The 100 Best Classical Masterworks: Great Opera Moments

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

To do: Add performers e.g. from Spotify https://open.spotify.com/album/5ygrpbseu1c2arNLksUCd7

Annotation last modified on 2022-12-30 20:37 UTC.

Tracklist

1▼Digital Media
#	Title	Artist	Rating	Length
1	Il trovatore: “Vedi! Le fosche notturne” recording of: Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) composer: Giuseppe Verdi (Italian opera composer) librettist: Salvadore Cammarano (Italian librettist) part of: Il trovatore: Atto II. La gitana	Giuseppe Verdi		2:46
2	Gianni Schicchi: “O mio babbino caro” recording of: Gianni Schicchi: “O mio babbino caro” (Lauretta) composer: Giacomo Puccini (Italian composer) librettist: Giovacchino Forzano publisher: Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division) part of: Gianni Schicchi	Giacomo Puccini		2:21
3	Xerxes: “Ombra mai fu” (Largo) recording of: Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) composer: George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09) librettist: [anonymous] (special purpose artist) part of: Serse, HWV 40: Atto I	George Frideric Handel		3:24
4	Faust: Soldiers’ Chorus recording of: Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus) composer: Charles Gounod (French composer) part of: Faust : Acte IV	Charles Gounod		2:51
5	Les Contes d’Hoffmann: Barcarole recording of: Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta) composer: Jacques Offenbach (German-French composer, cellist and impresario) librettist: Jules Barbier part of: Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)	Jacques Offenbach		3:16
6	La Bohème: “Che gelida manina” recording of: La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) composer: Giacomo Puccini (Italian composer) (in 1896) librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)	Giacomo Puccini		3:55
7	La Bohème: “Sì, mi chiamano Mimì” recording of: La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)	Giacomo Puccini		4:04
8	La traviata: Brindisi “Libiamo ne’ lieti calici” recording of: La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: La traviata: Atto I (La traviata: Act I)	Giuseppe Verdi		3:11
9	Die Walküre: "Wo in Bergen du dich bist” partial recording of: Die Walküre, WWV 86B composer and librettist: Richard Wagner (composer) premiered at: Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1870-06-26) part of: Wagner-Werk-Verzeichnis (number: 86b) part of: Der Ring des Nibelungen, WWV 86	Richard Wagner		6:35
10	La forza del destino: Overture recording of: La forza del destino: Sinfonia composer: Giuseppe Verdi (Italian opera composer) part of: La forza del destino	Giuseppe Verdi		8:04
11	I Pagliacci: “Vesti la giubba” recording of: Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) composer and librettist: Ruggero Leoncavallo (composer) (in 1892) part of: For the First Time (1959 film) part of: Pagliacci: Atto I (Pagliacci: Act I)	Ruggero Leoncavallo		3:19
12	Tannhäuser: Pilgrim’s Chorus “Beglückt darf nun dich” recording of: Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. Pilgerchor: “Beglückt darf nun dich” composer: Richard Wagner (composer) (from 1843 until 1845-04-13) librettist: Richard Wagner (composer) (from 1842-06 until 1843-04) part of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. “Wohl wusst’ ich hier sie im Gebet zu finden”	Richard Wagner		6:19
13	The Magic Flute: “Der Hölle Rache kocht in meinem Herzen” recording of: Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart		3:19
14	Aida: “Celeste Aida” recording of: Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) composer: Giuseppe Verdi (Italian opera composer) (in 1871) librettist: Antonio Ghislanzoni (in 1870) part of: Aida: Atto I	Giuseppe Verdi		3:22
15	Carmen, Suite No. 2, VIII. Habanera recording of: Carmen Suite no. 2: II. Habanera composer: Georges Bizet (French composer) arranger: Ernest Guiraud (French composer) is based on: Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) part of: Carmen Suite no. 2	Georges Bizet		2:07
