| # | Title | Artist | Rating | Length |
|---|
| 1 | What’s Up?- recording engineer:
- David Tickle (in 1992) and Mark Hensley (in 1992)
- additional engineer:
- Jessie Kanner , Kent Mactke, Laurent Tardy and Paul Dieter
- producer and mixer:
- David Tickle
- acoustic guitar and electric guitar:
- Linda Perry (in 1992)
- bass and background vocals:
- Christa Hillhouse (in 1992)
- drums (drum set):
- Dawn Richardson (in 1992)
- guitar:
- Louis Metoyer (in 1992) and Roger Rocha (in 1992)
- piano:
- Laurent Tardy (in 1992)
- lead vocals:
- Linda Perry (in 1992)
- phonographic copyright (℗) by:
- Interscope Records (in 1992)
- recorded at:
- Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios in Sausalito, California, United States (in 1992)
- mixed at:
- The Bunker
- music videos:
- What’s Up? by 4 Non Blondes
- part of:
- Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 46), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 486)
- recording of:
- What’s Up? (in 1992)
- lyricist and composer:
- Linda Perry
- publisher:
- Famous Music Corporation , Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC , Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
| 4 Non Blondes | 3.8 | 4:58 |
| 2 | I Surrender | Rainbow | 3.5 | 4:04 |
| 3 | Out in the Fields | Gary Moore & Phil Lynott | 3.4 | 4:17 |
| 4 | Just Like Jesse James- recording engineer:
- Sir Arthur Payson
- additional engineer:
- Bruce Robb
- assistant engineer:
- George Cowan , Bridget Daly, Debbie Johnson , Jay Lean, Richard McKernan, Craig Porteils and Duane Seykora
- producer:
- Desmond Child
- mixer:
- Mick Guzauski
- acoustic guitar and electric guitar:
- John Putnam
- bass guitar:
- Hugh McDonald
- drums (drum set):
- Bobby Chouinard
- guitar:
- John McCurry
- keyboard:
- Alan St. Jon
- background vocals:
- Desmond Child, Brenda Russell and Diane Warren
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989) and The David Geffen Company (in 1989, in 1990)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States, Cherokee Studios in Hollywood, Los Angeles, California, United States, Electric Lady Studios in Greenwich Village, New York, New York, United States and The Complex Studios in Los Angeles, California, United States
- mixed at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Just Like Jesse James
- writer:
- Desmond Child and Diane Warren
- publisher:
- April Music Inc., Desmobile Music Co., Inc. , Universal PolyGram International Publishing, Inc. , SBK April Music Inc. (from 1989 to ????), Desmobile Inc. (from 1989 to present) and Realsongs (from 1989 to present)
| Cher | 4 | 4:07 |
| 5 | King’s Call | Phil Lynott | | 3:41 |
| 6 | I Didn’t Mean to Turn You On | Robert Palmer | | 3:36 |
| 7 | Do You Really Want to Hurt Me | Culture Club | 3.95 | 4:24 |
| 8 | Send Me an Angel- assistant engineer:
- Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher
- engineer:
- Erwin Musper and Keith Olsen
- producer:
- Keith Olsen and Scorpions
- mixer:
- Shay Baby, Erwin Musper and Keith Olsen
- acoustic guitar, electric guitar [lead guitar] and electric guitar [rhythm guitar]:
- Matthias Jabs and Rudolf Schenker
- bass guitar:
- Francis Buchholz
- drums (drum set) and percussion:
- Herman Rarebell
- electric guitar and slide guitar:
- Matthias Jabs
- guest keyboard:
- Jim Vallance
- background vocals:
- Francis Buchholz, Matthias Jabs, Klaus Meine, Herman Rarebell and Rudolf Schenker
- lead vocals:
- Klaus Meine
- phonographic copyright (℗) by:
- PolyGram Records, Inc. and The Island Def Jam Music Group (in 1990)
- recorded at:
