111 Adagio! Classics for Relaxation

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Adagio in G minor "Albinoni's Adagio"
engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
organ:
Edward Brewer (harpsichordist) (in 1989-04)
violin:
Eriko Sato (violinist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (from 1989-04 to present) and State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Adagio for Strings and Organ in G minor (in 1989-04)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni7:21
2Tristan und Isolde: Liebestod (Concert Version)
engineer:
Günter Hermanns (producer/engineer) (in 1984-02)
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1984-02-18 until 1984-02-19)
conductor:
Herbert von Karajan (conductor) (from 1984-02-18 until 1984-02-19)
balance engineer:
Günter Hermanns (producer/engineer) (from 1984-02-18 until 1984-02-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1984-02-18 until 1984-02-19) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1984-02-18 until 1984-02-19)
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (from 1984-02-18 until 1984-02-19)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner7:26
3Peer Gynt Suite no. 2: Solveig's Song
orchestra:
Gothenburg Symphony Orchestra (in 1992-12)
conductor:
Neeme Järvi (Estonian conductor) (in 1992-12)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1992-12)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (in 1992-12)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg5:11
4Piano Concerto no. 5 "Emperor": II. Adagio un poco moto
recording engineer:
Volker Martin (engineer) and Werner Wolf (engineer/producer)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
piano:
Wilhelm Kempff (pianist) (in 1961-07)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-07)
conductor:
Ferdinand Leitner (conductor) (in 1961-07)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1961-07)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1961-07)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven7:38
5Piano Concerto no. 23: II. Adagio
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Joachim Niss
piano:
Rudolf Serkin (pianist) (in 1982-10)
orchestra:
London Symphony Orchestra (in 1982-10)
conductor:
Claudio Abbado (conductor) (in 1982-10)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-10)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) (in 1982-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
Wolfgang Amadeus Mozart7:51
6Goldberg Variations: Aria da Capo
engineer and balance engineer:
Simon Eadon (classical music engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1982-04-13 until 1982-04-15)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-04-13 until 1982-04-15)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (closing) (from 1982-04-13 until 1982-04-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:55
7Serenade for Strings in E: I. Moderato
orchestra:
English Chamber Orchestra (in 1965-05)
conductor:
Rafael Kubelík (conductor) (in 1965-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1965-05)
recording of:
Serenade for Strings in E major, op. 22, B. 52: I. Moderato (in 1965-05)
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Antonín Dvořák4:33
8Consolations no. 3 in D-flat major
recording engineer:
Jürgen Bulgrin (sound engineer)
producer:
Cord Garben (pianist and conductor) and Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1979-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-11)
recording of:
Consolation in D‐flat major, S. 172 no. 3: Lento placido (in 1979-11)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
Franz Liszt4:18
9Exhortation
choir vocals:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Exhortation
composer:
John Tavener (20th century composer)
part of:
Exhortation and Kohima
John Tavener3:23
10Suite bergamasque: Clair de lune
producer:
Werner Mayer (classical producer)
piano:
Alexis Weissenberg (from 1985-01 until 1985-02)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1985-01 until 1985-02)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (from 1985-01 until 1985-02)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:08
11Antiche danze ed arie: Siciliana
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1969-08-05)
conductor:
Herbert von Karajan (conductor) (on 1969-08-05)
balance engineer:
Günter Hermanns (producer/engineer) (on 1969-08-05)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (on 1969-08-05)
recording of:
Ancient Airs and Dances Suite no. 3: III. Siciliana (on 1969-08-05)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi3:25
12Gnossienne no.1
classical guitar:
Kaori Muraji (Japanese classical guitarist)
recording of:
Gnossienne no. 1
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
recording of:
Gnossienne no. 1 (for guitar, Kleynjans)
composer:
