Reflections: Great Instrumentals for Today

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Cassette: Great Hits of the 70s / Easy-Listening Classics
2Cassette: Yesterday's Memories-Today's Hits / Memorable Screen Themes
#TitleArtistRatingLength
C1Tuxedo Junction
recording of:
Tuxedo Junction
lyricist:
Buddy Feyne
writer:
Dash, Feyne, Hawkins and Johnson (US jazz alto saxophonist, clarinetist & arranger)
composer:
Bill Johnson (US jazz alto saxophonist, clarinetist & arranger), Julian Dash, Buddy Feyne and Erskine Hawkins
Klaus Wunderlich3:01
C2Begin the Beguine
instrumental recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Chet Atkins3:19
C3My Resistance Is Low
instrumental recording of:
My Resistance Is Low
lyricist:
Harold Adamson
composer:
Hoagy Carmichael
Frank Chacksfield & His Orchestra3:00
C4Indian Love Call
instrumental recording of:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and Otto Harbach
composer:
Rudolf Friml and Herbert Stothart (composer)
publisher:
Bill-Bob Publ. Company, Chappell Music Ltd. and Harms, Inc. (on 1924-09-02)
part of:
Rose-Marie (1924 operetta-style musical)
part of:
Rose-Marie (1936 musical film)
Los Índios Tabajaras2:57
C5The Twelfth of Never
instrumental recording of:
The Twelfth of Never
lyricist:
Paul Francis Webster
composer:
Jerry Livingston (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Webster Music Co.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
is based on:
The Riddle Song (aka “I Gave My Love a Cherry”)
Floyd Cramer3:04
C6Plaisir d’amour
arranger:
Brian Rogers (UK arranger & composer)
instrumental recording of:
Plaisir d’amour (Romance du chevrier)
lyricist:
Jean-Pierre Claris de Florian
composer:
Jean‐Paul‐Égide Martini (Plaisir d'amour)
publisher:
Warlock Music Ltd.
Adrian Brett2:55
C7I Get a Kick Out of You
instrumental recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Percy Faith and His Orchestra3:08
C8Singing in the Rain
instrumental recording of:
Singin’ in the Rain
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
Roger Williams3:13
C9Nature Boy
instrumental recording of:
Nature Boy
lyricist and composer:
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Acker Bilk5:58
C10Yours
instrumental recording of:
Yours (1931 version of "Quiéreme mucho")
lyricist and translator:
Albert Gamse and Jack Sherr
composer:
Gonzalo Roig
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Peter Maurice Music Co. Ltd.
is based on:
Quiéreme mucho
Chet Atkins2:33
C11I Only Have Eyes for You
instrumental recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
Percy Faith and His Orchestra4:45
C12Blue Moon
instrumental recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Los Índios Tabajaras2:18
C13Vaya con dios
instrumental recording of:
Vaya con Dios (original)
writer:
Inez James, Buddy Pepper and Larry Russell (Film composer)
publisher:
Ardmore Music Corp., Chappell Music Ltd. and Manuskript (not for release label use! this is only for copyrights and publishing relationships)
Floyd Cramer2:48
C14The Third Man (theme)
cover recording of:
Harry Lime Theme (The Third Man Theme)
composer:
Anton Karas
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music, Inc.
Malcolm Lockyer and His Orchestra2:33
D1Theme From “Chariots of Fire”
recording of:
Chariots of Fire (title theme of the 1981 film)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music Publishing (do not use as a release label!) and WB Music Corp. (1929–2019)
Hawk & Co.3:21
D2Cavatina (theme from “The Deer Hunter”)
recording of:
Cavatina (theme from The Deer Hunter, for guitar)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
John Williams3:55
D3Theme From “Bilitis”
recording of:
Bilitis (générique) (Bilitis, 1977, main theme)
composer:
Francis Lai (French composer)
publisher:
Montana (German publisher/label) and Siegel (publisher)
part of:
Bilitis (1977 film soundtrack)
Gheorghe Zamfir4:29
D4Song From “10" (It’s Easy to Say)
instrumental recording of:
Song From "10" (It's Easy to Say) (from the film "10")
lyricist:
Robert Wells (songwriter)
composer:
Henry Mancini (US composer, conductor & arranger)
Henry Mancini & His Orchestra3:26
D5Nobody Does It Better (from “The Spy Who Loved Me”)
instrumental recording of:
Nobody Does It Better (from “The Spy Who Loved Me”)
lyricist:
Carole Bayer Sager
composer:
Marvin Hamlisch
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., EMI United Partnership Ltd. and United Artists Music Ltd.
part of:
The 50th Academy Award for Best Original Song (number: 2) and James Bond themes
part of:
The Spy Who Loved Me
Acker Bilk2:57
D6Arthur’s Theme (Best That You Can Do)Roger Webb2:30
D7Theme From “Close Encounters of the Third Kind”
recording of:
Theme From “Close Encounters of the Third Kind” (Close Encounters of the Third Kind)
composer:
John Williams (American score composer)
publisher:
Gold Horizon Music Corp. (ended), EMI Gold Horizon Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
Close Encounters of the Third Kind (film soundtrack)
Tomita2:23
D8Evergreen (from “A Star Is Born”)
instrumental recording of:
Evergreen (love theme from “A Star Is Born”)
lyricist:
Paul Williams (US songwriter/soft rock vocalist) (in 1976)
composer:
Barbra Streisand (in 1976)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Olive Music LLC, Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28), Emmanuel Music Corp (in 1976) and First Artists Music Co. (in 1976)
part of:
Academy Award for Best Original Song (number: 1976 winner)
Acker Bilk3:10
D9Theme From “The Godfather II”
recording of:
Love Theme from The Godfather
composer:
Nino Rota (Italian composer)
version of:
Buongiorno Fortunella
part of:
The Godfather (1972 film soundtrack)
Roger Williams3:13
D10Theme From “Z”
engineer:
Keith Grant (classical recording engineer)
producer:
Stanley Myers
classical guitar:
John Williams (classical guitarist)
orchestra:
Stanley Myers and His Orchestra
engineered at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
instrumental cover recording of:
Το γελαστό παιδί (To yelasto pedi)
lyricist:
Brendan Behan
composer:
Μίκης Θεοδωράκης (Mikis Theodorakis, Greek composer and lyricist)
translator:
Βασίλης Ρώτας (Greek author and translator)
John Williams53:13
D11The Way We Were
instrumental recording of:
The Way We Were
lyricist:
Alan Bergman (American lyricist) (in 1973) and Marilyn Bergman (in 1973)
composer:
Marvin Hamlisch (in 1973)
publisher:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. and Colgems-EMI Music Inc. (in 1973)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 46th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1973 winner)
part of:
The Way We Were
Lenny Dee2:56
D12Flying (theme from “E.T.”)
recording of:
E.T.: Main Theme
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Gregory & The Orchestra Unlimited3:30
D13A Clockwork Orange (title music)Walter Carlos2:22
D14Bright Eyes (from “Watership Down”)Adrian Brett & Brian Rogers3:15
3Cassette: Today's Great Standards / Small Screen Favourites
4Cassette: Showstoppers! / Reflections From the 60s

Credits

Release

copyrighted (©) by:The Reader’s Digest Association Limited (not for release label use!) (in 1983)