Bach: Magnificat / Vivaldi: Gloria / Beatus vir

~ Release by Bach, Vivaldi; Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, La Grande Écurie et la Chambre du Roy, Helmuth Rilling, Jean‐Claude Malgoire (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Magnificat: I. Magnificat
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:06
2Magnificat: II. Et exsultavit spiritus meus
producer:
Hans Joachim Daub (producer)
soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:31
3Magnificat: Insertion A. Vom Himmel hoch
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat in D major, BWV 243: III. Choral Interpolation "Vom Himmel hoch" (from 1979-02 until 1979-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:38
4Magnificat: III+IV. Omnes generationes
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
compilation of:
Magnificat BWV 243 in D major, 3. Quia respexit humilitatem by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor) and Magnificat BWV 243 in D major, 4. Omnes generationes by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:53
5Magnificat: V. Quia fecit mihi magna
producer:
Hans Joachim Daub (producer)
bass vocals:
Philippe Huttenlocher (baritone) (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:10
6Magnificat: Inserion B. Freut euch und jubilieret
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat in D major, BWV 243: VII. Choral Interpolation "Freut euch und jubiliert" (from 1979-02 until 1979-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:21
7Magnificat: VI. Et misericordia
producer:
Hans Joachim Daub (producer)
contralto vocals:
Helen Watts (contralto) (from 1979-02 until 1979-04)
tenor vocals:
Adalbert Kraus (tenor) (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:42
8Magnificat: VII. Fecit potentiam
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:03
9Magnificat: Insertion C. Gloria in excelsis Deo
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat in D major, BWV 243: X. Choral Interpolation "Gloria in excelsis Deo" (from 1979-02 until 1979-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:20
10Magnificat: VIII. Deposuit potentes
producer:
Hans Joachim Daub (producer)
tenor vocals:
Adalbert Kraus (tenor) (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:55
11Magnificat: IX. Esurientes implevit bonis
producer:
Hans Joachim Daub (producer)
contralto vocals:
Helen Watts (contralto) (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:07
12Magnificat: Insertion D. Virga Jesse floruit
producer:
Hans Joachim Daub (producer)
bass vocals:
Wolfgang Schöne (bass-baritone) (from 1979-02 until 1979-04)
soprano vocals:
Arleen Augér (soprano) (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:58
13Magnificat: X. Suscepit Israel
producer:
Hans Joachim Daub (producer)
contralto vocals:
Helen Watts (contralto) (from 1979-02 until 1979-04)
soprano vocals:
Arleen Augér (soprano) (from 1979-02 until 1979-04) and Ann Murray (Irish mezzo-soprano) (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:00
14Magnificat: XI. Sicut locutus est
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:04
15Magnificat: XII. Gloria Patri
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:19
16Beatus vir in B-flat major, RV 598
choir vocals:
Ensemble vocal Raphaël Passaquet (in 1976-11)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (in 1976-11)
soprano vocals:
Mary Burgess (soprano) (in 1976-11) and Jocelyne Chamonin (soprano) (in 1976-11)
orchestra:
La Grande Écurie et la Chambre du Roy (in 1976-11)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (in 1976-11)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1976-11)
recording of:
Beatus vir in B-flat major, RV 598 (in 1976-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ryom-Verzeichnis (number: RV 598)
Antonio Vivaldi7:45
17Gloria in D major, RV 589: I. Gloria in excelsis Deo
chamber organ:
Danièle Salzer (organist)
choir vocals:
Ensemble vocal Raphaël Passaquet (in 1976-11)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Mary Burgess (soprano) and Jocelyne Chamonin (soprano)
orchestra:
La Grande Écurie et la Chambre du Roy (in 1976-11)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (in 1976-11)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1976-11)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1976-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:24
18Gloria in D major, RV 589: II. Et in terra pax
chamber organ:
Danièle Salzer (organist)
choir vocals:
Ensemble vocal Raphaël Passaquet (in 1976-11)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Mary Burgess (soprano) and Jocelyne Chamonin (soprano)
orchestra:
La Grande Écurie et la Chambre du Roy (in 1976-11)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (in 1976-11)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1976-11)
recording of:
Gloria in D major, RV 589: II. Et in terra pax (in 1976-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
publisher:
Walton Music Ltd.
part of:
Gloria in D major, RV 589
Antonio Vivaldi5:26
19Gloria in D major, RV 589: III. Laudamus te
chamber organ:
Danièle Salzer (organist)
choir vocals:
Ensemble vocal Raphaël Passaquet
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Mary Burgess (soprano) and Jocelyne Chamonin (soprano)
