L’Opéra pour les nuls

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

1▶Digital Media: L'aube de l'opéra - L'opéra italien
2▶Digital Media: L'opéra italien
3▶Digital Media: L'opéra français
4▶Digital Media: Les operas de Mozart
5▼Digital Media: L'opéra germanique
#TitleArtistRatingLength
1Orphée et Eurydice, Act 2, Premier tableau - Une horrible caverne, Deuxième tableau - Les Champs-Elysées, Scène 1 (Eurydice et le Choeur): Ballet des ombres heureuses
producer:
Alain Duchemin
orchestra:
Orchestre de l’Opéra de Lyon (from 1989-01-29 until 1989-02-02)
conductor:
John Eliot Gardiner (from 1989-01-29 until 1989-02-02)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music France (in 1989)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1989-01-29 until 1989-02-02)
recording of:
Orphée et Eurydice, Wq. 41 : Acte II, N° 29. Ballet des ombres heureuses, I. Lent, très doux – Même mouvement (from 1989-01-29 until 1989-02-02)
composer:
Christoph Willibald Gluck (composer)
part of:
Orphée et Eurydice, Wq. 41 : Acte II
Christoph Willibald Gluck5:32
2Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice?" (Orfeo)
harpsichord:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
mezzo-soprano vocals [Orfeo]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck5:28
3Fidelio Op. 72, ACT 1: Nr. 3 Quartett: Mir ist so wunderbar (Marzelline/Leonore/Rocco/Jaquino)
producer:
Michel Glotz
bass vocals:
Karl Riddersbusch (operatic bass)
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals [Leonore]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (soprano) (from 1970-10 until 1970-12)
tenor vocals [Jaquino]:
Horst Laubenthal (tenor) (from 1970-10 until 1970-12)
vocals:
Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), Horst Laubenthal (tenor) and Karl Ridderbusch (operatic bass)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:46
4Der Freischütz · Oper in 3 Akten, 3. Akt: Was gleicht wohl auf Erden dem Jägervergnügen (Chor: Jägerchor)
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (Der Freischütz: The Huntsmen's Chorus)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Ludwig van Beethoven2:42
5Lebe wohl, mein flandrisch Mädchen (Marquis von Chateauneuf, Marie, Chor, aus "Zar und Zimmermann", 2.Akt)
recording of:
Zar und Zimmermann: Akt II. Nr. 9 Lied „Lebe wohl, mein flandrisch’ Mädchen“ (Marquis, Marie, Chor)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
Albert Lortzing4:47
6Martha, Act III: Ach so fromm
tenor vocals:
Rolando Villazón (tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Michel Plasson (conductor)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
Friedrich von Flotow2:58
7Lohengrin: Prelude Act I
producer:
John Willan (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1982-12-15 until 1983-04-17)
conductor:
Klaus Tennstedt (conductor) (from 1982-12-15 until 1983-04-17)
balance engineer:
Neville Boyling (engineer) and Michael Sheady (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1982-12-15 until 1983-04-17)
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I) (from 1982-12-15 until 1983-04-17)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75
Richard Wagner10:18
8Treulich geführt (Lohengrin: Brautchor, 3.Akt) (1990 Remaster)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner5:01
9Die Walküre, WWV 86B, Act 3: Ride of the Valkyries
producer:
John Fraser (UK producer)
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic) (from 1991-08-14 until 1991-08-24)
conductor:
Mariss Jansons (Latvian conductor) (from 1991-08-14 until 1991-08-24)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
recorded at:
Oslo Konserthus (The Oslo Concert Hall) in Oslo, Norway (from 1991-08-14 until 1991-08-24)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1991-08-14 until 1991-08-24)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:46
10Siegfried, Act 1: Was am besten er kann (Siegfried/Mime)
partial recording of:
Siegfried, WWV 86C: Akt I, Scene III "Verfluchtes Licht!"
composer:
Richard Wagner (composer) (from 1856-09 until 1869-02-23)
librettist:
Richard Wagner (composer)
part of:
Siegfried, WWV 86C: Akt I
Richard Wagner5:51
11Tristan und Isolde, Act III, Dritte Szene: Mild und leise wie er lächelt (Isolde)
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner6:29
12Der fliegende Holländer: Johohoe! Traft ihr das Schiff (Senta's Ballad) (Act II)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
solo soprano vocals:
Jessye Norman (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Klaus Tennstedt (conductor)
recording of:
Der fliegende Holländer, WWV 63: Akt II, Nr. 4. Lied, Scene, Ballade und Chor "Summ und brumm, du gutes Rädchen" … "Jo ho hoe, traft ihr das Schiff" (Chor der Spinnerinnen & Sentas Ballade)
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt II
part of:
Der fliegende Holländer, WWV 63: Akt II
Richard Wagner8:34
13Beglückt darf nun (Pilgrims' Chorus) from Tannhäuser
recording of:
Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. Pilgerchor: “Beglückt darf nun dich”
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. “Wohl wusst’ ich hier sie im Gebet zu finden”
Richard Wagner4:24
14Die Fledermaus - Overture (abbrev.)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Plácido Domingo (tenor)
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
partial recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
Johann Strauss II8:31
6▶Digital Media: L'opéra germanique - Les opéras du monde entier

Credits

Release

part of:pour les nuls (French) (order: 9)
purchase for download:https://itunes.apple.com/fr/album/id732351399 [info]