16	Lohengrin: Bridal Chorus “Treulich geführt” recording of: Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir)) composer: Richard Wagner (composer) (from 1846 until 1848) librettist: Richard Wagner (composer) part of: Lohengrin, WWV 75: Akt III	Richard Wagner		8:08
17	The Marriage of Figaro, K. 492: Overture recording of: Le nozze di Figaro, K. 492: Sinfonia composer: Wolfgang Amadeus Mozart (classical composer) (in 1786) part of: Die Hochzeit des Figaro (German translation) part of: Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)	Wolfgang Amadeus Mozart		3:33
18	The Marriage of Figaro, K. 492: Aria (Cherubino) recording of: Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)	Wolfgang Amadeus Mozart		2:09
19	Joan of Arc: Overture recording of: Giovanna d'Arco: Sinfonia composer: Giuseppe Verdi (Italian opera composer) part of: Giovanna d'Arco	Giuseppe Verdi		3:48
20	Iolante: Vaudémont’s Romance recording of: Иоланта, op. 69: no. 6a. Романс Водемона "Нет! Чары ласк красы мятежной" (Vaudémont's Romance "Net! Chary lask krasy myatezhnoy") composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1891-07 until 1891-12) librettist: Модест Ильич Чайковский (Modest Ilyich Tchaikovsky, librettist) part of: Иоланта, op. 69	Pyotr Ilyich Tchaikovsky		3:58
21	Eugene Onegin: Lensky’s Aria recording of: Евгений Онегин, op. 24: Действие II, картина 2, no. 17. Ария Ленского "Куда, куда, куда вы удалились" (Eugene Onegin: Act II, Scene 2, no. 17. Lensky's aria "Where have you gone, O golden days of my spring?", Lensky's Aria "Kuda, kuda, kuda vy udalilis") composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: Евгений Онегин, op. 24: Действие второе (Eugene Onegin, op. 24: Act II)	Pyotr Ilyich Tchaikovsky		5:53
22	La traviata: Overture recording of: La traviata: Preludio composer: Giuseppe Verdi (Italian opera composer) librettist: Antonio Ghislanzoni part of: La traviata part of: La traviata (english lyrics) part of: La traviata (french lyrics) part of: La Traviata (aka Violetta, german lyrics) part of: Violetta (La traviata) (german lyrics)	Giuseppe Verdi		4:20
23	The Barber of Seville: Aria (Rosina) recording of: Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) composer: Gioachino Rossini (composer) librettist: Cesare Sterbini part of: Il barbiere di Siviglia: Atto I	Gioachino Rossini		6:53
24	The Queen of Spades: Duet (Lisa and Polina) partial recording of: Пиковая дама, op. 68 (The Queen of Spades, Pique Dame) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1890-01 until 1890-06) librettist: Модест Ильич Чайковский (Modest Ilyich Tchaikovsky, librettist) premiered at: Мариинский театр (Mariinsky Theatre, Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (on 1890-12-19) part of: The Tchaikovsky Handbook (number: TH 10), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 10) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 68)	Pyotr Ilyich Tchaikovsky		3:01
25	Turandot: “Nessun dorma” recording of: Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) composer: Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03) librettist: Giuseppe Adami and Renato Simoni publisher: Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher) part of: Turandot: Atto III (Turandot: Act III)	Giacomo Puccini		2:51
26	Rigoletto: “La donna è mobile” recording of: Rigoletto: Atto III. “La donna è mobile” (Duca) composer: Giuseppe Verdi (Italian opera composer) (until 1851-03-11) librettist: Francesco Maria Piave (until 1851-03-11) part of: Rigoletto: Atto III	Giuseppe Verdi		2:09
27	Der Freischütz: Huntmen’s Chorus recording of: Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (Der Freischütz: The Huntsmen's Chorus) composer: Carl Maria von Weber (composer) librettist: Johann Friedrich Kind (German dramatist) part of: Der Freischütz: Akt III	Carl Maria von Weber		2:45
28	L’elisir d’amore: “Una furtiva lagrima” recording of: L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) composer: Gaetano Donizetti (Italian opera composer) (in 1832) librettist: Felice Romani (Librettiste, écrivain, poète, traducteur) part of: L’elisir d’amore: Atto II	Gaetano Donizetti		3:37
