111 Rock ’n’ Roll Superhits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Bye Bye Love
registrata a:
Nashville, Tennessee, Stati Uniti (il 1957-03-01)
basso :
Floyd D. 'Lightnin'' Chance (il 1957-03-01)
batteria :
Murrey Harman (Session drummer and songwriter) (il 1957-03-01)
chitarra :
Don Everly (il 1957-03-01), Phil Everly (il 1957-03-01) e Hank Garland (il 1957-03-01)
chitarra elettrica :
Chet Atkins (il 1957-03-01)
pianoforte :
Floyd Cramer (il 1957-03-01)
voce:
Don Everly (il 1957-03-01) e Phil Everly (il 1957-03-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 25), Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 33) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 207)
registrazione di:
Bye Bye Love (il 1957-03-01)
autore:
Boudleaux Bryant e Felice Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers4.352:25
2Everyday
produttore:
Norman Petty
basso :
Joe B. Mauldin (il 1957-05-29)
celesta :
Vi Petty (il 1957-05-29)
chitarra e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
percussione [cardboard box percussion] :
Jerry Allison (il 1957-05-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
voce di accompagnamento:
Jerry Allison (il 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29) e Niki Sullivan (il 1957-05-29)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-05-29)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 236)
registrazione di:
Everyday (il 1957-05-27)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Peer International Corporation (BMI) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly4.852:10
3Three Steps to Heaven
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1960-01-08)
batteria :
Jerry Allison (il 1960-01-08)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1960-01-08) e Sonny Curtis (il 1960-01-08)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1960-01-08)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1960-01-08)
registrazione di:
Three Steps to Heaven (il 1960-01-08)
autore:
Bob Cochran e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
Belsize Music Ltd.
Eddie Cochran32:24
4Sweet Nothin’s
registrazione di:
Sweet Nothin’s
paroliere e compositore:
Ronnie Self (rockabilly singer and songwriter)
editore:
Leeds Music Ltd.
Brenda Lee2:24
5Stand by Me
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
registrazione di:
Stand by Me
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King3:01
6Blue Moon
produttore:
Danny e Stu (US TV/film composer, conductor & producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1961, nel 2004)
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
The Marcels32:18
7Smoke Gets in Your Eyes
registrata a:
Paris, Île-de-France, Francia (il 1958-09-24)
produttore:
Buck Ram
voce principale:
Tony Williams (lead singer for The Platters)
esecutore:
The Platters
registrazione cover di:
Smoke Gets in Your Eyes (il 1958-09-24)
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
The Platters3.752:40
8Little Darlin’
registrazione cover di:
Little Darlin’
paroliere e compositore:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
editore:
Campbell Connelly & Co. Ltd. e Excellorec Music
The Diamonds2:11
9Harbor Lights
registrazione cover di:
Harbour Lights
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Peter Maurice Music Co. Ltd.
registrazione di:
Harbour Lights
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Peter Maurice Music Co. Ltd.
Elvis Presley2:39
10Who’s Sorry Now?
