Pure… Fitness

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▶CD
4▼CD
#TitleArtistRatingLength
1Can I Kick It?
phonographic copyright (℗) by:
Zomba Recording Corp. (not strictly a label - avoid adding releases here) (in 1990)
samples:
Fried Okra by The Watts 103rd Street Rhythm Band, Hard Times by Baby Huey (US rock/soul singer James Ramey), Soul Concerto by The Watts 103rd Street Rhythm Band, Spinning Wheel by Dr. Lonnie Smith, Sunshower by Dr. Buzzard’s Original Savannah Band, The Way You Do The Things You Do by David Porter (US soul musician, producer & songwriter), Walk on the Wild Side by Lou Reed, What a Waste! by Ian Dury & the Blockheads and You Sexy Thing (re‐released single version, a‐side/album version) by Hot Chocolate (70s and 80s British soul band)
music videos:
Can I Kick It? by A Tribe Called Quest
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 292)
recording of:
Can I Kick It?
lyricist:
Jonathan Davis (American rapper), Ali Shaheed Muhammad and Lou Reed
composer:
Lou Reed
publisher:
Metal Machine Music (US work publisher)
A Tribe Called Quest3.654:14
2Ain’t Got No, I Got Life (remix)
remixer:
Groovefinder
cover recording of:
Ain’t Got No, I Got Life
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
Nina Simone vs. Groovefinder3:21
3A Little Less Conversation (JXL remix)
assistant engineer:
Dan Milazzo and Claudius Mittendorfer (engineer, producer, mixer)
engineer:
Ray Bardani
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1968-03-07 until 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
phonographic copyright (℗) by:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1968-03-07 until 1968-06-23)
mixed at:
Computer Hell Cabin in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
remix of:
A Little Less Conversation by Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (from 1968-03-07 until 1968-06-23)
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
Elvis vs. JXL3.453:33
4Stop the Rock
producer:
Apollo 440 (electronic rock band)
bass and melodica:
Kenny Cougar
drums (drum set):
Kodish
electronic drum set [ddrums]:
Cliff Hewitt
turntable [vinyl]:
Harry K.
vocals:
Mary Mary (performance name of Ian Hoxley)
performer:
Howard Gray (UK producer, engineer, and electronic musician), Trevor Gray (Member of Apollo 440) and Noko (Norman Fisher Jones)
phonographic copyright (℗) by:
TVT Soundtrax (in 1998) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1999)
produced for:
Apollo Control
recording of:
Stop the Rock
writer:
Howard Gray (UK producer, engineer, and electronic musician), Trevor Gray (Member of Apollo 440), Ian Hoxley and Noko (Norman Fisher Jones)
publisher:
Reverb America Music and Reverb Music Ltd.
Apollo 4403.853:34
5Freestyler
producer:
Jaakko Salovaara
turntable:
DJ Gismo
recorded at:
JS16 Studios
recording of:
Freestyler
lyricist:
B.O.W.
writer:
Raymond Ebanks
composer:
Jaakko Salovaara
publisher:
BMG Music Publishing Finland Oy
Bomfunk MC’s42:54
6I’m Outta Love
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2000)
edit of:
I’m Outta Love (album version) by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
I’m Outta Love (in 2000)
lyricist:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello and Sam Watters
composer:
Louis Biancaniello and Sam Watters
publisher:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
recording of:
I’m Outta Love
lyricist:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello and Sam Watters
composer:
Louis Biancaniello and Sam Watters
publisher:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3:50
7Waiting for Tonight
additional programming:
Richie Jones and “Young” Dave Scheuer
assistant engineer:
Juan Bohorquez and Robb Williams
engineer:
Franklyn Grant (Sound engineer and producer), “Young” Dave Scheuer and Thomas R. Yezzi
additional producer:
Richie Jones
producer:
Ric Wake
mixer:
Dan Hetzel
drums (drum set) and percussion:
Richie Jones
keyboard [keyboards]:
Eric Kupper
background vocals:
Jane Barrett, Margaret Dorn and Maria Christiansen (songwriter, singer)
remixer:
Richie Jones
additional arranger:
Richie Jones and “Young” Dave Scheuer
arranger:
Richie Jones and Ric Wake
recorded at:
Cove City Sound Studios in Glen Cove, New York, United States, Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Cove City Sound Studios in Glen Cove, New York, United States
a cappella versions:
Waiting for Tonight (A cappella) by Jennifer Lopez (American singer and actress aka J.Lo)
instrumental versions:
Waiting for Tonight (Instrumental) by Jennifer Lopez (American singer and actress aka J.Lo)
recording of:
Waiting for Tonight
lyricist and composer:
Maria Christensen (songwriter, singer), Michael Garvin (Nashville songwriter and producer) and Phil Temple (songwriter)
