Faszination Klassik

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Faszination Barock
2▶CD: Faszination Klassik
3▶CD: Faszination Romantik
4▶CD: Faszination Oper
5▶CD: Faszination Operette
6▶CD: Faszination Geistliche Musik
7▶CD: Faszination Musical
8▼CD: Faszination Ballett
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1Aufforderung zum Tanz Op. 65
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Aufforderung zum Tanz, op. 65 (Invitation to the Dance, op. 65, orchestration not indicated)
composer:
Carl Maria von Weber (composer)
orchestration of:
Aufforderung zum Tanze, op. 65 (Invitation to the Dance, op. 65, for piano)
Carl Maria von Weber8:36
2Der Nussknacker: Arabischer Tanz
recording engineer:
Klaus Behrens (engineer) (in 1990-12)
producer:
Alison Ames and Christian Gansch (conductor)
editor:
Mark Buecker (engineer of classical recordings)
orchestra:
Boston Symphony Orchestra (in 1990-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-12)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-12)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto (in 1990-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский3:37
3Schwanensee: Tanz der kleinen Schwäne
recording engineer:
Wolf‐Dieter Karwatky (in 1992-11) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1992-11)
engineer:
Gregor Zielinsky (Balance engineer) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
James Levine (US conductor and pianist) (in 1992-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes (in 1992-11)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский1:32
4Schwanensee: Walzer
recording engineer:
Wolf‐Dieter Karwatky (in 1992-11) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1992-11)
engineer:
Gregor Zielinsky (Balance engineer) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
James Levine (US conductor and pianist) (in 1992-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse (in 1992-11)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский6:47
5Gaîte parisienne: Vivi - Barcarole - Allegro moderato
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Gaîté Parisienne: XXII. Vivo (from « Orphée aux enfers »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
recording of:
Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
part of:
Gaîté parisienne
Jacques Offenbach4:45
6Zar und Zimmermann: Holzschuhtanz
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Hans Gierster (conductor)
recording of:
Zar und Zimmermann: Akt III. Nr. 16 Holzschuhtanz (Zar und Zimmermann, LoWV 38: Act III. Clog Dance)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
Albert Lortzing3:20
7Les Sylphides: Walzer
producer:
James Mallinson (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1982-04)
conductor:
Richard Bonynge (conductor and pianist) (in 1982-04)
balance engineer:
Stanley Goodall (engineer) (in 1982-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-04)
recording of:
Les Sylphides: VIII. Walzer (in E‐flat major, op. 18 no. 1) (orch. by Douglas) (in 1982-04)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Waltz no. 1 in E‐flat major, op. 18 “Grande Valse brillante”
part of:
Les Sylphides (orch. by Douglas)
Frédéric Chopin4:25
8La Gioconda: Tanz der Stunden
orchestra:
Gothenburg Symphony Orchestra (from 1989-06 until 1989-09)
conductor:
Neeme Järvi (Estonian conductor) (from 1989-06 until 1989-09)
recording of:
La Gioconda: Atto III, scena 2. Danza delle ore (from 1989-06 until 1989-09)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli10:38
9Romeo und Julia: Tanz der Ritter
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1986-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Сергей Сергеевич Прокофьев5:21
10Aida: Ballettmusik Akt II
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi4:25
11Gayaneh: Säbeltanz
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennadi Rozhdestvensky (Gennady Rozhdestvensky, conductor) (in 1960-09) and Геннадий Николаевич Рождественский (Gennady Rozhdestvensky, conductor) (in 1961)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1960-09)
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance (in 1960-09)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Արամ Խաչատրյան2:17
12Faust (Margarethe): Walzer
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra)
conductor:
Neeme Järvi (Estonian conductor)
recording of:
Concert Waltz (from Faust) (for orchestra)
composer:
Charles Gounod (French composer)
arrangement of:
Faust : Acte II. No. 9 Valse et chœur « Ainsi que la brise légère … » (Chœur, Méphistophélès, Faust, Siébel) (Valse de Faust, Waltz; Faust-Walzer)
Charles‐François Gounod5:43
13Die verkaufte Braut: Tanz der Komödianten
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
editor:
Klaus Behrens (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-06)
conductor:
James Levine (US conductor and pianist) (in 1986-06)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-06)
recording of:
Die verkaufte Braut: III. Komödiantenszene (The Bartered Bride: III. Dance of the Comedians) (in 1986-06)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana6:08
14Der Nussknacker: Blumenwalzer
recording engineer:
Klaus Behrens (engineer) (in 1990-12)
producer:
Alison Ames and Christian Gansch (conductor)
editor:
Mark Buecker (engineer of classical recordings)
orchestra:
Boston Symphony Orchestra (in 1990-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-12)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1990-12)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-12)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (in 1990-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers) (in 1990-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский6:56
9▶CD: Faszination Filmmusik
10▶CD: Faszination der Ruhe