voce:
Connie Francis (American former actress and chart-topping singer)
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1958)
registrazione cover di:
Who’s Sorry Now? (1923 song)
paroliere:
Bert Kalmar (nel 1923) e Harry Ruby (nel 1923)
compositore:
Ted Snyder (nel 1923)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (il 1923-03-07) e Mills Music Corporation (nel 1929)
Connie Francis42:20
11It’s Only Make Believe
registrazione di:
It’s Only Make Believe
autore:
Jack Nance (nel 1958) e Conway Twitty (nel 1958)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty2:16
12Dedicated to the One I Love
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 39)
registrazione cover di:
Dedicated to the One I Love
autore:
Ralph Bass e Lowman Pauling
editore:
Carlin Music Corporation, Duchess Music Corporation (BMI-affiliated), Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles52:06
13Come Go With Me
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 441)
registrazione di:
Come Go With Me
editore:
Joseph M. Averbach
paroliere e compositore:
C.E. Quick
editore:
Fee Bee Music Company e Gil Music Corporation
The Del‐Vikings4.52:42
14I Only Have Eyes for You
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 21), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 98), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 157) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 175)
registrazione cover di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
registrazione di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
The Flamingos4.253:25
15That’ll Be the Day
produttore:
Norman Petty
batteria :
Jerry Allison (il 1957-02-25)
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25) e Niki Sullivan (il 1957-02-25)
contrabbasso :
Larry Welborn (il 1957-02-25)
voce di accompagnamento:
June Clark (background vocals for The Crickets) (il 1957-02-25), Niki Sullivan (il 1957-02-25), Gary Tollett (il 1957-02-25) e Ramona Tollett (il 1957-02-25)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-02-25)
registrazione di:
That’ll Be the Day (il 1957-02-25)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
The Crickets4.62:18
16I Love You Because
registrazione cover di:
I Love You Because
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
Elvis Presley3:31
17Runaway
claviolino [musitron] solista :
Max Crook
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 100) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 466)
registrazione di:
Runaway (il 1961-01-24)
autore:
Max Crook e Del Shannon
editore:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. e Vicki Music
Del Shannon4.42:21
18Only Sixteen
registrazione cover di:
Only Sixteen
autore:
Barbara Campbell (collective songwriter pseudonym for Sam Cooke, Lou Adler and Herb Alpert)
editore:
ABKCO Music e Ardmore and Beechwood Ltd.
Craig Douglas2:13
19Blueberry Hill
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (nel 1957) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:23
20Save the Last Dance for Me
registrazione di:
Save the Last Dance for Me
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters2:31
21Come Softly to Me
arrangiatore:
Bonnie Guitar
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1959)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 14)
registrazione di:
Come Softly to Me
autore:
Gretchen Christopher, Barbara Ellis e Gary Troxel
editore:
Chappell Morris, EMI Unart Catalog Inc. e Unart Music Corp. (nel 1958, nel 1959)
The Fleetwoods32:22
22Tomorrow Night
registrazione cover di:
Tomorrow Night
autore:
Sam Coslow e Wilhelm Grosz (aka Hugh Williams)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Wilhelm Grosz Music Co
Elvis Presley3:01
23Halfway to Paradise
Billy Fury2:29
24(’Til) I Kissed You
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1959)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 28)
registrazione di:
(’Til) I Kissed You (il 1959-07-07)
paroliere e compositore:
Don Everly
The Everly Brothers2:26
25Stupid Cupid
registrazione di:
Stupid Cupid
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
Connie Francis2:17
26I’ll Never Let You Go
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1954)
chitarra :
Scotty Moore (American guitarist and recording engineer) (nel 1954) e Elvis Presley (“The King of Rock and Roll”) (nel 1954)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1954)
registrazione cover di:
I’ll Never Let You Go Little Darlin’ (nel 1954)
paroliere e compositore:
Jimmy Wakely (Country and western singer and songwriter)
editore:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) e Sunshine Music Co., Inc. (il 1941-11-17)
Elvis Presley2:23
27Will You Love Me Tomorrow
registrazione di:
Will You Love Me Tomorrow (Carole King song)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles2:45
28Only the Lonely (Know the Way I Feel)
registrazione di:
Only the Lonely (Know the Way I Feel)
autore:
Joe Melson e Roy Orbison
editore:
Acuff-Rose Music Limited (UK) e Acuff-Rose Publications, Inc. (BMI) (il 1960-05-04)
è stata commissionata da:
Rondor Music (London) Ltd.
