111 Adagio! Classics for Relaxation

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Adagio of Spartacus and Phrygia
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1962-03-08 until 1962-03-11)
conductor:
Aram Khachaturian (Soviet-Armenian composer) (from 1962-03-08 until 1962-03-11)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1962-03-08 until 1962-03-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1962-03-08 until 1962-03-11)
recording of:
Spartacus: Adagio of Spartacus & Phrygia (from 1962-03-08 until 1962-03-11)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1955)
part of:
Spartacus, op. 82
Aram Khachaturian9:09
2Meditation
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
solo violin:
Michel Schwalbé (Polish violinist) (from 1967-09-22 until 1967-09-25)
orchestra:
Berlin Philharmonic Orchestra (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1967-09-22 until 1967-09-25)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet6:04
3La fille aux cheveux de lin
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair) (in 1978-06)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:56
4Pavane, op. 50
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
producer:
Hanno Rinke
choir vocals:
Tanglewood Festival Chorus (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
chorus master:
John Oliver (chorus master) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1986-11)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:50
5Oboe Concerto in D minor: II. Adagio
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1986-07)
orchestra:
I Musici (in 1986-07)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1986-07)
recording of:
Concerto per oboe, archi e continuo in re minore: II. Adagio (Concerto for oboe, strings and continuo in D minor: II. Adagio) (in 1986-07)
composer:
Alessandro Marcello
part of:
Concerto per oboe, archi e continuo in re minore, S D935 (Concerto for Oboe and Strings in D minor)
Alessandro Marcello4:26
6Clarinet Concerto in A major, K. 622: II. Adagio
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
basset clarinet:
Charles Neidich (clarinetist) (in 1987-03)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1987-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1987-03)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1987-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart8:40
7Impromptu no. 3 in G-flat major, op. 90
piano:
Andrej Gavrilov (Andrei Gavrilov, pianist)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recording of:
Impromptu in G‐flat major, op. 90, D. 899: No. 3. Andante
composer:
Franz Schubert (composer) (in 1827)
part of:
Classic 100: Piano (2004) (number: 6)
part of:
4 Impromptus, op. 90, D. 899
Franz Schubert5:44
8Spiegel im Spiegel
piano:
Alexei Grynyuk (pianist) (on 2008-04-15)
violin:
Nicola Benedetti (violinist) (on 2008-04-15)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (on 2008-04-15)
recording of:
Spiegel im Spiegel (for violin and piano) (on 2008-04-15)
composer:
Arvo Pärt (Estonian composer) (in 1978)
part of:
Classic 100: Piano (2025) (number: 12)
Arvo Pärt9:47
9Serenade for Strings, op. 48: III. Elégie
orchestra:
Chamber Orchestra of Europe (in 1992-03)
conductor:
Gérard Korsten (in 1992-03)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1992-03)
recording of:
Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco (in 1992-03)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Pyotr Ilyich Tchaikovsky10:21
10Le Cygne
recorded in:
United States (in 1980-09)
cello:
Anne Martindale Williams (in 1980-09)
piano:
Patricia Prattis Jennings (keyboardist/composer) (in 1980-09) and Joseph Villa (pianist) (in 1980-09)
orchestra:
Pittsburgh Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) (in 1980-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:14
11Canon in D major
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (in 1989-04)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel54:14
12Peer Gynt suite no. 1: Morning Mood
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1982-01-27 until 1982-02-18)
conductor:
Herbert von Karajan (conductor) (from 1982-01-27 until 1982-02-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1982-01-27 until 1982-02-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1982-01-27 until 1982-02-18)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (from 1982-01-27 until 1982-02-18)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:08
13Adagio for Strings, op. 11
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber37:30
14Nocturne no. 2 in E-flat major, op. 9
piano:
Daniel Barenboim (pianist and conductor) (in 1981-05)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante (in 1981-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3) and Classic 100: Piano (2004) (number: 18)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin4:36
15Orchestral Suite no. 3 in D major: Air
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1960-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1960-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1960-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1960-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:47
