Triple M Unleashed

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Boys in Town
bass:
Rick Grossman
drums (drum set):
Richard Harvey (Australian drummer)
guitar:
Bjarn Ohlin and Mark McEntee
keyboard:
Bjarn Ohlin
vocals:
Christina Amphlett
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Warner Music International (trademark of Warner Music International the company) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983)
recording of:
Boys in Town
writer:
Chrissy Amphlett, Mark McEntee and Jeremy Paul (bassist, Air Supply, Divinyls)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) and EMI Songs
Divinyls32:52
2All Right Now
engineer:
Roy Thomas Baker (producer)
additional producer:
John Kelly (producer)
producer:
Free (60s/70s UK blues rock group)
bass:
Andy Fraser (English bassist, member of Free) (in 1970)
drums (drum set):
Simon Kirke (in 1970)
electric bass guitar and piano:
Andy Fraser (English bassist, member of Free)
guitar:
Paul Kossoff (in 1970)
lead vocals:
Paul Rodgers (in 1970)
vocals:
Paul Rodgers
phonographic copyright (℗) by:
Free (60s/70s UK blues rock group) (in 1970)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970) and Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970) and Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1970)
music videos:
All Right Now by Free (60s/70s UK blues rock group)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 27)
recording of:
All Right Now (in 1970)
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.155:33
3Just What I Needed
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist)
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer)
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at and mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1978-02)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 112) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 369)
recording of:
Just What I Needed (in 1978-02)
lyricist and composer:
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. and Lido Music (not for release label use!) (in 1978)
The Cars4.33:45
4Boys Light Up
engineer:
Ross Cockle
producer:
David Briggs (producer, guitarist of Little River Band)
drums (drum set):
Bill McDonough (from 1981-03 until 1981-04)
guitar and slide guitar:
Simon Binks (from 1981-03 until 1981-04)
harmonica:
James Reyne (from 1981-03 until 1981-04)
keyboard:
Peter Jones (Australian pianist/composer) (from 1981-03 until 1981-04), Mal Logan (from 1981-03 until 1981-04), Keith McKay (from 1981-03 until 1981-04) and Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer) (from 1981-03 until 1981-04)
percussion:
Bill McDonough (from 1981-03 until 1981-04) and Derek Pellicci (from 1981-03 until 1981-04)
saxophone:
Bill Harrower (from 1981-03 until 1981-04)
vocals:
Bill McDonough (from 1981-03 until 1981-04), James Reyne (from 1981-03 until 1981-04), Brad Robinson (from 1981-03 until 1981-04), Mal Stainton (from 1981-03 until 1981-04) and Paul Williams (bassist in 'Australian Crawl') (from 1981-03 until 1981-04)
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) and EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 2002)
recorded at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia (from 1981-03 until 1981-04)
mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
recording of:
Boys Light Up (from 1981-03 until 1981-04)
writer:
James Reyne
publisher:
Warner/Chappell Music Ltd. (1996–2019)
recording of:
The Boys Light Up (from 1981-03 until 1981-04)
writer:
James Reyne
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner/Chappell Pty. Ltd.
Australian Crawl34:39
5Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.853:57
6Solid Rock
phonographic copyright (℗) by:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1982, in 1997) and Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1982)
part of:
triple j’s Hottest 100 of Australian Songs (number: 47)
recording of:
Solid Rock (Sacred Ground)
writer:
Shane Howard (Australian singer / songwriter)
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Goanna4:32
7Once Bitten Twice Shy
engineer:
Bill Price (UK producer/engineer)
producer:
Ian Hunter (Mott the Hoople) and Mick Ronson (British guitarist)
bass:
Geoff Appleby (in 1975-01)
bass guitar:
Geoff Appleby
drums (drum set):
Dennis Elliott (in 1975-01)
electric guitar [lead guitar]:
Mick Ronson (British guitarist) (in 1975-01)
electronic organ, guitar, mellotron and mouth organ:
Mick Ronson (British guitarist)
guitar [rythm guitar] and lead vocals:
Ian Hunter (Mott the Hoople) (in 1975-01)
percussion:
Ian Hunter (Mott the Hoople) and Dennis Elliott (in 1975-01)
piano:
Ian Hunter (Mott the Hoople) (in 1975-01) and Pete Arnesen (in 1975-01)
background vocals:
Geoff Appleby (in 1975-01), Ian Hunter (Mott the Hoople) (in 1975-01) and Mick Ronson (British guitarist) (in 1975-01)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (from 1975-01 until 1975-03)
recording of:
Once Bitten Twice Shy (in 1975-01)
lyricist and composer:
Ian Hunter (Mott the Hoople)
publisher:
April (publisher), EMI April Music Inc. and Ian Hunter Music Inc.