Roy Orbison2:32
29All I Have to Do Is Dream
registrazione di:
All I Have to Do Is Dream
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers2:24
30Why Do Fools Fall in Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Lymon & The Teenagers4.52:21
31The Great Pretender
The Platters2:42
32Teenager in Love
esecutore:
Dion & The Belmonts
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 7)
registrazione di:
A Teenager in Love (nel 1959)
paroliere:
Doc Pomus
compositore:
Mort Shuman (US singer, pianist & songwriter)
registrazione cover di:
A Teenager in Love
paroliere:
Doc Pomus
compositore:
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts4.52:37
33Tears on My Pillow
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 30) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 478)
registrazione di:
Tears on My Pillow
paroliere:
Al Lewis (Tin Pan Alley era lyricist)
compositore:
Sylvester Bradford
editore:
Gladys Music (nel 1958), Sovereign Music Co. (nel 1958) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (nel 1989)
Little Anthony & the Imperials2.52:17
34Since I Don’t Have You
The Skyliners2:40
35Raining in My Heart
registrazione di:
Raining in My Heart
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC e Sony/ATV Music Publishing (UK) Ltd.
Buddy Holly2:53
36Venus
voce:
Frankie Avalon (American actor, singer)
direttore d'orchestra e maestro del coro:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Chancellor Records Inc. (nel 1959)
registrazione di:
Venus
paroliere e compositore:
Ed Marshall
editore:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:25
37Hey Paula
voce:
Ray Hildebrand e Jill Jackson
registrazione di:
Hey Paula (nel 1962)
paroliere e compositore:
Ray Hildebrand
editore:
Speckle Music
Paul & Paula2:32
38Goodnite, Sweetheart, Goodnite
The Spaniels2:45
39Born Too Late
The Poni-Tails2:22
40The Wanderer
registrazione di:
The Wanderer
paroliere e compositore:
Ernie Maresca
editore:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd., Warner/Chappell Music, Inc. e Warner/Chappell North America
Dion2:45
41Poetry in Motion
registrazione cover di:
Poetry in Motion
autore:
Mike Anthony (US songwriter) e Paul Kaufman (songwriter)
Johnny Tillotson2:34
42Donna
registrazione di:
Donna
paroliere e compositore:
Ritchie Valens
editore:
Aberbach Musikverlag (German publisher) e Carlin Music Corporation
Ritchie Valens2:25
43Singing the Blues
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 37)
registrazione cover di:
Singing the Blues
paroliere e compositore:
Melvin Endsley (nel 1956)
editore:
Acuff Rose Opryland Ltd. (UK) e Acuff-Rose Music Limited (UK)
Guy Mitchell2:32
44Oh! Carol
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
Oh! Carol (nel 1959)
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Universal Music Careers
versione tradotta di:
Karel (Oh Carol)
Neil Sedaka32:20
45I’m Sorry
registrazione di:
I’m Sorry (Brenda Lee song, 1960)
autore:
Dub Albritton e Ronnie Self (rockabilly singer and songwriter)
editore:
Songs of Universal (SOCAN)
Brenda Lee2:41
46True Love Ways
registrazione di:
True Love Ways
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly2:53
47Diana
voce:
Paul Anka (Canadian singer, songwriter and actor)
direttore d'orchestra:
Don Costa (US pop music arranger & producer)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 26)
registrazione di:
Diana (il 1957-05-20)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Pamco Music Inc. (conclusa), Epa Publishing e Warner Chappell Music (publisher as Warner/Chappell Music)
Paul Anka4.752:23
48Just Walkin’ in the Rain
voce:
Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (il 1956-06-29)
orchestra:
Ray Conniff, His Orchestra & Chorus (il 1956-06-29)
registrazione cover di:
Just Walkin’ in the Rain (il 1956-06-29)
autore:
Johnny Bragg, Buddy Killen e Robert Riley
Johnnie Ray42:43
49Only You (and You Alone)
pianoforte :
Buck Ram (il 1955-04-26)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey) (il 1955-04-26)
voce principale:
Tony Williams (lead singer for The Platters) (il 1955-04-26)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1955) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 10)
registrazione di:
Only You (il 1955-04-26)
paroliere, autore e compositore:
Buck Ram e Ande Rand
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters2:39
50When Will I Be Loved
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1960)
registrazione di:
When Will I Be Loved? (il 1960-02-18)
paroliere e compositore:
Phil Everly
editore:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:02
51Blue Velvet
Bobby Vinton2:53
52Put Your Head on My Shoulder
Paul Anka2:42
53True Love
voce:
Bing Crosby e Grace Kelly (US film actress)
orchestra:
MGM Studio Orchestra
direttore d'orchestra:
Johnny Green (composer and conductor, often credited as John Green)
registrazione di:
True Love (High Society) (il 1956-02-02)
paroliere e compositore:
Cole Porter (composer) (nel 1956)
editore:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
Warner Chappel Music Belgium NV
parte di:
The 29th Academy Award for Best Original Song (numero: 2)
parte di:
High Society (stage musical)
parte di:
High Society (1956 film)
Bing Crosby & Grace Kelly3:05
54Cupid
registrazione di:
Cupid
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Kags Music Corp.