orchestra:
La Grande Écurie et la Chambre du Roy (in 1976-11)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (in 1976-11)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1976-11)
recording of:
Gloria in D major, RV 589: III. Laudamus te (in 1976-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:37
20Gloria in D major, RV 589: IV+V. Gratias agimus tibi
chamber organ:
Danièle Salzer (organist)
choir vocals:
Ensemble vocal Raphaël Passaquet (in 1976-11)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Mary Burgess (soprano) and Jocelyne Chamonin (soprano)
orchestra:
La Grande Écurie et la Chambre du Roy (in 1976-11)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (in 1976-11)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1976-11)
recording of:
Gloria in D major, RV 589: IV. Gratias agimus tibi (in 1976-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
recording of:
Gloria in D major, RV 589: V. Propter magnam gloriam tuam (in 1976-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi1:27
21Gloria in D major, RV 589: VI. Domine Deus
chamber organ:
Danièle Salzer (organist)
choir vocals:
Ensemble vocal Raphaël Passaquet
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Mary Burgess (soprano) and Jocelyne Chamonin (soprano)
orchestra:
La Grande Écurie et la Chambre du Roy (in 1976-11)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (in 1976-11)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1976-11)
recording of:
Gloria in D major, RV 589: VI. Domine Deus (in 1976-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi4:30
22Gloria in D major, RV 589: VII. Domine Fili unigenite
chamber organ:
Danièle Salzer (organist)
choir vocals:
Ensemble vocal Raphaël Passaquet (in 1976-11)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Mary Burgess (soprano) and Jocelyne Chamonin (soprano)
orchestra:
La Grande Écurie et la Chambre du Roy (in 1976-11)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (in 1976-11)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1976-11)
recording of:
Gloria in D major, RV 589: VII. Domine, Fili unigenite (in 1976-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:34
23Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei
chamber organ:
Danièle Salzer (organist)
choir vocals:
Ensemble vocal Raphaël Passaquet (in 1976-11)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (in 1976-11)
soprano vocals:
Mary Burgess (soprano) and Jocelyne Chamonin (soprano)
orchestra:
La Grande Écurie et la Chambre du Roy (in 1976-11)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (in 1976-11)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1976-11)
recording of:
Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei (in 1976-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi3:31
24Gloria in D major, RV 589: IX. Qui tollis peccata mundi
chamber organ:
Danièle Salzer (organist)
choir vocals:
Ensemble vocal Raphaël Passaquet (in 1976-11)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Mary Burgess (soprano) and Jocelyne Chamonin (soprano)
orchestra:
La Grande Écurie et la Chambre du Roy (in 1976-11)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (in 1976-11)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1976-11)
recording of:
Gloria in D major, RV 589: IX. Qui tollis peccata mundi (in 1976-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi1:12
25Gloria in D major, RV 589: X. Qui sedes ad dexteram Patris
chamber organ:
Danièle Salzer (organist)
choir vocals:
Ensemble vocal Raphaël Passaquet
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Mary Burgess (soprano) and Jocelyne Chamonin (soprano)
orchestra:
La Grande Écurie et la Chambre du Roy (in 1976-11)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (in 1976-11)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1976-11)
recording of:
Gloria in D major, RV 589: X. Qui sedes ad dexteram Patris (in 1976-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi3:31
26Gloria in D major, RV 589: XI. Quoniam tu solus sanctus
chamber organ:
Danièle Salzer (organist)
choir vocals:
Ensemble vocal Raphaël Passaquet (in 1976-11)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Mary Burgess (soprano) and Jocelyne Chamonin (soprano)
orchestra:
La Grande Écurie et la Chambre du Roy (in 1976-11)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (in 1976-11)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1976-11)
recording of:
Gloria in D major, RV 589: XI. Quoniam tu solus sanctus (in 1976-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi0:48
27Gloria in D major, RV 589: XII. Cum Sancto Spiritu
chamber organ:
Danièle Salzer (organist)
choir vocals:
Ensemble vocal Raphaël Passaquet (in 1976-11)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Mary Burgess (soprano) and Jocelyne Chamonin (soprano)
orchestra:
La Grande Écurie et la Chambre du Roy (in 1976-11)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (in 1976-11)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1976-11)
recording of:
Gloria in D major, RV 589: XII. Cum Sancto Spiritu (in 1976-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:47

Credits

Release

ASIN:UK: B000025513 [info]