| # | Title | Rating | Length |
|---|
| 1 | Opening: I Can’t Turn You Loose | 3.9 | 1:54 |
| 2 | Everybody Needs Somebody to Love | 4.3 | 3:23 |
| 3 | Gimme Some Lovin’- additional engineer:
- Jay Krugman and Jim Scheffler
- assistant engineer:
- Eddie Garcia, Steve Marcantonio and Tom Miller
- engineer and producer:
- Bob Tischler
- bass guitar:
- Donald “Duck” Dunn
- drums (drum set):
- Willie "Too Big" Hall
- guitar:
- Steve Cropper and Matt Murphy
- harmonica:
- Elwood J. Blues
- keyboard:
- Murphy Dunne
- saxophone:
- Tom “Bones” Malone and Lou Marini
- trombone:
- Tom “Bones” Malone
- trumpet:
- Al Rubin
- vocals:
- Jake E. “Joliet” Blues
- horn arranger:
- Tom Scott
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1992) and WEA International Inc. (in 1992)
- recorded at:
- Soundmixers in Midtown Manhattan, New York, New York, United States, The Record Plant in Hollywood, Los Angeles, California, United States, The Record Plant in Midtown Manhattan, New York, New York, United States and Universal Recording in Chicago, Illinois, United States
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- cover recording of:
- Gimme Some Lovin’
- writer:
- Spencer Davis, Muff Winwood and Steve Winwood
- publisher:
- Kobalt Music Publishing Ltd. , Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. , Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. , Warner Chappell Music Ltd. , Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
| 3.75 | 3:05 |
| 4 | Think | 3.8 | 3:15 |
| 5 | Soul Man- recording engineer:
- Warren Dewey
- assistant engineer:
- Jay Krugman
- assistant producer:
- Belinda Tischler
- producer and mixer:
- Bob Tischler
- bass guitar:
- Donald “Duck” Dunn
- guitar:
- Steve Cropper and Matt Murphy
- harmonica:
- Elwood J. Blues
- trombone:
- Tom “Bones” Malone
- trumpet:
- Al Rubin
- lead vocals:
- Jake E. “Joliet” Blues (on 1978-09-09)
- horn arranger:
- Tom Scott
- recorded at:
- Gibson Amphitheatre in Universal City, California, United States (on 1978-09-09)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- live cover recording of:
- Soul Man (on 1978-09-09)
- writer:
- Isaac Hayes (in 1967) and David Porter (in 1967)
- publisher:
- EMI Music Publishing , Rondor Music (London) Ltd., Rondor Music Ltd. , Walden Music, Inc., Warner Chappell Music Ltd. , Warner Chappell North America, Almo Music Corp. (in 1986) and Walden Music Corp. (in 1986)
- cover recording of:
- Soul Man
- writer:
- Isaac Hayes (in 1967) and David Porter (in 1967)
- publisher:
- EMI Music Publishing , Rondor Music (London) Ltd., Rondor Music Ltd. , Walden Music, Inc., Warner Chappell Music Ltd. , Warner Chappell North America, Almo Music Corp. (in 1986) and Walden Music Corp. (in 1986)
| 4 | 3:05 |
| 6 | Soul Finger | | 1:46 |
| 7 | Messin’ With the Kid | | 2:56 |
| 8 | Hey Bartender | 3.9 | 2:57 |
| 9 | (I Got Everything I Need) Almost | | 2:42 |
| 10 | Rubber Biscuit- recording engineer:
- Warren Dewey
- assistant engineer:
- Jay Krugman
- assistant producer:
- Belinda Tischler
- producer and mixer:
- Bob Tischler
- lead vocals:
- Elwood J. Blues (on 1978-09-09) and Jake E. “Joliet” Blues (on 1978-09-09)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1992, in 2004) and WEA International Inc. (in 1992)
- recorded at:
- Gibson Amphitheatre in Universal City, California, United States (on 1978-09-09)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- live cover recording of:
- Rubber Biscuit (on 1978-09-09)
- writer:
- Nathaniel Epps, Paul Fulton, Charles Johnson , Adam R. Levy, Shedrick Lincoln and Samuel Strain
- cover recording of:
- Rubber Biscuit
- writer:
- Nathaniel Epps, Paul Fulton, Charles Johnson , Adam R. Levy, Shedrick Lincoln and Samuel Strain
| 3.9 | 2:52 |
| 11 | Shot Gun Blues | | 5:22 |
| 12 | Groove Me | | 3:42 |
| 13 | I Don't Know | 3 | 4:12 |
| 14 | “B” Movie Box Car Blues | 3 | 4:04 |
| 15 | Flip Flop and Fly | 4 | 3:25 |
| 16 | She Caught the Katy- additional engineer:
- Jay Krugman and Jim Scheffler
- assistant engineer:
- Eddie Garcia, Steve Marcantonio and Tom Miller
- engineer and producer:
- Bob Tischler
- bass guitar:
- Donald “Duck” Dunn
- drums (drum set):
- Willie "Too Big" Hall
- guitar:
- Steve Cropper and Matt Murphy
- harmonica:
- Elwood J. Blues
- keyboard:
- Murphy Dunne
- saxophone:
- Tom “Bones” Malone and Lou Marini
- trombone:
- Tom “Bones” Malone
- trumpet:
- Al Rubin
- vocals:
- Jake E. “Joliet” Blues
- horn arranger:
- Tom Scott
- recorded at:
- Soundmixers in Midtown Manhattan, New York, New York, United States, The Record Plant in Hollywood, Los Angeles, California, United States, The Record Plant in Midtown Manhattan, New York, New York, United States and Universal Recording in Chicago, Illinois, United States
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- cover recording of:
- She Caught the Katy (and Left Me a Mule to Ride)
- writer:
- James Rachell and Taj Mahal
| 4 | 4:09 |
| 17 | Peter Gunn Theme- additional engineer:
- Jay Krugman and Jim Scheffler
- assistant engineer:
- Eddie Garcia, Steve Marcantonio and Tom Miller
- engineer and producer:
- Bob Tischler
- bass guitar:
- Donald “Duck” Dunn
- drums (drum set):
- Willie "Too Big" Hall
- guitar:
- Steve Cropper and Matt Murphy
- keyboard:
- Murphy Dunne
- saxophone:
- Tom “Bones” Malone and Lou Marini
- trumpet:
- Al Rubin
- recorded at:
- Soundmixers in Midtown Manhattan, New York, New York, United States, The Record Plant in Hollywood, Los Angeles, California, United States, The Record Plant in Midtown Manhattan, New York, New York, United States and Universal Recording in Chicago, Illinois, United States
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- cover recording of:
- Peter Gunn
- lyricist and composer:
- Henry Mancini
- part of:
- Peter Gunn
| 3.8 | 3:49 |
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