16Brandenburg Concerto no. 5: Affetuoso
flute:
Thierry Fischer (Swiss conductor and flutist)
harpsichord:
Ian Watson (conductor and keyboardist)
violin:
Marieke Blankestijn (violinist)
orchestra:
Chamber Orchestra of Europe
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:25
17Recuerdos de la Alhambra
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) (in 2010-10)
engineer:
Daniel Kemper (in 2010-10) and Rainer Maillard (in 2010-10)
executive producer:
Dr. Alexander Buhr
producer:
Sid McLauchlan (engineer/producer)
guitar:
Miloš Karadaglić (classical guitarist) (in 2010-10)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2010-10)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega3:46
18Piano Concerto no. 21: II. Andante "Elvira Madigan"
recording engineer and producer:
Hans Weber (producer/engineer)
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
piano:
Géza Anda (Geza Anda, pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (Geza Anda, pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:15
19Cavalleria rusticana: Intermezzo
producer:
Hans Weber (producer/engineer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1967-09-22 until 1967-09-25)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Cavalleria rusticana: Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:33
20Nocturnes: Sirènes
producer:
Ray Minshull (record producer)
choir vocals:
Chœur des femmes de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Ladies Chorus) (in 1988-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1988-10)
conductor:
Charles Dutoit (conductor) (in 1988-10)
balance engineer:
John Dunkerley (engineer) (in 1988-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1988-10)
recording of:
Nocturnes, L. 91, CD 98 : III. Sirènes (in 1988-10)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1901-10-27)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy10:52
21Symphony no. 5: Adagietto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-02-13 until 1973-02-16)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-16)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-16)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1973-02-13 until 1973-02-16)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler11:56
22The Planets: Venus
producer:
Günther Breest (producer for classical music) and Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1981-01-27 until 1981-03-20)
conductor:
Herbert von Karajan (conductor) (from 1981-01-27 until 1981-03-20)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-01-27 until 1981-03-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1981-01-27 until 1981-03-20)
recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace (from 1981-01-27 until 1981-03-20)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:42
23Prélude à l’après-midi d’un faune
producer:
Ray Minshull (record producer)
flute:
Timothy Hutchins (flautist) (in 1989-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1989-10)
conductor:
Charles Dutoit (conductor) (in 1989-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1989-10)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (in 1989-10)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:46
24Ständchen (nach Schubert)
producer:
Werner Mayer (classical producer)
piano:
Yevgeny Kissin (Evgeny Kissin, Russian classical pianist) (in 1990-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1990-12)
recorded at:
Bavaria Musikstudios in München (Munich), Bayern (Bavaria), Germany (in 1990-12)
recording of:
Ständchen von Shakespeare, S. 558 Nr. 9 (for piano solo, Liszt) (in 1990-12)
composer:
Franz Schubert (composer) (in 1826)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1837 until 1838)
arrangement of:
Ständchen ("Horch, horch, die Lerche"), D. 889
part of:
12 Lieder von Franz Schubert, S. 558
Franz Liszt2:39
25Prelude in C major, BWV 846
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Wilhelm Kempff (pianist) (in 1976-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1976-05)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1977)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach1:29
26Piano Sonata no. 14 "Moonlight": I. Adagio sostenuto
engineer and balance engineer:
Klaus Scheibe (editor/engineer)
producer:
Werner Mayer (classical producer), Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Klaus Scheibe (editor/engineer)
piano:
Daniel Barenboim (pianist and conductor) (in 1983-12)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1983-12)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1983-12)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:40
27Dance of the Blessed Spirits
producer:
Michel Glotz
flute:
Karlheinz Zöller (flutist) (from 1983-09-28 until 1983-09-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1983-09-30)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1983-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1983-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1983-09-30)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) (from 1983-09-28 until 1983-09-30)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck6:48