29	La Bohème: “O soave fanciulla” recording of: La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) composer: Giacomo Puccini (Italian composer) (in 1896) librettist: Luigi Illica and Giuseppe Giacosa (in 1896) part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)	Giacomo Puccini		3:57
30	Samson et Dalila: « Mon cœur s’ouvre à ta voix » recording of: Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) composer: Camille Saint‐Saëns (composer) part of: Samson et Dalila : Acte II	Camille Saint‐Saëns		6:33
31	The Bartered Bride: Entry Chorus partial recording of: Prodaná nevěsta (The Bartered Bride) composer: Bedřich Smetana (composer) librettist: Karel Sabina part of: Tematický katalog skladeb Bedřicha Smetany (number: JB 1:100)	Bedřich Smetana		3:51
32	Aida: Triumphal March recording of: Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) composer: Giuseppe Verdi (Italian opera composer) librettist: Antonio Ghislanzoni part of: Aida: Akt II part of: Aida: Atto II	Giuseppe Verdi		2:52
33	Lohengrin: Act I. Prelude recording of: Lohengrin, WWV 75: Vorspiel (prelude to Act I) composer: Richard Wagner (composer) (from 1846 until 1848) part of: Lohengrin, WWV 75	Richard Wagner		7:57
34	La Gioconda: Atto II. “Cielo e mar” (Enzo) recording of: La Gioconda: Atto II. “Cielo e mar!” (Enzo) composer: Amilcare Ponchielli (composer) librettist: Arrigo Boito (librettist, composer) part of: La Gioconda: Atto II. Il rosario	Amilcare Ponchielli		5:56
35	Les Pêcheurs de perles: Act I. Romance of Nadir (Sung in Spanish) recording of: Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) composer: Georges Bizet (French composer) (from 1863-04 until 1863-08) librettist: Michel Carré (librettist) and Eugène Cormon part of: Les Pêcheurs de perles : Acte I	Georges Bizet		4:38
36	Carmen: Act II. Aria of Don José « La fleur que tu m’avais jetée » recording of: Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) composer: Georges Bizet (French composer) (in 1875) librettist: Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875) part of: Carmen : Acte II	Georges Bizet		4:18
37	Die Zauberflöte, K. 620: Act II. Aria „Ach, ich fühl’s, es ist verschwunden” (Pamina) recording of: Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart		4:38
38	Linda di Chamounix: Act I. Recitative and Cavatina “O luce di quest’ anima’” (Linda) recording of: Linda di Chamounix: Atto I. No. 3 Recitativo e cavatina “Ah! Tardai troppo” … “O luce di quest'anima” (Linda) composer: Gaetano Donizetti (Italian opera composer) part of: Linda di Chamounix: Atto I	Gaetano Donizetti		6:29
39	Don Pasquale: Atto I. Cavatina “Quel guardo il cavaliere” (Norina) recording of: Don Pasquale: Atto I, Scena 2. “Quel guardo il cavaliere” (Norina) composer: Gaetano Donizetti (Italian opera composer) librettist: Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist) part of: Don Pasquale: Atto I	Gaetano Donizetti		6:37
40	La Bohème: Atto II. Aria (Musetta) recording of: La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)	Giacomo Puccini		2:40
41	La Boutique fantastique: Tarantella recording of: La Boutique fantasque: II. Tarantelle. Allegro con brio – Vivo composer: Ottorino Respighi (composer) and Gioachino Rossini (composer) is based on: Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare” part of: La boutique fantasque, P. 120	Gioachino Rossini		3:24
42	I Puritani: Atto I. Aria of Arturo “A te, o cara, amor talora” recording of: I Puritani: Atto I, scena 3. N°7 “A te, o cara, amor talora” (Arturo, Giorgio, Walton, Elvira, Coro) composer: Vincenzo Bellini (Sicilian opera composer) librettist: Carlo Pepoli (Italian librettist, 19th c.) part of: I puritani: Atto I	Vincenzo Bellini		3:19
43	I Puritani: Atto III. Aria of Arturo “Vieni, vieni fra queste braccia” recording of: I puritani: Atto III. N°20c. “Vieni, fra queste braccia” (Elvira, Arturo) composer: Vincenzo Bellini (Sicilian opera composer) librettist: Carlo Pepoli (Italian librettist, 19th c.) part of: I puritani: Atto III	Vincenzo Bellini		1:37
44	Don Giovanni (Don Juan), K. 527: Overture recording of: Don Giovanni: Ouvertura composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)	Wolfgang Amadeus Mozart		6:21