Sam Cooke2:30
55Roses Are Red (My Love)
Bobby Vinton2:38
56Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra elettrica [lead guitar] :
Danny Cedrone (il 1954-04-12)
chitarra elettrica [rhythm guitar] e voce principale:
Bill Haley (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
diritti fonografici (℗) detenuti da:
Sonet Music AB (nel 1954) e MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (nel 1955)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:13
57Tutti Frutti
registrazione cover di:
Tutti Frutti
paroliere:
Dorothy LaBostrie (American songwriter) e Richard Wayne Penniman
compositore:
Dorothy LaBostrie (American songwriter), Joe Lubin e Richard Wayne Penniman
editore:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Phonogram GmbH (nel 1983)
Elvis Presley2:02
58Rock and Roll Music
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Fred Below (dal 1957-05-06 al 1957-05-15)
chitarra elettrica e voce principale:
Chuck Berry (dal 1957-05-06 al 1957-05-15)
contrabbasso :
Willie Dixon (dal 1957-05-06 al 1957-05-15)
pianoforte :
Lafayette Leake (dal 1957-05-06 al 1957-05-15)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1957-05-06 al 1957-05-15)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 19), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 128)
registrazione di:
Rock and Roll Music (dal 1957-05-06 al 1957-05-15)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry4.352:34
59Good Golly Miss Molly
registrazione di:
Good Golly Miss Molly
autore:
Robert “Bumps” Blackwell e John Marascalco
editore:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. e Robin Hood Music Co.
Little Richard2:06
60Sweet Little Sixteen
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Jasper Thomas (dal 1957-12-29 al 1957-12-30)
chitarra elettrica e voce principale:
Chuck Berry (dal 1957-12-29 al 1957-12-30)
contrabbasso :
Willie Dixon (dal 1957-12-29 al 1957-12-30)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (dal 1957-12-29 al 1957-12-30)
diritti fonografici (℗) detenuti da:
Geffen Records Ltd. (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (dal 1957-12-29 al 1957-12-30)
registrazione di:
Sweet Little Sixteen (dal 1957-12-09 al 1957-12-30)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry43:04
61Skinny Minnie
Bill Haley & His Comets2:45
62Great Balls of Fire
registrazione di:
Great Balls of Fire
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) e Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis1:54
63Ooby Dooby
registrazione di:
Ooby Dooby
paroliere e compositore:
Wade Moore e Dick Penner
editore:
Hi Lo Music, Peer International Corporation (BMI) e Southern Music Publishing Company Limited
Roy Orbison2:15
64Ready Teddy
batteria :
Earl Palmer (il 1956-05-09)
chitarra :
Edgar Blanchard (il 1956-05-09)
chitarra basso :
Frank Fields (il 1956-05-09)
pianoforte e voce principale:
Little Richard (il 1956-05-09)
sassofono baritono :
Alvin “Red” Tyler (American jazz saxophonist) (il 1956-05-09)
sassofono tenore :
Lee Allen (US jazz tenor saxophonist) (il 1956-05-09)
registrata presso:
J&M Music Shop in New Orleans, Louisiana, Stati Uniti (il 1956-05-09)
registrazione di:
Ready Teddy (il 1956-05-09)
paroliere e compositore:
Robert “Bumps” Blackwell e John Marascalco
editore:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC e Venice Music, Inc.