adaptations:
Una noche más
Jennifer Lopez3.54:05
8Crying at the Discoteque
part of:
The Downloader’s Music Source Book (number: 324)
recording of:
Crying at the Discoteque
writer:
Alexander Bard, Bernard Edwards (American bassist and record producer), Michael Goulos, Anders Hansson (producer / writer / performer), Nile Rodgers and Anders Wollbeck (pop music songwriter and producer)
is based on:
Spacer
Alcazar43:52
9Daddy Cool
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett (in 1976), Frank Farian (in 1976) and Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographic copyright (℗) by:
Far Music Productions GmbH (in 1976) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
part of:
Cachitos Nochevieja 2022 (number: 153)
recording of:
Daddy Cool (in 1976)
lyricist:
George Reyam
composer:
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH and Intro (German publisher) (in 1976)
Boney M.43:32
10You Spin Me Round (Like a Record)
producer:
Pete Waterman
performer:
Dead or Alive (UK new wave band) (in 1984)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
music videos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) by Dead or Alive (UK new wave band)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 52)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive4.153:16
11Dr. Beat
lead vocals:
Gloria Estefan
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Dr. Beat
lyricist and composer:
Enrique Garcia (Miami Sound Machine)
publisher:
EMI Songs Ltd. and Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:25
12Give It Up
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
recording of:
Give It Up
writer:
Deborah Carter (writer, backing vocalist) and Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and Harrick Music, Inc. (BMI)
KC & the Sunshine Band4.34:11
13Jump (for My Love)
engineer:
Gary Skardina
associate producer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) and Gary Skardina
producer:
Richard Perry (producer)
mixer:
Michael Brooks (mixer) and James C. Tract
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982)
recording of:
Jump (for My Love)
writer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron and Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Songs LLC
The Pointer Sisters44:01
14The Runner
vocals:
Sheila Ferguson, Valerie Holiday and Helen Scott
edit of:
The Runner (Ferguson, Holiday, Scott, album version) by The Three Degrees
recording of:
The Runner
lyricist:
Sheila Ferguson
composer:
Giorgio Moroder
The Three Degrees4:21
15Keep on Movin’
recording engineer:
Adrian Bushby
additional programming:
Chris Laws (engineer, keyboardist & songwriter)
additional producer and additional mixer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
producer:
Julian Gallagher (songwriter, producer) and Richard Stannard
assistant mixer:
Daniel Pursey (UK engineer), Conal Markey and Alvin Sweeney
mixer:
Adrian Bushby, Jake Davies and Matt Howe (producer and engineer)
performer:
Abs (Richard Abidin Breen ex-Five), J (Five), Ritchie (British singer/songwriter, member of boy band "Five") and Scott (British singer/performer/songwriter)
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 1999)
produced for:
Biffco Productions
recorded at:
Windmill Lane Studio (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
additionally mixed at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
additionally produced at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Keep On Movin’
writer:
Richard Breen, Jason Paul Brown (Five), Sean Conlon, Julian Gallagher (songwriter, producer) and Richard Stannard
publisher:
EMI Music Publishing Limited (PRS‐affiliated), Sony/ATV Music Publishing Ltd and Universal Music Publishing Limited (UK subsidiary of Universal Music Publishing Group)
Five53:19
16Living in America
assistant engineer:
Jeff Lord‐Alge
engineer:
Chris Lord‐Alge
producer:
Dan Hartman
bass guitar:
T.M. Stevens (US bass player Thomas Michael Stevens)
guitar:
Dan Hartman and Stevie Ray Vaughan
horn:
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist), Hollywood Paul Litteral and The Uptown Horns (US horn section, formed in 1980)
keyboard:
Dan Hartman
membranophone:
Ray Marchica
background vocals:
Dan Hartman and T.M. Stevens (US bass player Thomas Michael Stevens)
lead vocals:
James Brown (The Godfather of Soul)
recording of:
Living in America
writer:
Dan Hartman and Charlie Midnight
publisher:
April Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. and United Lion Music Inc.
James Brown3.354:44
17Nothing’s Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship) (in 1987)
phonographic copyright (℗) by:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
Starship3.754:31

Credits

Release group

part of:Pure… (order: 41)