45	Oberon: Akt I. Arie der Titania “Hör, o Gottheit, meine Klagen” recording of: Oberon: Akt I. Arie der Titania “Hör, o Gottheit, meine Klagen” composer: Pavel Vranicky	Pavel Vranicky		4:16
46	Die Fledermaus: Overture recording of: Die Fledermaus: Ouvertüre (Die Fledermaus: Overture) composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Die Fledermaus part of: Die Fledermaus (English version, lyrics by Mandel/Sachs) part of: Die Fledermaus (English version, lyrics by Dietz) part of: Die Fledermaus (english; unknown version)	Johann Strauss II		8:49
47	Andrea Chénier: Atto I. Aria “Un di all’azzurro spazio” recording of: Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier) composer: Umberto Giordano (Italian opera composer) (until 1896) librettist: Luigi Illica publisher: Casa Musicale Sonzogno di Piero Ostali, Milano part of: Andrea Chénier: Atto I	Umberto Giordano		4:17
48	Tosca: Atto I. Aria “Recondita armonia” (Cavaradossi) recording of: Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) composer: Giacomo Puccini (Italian composer) (from 1896 until 1899) librettist: Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899) part of: Tosca: Atto I (Tosca: Act 1)	Giacomo Puccini		2:48
49	Othello: Atto III. Aria “Dio! mi potevi scogliar” (Othello) recording of: Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) composer: Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01) librettist: Arrigo Boito (librettist, composer) part of: Otello: Atto III	Giuseppe Verdi		3:50
50	Don Giovanni (Don Juan), K. 527: Aria (Don Giovanni) recording of: Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte (in 1787) part of: Don Giovanni: Atto I	Wolfgang Amadeus Mozart		1:28
51	Don Giovanni (Don Juan), K. 527: Aria (Zerlina) recording of: Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte (in 1787) part of: Don Giovanni: Atto I	Wolfgang Amadeus Mozart		4:22
52	Don Giovanni (Don Juan), K. 527: Duet (Zerlina and Don Giovanni) recording of: Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Don Giovanni: Atto I	Wolfgang Amadeus Mozart		3:45
53	Lucia di Lammermoor: Atto I. Love duet “Ah! verrano a te sull’aure” (Lucia, Edgardo) recording of: Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) composer: Gaetano Donizetti (Italian opera composer) librettist: Salvadore Cammarano (Italian librettist) part of: Lucia di Lammermoor: Atto I	Gaetano Donizetti		4:23
54	Lucia di Lammermoor: Atto III. Aria of Edgardo “Tombe degli avi miei” – “Fra poco a me ricovero” recording of: Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) composer: Gaetano Donizetti (Italian opera composer) librettist: Salvadore Cammarano (Italian librettist) part of: Lucia di Lammermoor: Atto III recording of: Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) composer: Gaetano Donizetti (Italian opera composer) librettist: Salvadore Cammarano (Italian librettist) part of: Lucia di Lammermoor: Atto III	Gaetano Donizetti		7:05
55	Lucia di Lammermoor: Atto III. Aria of Edgardo “Tu che a dio spiegasti l’ali” recording of: Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) composer: Gaetano Donizetti (Italian opera composer) part of: Lucia di Lammermoor: Atto III	Gaetano Donizetti		5:21
56	Die Zauberflöte (The Magic Flute), K. 620: Overture recording of: Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Die Zauberflöte, K. 620 (The Magic Flute, K. 620)	Wolfgang Amadeus Mozart		7:39
57	Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg): Overture recording of: Die Meistersinger von Nürnberg, WWV 96: Vorspiel composer: Richard Wagner (composer) (from 1863 until 1867) part of: Die Meistersinger von Nürnberg, WWV 96	Wilhelm Lindemann		3:08
58	The Queen of Spades: Scene (Herman, Lisa) partial recording of: Пиковая дама, op. 68 (The Queen of Spades, Pique Dame) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1890-01 until 1890-06) librettist: Модест Ильич Чайковский (Modest Ilyich Tchaikovsky, librettist) premiered at: Мариинский театр (Mariinsky Theatre, Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (on 1890-12-19) part of: The Tchaikovsky Handbook (number: TH 10), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 10) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 68)	Pyotr Ilyich Tchaikovsky		9:42