28Romeo and Juliet: Love Theme
engineer:
Günter Hermanns (producer/engineer) (in 1966-10)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-10)
conductor:
Herbert von Karajan (conductor) (in 1966-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-10)
partial recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) (in 1966-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky3:34
29Pavane pour une infante défunte
producer:
Thomas Mowrey
solo French horn:
Charles Kavaloski (horn player)
orchestra:
Boston Symphony Orchestra (in 1974-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1974-10)
recording of:
Pavane pour une infante défunte (orchestrated version) (in 1974-10)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel6:18
30Violin Concerto "Winter": II. Largo
recording engineer:
Hans Weber (producer/engineer) (in 1972-08)
engineer:
Günter Hermanns (producer/engineer) (in 1972-08)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon) (in 1972-08)
producer:
Hans Weber (producer/engineer)
cello [cello continuo]:
Eberhard Finke (cellist) (from 1972-08-15 until 1972-08-21)
harpsichord [harpsichord continuo]:
Horst Göbel (from 1972-08-15 until 1972-08-21)
violin:
Thomas Brandis (violinist), Leon Spierer (violinist), Hanns-Joachim Westphal (violinist) and Michel Schwalbé (Polish violinist) (from 1972-08-15 until 1972-08-21)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-08-15 until 1972-08-21)
conductor:
Herbert von Karajan (conductor) (from 1972-08-15 until 1972-08-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-08-15 until 1972-08-21)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1972-08-15 until 1972-08-21)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1972-08-15 until 1972-08-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:18
31Arioso from Cantata, BWV 156
producer:
Anna Barry (classical producer)
cello:
Julian Lloyd Webber (cellist) (in 1992-02)
piano:
John Lenehan (classical pianist) (in 1992-02)
arranger:
Julian Lloyd Webber (cellist)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1992-02)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements) (in 1992-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
arrangement of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
Johann Sebastian Bach2:54
32Eine kleine Nachtmusik: II. Romance
producer:
Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-08-19 until 1965-08-21)
conductor:
Herbert von Karajan (conductor) (from 1965-08-19 until 1965-08-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-08-19 until 1965-08-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1965-08-19 until 1965-08-21)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (from 1965-08-19 until 1965-08-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:34
33Valse triste, op. 44
executive producer:
Günther Breest (producer for classical music)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1984-02-19 until 1984-02-24)
conductor:
Herbert von Karajan (conductor) (from 1984-02-19 until 1984-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1984-02-19 until 1984-02-24)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1984-02-19 until 1984-02-24)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (from 1984-02-19 until 1984-02-24)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius6:04
34Symphony no. 3: III. Poco allegretto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-09-28 until 1964-09-30)
conductor:
Herbert von Karajan (conductor) (from 1964-09-28 until 1964-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-09-28 until 1964-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-09-28 until 1964-09-30)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto (from 1964-09-28 until 1964-09-30)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms5:55
35A Hymn to the Virgin
producer:
Christopher Alder (editor/engineer/producer) and Gabriel Crouch (baritone / conductor / producer)
choir vocals:
Gabrieli Consort
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-07)
conductor:
Paul McCreesh (conductor) (in 2006-07)
balance engineer:
Neil Hutchinson (sound engineer) (in 2006-07)
recording of:
A Hymn to the Virgin (in 2006-07)
lyricist:
[anonymous] (special purpose artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1930-07-09 until 1934-04-29)
premiered at:
[event] (1931-01-05)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Benjamin Britten3:52
36O mio babbino caro
soprano vocals:
Rita Streich (soprano)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Reinhard Peters (conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:08
37Estampes: Pagoden
producer:
Christopher Pope (producer)
piano:
Jean‐Yves Thibaudet (pianist) (from 1995-08-09 until 1995-08-12)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (from 1995-08-09 until 1995-08-12)
recording of:
Estampes, L. 100: I. Pagodes. Modérément animé (for piano) (from 1995-08-09 until 1995-08-12)
composer:
Claude Debussy (French composer) (in 1903-07)
part of:
Estampes, L. 100, CD 108 (for piano)
Claude Debussy5:17
38Cello Suite no. 1: Prélude