Little Richard52:12
65School Days
registrazione di:
School Day (Ring! Ring! Goes the Bell)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e Nightlight Music Pty Ltd.
Chuck Berry2:44
66Shake, Rattle and Roll
Bill Haley & His Comets2:32
67Reelin’ and Rockin
produttore:
Leonard & Phil Chess (legendary US production duo) (nel 1957-12)
batteria :
Jasper Thomas (dal 1957-12-29 al 1957-12-30)
chitarra elettrica e voce principale:
Chuck Berry (dal 1957-12-29 al 1957-12-30)
contrabbasso :
Willie Dixon (dal 1957-12-29 al 1957-12-30)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (dal 1957-12-29 al 1957-12-30)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (dal 1957-12-29 al 1957-12-30)
registrazione di:
Reelin’ and Rockin’ (dal 1957-12-29 al 1957-12-30)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry3.53:18
68Lucille
registrazione di:
Lucille
autore:
Albert Collins (US blues guitarist/vocalist/harmonica), Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) e Richard Wayne Penniman
editore:
Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Universal/MCA Music Ltd. (not for release label use!) e Venice Music
Little Richard2:15
69Razzle‐Dazzle
Bill Haley & His Comets2:05
70Honey Don’t
registrazione di:
Honey, Don’t!
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corporation, Hi Lo Music, Hi Lo Music Inc. (BMI-affiliated), Knox Music Ltd. e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Carl Perkins2:43
71Breathless
produttore:
Jack Clement e Sam Phillips (founder of Sun Records)
batteria :
Jimmy Van Eaton (il 1958-01-21)
chitarra :
Roland Janes (il 1958-01-21) e Billy Lee Riley (il 1958-01-21)
chitarra basso :
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (il 1958-01-21)
pianoforte :
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1958-01-21)
voce:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1958-01-21)
diritti fonografici (℗) detenuti da:
Sun Record Company (nel 1958)
registrazione di:
Breathless (il 1958-01-21)
paroliere e compositore:
Otis Blackwell (American pianist, singer and songwriter)
editore:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Home Folks Music (USA) Inc. e Obie Music Inc.
Jerry Lee Lewis42:43
72Maybellene
produttore:
Leonard & Phil Chess (legendary US production duo)
chitarra e voce principale:
Chuck Berry (il 1955-05-21)
contrabbasso :
Willie Dixon (il 1955-05-21)
maracas [possibly] :
Leonard Chess (il 1955-05-21) e Jerome Green (il 1955-05-21)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1955-05-21)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 2003)
registrata presso:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (il 1955-05-21)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 102)
registrazione di:
Maybellene (il 1955-05-21)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e Salee Music Company
Chuck Berry3.852:23
73Long Tall Sally
registrazione di:
Long Tall Sally
autore:
Enotris Johnson (il 1955-11-29), Richard Wayne Penniman (il 1955-11-29) e Robert Alexander Blackwell (il 1955-11-29)
editore:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music e Venice Music
Little Richard2:01
74See You Later, Alligator
Bill Haley & His Comets2:47
75Blue Suede Shoes
batteria :
W.S. Holland (nel 1955-12)
chitarra :
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12) e Jay Perkins (nel 1955-12)
contrabbasso :
Clayton Perkins (nel 1955-12)
voce:
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1955, dal 1956 a oggi)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 5) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 95)
registrazione di:
Blue Suede Shoes (nel 1955-12)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:17
76Roll Over Beethoven
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Melvin Billups (il 1956-04-19)
chitarra e voce principale:
Chuck Berry (il 1956-04-19)
contrabbasso :
Willie Dixon (il 1956-04-19)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1956-04-19)
sassofono tenore :
Leroy C. Davis (il 1956-04-19)
tromba :
Vincent Pitts (il 1956-04-19)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1956)
registrata presso:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (il 1956-04-19)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 97)
registrazione di:
Roll Over Beethoven (il 1956-04-19)
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Chuck Berry4.152:27
77Whole Lotta Shakin’ Goin’ On
produttore:
Jack Clement e Sam Phillips (founder of Sun Records) (nel 1957)
batteria :
Jimmy Van Eaton (il 1957-02-05)
