
Turangalîla‐Symphonie by Olivier Messiaen (composer and organist); Royal Concertgebouw Orchestra, Riccardo Chailly (conductor), Jean‐Yves Thibaudet (pianist), Takashi Harada (Harada Takashi, ondes Martenot player)
Violin Concertos / Scottish Fantasia by Mendelssohn (Felix Mendelssohn, composer), Bruch (composer and conductor); Kyung Wha-Chung (Kyung-Wha Chung, violinist), Kempe (conductor), Dutoit (conductor)
Walton: Belshazzar’s Feast / Coronation Te Deum / Parry: I Was Glad / Jerusalem by Walton (British composer and conductor), Parry (English composer); Bryn Terfel (bass‐baritone opera singer), Waynflete Singers, Winchester Cathedral Choir, Bournemouth Symphony Orchestra, Andrew Litton (conductor)
War Requiem by Benjamin Britten (English composer, conductor, and pianist); Galina Vishnevskaya (soprano), Peter Pears (tenor), Dietrich Fischer‐Dieskau (baritone)