| # | Title | Artist | Rating | Length |
|---|
| 1 | Roxanne (remastered 2003) | The Police | 4.3 | 3:11 |
| 2 | Joker and the Thief | Wolfmother | 3.65 | 4:40 |
| 3 | Come On Eileen (single edit) | Dexys Midnight Runners | 3 | 3:29 |
| 4 | A Pub With No Beer (1998 remaster) | Slim Dusty | | 3:01 |
| 5 | Better Be Home Soon | Crowded House | 3.5 | 3:08 |
| 6 | Mr. Jones- recorded in:
- Los Angeles, California, United States
- recording engineer:
- Pat McCarthy
- additional engineer:
- Robert Hart , Steve Holroyd and Howard Willing
- assistant engineer:
- Mark Guilbeault and Brant Scott
- executive producer:
- Gary Gersh
- producer:
- T‐Bone Burnett
- mixer:
- Scott Litt and Pat McCarthy
- accordion, chamberlin and Hammond organ:
- Charlie Gillingham
- additional drums (drum set) and additional percussion:
- Denny Fongheiser
- additional guitar:
- T‐Bone Burnett , Bill Dillon and David Immerglück
- additional guitorgan:
- Bill Dillon
- additional mandocello, additional mandolin, additional pedal steel guitar and additional vocals:
- David Immerglück
- bass guitar:
- Matt Malley
- guitar:
- David Bryson and Matt Malley
- harmonica and lead vocals:
- Adam Duritz
- piano:
- Adam Duritz and Charlie Gillingham
- additional background vocals:
- Gary Louris, Maria McKee and Mark Olson
- vocals:
- Steve Bowman, David Bryson, Charlie Gillingham and Matt Malley
- additionally recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States, Kiva West Recording Studios in Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and The Village Recorders in Los Angeles, California, United States
- mixed at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- music videos:
- Mr. Jones by Counting Crows
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 474)
- recording of:
- Mr. Jones
- lyricist:
- Adam Duritz
- composer:
- David Bryson and Adam Duritz
| Counting Crows | 4.15 | 4:32 |
| 7 | Centerfold- engineer:
- Dave Thoener
- producer:
- Seth Justman
- arranger:
- Seth Justman
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1981), Capitol Records, LLC (in 1981), EMI Records USA (in 1981) and EMI Catalog (in 2006)
- recorded at:
- Long View Farm in North Brookfield, Massachusetts, United States
- mixed at:
- Mix Room, Record Plant in New York, New York, United States
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (number: 314)
- recording of:
- Centerfold
- lyricist and composer:
- Seth Justman
- publisher:
- Center City Music, Copyright Control , Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. and Warner/Chappell Music Ltd.
| The J. Geils Band | 4 | 3:39 |
| 8 | The Boys Are Back in Town | Thin Lizzy | 4.2 | 4:17 |
| 9 | Closing Time | Semisonic | 3.9 | 4:36 |
| 10 | Help Is on Its Way- assistant engineer:
- John Hodge
- engineer:
- Ross Cockle and Paul Grupp
- producer:
- John Boylan and Little River Band
- bass:
- George McArdle (in 1977-03)
- drums (drum set):
- Derek Pellicci (in 1977-03)
- guitar:
- Beeb Birtles (in 1977-03) and David Briggs (in 1977-03)
- piano:
- Peter Sullivan (in 1977-03)
- vocals:
- Beeb Birtles (in 1977-03), Graham Goble (in 1977-03) and Glenn Shorrock (in 1977-03)
- phonographic copyright (℗) by:
- EMI Music Australia (in 1972, in 1977, in 2002), EMI (Australia) Limited (in 1976, in 1977), EMI Music Australia Pty. Limited (in 1976, in 1977), Capitol Records, Inc. (in 1977), Liberty Records (in 1977) and Capitol Records Ltd. (in 1989)
- produced for:
- Tumbleweed Productions
- recorded at:
- Armstrong Audio/Video in Melbourne, Victoria, Australia and Armstrong Audio Video in Melbourne, Victoria, Australia (in 1977-03)
- mixed at:
- Westlake Audio in Los Angeles, California, United States
- recording of:
- Help Is on Its Way (in 1977-03)
- lyricist and composer:
- Glenn Shorrock
- publisher:
- Australian Tumbleweed Music, Copyright Control , EMI Music Publishing Ltd. , Screen Gems–EMI Music, Inc. , Tumbleweed Music Pty. Ltd., Warner Chappell Music , Warner/Chappell Music Ltd. , Warner/Chappell Pty. Ltd., WB Music Corp. and Wheatley Music Pty Ltd.