- Goodnight LA Studios in Van Nuys, California, United States and Wisseloord Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands
- mixed at:
- Wisseloord Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands
- recording of:
- Send Me an Angel
- lyricist:
- Klaus Meine
- composer:
- Rudolf Schenker
- publisher:
- BMG Rights Management GmbH
| Scorpions | 4 | 4:34 |
| 9 | Nights in White Satin | Sort Sol | | 4:57 |
| 10 | Try a Little Tenderness | The Commitments | | 4:33 |
| 11 | Dancing in the Moonlight | Thin Lizzy | 4.25 | 3:30 |
| 12 | Sha-La-La-La-La | Walkers | | 3:03 |
| 13 | Wild World- assistant engineer:
- Stephen Hart , Dick Kaneshiro, Michael Semanick and Andy Udoff
- engineer and mixer:
- Kevin Elson and Tom Size
- producer:
- Kevin Elson
- bass guitar:
- Billy Sheehan
- drums (drum set):
- Pat Torpey
- guitar:
- Paul Gilbert
- background vocals:
- Roger
- lead vocals:
- Eric Martin
- recorded at and mixed at:
- Fantasy Studios in Berkeley, California, United States and Rumbo Recorders in Canoga Park, Los Angeles, California, United States
- cover recording of:
- Wild World
- lyricist and composer:
- Cat Stevens
- publisher:
- Sony Tunes, Inc. (ended), Island Music Ltd., Island Music, Inc. , Salafa Ltd., Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
| Mr. Big | | 3:30 |
| 14 | I Wanna Rock- recording engineer and mixer:
- Geoff Workman
- assistant engineer:
- Gary McGachan
- engineer:
- John Agnello and Greg Laney
- producer:
- Tom Werman
- bass guitar:
- Mark Mendoza (from 1984-02 until 1984-03)
- drums (drum set):
- A.J. Pero (from 1984-02 until 1984-03)
- electric guitar:
- Jay Jay French (from 1984-02 until 1984-03) and Eddie Ojeda (from 1984-02 until 1984-03)
- background vocals:
- Jay Jay French (from 1984-02 until 1984-03), Mark Mendoza (from 1984-02 until 1984-03), Eddie Ojeda (from 1984-02 until 1984-03), A.J. Pero (from 1984-02 until 1984-03) and Dee Snider (from 1984-02 until 1984-03)
- lead vocals:
- Dee Snider (from 1984-02 until 1984-03)
- arranger:
- Twisted Sister and Tom Werman
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio in Los Angeles, California, United States (from 1984-02 until 1984-03)
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 17)
- recording of:
- I Wanna Rock (from 1984-02 until 1984-03)
- lyricist and composer:
- Dee Snider
- publisher:
- Universal Tunes
| Twisted Sister | 4.2 | 3:04 |
| 15 | Everyday | Slade | | 3:10 |
| 16 | Roll On Down the Highway- recording engineer and mixer:
- Mark K. Smith
- assistant engineer:
- Buzz Richmond
- engineer:
- Mark Smith
- producer:
- Randy Bachman
- assistant mixer:
- Richard Dashut
- guitar [fuzz]:
- Blair Thornton
- solo guitar:
- Randy Bachman
- lead vocals:
- C.F. “Fred” Turner
- phonographic copyright (℗) by:
- The Island Def Jam Music Group (in 1974), UMG Recordings, Inc. (in 1974), Phonogram, Inc. (in 1975) and PolyGram Records, Inc. (in 1975)
- recorded at:
- Kaye–Smith Studios in Seattle, Washington, United States
- mixed at:
- Sound City Studios in Van Nuys, California, United States
- recording of:
- Roll on Down the Highway
- writer:
- Robbie Bachman and C.F. “Fred” Turner
- publisher:
- Eventide Music , Ranbach Music , Randy Backman Music, Sony Songs Inc. and Top Soil Music (from 1975 to present)
| Bachman–Turner Overdrive | 4.5 | 4:00 |
| 17 | Sæsonen er slut | CV Jørgensen | | 4:32 |
| 18 | Hard Luck Woman | KISS | 4.5 | 3:35 |
| 19 | Love Is Like Oxygen | The Sweet | | 3:47 |
| 20 | Little Kitty | Walkers | | 2:17 |
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