Blow the wind southerly

~ Release by Kathleen Ferrier (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Blow the wind southerly
2:27
2down by the salley gardens
3:11
3the keel row
piano:
Phyllis Spurr (pianist)
contralto vocals:
Kathleen Ferrier (contralto)
recording of:
The Keel Row (folksong)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3059)
1:46
4ma bonny lad
piano:
Phyllis Spurr (pianist)
contralto vocals:
Kathleen Ferrier (contralto)
recording of:
Because He Was A Bonny Lad
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 22834)
1:53
5ye banks and braes
3:16
6i have a bonnet trimmed with blue
piano:
Phyllis Spurr (pianist) (from 1951-12-10 until 1951-12-12)
contralto vocals:
Kathleen Ferrier (contralto) (from 1951-12-10 until 1951-12-12)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1951-12-10 until 1951-12-12)
recording of:
I have a bonnet trimmed with blue (from 1951-12-10 until 1951-12-12)
lyricist and composer:
[traditional] (special purpose artist)
1:16
7the stuttering lovers
piano:
Phyllis Spurr (pianist) (from 1951-12-10 until 1951-12-12)
contralto vocals:
Kathleen Ferrier (contralto) (from 1951-12-10 until 1951-12-12)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1951-12-10 until 1951-12-12)
recording of:
The stuttering lovers (from 1951-12-10 until 1951-12-12)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Herbert Hughes
arrangement of:
The stuttering lovers
1:45
8drink to me only
contralto vocals:
Kathleen Ferrier (contralto)
recording of:
Drink to Me Only
composer:
[traditional] (special purpose artist)
3:05
9go not happy day
1:39
10come you not from newcastle
piano:
Frederick Stone (pianist)
contralto vocals:
Kathleen Ferrier (contralto)
recording of:
Come You Not From Newcastle? (Hullah's Song-Book)
composer:
[traditional] (special purpose artist)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
1:36
11kitty my love
piano:
Frederick Stone (pianist)
contralto vocals:
Kathleen Ferrier (contralto)
recording of:
Kitty my love, will you marry me? (folk song)
1:19
12an die musik OP 88 No 1
3:12
13gretchen am spinnrade3:13
14geistliches wiegenlied, op 91 no 2
piano:
Phyllis Spurr (pianist)
viola:
Max Gilbert (classical viola player, and teacher)
contralto vocals:
Kathleen Ferrier (contralto)
recording of:
2 Gesänge, op. 91: Nr. 2. Geistliches Wiegenlied
lyricist:
Franz Emanuel August Geibel (poet)
composer:
Johannes Brahms (German composer)
part of:
2 Gesänge, op. 91
5:10
15sapphische ode
2:51
16botschaft
piano:
Phyllis Spurr (pianist)
contralto vocals:
Kathleen Ferrier (contralto)
recording of:
5 Lieder, op. 47: Nr. 1. Botschaft
lyricist:
Georg Friedrich Daumer
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 47
2:13
17er, der herrlichste von allen
3:24
18ich bin der welt abhanden gekommen
5:33
19un mitternacht
6:31
20what is life without thee
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1944-06-30)
soprano vocals:
Kathleen Ferrier (contralto) (on 1944-06-30)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1944-06-30)
4:32
21ombra mai fu
4:44
22have mercy, lord, on me
8:17
23he was despised
contralto vocals:
Kathleen Ferrier (contralto) (in 1952)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1952)
conductor:
Sir Adrian Boult (conductor) (in 1952)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1952)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
6:46