Absolute Rock Ballads Classics, 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1The Show Must Go On
recording of:
The Show Must Go On (Queen song)
lyricist and composer:
John Deacon, Brian May (Queen guitarist), Freddie Mercury and Roger Taylor (Queen drummer)
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
Queen4:13
2Still Got the Blues (for You)
assistant engineer and assistant mixer:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris and Greg Muden
engineer and mixer:
Ian Taylor (rock producer/engineer)
producer:
Gary Moore (Thin Lizzy, blues guitar) and Ian Taylor (rock producer/engineer)
bass guitar:
Andy Pyle
drums (drum set):
Graham Walker (UK drummer)
guest keyboard:
Don Airey
guest piano:
Nicky Hopkins (pianist and organist)
guest strings:
Gavyn Wright (UK violinist, conductor)
guitar:
Gary Moore (Thin Lizzy, blues guitar)
vocals:
Gary Moore (Thin Lizzy, blues guitar)
conductor:
Don Airey
strings arranger:
Don Airey and Gary Moore (Thin Lizzy, blues guitar)
recording of:
Still Got the Blues (for You)
lyricist and composer:
Gary Moore (Thin Lizzy, blues guitar)
publisher:
BMG 10 Music Ltd., BMG Platinum Songs, BMG VM Music France, Bonuswise Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Scandinavia AB, Gary Moore Songs and Mushroom Music Pty. Ltd.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gary Moore4.256:08
3Life on Mars
recording engineer:
Ken Scott (UK record producer & engineer) (on 1971-08-06)
assistant producer:
the actor (English singer‐songwriter)
producer:
Ken Scott (UK record producer & engineer)
bass guitar:
Trevor Bolder (British bassist) (on 1971-08-06)
drums (drum set):
Mick Woodmansey (British drummer) (on 1971-08-06)
electric guitar [Gibson Les Paul electric guitar] and mellotron:
Mick Ronson (British guitarist) (on 1971-08-06)
piano:
Rick Wakeman (on 1971-08-06)
lead vocals:
David Bowie (English singer‐songwriter) (on 1971-08-06)
orchestra:
BBC Symphony Orchestra (on 1971-08-06)
conductor:
Mick Ronson (British guitarist) (on 1971-08-06)
remixer:
Ken Scott (UK record producer & engineer)
strings arranger:
Mick Ronson (British guitarist)
phonographic copyright (℗) by:
Jones/Tintoretto Entertainment Company LLC
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (on 1971-08-06)
music videos:
Life on Mars? by David Bowie (English singer‐songwriter)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 8) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 105)
recording of:
Life on Mars? (on 1971-08-06)
written in:
London (Greater London), England, United Kingdom (in 1971)
lyricist and composer:
David Bowie (English singer‐songwriter) (in 1971)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
David Bowie4.53:48
4Walk on the Wild Side
producer:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
double bass and electric bass guitar:
Herbie Flowers (in 1972-08)
drums (drum set):
John Halsey (in 1972-08)
background vocals:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
lead vocals:
Lou Reed (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
samples from:
Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 221)
recording of:
Walk on the Wild Side (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Six Continents Music Publishing Inc.
Lou Reed4.254:11
5Can’t Fight This Feeling
producer:
Kevin Cronin, Alan Gratzer and Gary Richards
arranger:
Kevin Cronin and REO Speedwagon
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Can’t Fight This Feeling (in 1984-08)
lyricist and composer:
Kevin Cronin
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Fate Music, The International Music Network Ltd and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
大洋音楽 (Taiyō Music)
REO Speedwagon3.94:49
6Waiting for a Girl Like You
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner4.44:32
7Can’t Stop Fallin’ Into Love
recording of:
Can’t Stop Fallin’ Into Love
writer:
Rick Nielsen, Tom Petersson (US bass player, in Cheap Trick) and Robin Zander
publisher:
Consenting Adult Music and Sony/ATV Songs LLC
Cheap Trick3:46
8Bye Bye Johnny
recording of:
Bye Bye Johnny
lyricist and composer:
Steinar Hagen
publisher:
EMI Songs Scandinavia AB
sub-publisher:
EMI Songs France (27, rue de Berri)
Return4:04
9High Enough
assistant engineer:
John Aguto, Ed Goodreau and Bill Kennedy (recording engineer)
engineer and producer:
Ron Nevison
conductor:
Jimmie Haskell
strings arranger:
Jimmie Haskell
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
High Enough
writer:
Jack Blades (of Night Ranger), Ted Nugent and Tommy Shaw (of Styx)
Damn Yankees3.64:44
10When I’m Gone
McAuley–Schenker Group3:57
11Miles Away
assistant engineer and assistant mixer:
Martin Horenburg
engineer:
Jimmy Hoyson
producer:
Beau Hill
mixer:
Beau Hill and Jimmy Hoyson
editor:
Dave Collins (US mastering engineer)
bass guitar and lead vocals:
Kip Winger
drums (drum set) and percussion:
Rod Morgenstein
guitar and background vocals:
Reb Beach and Paul Taylor (Winger rhythm guitarist and keyboardist)
keyboard:
Paul Taylor (Winger rhythm guitarist and keyboardist) and Kip Winger
additional background vocals:
Nate Winger and Paul Winger
arranger:
Paul Taylor (Winger rhythm guitarist and keyboardist)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990)
recorded at and mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
recording of:
Miles Away
lyricist and composer:
Paul Taylor (Winger rhythm guitarist and keyboardist)
publisher:
