Coffeehouse Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Symphony no. 40: Molto allegro
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:03
2Allegro From “The Fall” From “The Four Seasons”
instruments:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
Antonio Vivaldi5:08
3Arioso for Brass
brass:
St. Louis Brass Quintet
orchestra:
Royal Philharmonic Orchestra
conductor:
Alberto Delande (conductor, possibly Alfred Scholz pseudonym)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
arrangement of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
Johann Sebastian Bach3:41
4Horn Concerto no. 2: Rondo
French horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym)
horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym) and K. Sreter (an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Kamil Streter (an Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart4:05
5Clarinet Concerto in A major, K. 622: Adagio
clarinet:
Jozé Ostrac (clarinettist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Joze Ostrack
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:26
6Overture to “Egmont”
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), London Philharmonic Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor), Alfred Scholz and Peter Wohlert (conductor, Alfred Scholz related)
recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro
premiered in:
Wien (Vienna), Austria (on 1810-06-15)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven8:25
7Musical Moment no. 3
piano:
Silvia Čápová (pianist)
Franz Schubert1:46
8Consolation
piano:
Silvia Čápová (pianist)
Franz Liszt3:11
9Pas D’Action: Andante From “The Sleeping Beauty”
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский5:29
10La Belle Hélène : Overture
orchestra:
Utah Symphony
partial recording of:
La Belle Hélène: Ouverture
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Die schöne Helena
part of:
La Belle Hélène
part of:
La Belle Hélène (English lyrics)
Jacques Offenbach4:30
11Symphony no. 5: Waltz
orchestra:
Houston Symphony
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский6:28
12Madama Butterfly: Un bel di (One Fine Day)
soprano vocals:
Vanda Gerlovič (soprano)
orchestra:
Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:20
13Clair de lune
harp:
Anna Lelkes
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
recording of:
Suite bergamasque, L75: III. Clair de Lune (Transcription for harp)
composer:
Claude Debussy (French composer)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy5:45
14The Bartered Bride: Overture
recording of:
Prodaná nevěsta: Overture (The Bartered Bride: Overture)
composer:
Bedřich Smetana (composer)
part of:
Die verkaufte Braut (The Bartered Bride)
part of:
Prodaná nevěsta (The Bartered Bride)
Bedřich Smetana6:35

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ASIN:US: B000000BH5 [info]