Ian Hunter3.254:46
8Under the Milky Way
assistant engineer:
Duane Seykora
engineer:
Shep Lonsdale
producer:
The Church, Greg Ladanyi and Waddy Wachtel
mixer:
Greg Ladanyi, Shep Lonsdale and Waddy Wachtel
bass and lead vocals:
Steve Kilbey
drums (drum set):
Richard Ploog
guitar:
Peter Koppes and Marty Willson-Piper
keyboard:
Greg Kuehn
synclavier:
Awesome Welles
phonographic copyright (℗) by:
The Church (in 2009)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987, in 1988) and The Church Pty Limited (in 1988, in 2005)
part of:
triple j’s Hottest 100 of Australian Songs (number: 29) and VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 84)
recording of:
Under the Milky Way
writer:
Karin Jansson and Steve Kilbey
publisher:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) and Universal/MCA Music Publishing Pty Ltd
The Church4.354:58
9Born to Be Wild
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:29
10White Wedding
producer:
Keith Forsey (drummer, producer and songwriter)
bass:
Phil Feit (in 1982)
drums (drum set):
Steve Missal (in 1982)
guitar:
Billy Idol (English rock singer‐songwriter) (in 1982) and Steve Stevens (US guitarist and songwriter) (in 1982)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1982)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
edit of:
White Wedding, Part 1 by Billy Idol (English rock singer‐songwriter)
music videos:
White Wedding, Pt. 1 by Billy Idol (English rock singer‐songwriter)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 53)
recording of:
White Wedding (in 1982)
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Rare Blue Music Inc
Billy Idol33:35
11Evie, Parts I, II & III
producer:
Harry Vanda (Australian musician), Stevie Wright and George Young (Australian musician and producer)
recording of:
Evie, Parts 1, 2 & 3
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
Boomerang Investments Pty Limited and J. Albert & Son Pty. Ltd.
Stevie Wright11:10
12Back on the Chain Gang
engineer:
Steve Churchyard
producer:
Chris Thomas (UK record producer / remixer)
bass guitar:
Tony Butler (English rock bassist with Big Country)
drums (drum set):
Martin Chambers (drummer for The Pretenders)
guitar:
Billy Bremner and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
background vocals:
Tony Butler (English rock bassist with Big Country), Martin Chambers (drummer for The Pretenders) and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
lead vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982) and WEA Records Ltd. (holding company based in the UK) (in 1982)
recorded at:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 486)
recording of:
Back on the Chain Gang
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
dedicated to:
James Honeyman‐Scott
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
The Pretenders4.53:52
13Stay With Me
producer:
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) and Glyn Johns
bass guitar:
Ronnie Lane
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who)
guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Wurlitzer electric piano:
Ian McLagan
lead vocals:
Rod Stewart
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recording of:
Stay With Me
writer:
Rod Stewart and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Faces4.54:39
14A Town Called Malice
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1981-12)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 151)
recording of:
Town Called Malice
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.82:54
15Hold Your Head Up
producer:
Rod Argent and Chris White (UK bassist for The Zombies)
bass:
Jim Rodford
drums (drum set):
Robert Henrit
guitar:
Russ Ballard
keyboard:
Rod Argent
vocals:
Rod Argent and Russ Ballard
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Hold Your Head Up
writer:
Rod Argent and Chris White (UK bassist for The Zombies)
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA and Verulum Music Co Ltd
sub-publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Argent4.356:18
16What’s My Scene
bass:
Clyde Bramley
drums (drum set):
Mark Kingsmill
guitar:
Dave Faulkner (David Faulkner) and Brad Shepherd
harmonica:
Brad Shepherd
keyboard:
Dave Faulkner (David Faulkner)
vocals:
Dave Faulkner (David Faulkner)
phonographic copyright (℗) by:
Hoodoo Gurus Pty Ltd (in 1987)
recording of:
What’s My Scene?
writer:
Dave Faulkner (David Faulkner)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Mushroom Music (Mushroom label’s publishing company) and Sony/ATV Music Publishing
Hoodoo Gurus3.353:49
17What I Like About You
producer:
Peter Solley (English pianist, songwriter and producer)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) and Nemperor Records, Inc. (in 1979)
recorded at:
Coconut Recording in Miami, Florida, United States (in 1979-10)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 97) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 483)
recording of:
What I Like About You (in 1979-10)
writer:
Jimmy Marinos (American drummer), Wally Palmar (Guitarist and songwriter) and Mike Skill (Singer, bassist, guitarist, songwriter)
publisher:
EMI April Music Inc. and EMI Music Publishing Australia Pty. Limited (not for release label use!)
part of:
Freaky Friday (2003)
The Romantics4.752:56
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