Mozart 225: Concert Arias

~ Release by Mozart (see all versions of this release, 27 available)

Tracklist

142▼Digital Media: Theatre
#TitleArtistRatingLength
1La finta semplice, K. 51: "Guarda la donna in viso"
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
La finta semplice, K. 46a / KV 51: Act I, Scene III. No. 5 Aria. Allegro moderato "Guarda la donna in viso" (Fracasso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
La finta semplice, K. 46a / KV 51: Act I
Wolfgang Amadeus Mozart5:12
2La finta semplice, K. 51: "Sono in amore, voglio marito"
soprano vocals:
Elżbieta Szmytka (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegro - tempo di menuetto - allegro "Sono in amore, voglio marito" (Ninetta)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
La finta semplice, K. 46a / KV 51: Act III
Wolfgang Amadeus Mozart3:06
3Mitridate, re di Ponto, K. 87: "Al destin, che la minaccia"
soprano vocals:
Edith Wiens (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act I
Wolfgang Amadeus Mozart8:49
4Mitridate, re di Ponto, K. 87: "In faccia all'oggetto"
soprano vocals:
Elżbieta Szmytka (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act I
Wolfgang Amadeus Mozart5:13
5Mitridate, re di Ponto, K. 87: "Lungi da te, mio bene"
soprano vocals:
Edith Wiens (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act II
Wolfgang Amadeus Mozart7:44
6Mitridate, re di Ponto, K. 87: "Se viver non degg'io"
soprano vocals:
Elżbieta Szmytka (soprano) and Edith Wiens (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
basset clarinet arranger and flute arranger:
Stephan Koncz (Austrian cellist and composer)
part of:
Mitridate, rè di Ponto, K. 74a/87: Act II
Wolfgang Amadeus Mozart8:36
7Mitridate, re di Ponto, K. 87: "Vado incontro, al fato estremo"
tenor vocals:
Gunnar Guðbjörnsson
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria "Vado incontro al fato estremo" (Mitridate)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act III
Wolfgang Amadeus Mozart3:04
8Lucio Silla, K. 135: "Ah se a morir mi chiama" (Mozart’s ornamentation from K. 293e)
harpsichord:
Klaus von Wildemann (Klaus von Wildermann, pianist)
mezzo-soprano vocals:
Iris Vermillion (mezzo-soprano)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria "Ah se a morir mi chiama" (Cecilio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giovanni de Gamerra
part of:
Lucio Silla, K. 135: Act II
Wolfgang Amadeus Mozart7:54
9Die Entführung aus dem Serail, K. 384: "Welch ängstliches Beben", K. 389
tenor vocals:
Stuart Burrows (tenor) and Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Colin Davis (English conductor)
recording of:
Duet for 2 Tenors in E-flat major, K. 384a/389 (Erik Smith completion): "Welch ängstliches Beben"
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
Wolfgang Amadeus Mozart5:44
10Idomeneo, re di Creta, K. 366: "Spiegarti non poss'io", K. 489
soprano vocals:
Edith Mathis (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Duet for Soprano and Tenor, K. 489: "Spiegarti non poss'io"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 489)
Wolfgang Amadeus Mozart3:40
11Idomeneo, re di Creta, K. 366: "Non più, tutto ascoltai - Non temer, amato bene", K. 490
violin:
Peter Mirring (German violinist)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recording of:
Recitative and Aria for Tenor & Orchestra in B‐flat major, K. 490: “Non più, tutto ascoltai” … “Non temer, amato bene”
composer:
Wolfgang Amadeus Mozart (classical composer)
publisher:
Breitkopf & Härtel (in 1881)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 490), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 490) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 490)
Wolfgang Amadeus Mozart8:26
12Don Giovanni, K. 527: "Restati qua!"
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina] and mezzo-soprano vocals [Zerlina]:
Eirian James (mezzo-soprano) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 21a Recitativo “Restati qua” (Zerlina, Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:29
13Don Giovanni, K. 527: "Per queste tue manine"
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
mezzo-soprano vocals [Leporello]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina] and mezzo-soprano vocals [Zerlina]:
Eirian James (mezzo-soprano) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Anhang. No. 21a Duetto “Per queste tue manine” (Zerlina, Leporello) [K. 540b] (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:15
14Don Giovanni, K. 527: "Amico, per pietà" - "Andiam, signora"
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Masetto, amante di Zerlina]:
Julian Clarkson (baritone) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Anhang. Recitativo “Andiam, andiam, signora” (Zerlina, Donna Elvira, Masetto) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:59
15Così fan tutte, K. 588: "Rivolgete a lui lo sguardo"
baritone vocals:
Roberto Scaltriti (baritone)
orchestra:
Les Talens Lyriques (French classical musical ensemble)
conductor:
Christophe Rousset (French harpsichordist & conductor)
recording of:
Rivolgete a lui lo sguardo, K. 584 (Così fan tutte: Atto I. Appendix. No. 15a)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 584)
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:13
16Die Zauberflöte, K. 620: "Pamina, wo bist du?"
producer:
Helmut Storjohann (German producer)
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1972-08-08 until 1972-08-16)
tenor vocals [Tamino]:
Peter Schreier (German tenor and conductor) (from 1972-08-08 until 1972-08-16)
orchestra:
Orchester der Bayerischen Staatsoper München (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1972-08-08 until 1972-08-16)
conductor:
Wolfgang Sawallisch (conductor) (from 1972-08-08 until 1972-08-16)
balance engineer:
Wolfgang Gülich (engineer) (from 1972-08-08 until 1972-08-16)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1972-08-08 until 1972-08-16)
recording of:
Die Zauberflöte: Akt II. „Pamina, wo bist du?” (Tamino, Papageno) (appendix) (from 1972-08-08 until 1972-08-16)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:45
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