Erik Satie (French composer)
arranger:
Francis Kleynjans (French guitarist and composer)
arrangement of:
Gnossienne no. 1
Erik Satie3:44
13Concierto de Aranjuez: II. Adagio
guitar:
Narciso Yepes (classical guitarist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Luis Antonio García Navarro (conductor)
recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:49
14String Quintet in C, II. Adagio
cello:
Dietfried Gürtler (in 1970-03)
string quartet:
Weller Quartett (in 1970-03)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1970-03)
partial recording of:
String Quintet in C major, D. 956: II. Adagio (in 1970-03)
composer:
Franz Schubert (composer) (in 1828)
part of:
String Quintet in C major, D. 956
Franz Schubert5:17
15Lieder ohne Worte: Spring Song
recording engineer:
Hans‐Rudolf Müller (engineer)
executive producer:
Günther Breest (producer for classical music)
producer:
Cord Garben (pianist and conductor)
piano:
Daniel Barenboim (pianist and conductor) (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1973-06)
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1973-06)
recording of:
Lied ohne Worte A-Dur, op. 62 Nr. 6 (Song Without Words in A major, Op. 62 No. 6, Frühlingslied / Spring Song; original for piano) (in 1973-06)
composer:
Felix Mendelssohn (composer) (from 1842 until 1844)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 161)
part of:
Lieder ohne Worte, op. 62 (Songs Without Words, op. 62, for piano)
Felix Mendelssohn2:08
16Harpsichord Concerto no. 2: Siciliano
oboe:
Douglas Boyd (oboist and conductor)
orchestra:
The Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recorded at:
Berliner Philharmonie: Kammermusiksaal in Mitte, Berlin, Germany (in 1989-03)
recording of:
Oboe Concerto in F major, BWV 1053R: II. Siciliano
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe Concerto in F major, BWV 1053R
Johann Sebastian Bach5:10
17Trout Quintet: II. Andante (excerpt)
cello:
Nikolaus Hübner (cellist) (in 1957-10)
double bass:
Johann Krump (double bass player) (in 1957-10)
piano:
Sir Clifford Curzon (classical pianist, knighted in 1977) (in 1957-10)
viola:
Günther Breitenbach (violist) (in 1957-10)
violin:
Willi Boskovsky (violinist and conductor) (in 1957-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1957-10)
partial recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: II. Andante (in 1957-10)
composer:
Franz Schubert (composer) (in 1819)
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert3:50
18Etude, op. 25 no. 1 "Aeolian Harp"
producer:
Christopher Raeburn (producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1971-05)
balance engineer:
James Lock (James Locke, engineer) (in 1971-05) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1971-05)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Étude in A‐flat major, op. 25 no. 1 “Aeolian Harp”: Allegro sostenuto (in 1971-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
Études, op. 25
Fryderyk Chopin2:58
19Symphony no.3: II. Lento e largo
soprano vocals:
Joanna Kozłowska (soprano)
orchestra:
Orkiestra Symfoniczna Filharmonii Narodowej (The Warsaw National Philharmonic Orchestra)
conductor:
Kazimierz Kord (conductor)
partial recording of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo
lyricist:
Helena Wanda Błażusiakówna
composer:
Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer) (in 1976)
part of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs"
Henryk Mikołaj Górecki4:31
20Fantasia on a Theme by Thomas Tallis
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Roger Norrington (conductor)
recording of:
Fantasia on a Theme by Thomas Tallis
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams14:38
21String Quartet no. 2: III. Notturno
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Valentin Berlinsky (in 1962-09)
string quartet:
Borodin Quartet (in 1962-09)
viola:
Dmitri Shebalin (in 1962-09)
violin:
Yaroslav Alexandrov (in 1962-09) and Rostislav Dubinsky (violinist) (in 1962-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (from 1962 to present)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1962-09)
recording of:
String Quartet no. 2 in D major: III. Notturno. Andante (in 1962-09)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1881)
part of:
String Quartet no. 2 in D major
Alexander Borodin8:14
22Carnival of the Animals: Aquarium
recorded in:
United States (in 1980-09)
piano:
Patricia Prattis Jennings (keyboardist/composer) (in 1980-09) and Joseph Villa (pianist) (in 1980-09)
orchestra:
Pittsburgh Symphony Orchestra (in 1980-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1980-09)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica) (in 1980-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:06
23Jesu, Joy of Man’s Desiring, BWV 147
producer:
Christopher Hazell
oboe:
Nicholas Daniel (oboist and conductor) (from 1996-07-01 until 1996-07-05)