| Little River Band | 3.35 | 4:01 |
| 11 | Reckless | James Reyne | | 5:07 |
| 12 | Boys From the Bush (remastered) | Lee Kernaghan | | 2:48 |
| 13 | The Honeymoon Is Over | The Cruel Sea | 2.5 | 3:07 |
| 14 | Pleasure and Pain | Divinyls | 3.35 | 3:48 |
| 15 | The Gambler | Kenny Rogers | 4.5 | 3:30 |
| 16 | Turn Up Your Radio | The Masters Apprentices | | 3:35 |
| 17 | Lost Control | Grinspoon | | 3:30 |
| 18 | Copperhead Road | Steve Earle | 4.2 | 4:29 |
| 19 | Errol (remastered) | Australian Crawl | 3 | 3:31 |
| 20 | Eleanor Rigby- cover recording of:
- Eleanor Rigby
- written in:
- London , England, United Kingdom (in 1965) and Weybridge, Surrey, England, United Kingdom (from 1965 until 1966)
- writer:
- John Lennon and Paul McCartney
- publisher:
- Blackwood Music Inc. , EMI Music Publishing , Maclen Publishing Co. , MPL Communications Ltd. , Music Corporation of America, Inc. , Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC , Sony/ATV Songs LLC and Sony/ATV Tunes LLC
- written at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1966)
| Zoot | | 4:47 |
| 21 | Wish You Well | Bernard Fanning | 3 | 2:32 |
| 22 | The Boys of Summer | Don Henley | 3.8 | 4:47 |
| 23 | American Pie (full length version)- engineer:
- Tom Flye
- producer:
- Ed Freeman
- electric guitar:
- David Spinozza (from 1971-05 until 1971-06)
- piano:
- Paul Griffin (from 1971-05 until 1971-06)
- vocals:
- Don McLean (from 1971-05 until 1971-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1971, in 2000)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 131)
- recording of:
- American Pie (from 1971-05 until 1971-06)
- lyricist and composer:
- Don McLean
- publisher:
- Benny Bird Co. Inc. , Illegal Songs Inc., Mayday Music, MCA Music , MCA Music Publishing , MCA Publishing Ltd., Songs of Universal, Inc. , Universal , Universal Music Publishing Ltd. , Universal Records , Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Don McLean | 4.3 | 8:27 |
| 24 | One Way or Another (remastered)- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1978, in 2001), Capitol Records, LLC (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 298)
- recording of:
- One Way or Another (from 1978-06 until 1978-07)
- writer:
- Nigel Harrison and Deborah Harry
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
| Blondie | 4.15 | 3:33 |
| 25 | Buy Me a Pony | Spiderbait | 3 | 1:45 |
| 26 | Lightning Crashes | Lïve | 4 | 5:26 |
| 27 | Tip of My Tongue- assistant recording engineer:
- Marc DeSisto
- recording engineer:
- John Philip Shenale and Rick Will
- assistant engineer:
- Stoli Jaeger
- engineer and mixer:
- Rick Will
- producer:
- Don Gehman
- assistant mixer:
- Marc DeSisto and Ulrich Wild
- bass:
- Tommy Sims
- drums (drum set):
- Yak Sherrit
- keyboard arranger, percussion arranger and strings arranger:
- John Philip Shenale
- phonographic copyright (℗) by:
- Chrysalis Australia (in 1992), EMI Music Australia (in 1992), EMI Music Australia Pty. Limited (in 1992) and EMI Recorded Music Australia Pty Ltd. (in 1992)
- recorded at:
- Hot Tin Roof in Hollywood, Los Angeles, California, United States (in 1991)
- recording of:
- Tip of My Tongue
- writer:
- Diesel and John Daniel Tate
- publisher:
- BMG Gold Songs, BMG Rights Management Canada A, Copyright Control , EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd , EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Virgin Music Publishing, EMI Virgin Music Publishing Australia Pty Ltd, Mushroom Music Pty. Ltd., Mushroom Records and Tate Music Group
