Party Classics Top 100, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
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4CD
5CD
#TitleArtistRatingLength
1Gangnam Style
phonographic copyright (℗) by:
Schoolboy (American label) (in 2012) and Universal Republic Records (2006–2012) (in 2012)
music videos:
Gangnam Style by PSY (South Korean singer and rapper)
part of:
Billboard Decade End Chart: Streaming Songs (2010s) (number: 1), MAMA Award: Song of the Year nominees (number: 2012 winner), Billboard Year-End Hot 100 singles of 2012 (number: 47), Billboard Year-End Hot 100 singles of 2013 (number: 55) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 237)
recording of:
강남스타일 (Gangnam Style)
lyricist:
Jai Sang Park (PSY, South Korean singer and rapper)
composer:
Jai Sang Park (PSY, South Korean singer and rapper) and Keon Hyung Yoo
publisher:
A.D.O. Songs of Universal, Inc., Sony Music Entertainment Korea Inc. (not an imprint, post-2008 subsidiary), Sony/ATV Music Publishing HK Korea, Sony/ATV Tunes LLC (ASCAP) and Universal Tunes
PSY4.253:39
2Here Comes the Hotstepper
Ini Kamoze4:08
3When the Lady Smiles
recording of:
When the Lady Smiles
lyricist:
Barry Hay
composer:
George Kooymans
Golden Earring4:36
4Tiger Feet
Mud3:49
5De Marie‐Louise
recording of:
De Marie-Louise
lyricist and composer:
Armath (Belgian producer Roland Verlooven)
Bart Kaëll2:53
6Heaven Must Be Missing an Angel
Tavares3:29
7Ain’t Nobody
additional synthesizer:
James Newton Howard (American score composer)
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
bass:
Bobby Watson (bassist)
drums (drum set):
John “JR” Robinson (session drummer)
flute:
Gary Herbig, Ernie Watts (Ernest James Watts, jazz and blues saxophonist) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar:
Tony Maiden
keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) and David “Hawk” Wolinski
percussion:
Paulinho da Costa (Brazilian percussionist)
tenor saxophone:
Gary Herbig and Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
trumpet:
Jerry Hey
vocals:
Chaka Khan and Tony Maiden
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 88) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 403)
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Rufus & Chaka Khan4.054:34
8Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.64:19
9Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.853:56
10La camisa negra
assistant recording engineer and assistant mixer:
Dave Heuer
recording engineer:
Juanes (Colombian singer), Aníbal Kerpel and Thom Russo
additional engineer:
Juanes (Colombian singer)
associate producer:
Aníbal Kerpel
producer:
Juanes (Colombian singer) and Gustavo Santaolalla (Argentine score composer)
mixer:
Thom Russo
recording of:
La camisa negra (in 2004)
lyricist and composer:
Juan Esteban Aristizábal (Colombian singer)
Juanes3.753:35
11Unbelievable
producer and mixer:
Ralph Jezzard
drums (drum set):
Mark Decloedt (in 1990)
electric bass guitar:
Zac Foley (in 1990)
electric guitar, guitar and keyboard:
Ian Dench (in 1990)
sampler [samples]:
Derry Brownson (in 1990)
background vocals:
Claudia Fontaine (vocals, background vocals) (in 1990)
lead vocals:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 421)
recording of:
Unbelievable (in 1990)
writer:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench and Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Canada Ltd.
EMF3.653:29
12I Love the Nightlife (Disco Round)
Alicia Bridges3:25
13Girls on Film
Duran Duran3:26
14I Can’t Live in a Living Room
Red Zebra2:50
15Vrijgezel
cover recording of:
Vrijgezel (Benny Neyman)
lyricist:
Enrica Bonaccorti (Actress. lyricist), Robert-Frank Jacobi and Domenico Modugno
composer:
Robert-Frank Jacobi and Domenico Modugno
translator:
Benny Neyman (singer and songwriter)
translated version of:
La lontananza (The distance; the remoteness)
recording of:
Vrijgezel (Benny Neyman)
lyricist:
Enrica Bonaccorti (Actress. lyricist), Robert-Frank Jacobi and Domenico Modugno
composer:
Robert-Frank Jacobi and Domenico Modugno
translator:
Benny Neyman (singer and songwriter)
translated version of:
La lontananza (The distance; the remoteness)
Benny Neyman3:45
16Cotton Eye Joe
recording engineer and mixer:
Lee Monteverde
engineer and producer:
Pat Reiniz
banjo:
Ken Tacky
vocals:
Billy Ray (stage name of Jonas Nilsson, violinist of Swedish novelty act Rednex), Mary Joe, Bobby Sue and Ken Tacky
additional performer:
Goran Danielsson (Rednex singer Ken Tacky), Annika Ljungberg and Bosse Nilsson
phonographic copyright (℗) by:
Zomba Records (in 1994) and Zomba Records Ltd (not strictly a label - avoid adding releases here) (in 1994)
recorded at and mixed at:
Future Crew Studios, Idaho in Stockholms län (Stockholm county), Sweden
music videos:
Cotton‐Eye Joe by Rednex (Swedish Euro-House group)
part of:
A.Side: 10 Songs That Have Their Own Dance Moves (number: 7)
recording of:
Cotton-Eye Joe (Rednex version)
writer:
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) and Pat Reiniz
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
version of:
Cotton‐Eyed Joe (traditional song)
Rednex43:10
17Freed From Desire
recording of:
Freed From Desire
writer:
Filippo Carmeni (Italian producer Phil Jay), Gala Rizzatto (Italian singer & dance act) and Maurizio Molella (Italian DJ and producer Maurizio Molella)
publisher:
Baby Angel Music S.r.l., Do It Yourself SAS (Italian company, active until 1997), Grand H. Music and Mollyville Publishing S.r.l.
Gala4:15
18Mr Vain
Culture Beat4:16
199 to 5
recording of:
9 to 5
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music and Velvet Apple Music
part of:
The 53rd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1980 nominee)
Dolly Parton2:32
20Big in Japan
Alphaville3:56