organ:
Robert Quinney (organist and choir director) (from 1996-07-01 until 1996-07-05) and James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1996-07-01 until 1996-07-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Jesu, Joy of Man’s Desiring (in 1996-07)
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach6:01
24Sheep May Safely Graze, BWV 208
producer:
James Mallinson (producer)
orchestra:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (in 1977-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:31
25Symphony no. 6 "Pastoral": II. Szene am Bach
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1967-05)
conductor:
Hans Schmidt‐Isserstedt (in 1967-05)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook") (in 1967-05)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven12:31
26Elegy for Strings, op. 58
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-20 until 1967-11-21)
conductor:
Neville Marriner (conductor) (from 1967-11-20 until 1967-11-21)
balance engineer:
Alan Reeve and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-20 until 1967-11-21)
recording of:
Elegy, op. 58 (from 1967-11-20 until 1967-11-21)
composer:
Edward Elgar (composer) (in 1909)
premiered at:
Mansion House in London (Greater London), England, United Kingdom (on 1909-07-13)
part of:
Works of Edward Elgar by opus number (number: op. 58)
Edward Elgar4:30
27Piano Concerto no. 2: II. Andante
producer:
Paul Myers (classical record producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1989-01)
orchestra:
Royal Philharmonic Orchestra (in 1989-01)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1989-01)
balance engineer:
John Dunkerley (engineer) (in 1989-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1989-01)
recording of:
Piano Concerto no. 2 in F major, op. 102: II. Andante (in 1989-01)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1957)
part of:
Piano Concerto no. 2 in F major, op. 102
Dmitri Shostakovich7:32
28Capriol Suite: Pavane
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Capriol Suite: II. Pavanne (for orchestra)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: II. Pavanne (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock2:14
29Kol Nidrei, op. 47
engineer and balance engineer:
Stanley Goodall (engineer)
producer:
Paul Myers (classical record producer)
cello:
Lynn Harrell (cellist) (in 1982-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1982-02)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1982-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982, in 1982-02)
recording of:
Kol Nidrei, op. 47 (in 1982-02)
composer:
Max Bruch (composer and conductor) (in 1880-07)
dedicated to:
Robert Hausmann
part of:
Works of Max Bruch by opus number (number: op. 47)
recording of:
Kol Nidrei, op. 47 (in 1982)
composer:
Max Bruch (composer and conductor) (in 1880-07)
dedicated to:
Robert Hausmann
part of:
Works of Max Bruch by opus number (number: op. 47)
Max Bruch10:12
30Totus Tuus, op. 60
choir vocals:
Gabrieli Consort (from 2007-07-19 until 2007-07-21)
conductor:
Paul McCreesh (conductor) (from 2007-07-19 until 2007-07-21)
recorded at:
Ely Cathedral: Lady Chapel in Ely, Cambridgeshire, England, United Kingdom (from 2007-07-19 until 2007-07-21)
recording of:
Totus Tuus, op. 60 (from 2007-07-19 until 2007-07-21)
premiered in:
Warsaw, Mazowieckie (Masovian Voivodeship), Poland (on 1987-06-14)
lyricist:
Maria Bogusławska
composer:
Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer) (in 1987)
part of:
Works of Henryk Mikołaj Górecki by opus number (number: op. 60)
Henryk Mikołaj Górecki11:39
31Élégie, op. 24
engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
producer:
Christian Gansch (conductor)
cello:
Mischa Maisky (cellist) (in 1991-06)
orchestra:
Orchestre de Paris (in 1991-06)
conductor:
Semyon Bychkov (conductor) (in 1991-06)
recording of:
Élégie, op. 24 (for cello and orchestra) (in 1991-06)
orchestrator:
Gabriel Fauré (French composer)
composer:
Gabriel Fauré (French composer) (in 1883)
orchestration of:
Élégie pour violoncelle et piano, op. 24
Gabriel Fauré6:24
32Valse romantique, L. 71
piano:
Daniel Ericourt (in 1961-06)
recording of:
Valse romantique, L. 71, CD 79 (for piano) (in 1961-06)
composer:
Claude Debussy (French composer) (in 1890)
dedicated to:
Rose Depecker
publisher:
Choudens (in 1891)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 71) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 79)
Claude Debussy3:52
33Cantus in Memoriam Benjamin Britten
orchestra:
English Chamber Orchestra
conductor:
Nigel Short (British counter-tenor and conductor)
recording of:
Cantus in memoriam Benjamin Britten
composer:
Arvo Pärt (Estonian composer) (in 1977)
revised by:
Arvo Pärt (Estonian composer) (in 1980)
premiered at:
[concert] (1977-04-07)
Arvo Pärt6:17
34Gymnopédie no. 3