| Diesel | 3 | 4:15 |
| 28 | Tubthumping- drum machine programming:
- Harry “Daz” Hamer
- programming:
- Lou Watts (from 1996-08 until 1997-02)
- engineer and producer:
- Chumbawamba and Neil Ferguson
- acoustic guitar:
- Boff Whalley (from 1996-08 until 1997-02)
- bass:
- Paul Greco (from 1996-08 until 1997-02)
- drums (drum set):
- Harry “Daz” Hamer (from 1996-08 until 1997-02)
- electric guitar:
- Neil Ferguson (from 1996-08 until 1997-02) and Boff Whalley (from 1996-08 until 1997-02)
- keyboard:
- Neil Ferguson (from 1996-08 until 1997-02) and Lou Watts (from 1996-08 until 1997-02)
- percussion:
- Dunstan Bruce (from 1996-08 until 1997-02)
- trumpet:
- Jude Abbott (from 1996-08 until 1997-02)
- vocals:
- Jude Abbott (from 1996-08 until 1997-02), Dunstan Bruce (from 1996-08 until 1997-02), Danbert Nobacon (from 1996-08 until 1997-02), Alice Nutter (from 1996-08 until 1997-02), Lou Watts (from 1996-08 until 1997-02) and Boff Whalley (from 1996-08 until 1997-02)
- arranger:
- Chumbawamba
- recorded at and mixed at:
- Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (from 1996-08 until 1997-02)
- music videos:
- Tubthumping by Chumbawamba
- recording of:
- Tubthumping (in 1996)
- publisher:
- Chumbawamba (in 1997)
- writer:
- Jude Abbott, Dunstan Bruce, Paul Greco , Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts and Boff Whalley
- publisher:
- EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. and Leosong (in 1997)
| Chumbawamba | 3.9 | 4:39 |
| 29 | Don’t You (Forget About Me) (remastered 2001) | Simple Minds | 4.25 | 4:21 |
| 30 | My Sharona- recording engineer:
- Pete Coleman
- producer:
- Mike Chapman
- bass guitar:
- Prescott Niles
- drums (drum set):
- Bruce Gary
- guitar:
- Berton Averre and Doug Fieger
- lead vocals:
- Doug Fieger
- vocals:
- Berton Averre
- remixer:
- Dave Jerden
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 1994, in 2013)
- part of:
- Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 18), TV Cream: Real 100 Best Singles Ever (number: 24) and Billboard: The 500 Best Pop Songs (number: 201)
- recording of:
- My Sharona
- writer:
- Berton Averre and Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia and Wise Brothers Music LLC
| The Knack | 4.15 | 4:51 |
| 31 | Everybody Wants to Rule the World | Tears for Fears | 3.9 | 4:10 |
| 32 | Dreadlock Holiday- engineer:
- Keith Bessey, Eric Stewart and Tony Spath
- producer:
- Graham Gouldman and Eric Stewart
- mixer:
- Eric Stewart
- agogô, congas, cowbell, marimba, timbales and triangle:
- Paul Burgess
- bass guitar, cabasa and background vocals and lead vocals:
- Graham Gouldman
- drums (drum set) and tambourine:
- Stuart Tosh
- electric guitar:
- Rick Fenn and Graham Gouldman
- electric piano and maracas:
- Eric Stewart
- organ:
- Rick Fenn and Eric Stewart
- synthesizer [Yamaha Cs80]:
- Duncan Mackay
- background vocals:
- Rick Fenn, Eric Stewart and Stuart Tosh
- arranger:
- 10cc
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1978) and Phonogram Ltd. (in 1978)
- recorded at and mixed at:
- Strawberry Studios South in Dorking, Surrey, England, United Kingdom
- music videos:
- Dreadlock Holiday by 10cc
- recording of:
- Dreadlock Holiday
- writer:
- Graham Gouldman and Eric Stewart
- publisher:
- EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. and Man-Ken Music Ltd.