59	Sadko: The Song of the Indian Merchant recording of: Sadko: Scene IV. Song of the Indian Guest composer: Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) part of: Садко (Sadko)	Nikolai Rimsky‐Korsakov		4:00
60	Tristan and Isolde: Akt I. Prelude recording of: Tristan und Isolde, WWV 90: Akt I, Vorspiel composer: Richard Wagner (composer) (from 1857-10 until 1859-08) part of: Tristan und Isolde, WWV 90: Akt I	Richard Wagner		3:44
61	Tristan and Isolde: Akt III. Prelude and Isolde’s Liebestod (Excerpt) recording of: Tristan und Isolde: Prelude and Liebestod (concert piece) composer: Richard Wagner (composer) arrangement of: Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” arrangement of: Tristan und Isolde, WWV 90: Akt I, Vorspiel	Richard Wagner		3:02
62	Tosca: Atto III. Aria “E lucevan le stelle” (Cavaradossi) recording of: Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) composer: Giacomo Puccini (Italian composer) (from 1896 until 1899) librettist: Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899) part of: Tosca: Atto III (Tosca: Act III)	Giacomo Puccini		2:45
63	La tabernera del puerto: Romance “No puede ser!” (Leandro) recording of: La tabernera del puerto: Acto II. Romanza de Leandro "No puede ser" composer: Pablo Sorozábal librettist: Guillermo Fernández Shaw and Federico Romero Sarachaga publisher: Unión Musicale Española part of: La tabernera del puerto: Acto II	Pablo Sorozábal		2:33
64	Cavalleria rusticana: Turridu’s Farewell “Mamma, quel vino e generoso” recording of: Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre) composer: Pietro Mascagni (composer & conductor) (in 1890) librettist: Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.) part of: Cavalleria rusticana	Pietro Mascagni		4:00
65	L’Arlesiana: Romance “È la solita storia del pastore” (Federico) recording of: L’arlesiana: Atto II. “È la solita storia del pastore” (Lamento di Federico) composer: Francesco Cilea (composer) (in 1897) librettist: Leopoldo Marenco (librettist) publisher: Casa Musicale Sonzogno di Piero Ostali, Milano part of: L’arlesiana: Atto II	Francesco Cilea		4:29
66	Guillaume Tell: Overture (Excerpt) “Forrest Dawn” partial recording of: Guillaume Tell : Ouverture (William Tell: Overture) composer: Gioachino Rossini (composer) librettist: Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy part of: Guglielmo Tell (italian version by Calisto Bassi) part of: Guillaume Tell	Gioachino Rossini		3:07
67	Guillaume Tell: Overture (Excerpt) “Fanfares” partial recording of: Guillaume Tell : Ouverture (William Tell: Overture) composer: Gioachino Rossini (composer) librettist: Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy part of: Guglielmo Tell (italian version by Calisto Bassi) part of: Guillaume Tell	Gioachino Rossini		3:43
68	Manon Lescaut: Atto I. Aria “Donna non vidi mai” (Des Grieux) recording of: Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) composer: Giacomo Puccini (Italian composer) (in 1893) librettist: Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi part of: Manon Lescaut: Atto I	Giacomo Puccini		2:51
69	Manon Lescaut: Atto II. Aria “Ah! Manon, mi tradisce il tuo” (Des Grieux) recording of: Manon Lescaut: Atto II. “Ah, Manon, mi tradisce” (Des Grieux, Manon) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi part of: Manon Lescaut: Atto II	Giacomo Puccini		3:06
70	Manon Lescaut: Atto III. Aria “Ah! non v’avvicinate!…” (Des Grieux) recording of: Manon Lescaut: Atto III. “Ah, non v’avvicinate!” … “Come io piango ed imploro” (Des Grieux, Comandante, Manon) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi part of: Manon Lescaut: Atto III	Giacomo Puccini		2:33
71	Carmen : Suite No. 1. I. Prélude recording of: Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato composer: Georges Bizet (French composer) part of: Carmen Suite no. 1	Georges Bizet		1:29
72	Carmen : Suite No. 1. III. Intermezzo recording of: Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) composer: Georges Bizet (French composer) is based on: Carmen : Acte II. Entr’acte (intermission between Acts II & III) part of: Carmen Suite no. 1	Georges Bizet		3:06