engineer:
John Dunkerley (engineer)
producer:
Paul Myers (classical record producer)
editor:
Jonathan Stokes (engineer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1987-10)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy) (in 1987-10)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie3:34
35The Planets: Neptune
producer:
Günther Breest (producer for classical music) and Michel Glotz
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1981-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1981-01-27 until 1981-03-20)
conductor:
Herbert von Karajan (conductor) (from 1981-01-27 until 1981-03-20)
chorus master:
Uwe Gronostay (chorus master and composer) (in 1981-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-01-27 until 1981-03-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1981-01-27 until 1981-03-20)
recording of:
The Planets, op. 32: VII. Neptune, the Mystic (from 1981-01-27 until 1981-03-20)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VII. Neptune, the Mystic (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:47
36Symphony no. 4: I. Allegro non troppo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-12 until 1963-10-16)
conductor:
Herbert von Karajan (conductor) (from 1963-10-12 until 1963-10-16)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-12 until 1963-10-16)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-12 until 1963-10-16)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: I. Allegro non troppo (from 1963-10-12 until 1963-10-16)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms13:23
37Symphony no. 4: II. Andante moderato
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1963-10-12 until 1963-10-16)
conductor:
Herbert von Karajan (conductor) (from 1963-10-12 until 1963-10-16)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-12 until 1963-10-16)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-12 until 1963-10-16)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: II. Andante moderato (from 1963-10-12 until 1963-10-16)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms11:53
38I giorni (radio edit)
piano:
Jacques Ammon (German-Chilean pianist) (in 2012-07)
violin:
Daniel Hope (violinist) (in 2012-07)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra) (in 2012-07)
conductor:
Simon Halsey (conductor) (in 2012-07)
edit of:
I giorni by Jacques Ammon (German-Chilean pianist), Daniel Hope (violinist), Deutsches Kammerorchester Berlin, Simon Halsey (conductor)
partial recording of:
I giorni (catch-all for arrangements) (in 2012-07)
composer:
Ludovico Einaudi (Italian composer and pianist)
arrangement of:
I giorni (for piano)
Ludovico Einaudi3:22
39String Quintet, op. 11 no. 5: III. Menuetto
orchestra:
I Musici
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini4:07
40Five Variants of "Dives and Lazarus"
producer:
Chris Hazell
orchestra:
The New Queen’s Hall Orchestra (in 1992-10)
conductor:
Barry Wordsworth (conductor) (in 1992-10)
balance engineer:
Simon Eadon (classical music engineer) (in 1992-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Five Variants of "Dives and Lazarus" (in 1992-10)
composer:
Ralph Vaughan Williams (English composer)
is based on:
Dives and Lazarus
Ralph Vaughan Williams13:08
41Organ Concerto no. 6: II. Larghetto
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
harp:
Nicanor Zabaleta (harpist) (in 1966-10)
orchestra:
Paul Kuentz Chamber Orchestra (in 1966-10)
conductor:
Paul Kuentz (conductor) (in 1966-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-10)
recording of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: II. Larghetto (original version, for harp) (in 1966-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
George Frideric Handel5:14
42The Gadfly: Youth (Romance)
violin:
Erez Ofer (violinist) (in 1996-12)
orchestra:
The Philadelphia Orchestra (in 1996-12)
conductor:
Riccardo Chailly (conductor) (in 1996-12)
recording of:
The Gadfly Suite, op. 97a: VIII. Romance (in 1996-12)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1955)
arranger:
Левон Атовмьян (Lev Atovmyan, Russian composer, arranger, editor, and administrator)
part of:
The Gadfly Suite, op. 97a
recording of:
The Gadfly, op. 97: III. Youth. Allegretto moderato (in 1996-12)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1955)
part of:
The Gadfly, op. 97
Dmitri Shostakovich3:01
43Violin Concerto no. 1: II. Adagio
producer:
Chris Hazell
violin:
Joshua Bell (violinist) (from 1986-12-20 until 1986-12-21)
orchestra:
Academy of St Martin in the Fields (from 1986-12-20 until 1986-12-21)
conductor:
Sir Neville Marriner (conductor) (from 1986-12-20 until 1986-12-21)
balance engineer:
Stanley Goodall (engineer) (from 1986-12-20 until 1986-12-21)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-12-20 until 1986-12-21)
