101 Baroque

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Oboe Concerto in D minor, S. Z799: II. Adagio
Oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1986-07)
Orchester:
I Musici (in 1986-07)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1986-07)
recording of:
Concerto per oboe, archi e continuo in re minore: II. Adagio (Konzert für Oboe, Streicher und Basso continuo in D-moll: II. Adagio) (in 1986-07)
Komponist(in):
Alessandro Marcello
Teil von:
Concerto per oboe, archi e continuo in re minore, S D935 (Concerto for Oboe and Strings in D minor)
Alessandro Marcello4:25
2Orchestral Suite no. 3 in D major, BWV 1068: II. Air
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo:
Thurston Dart (conductor and keyboard player) (in 1970-12)
Orchester:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1970-12)
conductor:
Neville Marriner (conductor) (in 1970-12)
Tonmeister(in):
Stanley Goodall (engineer) (in 1970-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1970-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1970-12)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:13
3Trumpet Voluntary
Blechblasinstrumente:
Philip Jones Brass Ensemble (in 1982-03)
Trompete:
Philip Jones (trumpeter) (in 1982-03)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1982-03)
arranger:
John Iveson (trombonist and arranger)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1982-03)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements) (in 1982-03)
Komponist(in):
Jeremiah Clarke (English baroque composer and organist)
Arrangement von:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Jeremiah Clarke2:46
4Messiah, HWV 56: Pt. 3: No. 45. Aria. I Know That My Redeemer Liveth (Soprano)
Produzent(in):
Ray Minshull (record producer)
Soprangesang:
Kiri Te Kanawa (soprano) (in 1984-10)
Orchester:
Chicago Symphony Orchestra (in 1984-10)
conductor:
Sir Georg Solti (conductor) (in 1984-10)
Tonmeister(in):
Simon Eadon (classical music engineer) (in 1984-10) und James Lock (James Locke, engineer) (in 1984-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1984-10)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1984-10)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part III
George Frideric Handel5:51
5Stabat Mater, P. 77: I. Duet. Stabat Mater dolorosa
Techniker(in):
John Dunkerley (engineer)
Produzent(in):
Peter Wadland (producer) (in 1988-08)
Editing:
Matthew Hutchinson (engineer / editor)
Countertenorgesang:
James Bowman (UK countertenor) (in 1988-08)
Soprangesang:
Emma Kirkby (soprano) (in 1988-08)
Orchester:
Academy of Ancient Music (in 1988-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1988-08)
Tonmeister(in):
John Dunkerley (engineer) (in 1988-08)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
aufgenommen bei:
St Jude’s Church in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1988-08)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (in 1988-08)
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:27
6Water Music Suite no. 2 in D major, HWV 349: Hornpipe
Sound-Engineering:
Stanley Goodall (engineer)
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
Orchester:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
Tonmeister(in):
Stanley Goodall (engineer) (in 1971-05)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1971-05)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (Wassermusik Suite Nr. 2 D-Dur, HWV 349: II. Alla Hornpipe) (in 1971-05)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 2 in D major, HWV 349 (Wassermusik Suite Nr. 2 D-Dur, HWV 349)
George Frideric Handel4:05
7Adagio for Strings and Organ in G minor
recorded in:
Ludwigsburg, Baden-Württemberg, Deutschland (in 1984-02)
Techniker(in):
Stanley Goodall (engineer) (in 1982-02)
Produzent(in):
Michael Haas (classical music producer)
Orgel:
Martin Haselböck (organist, conductor and composer)
Orchester:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
Tonmeister(in):
Stanley Goodall (engineer) (in 1984-02)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1984-02)
recording of:
Adagio for Strings and Organ in G minor (in 1984-02)
Komponist(in):
Remo Giazotto
vorher zugeschrieben zu:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Albinoni6:36
8Suite no. 2 in B minor, BWV 1067: 7. Badinerie
Cembalo:
Thurston Dart (conductor and keyboard player) (in 1970-12)
flute:
William Bennett (flautist) (in 1970-12)
Orchester:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1970-12)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1970-12)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:25
9Concerto for Violin and Strings in F minor, op. 8 no. 4, RV 297 "L'inverno": 2. Largo
recorded in:
Vienna (Wien), Österreich (von 1959-04-29 bis 1959-05-05) und Wien, Österreich (von 1959-04-29 bis 1959-05-06)
Techniker(in):
Tony Buczynski und Hans Lauterslager
Produzent(in):
Vittorio Negri (conductor)
Geige / Violine:
Felix Ayo (violinist) (von 1959-04-29 bis 1959-05-06)
Solo-Geige / Violine:
Felix Ayo (violinist) (von 1959-04-29 bis 1959-05-05)
Orchester:
I Musici (von 1959-04-29 bis 1959-05-05, von 1959-04-29 bis 1959-05-06)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (von 1959-04-29 bis 1959-05-05)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (von 1959-04-29 bis 1959-05-06)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:40
10Miserere
Produzent(in):
Chris Hazell
Chorgesang:
Choir of King’s College, Cambridge (von 1996-07-01 bis 1996-07-05)