73	Catharina Cornaro: Akt IV. Rezitativ und Arie der Catharina “Zwei Jahre sind dahin, dulde, schweige, mein Herz!” recording of: Catharina Cornaro: Akt IV. Rezitativ und Arie der Catharina “Zwei Jahre sind dahin, dulde, schweige, mein Herz!” composer: Franz Paul Lachner (German composer)	Franz Paul Lachner		6:46
74	Ivan Susanin (A Life for the Tsar): Overture recording of: A Life for the Tsar: Overture composer: Михаил Иванович Глинка (Mikhail Glinka, Russian composer) part of: A Life for the Tsar	Mikhail Glinka		10:06
75	La favorita: Atto I. Aria of Fernando “Una vergine, un angiol di dio” recording of: La favorita: Atto I, Scena 2. “Parla, figlio! Una vergine, un angel di Dio” (Fernando, Baldassarre) composer: Gaetano Donizetti (Italian opera composer) translated version of: La Favorite: Acte I, scène 2. Romance « Parle, mon fils » - « Un ange, une femme inconnue » (Balthazar, Fernand) part of: La favorita: Atto I	Gaetano Donizetti		2:29
76	La favorita: Atto IV. Aria of Fernando “Spirto gentil” recording of: La favorita: Atto IV, Scena 3. “Spirto gentil” (Fernando) composer: Gaetano Donizetti (Italian opera composer) translated version of: La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand) part of: La favorita: Atto IV	Gaetano Donizetti		3:48
77	Faust : Acte II. Recitative and Aria « Ah! je ris de me voir si belle en ce miroir » (Marguerite) recording of: Faust : Acte III. « Un bouquet ! … Ô Dieu ! que de bijoux ! » … No. 14b « Ah ! Je ris ! » (Marguerite) (Air des bijoux / Jewel Song) composer: Charles Gounod (French composer) librettist: Jules Barbier and Michel Carré (librettist) part of: Faust : Acte III	Charles Gounod		6:38
78	Il barbiere di Siviglia: Atto I. Rosina’s Cavatina “Una voce poco fa” recording of: Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) composer: Gioachino Rossini (composer) librettist: Cesare Sterbini part of: Il barbiere di Siviglia: Atto I	Gioachino Rossini		7:19
79	Otello: Atto IV. Recitative and Aria “Era più calmo?” – “Ave Maria piena di grazia” (Desdemona) recording of: Otello: Atto IV. “Ave Maria” (Desdemona) composer: Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887) librettist: Arrigo Boito (librettist, composer) part of: Otello: Atto IV recording of: Otello: Atto IV. “Era più calmo?” (Emilia, Desdemona) composer: Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01) librettist: Arrigo Boito (librettist, composer) part of: Otello: Atto IV	Giuseppe Verdi		4:38
80	La traviata: Atto III. Scene and Aria “Addio del passato” (Violetta) recording of: La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: La traviata: Atto III (La traviata: Act III)	Giuseppe Verdi		5:41
81	La traviata: Atto I. Scene and Aria “Ah forse lui che l’anima” (Violetta) recording of: La traviata: Atto I. “Ah, fors’è lui” (Violetta) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: La traviata: Atto I (La traviata: Act I)	Giuseppe Verdi		10:41
82	Rigoletto: Atto I. Aria of the Duke of Mantua “Questa o quella” recording of: Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) composer: Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11) librettist: Francesco Maria Piave (from 1850 until 1851-03-11) part of: Rigoletto: Atto I	Giuseppe Verdi		2:06
83	Rigoletto: Atto II. Aria of the Duke of Mantua “Ella mi fu rapita” – “Parmi veder le lagrime” recording of: Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) composer: Giuseppe Verdi (Italian opera composer) (until 1851-03-11) librettist: Francesco Maria Piave (until 1851-03-11) part of: Rigoletto: Atto II recording of: Rigoletto: Atto II. "Parmi veder le lagrime" (Duca) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: Rigoletto: Atto II	Giuseppe Verdi		5:46
84	I due Foscari (The Two Foscari): Overture recording of: I due Foscari: Preludio composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: I due Foscari	Giuseppe Verdi		2:03
85	Boris Godunov: Duet (Marina and Dmitry) partial recording of: Борис Годунов (Boris Godunov, Boris Godunov, 1872 version) composer and librettist: Модест Петрович Мусоргский (Modest Mussorgsky, composer)	Modest Mussorgsky		11:23