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (from 1986-12-20 until 1986-12-21)
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch9:26
44Concerto for Flute and Harp: II. Andantino
recording engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-01) and Roger de Schot (in 1988-01)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
flute:
Irena Grafenauer (flautist) (in 1988-01)
harp:
Maria Graf (harpist) (in 1988-01)
orchestra:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1988-01) and Onno Scholtze (sound engineer) (in 1988-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino (in 1988-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart8:33
45Miserere
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Miserere mei, Deus (in 1985-02)
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri311:53
46Beau Soir
cello:
Mischa Maisky (cellist)
piano:
Daria Hovora (pianist)
arranger:
Mischa Maisky (cellist)
recording of:
Beau soir (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1890 until 1891)
arrangement of:
Beau soir, L. 6, CD 84 “Lorsque au soleil couchant les rivières sont roses” (for voice and piano)
Claude Debussy2:59
47Dolly Suite: Berceuse
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Dolly Suite, op. 56: I. Berceuse (orchestrated by Rabaud) (in 1986-11)
orchestrator:
Henri Rabaud (French composer and conductor)
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : I. Berceuse (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
recording of:
Dolly Suite, op. 56: I. Berceuse (catch-all for arrangements)
composer:
Gabriel Fauré (French composer)
arrangement of:
Dolly, op. 56 : I. Berceuse (for piano four hands)
part of:
Dolly Suite, op. 56 (catch-all for arrangements)
Gabriel Fauré2:39
48Suite española: Asturias
producer:
Hans Hirsch (producer at Deutsche Grammophon)
classical guitar:
Narciso Yepes (classical guitarist) (in 1970-10)
arranger:
Andrés Segovia (guitarist) and Narciso Yepes (classical guitarist)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1970-10)
recording of:
Suite española No. 1, B 7, Op. 47 No. 5 "Asturias": Leyenda in G minor (for guitar, Segovia) (in 1970-10)
composer:
Isaac Albéniz (Spanish composer)
arranger:
Andrés Segovia (guitarist)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
Isaac Albéniz6:27
49Images: Reflets dans l’eau
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 1. Reflets dans l’eau (Images, Book I: 1. Reflets dans l’eau) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
premiered at:
[Concert des " Soirées d'art "] (1905-12-14)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
Claude Debussy4:54
50O salutaris hostia
choir vocals:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Petite Messe solennelle: VI. O salutaris hostia (S - soprano solo)
composer:
Gioachino Rossini (composer) (in 1863)
part of:
Petite Messe solennelle
Gioachino Rossini3:56
51Prelude, op. 28 no. 15 "Raindrop"
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin4:54
52Cantique de Jean Racine
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
Stephen Cleobury (organist, conductor) (from 1975-07-28 until 1975-07-29)
choir vocals:
Choir of St John’s College, Cambridge (from 1975-07-28 until 1975-07-29)
conductor:
George Guest (organist and conductor) (from 1975-07-28 until 1975-07-29)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1975-07-28 until 1975-07-29)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ) (from 1975-07-28 until 1975-07-29)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian‐born French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 11)
Gabriel Fauré5:50
53Piano Sonata no. 18: II. Adagio
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Friedrich Gulda (pianist) (in 1978-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1978-09)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1978-09)
recording of:
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio (in 1978-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt"
Wolfgang Amadeus Mozart5:15
54Rhapsody on a Theme of Paganini: Variation 18
recording engineer:
Jürgen Bulgrin (sound engineer) (in 2004-07) and Wolf‐Dieter Karwatky (in 2004-07)
producer:
Christian Gansch (conductor)
piano:
Lang Lang (Chinese pianist) (in 2004-07)
orchestra:
Orchestra of the Mariinsky Theatre (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) (in 2004-07)
conductor:
Valery Gergiev (conductor) (in 2004-07)
balance engineer:
Stephan Flock (in 2004-07)
recorded at:
Mikaeli: Martti Talvela Hall in Mikkeli, Etelä-Savo (Southern Savonia), Finland (in 2004-07)
live recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (in 2004-07)
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Sergei Rachmaninoff2:47
55Requiem: In Paradisum
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor) (in 1986-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:50