The Very Best of Stevie Wonder

~ Release by Stevie Wonder (see all versions of this release, 14 available)

Annotation

This is an unofficial pseudo-release intended to look like an original Motown release. It is a copy of "Song Review: A Greatest Hits Collection", an official compilation of Stevie Wonder releases. The barcode of this release, 731453076129, is the same on both releases, as is the catalogue number and tracklist in its entirety.

Annotation last modified on 2020-07-15 00:31 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Isn't She Lovely
recording of:
Isn’t She Lovely
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher) and Jobete Music Co., Inc.
sub-publisher:
大洋音楽 (Taiyō Music)
53:22
2Uptight (Everything's Alright)
producer:
Henry Cosby and William Stevenson (Motown songwriter)
lead vocals:
Stevie Wonder (in 1965)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1965)
recording of:
Uptight (Everything’s Alright) (in 1965)
lyricist and composer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music and Stone Agate Music
4.652:52
3I Was Made to Love Her
producer:
Henry Cosby
bass:
James Jamerson (on 1967-03-31)
electric sitar:
Eddie Willis (on 1967-03-31)
harmonica and lead vocals:
Stevie Wonder (on 1967-03-31)
instruments:
The Funk Brothers (on 1967-03-31)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1967-03-31)
recording of:
I Was Made to Love Her (on 1967-03-31)
writer:
Henry Cosby, Lula Mae Hardaway (songwriter), Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
4.652:35
4For Once in My Life
producer:
Henry Cosby
lead vocals:
Stevie Wonder (in 1967)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1968)
cover recording of:
For Once in My Life (in 1967)
lyricist:
Ronald Miller (Motown songwriter Ronald Norman Miller)
composer:
Orlando Murden
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
4.12:47
5My Cherie Amour
producer:
Henry Cosby
lead vocals:
Stevie Wonder (from 1967 until 1968)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967 until 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 399)
recording of:
My Cherie Amour (from 1967 until 1968)
writer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
4.352:51
6Yester-me, Yester-you, Yesterday
producer:
Johnny Bristol and Harvey Fuqua
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recording of:
Yester‐Me, Yester‐You, Yesterday
writer:
Ron Miller (Motown songwriter Ronald Norman Miller) and Bryan Wells
publisher:
Jobete Music (appears also as: Jobete Msc.)
53:04
7Never Had a Dream Come True
producer:
Stevie Wonder
recording of:
Never Had a Dream Come True
writer:
Henry Cosby, Sylvia Moy and Stevie Wonder
53:12
8Signed, Sealed, Delivered, I'm Yours
producer:
Stevie Wonder
lead vocals:
Stevie Wonder (in 1970)
arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 31)
recording of:
Signed, Sealed, Delivered I’m Yours (in 1970)
writer:
Lee Garrett, Lula Mae Hardaway (songwriter), Syreeta (US singer‐songwriter active 1970s–80s) and Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
4.32:38
9Superstition
Moog programming and associate producer:
Malcolm Cecil and Robert Margouleff
engineer:
Malcolm Cecil and Robert Margouleff
producer:
Stevie Wonder
lead vocals:
Stevie Wonder
recording of:
Superstition
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, 大洋音楽 (Taiyō Music), Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
4.54:01
10You Are the Sunshine of My Life
Moog programming and associate producer:
Malcolm Cecil and Robert Margouleff
engineer:
Malcolm Cecil and Robert Margouleff
producer:
Stevie Wonder
bass guitar:
Scott Edwards (bassist) (in 1972)
congas:
Daniel Ben Zebulon (in 1972)
background vocals:
Gloria Barley (in 1972), Jim Gilstrap (in 1972) and Lani Groves (in 1972)
lead vocals:
Stevie Wonder (in 1972)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 83), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 183) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 281)
recording of:
You Are the Sunshine of My Life (in 1972)
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
part of:
The Real Book (compilation of jazz standards, Volume I)
4.32:55
11Living for the City
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 104)
recording of:
Living for the City
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music Co., Inc., Stein & Van Stock, Inc. and 大洋音楽 (Taiyō Music)
4.53:40
12I Wish