| 10cc | 4.65 | 4:28 |
| 33 | Bohemian Like You | The Dandy Warhols | 4.15 | 3:34 |
| 34 | The Only Thing That Looks Good on Me Is You- recorded in:
- France (from 1994 until 1996-03-16)
- mixed in:
- Ramatuelle, Var, Provence-Alpes-Côte-d'Azur, France (from 1996-03 until 1996-03-16)
- programming:
- Olle "Sven" Romo
- engineer:
- Olle "Sven" Romo and Ron Vermeulen
- producer:
- Bryan Adams and Robert John “Mutt” Lange
- mixer:
- Bob Clearmountain (from 1996-03 until 1996-03-16)
- 12 string guitar, guitar [Wah Guitar] and lead vocals:
- BA (from 1994 until 1996-03-16)
- bass:
- Dave Taylor (from 1994 until 1996-03-16)
- drums (drum set):
- Mickey Curry (from 1994 until 1996-03-16)
- guitar:
- Mutt Lange (from 1994 until 1996-03-16) and Keith Scott (from 1994 until 1996-03-16)
- percussion:
- Olle Romo (from 1994 until 1996-03-16)
- background vocals:
- The Pointless Brothers
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1996), A&M Records, Inc. (in 1999) and Badman Ltd. (in 1999)
- part of:
- The Downloader’s Music Source Book (number: 172)
- recording of:
- The Only Thing That Looks Good on Me Is You (from 1994 until 1996-03-16)
- written in:
- Ramatuelle, Var, Provence-Alpes-Côte-d'Azur, France
- writer:
- Bryan Adams and Robert John “Mutt” Lange
- publisher:
- Out-of-Pocket Productions Ltd., Sony Music Publishing (UK) Ltd. , Badams Music Limited (in 1996), Zomba Enterprises, Inc. (in 1996) and Zomba Music Publishing Ltd. (in 1996)
| Bryan Adams | 4 | 3:35 |
| 35 | You Ain’t Seen Nothing Yet | Bachman–Turner Overdrive | 4.65 | 3:56 |
| 36 | My Happiness | Powderfinger | 4 | 4:37 |
| 37 | Losing My Religion | R.E.M. | 4.25 | 4:28 |
| 38 | Higher Ground | Stevie Wonder | 4.5 | 3:42 |
| 39 | Are You Gonna Go My Way- additional engineer:
- David Domanich
- assistant engineer:
- Greg DiGesu
- engineer and mixer:
- Henry Hirsch
- producer:
- Lenny Kravitz
- acoustic guitar and electric guitar:
- Craig Ross (in 1998-12)
- bass:
- Lenny Kravitz (in 1998-01) and Tony Breit (in 1998-12)
- drums (drum set), drums (drum set) [junkanoo] and background vocals and lead vocals:
- Lenny Kravitz (in 1998-12)
- synthesizer [arp string ensemble]:
- Henry Hirsch (in 1998-12)
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1993) and Virgin Records America, Inc. (in 1993)
- recording of:
- Are You Gonna Go My Way (in 1998-12)
- lyricist:
- Lenny Kravitz
- composer:
- Henry Hirsch, Lenny Kravitz and Craig Ross
- publisher:
- BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
| Lenny Kravitz | 3.9 | 3:33 |
| 40 | The Unguarded Moment | The Church | | 4:15 |
| 41 | Mustang Sally (from “The Commitments” soundtrack) | Andrew Strong & The Commitments | 4.5 | 4:01 |
| 42 | Bad to the Bone | George Thorogood & the Destroyers | 4.2 | 4:50 |
| 43 | Rock and Roll All Nite- assistant engineer:
- George Lopez
- engineer:
- Dave Wittman
- producer:
- Neil Bogart and KISS
- drums (drum set):
- Peter Criss
- electric bass guitar and lead vocals:
- Gene Simmons
- electric guitar:
- Ace Frehley and Paul Stanley
- background vocals:
- Mick Campise, Lydia Criss, Mike McGurl, Rick Munroe, Peter “Moose” Oreckinto and JR Smalling
- phonographic copyright (℗) by:
- The Island Def Jam Music Group (in 1975)
- recorded at:
- Larrabee Sound Studios in West Hollywood, California, United States (from 1975-01-24 until 1975-01-25) and Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1975-02-06 until 1975-02-25)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 16), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 404)
- recording of:
- Rock and Roll All Nite
- writer:
- Gene Simmons and Paul Stanley
- publisher:
- KISS Songs Inc. (ended), Café Americana Inc., Hori Productions America Inc. and Universal Music Publishing Pty Ltd.
- sub-publisher:
- 大洋音楽
- written at:
- Continental Hyatt House in West Hollywood, California, United States
| KISS | 3.85 | 2:47 |
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