chitarra :
Roland Janes (il 1957-02-05)
pianoforte :
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1957-02-05)
voce:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1957-02-05)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1957), Sun Record Company (nel 1957) e Charly Records (dal 2008 a oggi)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1957-02-05)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 61)
registrazione cover di:
Whole Lotta Shakin’ Goin’ On (il 1957-02-05)
autore:
Roy Hall (US rockabilly pianist & songwriter) e Dave “Curly” Williams
editore:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) e Whole Lotta Shakin' Music
registrazione di:
Whole Lotta Shakin’ Goin’ On
autore:
Roy Hall (US rockabilly pianist & songwriter) e Dave “Curly” Williams
editore:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) e Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:55
78Be‐Bop‐a‐Lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐a‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent & His Blue Caps4.352:38
79Carol
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Odie Payne (American Chicago blues drummer) (il 1958-06-12)
chitarra e voce principale:
Chuck Berry (il 1958-06-12)
contrabbasso :
Willie Dixon (il 1958-06-12)
percussione :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1958-06-12)
pianoforte :
Paul Gayten (US R&B) (il 1958-06-12)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (il 1958-06-12)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 10)
registrazione di:
Carol (il 1958-06-12)
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Inc. e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry3.352:50
80Mambo Rock
registrazione di:
Mambo Rock
autore:
Jimmy Ayre, Mildred Phillips e Bickley Reichner
Bill Haley & His Comets2:40
81High School Confidential
registrazione di:
High School Confidential
autore:
Ron Hargrave (dal 1958-01 al 1958-01-28) e Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (dal 1958-01 al 1958-01-28)
editore:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Penron Music e Penron Music Publishing
Jerry Lee Lewis2:31
82Johnny B. Goode
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Jasper Thomas (il 1958-01-06)
chitarra e voce principale:
Chuck Berry (il 1958-01-06)
contrabbasso :
Willie Dixon (il 1958-01-06)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1958-01-06)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (il 1958-01-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 53) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Johnny B. Goode (il 1958-01-06)
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Chuck Berry4.22:40
83Gone Gone Gone
registrazione di:
Gone, Gone, Gone
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music)
editore:
Carl Perkins Music Inc., Knox Music e Wren Music Co.
Carl Perkins2:42
84Pack, Shack and Stack
Billy Nelson2:27
85The Paper Boy (on Main Street U.S.A.)
Bill Haley & His Comets2:31
86Let’s All Rock Together
The Jodimars2:21
87Hello Mary Lou
Ricky Nelson2:20
88Rocket 88
Bill Haley & His Comets2:34
89Honky Tonk Baby
Hardrock Gunter2:34
90Straight Jacket
Bill Haley & His Comets2:51
91Daddy‐O Rock
Luke McDaniel2:19
92Thirteen Women (and Only One Man in Town)
Bill Haley & His Comets2:54
93Honey Love
Bunny Paul2:11
94Pepper Hot Baby
Jaye P. Morgan2:15
95Happy Baby
Bill Haley & His Comets2:37
96You Upset Me Baby
Boyd Bennett & His Rockets2:26
97Head Home Honey
Charlie Gracie2:20
98Bo Diddley
batteria :
Clifton James (il 1955-03-02)
chitarra :
Bo Diddley (American singer, guitarist, songwriter and music producer) (il 1955-03-02)
maracas :
Jerome Green (il 1955-03-02)
voce:
Bo Diddley (American singer, guitarist, songwriter and music producer) (il 1955-03-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 62), Blues Hall of Fame: Classic of Blues Recording Single (numero: 2017) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 277)
registrazione di:
Bo Diddley (il 1955-03-02)
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (fino al 1955-03-02)
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Good Music Ltd.
Bo Diddley3.252:45
99Rockin’ and a Rollin’
Sonny Fisher2:05
100Wake Up Little Susie
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 21) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 311)
registrazione di:
Wake Up Little Susie (nel 1957)
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:04
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