programming:
Charles Brewer, John Fischbach and Stevie Wonder
producer:
Stevie Wonder
alto saxophone:
Hank Redd
bass guitar:
Nathan Watts
drums (drum set):
Raymond Pounds and Stevie Wonder
Rhodes piano, synthesizer, vocoder and lead vocals:
Stevie Wonder
tenor saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
trumpet:
Steve Madaio and Raymond Maldonado
background vocals:
Renee Hardaway
arranger:
Stevie Wonder
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1976)
recording of:
I Wish
lyricist and composer:
Stevie Wonder
4.64:11
13Sir Duke
programming:
Charles Brewer, John Fischbach and Stevie Wonder
producer:
Stevie Wonder
alto saxophone:
Hank Redd
bass guitar:
Nathan Watts
drums (drum set):
Raymond Pounds
guitar:
Ben Bridges and Michael Sembello
percussion, Rhodes piano and lead vocals:
Stevie Wonder
tenor saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
trumpet:
Steve Madaio and Raymond Maldonado
arranger:
Stevie Wonder
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1976) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
recording of:
Sir Duke
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music and Jobete Music Co., Inc.
4.553:52
14Master Blaster (Jammin')
producer:
Stevie Wonder
lead vocals:
Stevie Wonder
arranger:
Stevie Wonder
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1976)
recording of:
Master Blaster (Jammin’)
composer:
Stevie Wonder
publisher:
Black Bull Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and Jobete Music Co., Inc.
4.354:49
15Happy Birthday
assistant engineer:
Bob Harlan
engineer and mixer:
Gary Olazabal
producer:
Stevie Wonder
bass synthesizer, drums (drum set) and keyboard:
Stevie Wonder
arranger:
Stevie Wonder
recorded at and mixed at:
Wonderland Studios in Los Angeles, California, United States
recording of:
Happy Birthday
lyricist and composer:
Stevie Wonder
publisher:
Jobete Music (UK) Ltd.
55:54
16Ebony and Ivory
assistant recording engineer:
Mike Stavrou (producer/engineer) (from 1981-02-28 until 1981-10)
recording engineer:
Geoff Emerick (British recording engineer) (from 1981-02-28 until 1981-10)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistant mixer:
Jon Jacobs (UK producer/engineer) (on 1982-01-19)
mixer:
Geoff Emerick (British recording engineer) (on 1982-01-19)
drums (drum set) and electric piano:
Stevie Wonder (from 1981-02-28 until 1981-10)
electric bass guitar, guitar, piano and vocoder:
Paul McCartney (The Beatles) (from 1981-02-28 until 1981-10)
percussion, synthesizer and background vocals and lead vocals:
Paul McCartney (The Beatles) (from 1981-02-28 until 1981-10) and Stevie Wonder (from 1981-02-28 until 1981-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Paul McCartney (The Beatles)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1982)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (on 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1981-03-30) and Strawberry Studios South in Dorking, Surrey, England, United Kingdom (in 1981-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1982-01-19)
recording of:
Ebony and Ivory (from 1981-02-28 until 1981-10)
lyricist and composer:
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
parody version of:
Curdled Milk and Boot Polish
3.253:40
17I Just Called to Say I Love You
producer:
Stevie Wonder
lead vocals:
Stevie Wonder
arranger:
Stevie Wonder
recording of:
I Just Called to Say I Love You
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc. and 大洋音楽 (Taiyō Music)
part of:
The 57th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1984 winner)
translated version of:
Hoe dan ook ... ik zal oe belle
4.354:22
18Part Time Lover
producer:
Stevie Wonder
lead vocals:
Stevie Wonder
arranger:
Stevie Wonder
recording of:
Part‐Time Lover
lyricist, composer and arranger:
Stevie Wonder
publisher:
Black Bull Music, Jobete Music Co., Inc. and 大洋音楽 (Taiyō Music)
4.53:43
19Kiss Lonely Good Bye
recording of:
Kiss Lonely Good‐bye
writer:
Stevie Wonder
4:08
20Redemption Song
cover recording of:
Redemption Song
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Gallo Music Publishers, Rondor Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Blue Mountain Music (in 1980), Bob Marley Music Inc. (in 1980), Fifty Six Hope Road Music Limited (in 1980) and Odnil Music Ltd. (in 1980)
3:46
2▶CD

Credits

Release

transliterated/translated track listing of:Song Review: A Greatest Hits Collection