Complete Studio Recordings on Deutsche Grammophon

~ Release by Fritz Wunderlich (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Serse, HWV 40, Act 1: Holdes Laubgezweig, schattige Ruh'
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1962-10)
conductor:
Rafael Kubelík (conductor) (in 1962-10)
balance engineer:
Harald Baudis (sound engineer) (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
George Frideric Handel3:26
2Serse, HWV 40, Act 1: Der Gedanke an die Flammen der Liebe
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1962-10)
conductor:
Rafael Kubelík (conductor) (in 1962-10)
balance engineer:
Harald Baudis (sound engineer) (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
George Frideric Handel2:58
3Serse, HWV 40, Act 2: Bleibt ihr treu dem, der euch so verachtet?
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1962-10)
conductor:
Rafael Kubelík (conductor) (in 1962-10)
balance engineer:
Harald Baudis (sound engineer) (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
George Frideric Handel2:48
4Serse, HWV 40, Act 3: Finstre Furien, ihr Geister der Hölle
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1962-10)
conductor:
Rafael Kubelík (conductor) (in 1962-10)
balance engineer:
Harald Baudis (sound engineer) (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
George Frideric Handel4:04
5Giulio Cesare, HWV 17, Act 1: Erwacht in meinem Herzen
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals [Sesto]:
Fritz Wunderlich (operatic tenor) (in 1966-03)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (in 1966-03)
conductor:
Ferdinand Leitner (conductor) (in 1966-03)
balance engineer:
Harald Baudis (sound engineer) (in 1966-03)
partial recording of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17: Akt I (in 1966-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17 (German translation)
George Frideric Handel4:21
6Giulio Cesare, HWV 17, Act 1: Nur weinen lernte ich
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
mezzo-soprano vocals [Cornelia]:
Christa Ludwig (mezzo-soprano)
tenor vocals [Sesto]:
Fritz Wunderlich (operatic tenor) (in 1966-03)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (in 1966-03)
conductor:
Ferdinand Leitner (conductor) (in 1966-03)
balance engineer:
Harald Baudis (sound engineer) (in 1966-03)
partial recording of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17 (German translation) (in 1966-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1723)
librettist:
Nicola Francesco Haym
translated version of:
Giulio Cesare in Egitto, HWV 17
George Frideric Handel5:57
7Giulio Cesare, HWV 17, Act 2: Keine Schlange läßt sich töten
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals [Sesto]:
Fritz Wunderlich (operatic tenor) (in 1966-03)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (in 1966-03)
conductor:
Ferdinand Leitner (conductor) (in 1966-03)
balance engineer:
Harald Baudis (sound engineer) (in 1966-03)
partial recording of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17 (German translation) (in 1966-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1723)
librettist:
Nicola Francesco Haym
translated version of:
Giulio Cesare in Egitto, HWV 17
George Frideric Handel5:37
8Iphigénie en Tauride, Act 2: Nur einen Wunsch, nur ein Verlangen
recording of:
Iphigénie en Tauride, Wq. 46: Act II. Recitative "Dieux protecteurs de ces affreux rivages"
composer:
Christoph Willibald Gluck (composer) (in 1779)
part of:
Iphigénie en Tauride, Wq. 46
Christoph Willibald von Gluck3:38
9Iphigénie en Tauride, Act 3: "O unverhofftes Glück": "Das höre ich von dir"
Christoph Willibald von Gluck4:11
10La Sonnambula, Act 1: Hier nimm den Ring der Treue
tenor vocals:
Fritz Wunderlich (operatic tenor)
partial recording of:
La sonnambula (Die Schlafwandlerin)
composer:
Vincenzo Bellini (Sicilian opera composer)
translated version of:
La sonnambula
Vincenzo Bellini4:31
11Il barbiere di Siviglia, Act 1: Strahlt auf mich der Blitz des Goldes
baritone vocals [Bariton] and baritone vocals [Figaro]:
Hermann Prey (baritone)
tenor vocals and tenor vocals [Almaviva]:
Fritz Wunderlich (operatic tenor)
vocals:
Hermann Prey (baritone) and Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
recording of:
Der Barbier von Sevilla: Akt I. „Strahlt auf mich der Blitz des Goldes”
composer:
Gioachino Rossini (composer)
translated version of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte)
part of:
Der Barbier von Sevilla (german lyrics)
Gioachino Rossini7:33
12Il barbiere di Siviglia, Act 2: Ist er's wirklich, welche freudige Entdeckung!
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Der Barbier von Sevilla: Akt II. „Ist er's wirklich, welche freudige Entdeckung!”
composer:
Gioachino Rossini (composer)
part of:
Der Barbier von Sevilla (german lyrics)
Gioachino Rossini6:02
13Caro mio Druck und Schluck, K. App.5/K.571a
producer:
Dr. Fred Hamel
fortepiano:
Fritz Neumeyer (cembalist, pianist and composer) (in 1956-04)
bass vocals:
Hans Günter Nöcker (operatic bass) (in 1956-04)
soprano vocals:
Margot Guilleaume (German soprano) (in 1956-04)
tenor vocals:
Helmut Krebs (tenor) (in 1956-04) and Fritz Wunderlich (operatic tenor) (in 1956-04)
balance engineer:
Harald Baudis (sound engineer) (in 1956-04)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 1956-04)
recording of:
Humorous Quartet for 4 voices in E-flat major, K. 571a / KV Anh 5 (Erik Smith completion): (Soprano, 2 Tenors, Bass) "Caro mio Druck und Schluck" (in 1956-04)
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: Anh. 5) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 571a)
Wolfgang Amadeus Mozart2:30
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