Weihnachtsoratorium

~ Release by Johann Sebastian Bach; Concentus Musicus Wien, Nikolaus Harnoncourt (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo "Und die Hirten kehrten wieder um" (Evangelista)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
2Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
3Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro da capo "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:23
4Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro "Fallt mit Danken, fallt mit Loben"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:46
5Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo "Und da acht Tage um waren" (Evangelista)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:34
6Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale "Immanuel, o süßes Wort"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:30
7Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) "Flößt, mein Heiland, flößt dein Namen"
choir vocals:
Soloists of the Wiener Sängerknaben (The Vienna Boys Choir)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:16
8Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale "Wohlan, dein Name soll allein"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:36
9Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) "Ich will nur dir zu Ehren leben"
tenor vocals:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:45
10Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral "Jesus richte mein Beginnen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:19
11Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro "Ehre sei dir, gott, gesungen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:49
12Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo "Da Jesus geboren war zu Bethlehem" (Evangelista)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:22
13Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro "Wo ist der neugeborne König"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:39
14Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral "Dein Glanz all Finsternis verzehrt"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
15Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) "Erleucht auch meine finstre Sinnen"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:22
16Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo "Da das der König Herodes hörte" (Evangelista)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:12
17Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) "Warum sollt ihr erschrecken"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:27
18Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo "Und ließ versammeln alle Hohepriester" (Evangelista)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:22
19Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, alto, tenore) "Ach, wenn wird die Zeit erscheinen"
alto vocals:
Paul Esswood (countertenor) (in 1972)
tenor vocals:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:42
20Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) "Mein Liebster herrschet schon"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:29
21Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral "Zwar ist solche Herzensstube"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:57
22Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro "Herr, wenn die stolzen Feinde schnauben"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:39
23Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo "Da berief Herodes die Weisen heimlich" (Evangelista)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:45
24Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) "Du Falscher, suche nur den Herrn zu fällen"
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
25Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) "Nur ein Wink von seinen Händen"
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:59
26Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo "Als sie nun den König gehöret hatten" (Evangelista)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:02
27Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral "Ich steh an deiner Krippen hier"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:05
28Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo "Und Gott befahl ihnen im Traum" (Evangelista)
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:22
29Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) "So geht! Genug, mein Schatz geht nicht von hier"
tenor vocals:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:52
30Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) "Nun mögt ihr stolzen Feinde schrecken"
tenor vocals:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:01
31Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, alto, tenore, basso) "Was will der Höllen Schrecken nun"
alto vocals:
Paul Esswood (countertenor) (in 1972)
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
tenor vocals:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:36
32Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral "Nun seid ihr wohl gerochen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:36