Virgin Songs, Inc. (ended), BMG Platinum Songs (Rosetta), EMI-Virgin Songs, Paul Taylor Music, Small Hope Music and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Winger3.654:10
12Heartbreak Station
assistant engineer:
Brian Stover
engineer:
Gary Lyons (UK engineer & producer)
producer:
John Jansen (US recording engineer and producer) and Tom Keifer
assistant mixer:
George Cowan (US engineer) and Mike Reiter
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
bass guitar:
Eric Brittingham
drums (drum set) and percussion:
Fred Coury
electric guitar:
Tom Keifer and Jeff LaBar
piano:
Rod Roddy (member of Le Roux)
background vocals:
Fred Coury, Elaine Foster, Sharon Foster and Tara Pellerin
lead vocals:
Tom Keifer
instruments arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
recorded at:
House of Music in West Orange, New Jersey, United States, Kajem/Victory Studios (An American recording studio and production facility.) in Philadelphia, Pennsylvania, United States, Studio in the Country in Bogalusa, Louisiana, United States and Bearsville Studios in Bearsville, New York, United States (in 1990)
recording of:
Heartbreak Station
lyricist and composer:
Tom Keifer
publisher:
Chappell & Co., Inc. (USA) and Eve Songs, Inc.
Cinderella44:28
13Sorry (Is All I Can Say)
Stage Dolls3:57
14Wings of Your Love
Prism3:38
15In Good Faith
producer:
Ron Nevison and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
additional synthesizer:
Bill Cuomo and Mike Moran (keyboardist, songwriter, film and TV composer, producer)
bass:
Stephan Ellis (bass player with Survivor)
drums (drum set):
Marc Droubay (drummer for Survivor)
guitar:
Frankie Sullivan (US guitarist and songwriter, member of Survivor)
keyboard:
Jim Peterik
additional background vocals:
Jim Peterik and Tommy Shaw (of Styx)
background vocals:
Tom Kelly (songwriter), Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
vocals:
Jimi Jamison
recorded at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States, Manzanita Studio, One on One Studios in North Hollywood, Los Angeles, California, United States, Ripe Studios in London (Greater London), England, United Kingdom, Royal Recorders in Lake Geneva, Wisconsin, United States, Rumbo Recorders in Canoga Park, Los Angeles, California, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
In Good Faith
writer:
Jimi Jamison, Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
Survivor54:20
16Telephone Line
engineer:
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) and Duane Scott
producer:
Jeff Lynne
bass and background vocals:
Kelly Groucutt (in 1976-07)
cello:
Melvyn Gale (in 1976-07) and Hugh McDowell (in 1976-07)
clavinet, Moog and piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1976-07)
guitar:
Jeff Lynne (in 1976-07) and Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
violin:
Mik Kaminski (in 1976-07)
lead vocals:
Jeff Lynne (in 1976-07)
conductor:
Louis Clark (in 1976-07)
phonographic copyright (℗) by:
United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1974), Jet Records (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976, in 2005) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (in 1976-07), De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1976-07) and Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1976-07)
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
edited at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Telephone Line (in 1976-07)
lyricist and composer:
Jeff Lynne
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Jet Music Ltd. (British branch) and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.54:39
17Dust in the Wind
additional engineer:
Terry Diane Becker (engineer)
engineer:
Jeff Glixman (from 1977-06 until 1977-07)
producer:
Jeff Glixman (in 1977-06)
acoustic guitar and electric guitar:
Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (guitarist of Kansas) (from 1977-06 until 1977-07)
bass guitar:
Dave Hope (from 1977-06 until 1977-07)
celesta, organ, synthesizer, vibraphone and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
cello, viola and violin [violins]:
Robby Steinhardt (from 1977-06 until 1977-07)
chimes, drums (drum set), gong and timpani:
Phil Ehart (from 1977-06 until 1977-07)
clavinet and synthesizer [synthesizers]:
Kerry Livgren (from 1977-06 until 1977-07)
percussion [additional percussion]:
Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
piano:
Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
background vocals:
Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978)
recorded at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1977-08)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 39)
recording of:
Dust in the Wind (from 1977-06 until 1977-07)
lyricist and composer:
Kerry Livgren
publisher:
Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing and Kirshner-Warner Bros Music Ltd.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
adaptations:
As the Sun Rises
Kansas4.053:25
18Two Out of Three Ain’t Bad
engineer, producer and mixer:
Todd Rundgren
bass guitar:
Kasim Sultan
drums (drum set):
John Wilcox
guitar:
Todd Rundgren
piano:
Roy Bittan
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
background vocals:
Rory Dodd and Todd Rundgren
lead vocals:
Meat Loaf
strings arranger:
Kenny Ascher
arranger:
Todd Rundgren and Jim Steinman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Two Out of Three Ain’t Bad
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Meat Loaf45:24
2CD