Diskantstimme:
Alastair Hussain (Chorister) (von 1996-07-01 bis 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (von 1996-07-01 bis 1996-07-05)
chorus master:
Edward Gardner (conductor)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1996-07-01 bis 1996-07-05)
Bearbeitung von:
Miserere von Alastair Hussain (Chorister), Choir of King’s College, Cambridge, Edward Gardner (conductor), Stephen Cleobury (organist, conductor)
teilweise recording of:
Miserere mei, Deus (von 1996-07-01 bis 1996-07-05)
Komponist(in):
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri5:40
11Messiah, HWV 56: Pt. 2: No. 44. Chorus. Hallelujah, for the Lord God Omnipotent Reigneth
Techniker(in):
Simon Eadon (classical music engineer) (in 1976-07) und Stanley Goodall (engineer) (in 1976-07)
Produzent(in):
Chris Hazell (in 1976-07)
Chorgesang:
Academy of St Martin in the Fields Chorus (in 1976-07)
Orchester:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1976-07)
Tonmeister(in):
Simon Eadon (classical music engineer) (in 1976-07)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel3:42
12Premier livre de pieces de clavecin: Troisième Suite: Le coucou
Cembalo:
George Malcolm (English harpsichordist, conductor)
recording of:
Premier livre de clavecin: Troisième suite: I. Le coucou. Rondeau. Vif (Der Kuckuck)
Komponist(in):
Louis‐Claude Daquin
Teil von:
Premier livre de clavecin: Troisième suite
Louis-Claude Daquin2:01
13Brandenburg Concerto no. 5 in D, BWV 1050: 3. Allegro
Cembalo:
Raymond Leppard (conductor and harpsichordist) (in 1974-10)
flute:
Richard Adeney (flautist) (in 1974-10)
Geige / Violine:
José‐Luis García (violinist & conductor) (in 1974-10)
Orchester:
English Chamber Orchestra (in 1974-10)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974-10)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (in 1974-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: III. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:11
14Goldberg Variations, BWV 988: Aria
Techniker(in):
Simon Eadon (classical music engineer)
Produzent(in):
Michael Haas (classical music producer)
Klavier:
András Schiff (pianist) (von 1982-04-13 bis 1982-04-15)
phonographisches Urheberrecht (℗) von:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1983)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1982-04-13 bis 1982-04-15)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (von 1982-04-13 bis 1982-04-15)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:50
15Dido and Aeneas: Act 3: "Thy Hand, Belinda...When I Am Laid In Earth"
Produzent(in):
Chris Sayers (producer)
Soprangesang:
Barbara Bonney (soprano) (von 1998-10-03 bis 1998-10-05)
Orchester:
Academy of Ancient Music (von 1998-10-03 bis 1998-10-05)
conductor:
Christopher Hogwood (conductor, harpsichordist) (von 1998-10-03 bis 1998-10-05)
Interpret(in):
Academy of Ancient Music
Tonmeister(in):
Jonathan Stokes (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (von 1998-10-03 bis 1998-10-05)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (von 1998-10-03 bis 1998-10-05)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell24:38
16Serse: Act 1: "Ombra mai fù"
Geige / Violine:
Daniel Phillips (violinist)
Orgel:
Daniel Phillips (organist) (in 1997-01)
Pfeifenorgel:
Daniel Philips (organist)
Diskantstimme:
Anthony Way (UK chorister and classical singer) (in 1997-01)
Orchester:
English Sinfonia (in 1997-01)
conductor:
Neil Page (conductor, musical director) (in 1997-01)
aufgenommen bei:
Uppingham School Chapel in Uppingham, Rutland, England, Vereinigtes Königreich (in 1997-01)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (in 1997-01)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
George Frideric Handel2:35
17Water Music Suite no. 1 in F major, HWV 348: Air
Sound-Engineering:
Stanley Goodall (engineer)
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
Orchester:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
Tonmeister(in):
Stanley Goodall (engineer) (in 1971-05)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1971-05)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto (in 1971-05)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:24
18Nulla in mundo pax, RV 630: 1. Nulla in mundo pax sincera
Soprangesang:
Emma Kirkby (soprano)
Orchester:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
teilweise recording of:
Nulla in mundo pax sincera, RV 630
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1735)
Teil von:
Ryom-Verzeichnis (Nummer: RV 630)
Antonio Vivaldi2:49
19Coronation Anthem no. 1, HWV 258 "Zadok the Priest”
recording engineer:
Stan Taal
Produzent(in):
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1993-06)
Chorgesang:
Monteverdi Choir (English vocal Baroque ensemble) (in 1993-06)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1993-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-06)
Tonmeister(in):
Onno Scholtze (sound engineer) (in 1993-06)
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1995)
aufgenommen bei:
Stadthalle in Göttingen, Niedersachsen, Deutschland (in 1993-06)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (in 1993-06)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1727)
Premiere bei:
Westminster Abbey in London (Greater London), England, Vereinigtes Königreich (am 1727-10-11)
Teil von:
Händel-Werke-Verzeichnis (Nummer: HWV 258)
Teil von:
The Four Coronation Anthems
George Frideric Handel5:49
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