Is There Anybody out There? The Wall: Live 1980–1981

~ Release by Pink Floyd (see all versions of this release, 10 available)

Annotation

Columbia Records 2005 reissue

Matrix Information:
1) Disc 1: Bottom: DIDP-100203 G2 1A 07 IFPI L422 IFPI 7201
-- Disc 2: Bottom: DIDP-100204 G2 1A 07 IFPI L422 IFPI 7228
2) Disc 1: Bottom: DIDP-100203 K2 3A 12 IFPI L422 IFPI 7212
-- Disc 2: Bottom: DIDP-100204 K2 2A 15 IFPI L422 IFPI 7244
3) Disc 1: Bottom: DIDP-100203 K2 3A 12 IFPI L422 IFPI 7214
-- Disc 2: Bottom: DIDP-100204 K2 2A 15 IFPI L422 IFPI 720W

Pressing Plant: Sony Records, Pitman, New Jersey

Production Mastering / Revision Level: Sony mastering 1A (remaster 2004)

Release Information: 2005 reissue. No bar code printed on back cover, as bar code is on back cover sticker.

Sound Mastering: Remastered by James Guthrie and Joel Plante at das boot recording in 2004.

Total Time:
Disc 1: 53:50
Disc 2: 51:37

Track Peak Levels:
Disc 1: 39.8 / 100 / 100 / 95.3 / 99.9 / 99.6 / 100 / 100 / 76.0 / 100 / 99.9 / 100 / 99.8 / 100 / 100 / 60.3
Disc 2: 100 / 99.9 / 90.3 / 99.6 / 76.6 / 100 / 99.5 / 30.8 / 100 / 100 / 100 / 99.9 / 100 / 98.2

Annotation last modified on 2025-05-31 09:39 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Master of Ceremonies
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
31:14
2In the Flesh?
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
live recording of:
In the Flesh? (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
4.53:00
3The Thin Ice
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
live recording of:
The Thin Ice (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
3.652:50
4Another Brick in the Wall, Part 1
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
live recording of:
Another Brick in the Wall, Part 1 (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
part of:
Another Brick in the Wall
44:13
5The Happiest Days of Our Lives
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
phonographic copyright (℗) by:
Pink Floyd Music Ltd (in 2011)
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
live recording of:
The Happiest Days of Our Lives (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
41:40
6Another Brick in the Wall, Part 2
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
phonographic copyright (℗) by:
Pink Floyd Music Ltd (in 2011)
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
live recording of:
Another Brick in the Wall, Part 2 (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) and Pink Floyd Music Publishers Inc. (in 1979)
part of:
Another Brick in the Wall
4.56:19
7Mother
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
phonographic copyright (℗) by:
Pink Floyd Music Ltd (in 2011)
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
live recording of:
Mother (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
47:54
8Goodbye Blue Sky
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
live recording of:
Goodbye Blue Sky (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
4.253:15
9Empty Spaces
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
live recording of:
Empty Spaces (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
3.252:15
10What Shall We Do Now?
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
live recording of:
What Shall We Do Now? (from 1980 until 1981)
lyricist and composer:
Roger Waters
is based on:
Backs to the Wall
3.651:41
11Young Lust
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
phonographic copyright (℗) by:
Pink Floyd Music Ltd (in 2011)
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
live recording of:
Young Lust (from 1980 until 1981)
lyricist:
Roger Waters
composer:
David Gilmour (Pink Floyd) and Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers, Pink Floyd Music Publishers Inc., Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
4.55:17
12One of My Turns
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
live recording of:
One of My Turns (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
3.53:41
13Don’t Leave Me Now
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
live recording of:
Don’t Leave Me Now (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Penjane Music (Australia) Pty. Limited, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
2.84:08
14Another Brick in the Wall, Part 3
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
live recording of:
Another Brick in the Wall, Part 3 (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
part of:
Another Brick in the Wall
41:15
15The Last Few Bricks
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
recording of:
The Last Few Bricks (from 1980 until 1981)
composer:
David Gilmour (Pink Floyd) and Roger Waters
53:26
16Goodbye Cruel World
recording engineer:
Doug Hopkins (engineer) and James Guthrie
assistant engineer:
Joel Plante (UK engineer)
producer and mixer:
James Guthrie
recorded at:
Earls Court Exhibition Centre in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1980 until 1981)
live recording of:
Goodbye Cruel World (from 1980 until 1981)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
41:41
2▶CD