86	The Abduction from the Seraglio, K. 384: Overture recording of: Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture) composer: Wolfgang Amadeus Mozart (classical composer) (in 1782) part of: Die Entführung aus dem Serail, K. 384	Wolfgang Amadeus Mozart		3:01
87	Eugene Onegin: Introduction recording of: Евгений Онегин, op. 24: Вступление (Eugene Onegin, op. 24: Prelude, Introduction) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: Eugen Onegin, op. 24 (German translation) part of: Евгений Онегин, op. 24 (Eugene Onegin, op. 24)	Pyotr Ilyich Tchaikovsky		2:36
88	Il trovatore (The Troubadour): Soldiers’ Chorus “Co’ dadi, ma fra poco” recording of: Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) composer: Giuseppe Verdi (Italian opera composer) librettist: Salvadore Cammarano (Italian librettist) part of: Il trovatore: Atto III. Il figlio della zingara	Giuseppe Verdi		3:16
89	Les Vêpres Siciliennes (The Sicilian Vespers): Overture recording of: Les Vêpres siciliennes : Ouverture composer: Giuseppe Verdi (Italian opera composer) part of: Les Vêpres siciliennes	Giuseppe Verdi		2:32
90	Snegurochka: Romance	Nikolai Rimsky‐Korsakov		3:39
91	Cavalleria rusticana: Intermezzo recording of: Cavalleria rusticana: Intermezzo composer: Pietro Mascagni (composer & conductor) (in 1888) publisher: Ascherberg Hopwood & Crew part of: Cavalleria rusticana part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni		3:23
92	Le nozze di Figaro: “Voi che sapete che cosa è amor” recording of: Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) composer: Wolfgang Amadeus Mozart (classical composer) (in 1786) librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)	Wolfgang Amadeus Mozart		3:12
93	Rigoletto: “Addio” – “Gualtier Maldé – Caro nome” recording of: Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) lyricist and librettist: Francesco Maria Piave composer: Giuseppe Verdi (Italian opera composer) part of: Rigoletto: Atto I	Giuseppe Verdi		6:07
94	Madame Butterfly: “Un bel dì vedremo” recording of: Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)	Giacomo Puccini		4:17
95	Tosca: “E lucevan le stelle” recording of: Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) composer: Giacomo Puccini (Italian composer) (from 1896 until 1899) librettist: Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899) part of: Tosca: Atto III (Tosca: Act III)	Giacomo Puccini		3:06
96	Tannhäuser: “O, du mein holder Abendstern” recording of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene II. „Wie Todesahnung, Dämm'rung deckt die Lande … O du mein holder Abendstern” composer: Richard Wagner (composer) (from 1843 until 1845-04-13) librettist: Richard Wagner (composer) (from 1842-06 until 1843-04) part of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III	Richard Wagner		4:20
97	Il barbiere di Siviglia: “Largo al factotum” recording of: Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) composer: Gioachino Rossini (composer) librettist: Cesare Sterbini part of: Il barbiere di Siviglia: Atto I	Gioachino Rossini		5:48
98	Nabucco: “Va, pensiero” recording of: Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) composer: Giuseppe Verdi (Italian opera composer) (in 1841) librettist: Temistocle Solera part of: Nabucco: Parte III. La profezia	Giuseppe Verdi		4:20
99	Tosca: “Recondita armonia” recording of: Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) composer: Giacomo Puccini (Italian composer) (from 1896 until 1899) librettist: Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899) part of: Tosca: Atto I (Tosca: Act 1)	Giacomo Puccini		2:30
100	The Magic Flute: “Der Vogelfänger bin ich ja” recording of: Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt I	Wolfgang Amadeus Mozart		2:36

Credits

Release

stream for free:	https://open.spotify.com/album/5ygrpbseu1c2arNLksUCd7 [info] https://www.deezer.com/album/1485061 [info]

The 100 Best Classical Masterworks: Great Opera Moments

Annotation

Tracklist

Credits

Release

Release information

Additional details

Labels

Release events

Release group rating

Release group reviews

Tags

Genres

Other tags

External links

Editing

Collections