recording engineer:
Karl-Heinz Schneider (producer) (in 1960-12)
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965) and Karl-Heinz Schneider (producer)
cello:
Pierre Fournier (cellist) (in 1960-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-12)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-12)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1960-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:52
39Vocalise, op. 34 no. 14
producer:
Wolfgang Stengel
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1983-03)
conductor:
Lorin Maazel (conductor) (in 1983-03)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1983-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1983-03)
recording of:
Vocalise, op. 34 no. 14 (arr. by composer for orchestra) (in 1983-03)
orchestrator:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1919)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
orchestration of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Rachmaninoff5:31
40Sospiri, op. 70
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-20 until 1967-11-21)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-20 until 1967-11-21)
balance engineer:
Alan Reeve and Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-20 until 1967-11-21)
recording of:
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium)) (from 1967-11-20 until 1967-11-21)
composer:
Edward Elgar (composer) (in 1914)
dedicated to:
William Henry Reed
publisher:
Breitkopf & Härtel
part of:
Works of Edward Elgar by opus number (number: op. 70)
Edward Elgar4:54
41Gymnopédie no. 1
sound engineer:
Simon Eadon (classical music engineer) (in 1983-05)
producer:
Michael Haas (classical music producer)
piano:
Pascal Rogé (pianist) (in 1983-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-05)
edit of:
3 Gymnopédies by Pascal Rogé (pianist)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (in 1983-05)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:12
42Gaîté parisienne: Barcarolle
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1980-06-10 until 1980-09-30)
conductor:
Herbert von Karajan (conductor) (from 1980-06-10 until 1980-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1980-06-10 until 1980-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1980-06-10 until 1980-09-30)
recording of:
Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann ») (from 1980-06-10 until 1980-09-30)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
part of:
Gaîté parisienne
Jacques Offenbach3:37
43Fantasia on Greensleeves
orchestra:
Orpheus Chamber Orchestra (US orchestra)
arranger:
Ralph Greaves (in 1934)
recording of:
Fantasia on “Greensleeves” (in 1985-12)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:30
44Kinderszenen: Träumerei
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann3:00
45Symphony no. 2: III. Adagio
producer:
Wolfgang Stengel
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1982-12)
conductor:
Lorin Maazel (conductor) (in 1982-12)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1982-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1983)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1982-12)
recording of:
Symphony no. 2 in E minor, op. 27: III. Adagio (in 1982-12)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1906 until 1907)
part of:
Symphony no. 2 in E minor, op. 27
Sergei Rachmaninoff15:29
46L’Arlésienne Suite no. 1: Adagietto
producer:
Hans Weber (producer/engineer)
alto saxophone:
Daniel Deffayet (French classical saxophonist) (in 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:31
47The Rustle of Spring, op. 32 no. 3
piano:
Joseph Cooper (pianist and broadcaster)
recording of:
6 Stücke, op. 32: Nr. 3. Frühlingsrauschen (6 Pieces, op. 32: No. 3. Rustle of Spring, for piano)
composer:
Christian Sinding (Norwegian composer)
part of:
6 Stücke, op. 32
Christian Sinding2:55
48Ave verum corpus, K. 618
producer:
Christopher Hazell
organ:
James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1996-07-01 until 1996-07-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:37
49Pour le piano: Sarabande
piano:
Lilya Zilberstein (pianist)
recording of:
Pour le piano, L. 95, CD 95: II. Sarabande. À Madame E. Rouart (née Y. Lerolle). Avec une élégance grave et lente
composer:
Claude Debussy (French composer) (from 1894 until 1901)
dedicated to:
Yvonne Lerolle
is based on:
Images oubliées, L. 87, CD 94 : II. Dans le mouvement d’une ‘Sarabande’, c’est-à-dire avec une élégance grâve et lente, même un peu vieux portrait, souvenir du Louvre, etc. (for piano)
part of:
Pour le piano, L. 95, CD 95
Claude Debussy6:12
50Etude, op. 10 no. 3 "Tristesse"
producer:
Wolfgang Lohse
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1965-05)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965) and Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1965-05)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo (in 1965-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1832)
part of:
Études, op. 10
Fryderyk Chopin4:05
51Peer Gynt Suite no. 1: The Death of Åse
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1982-01-27 until 1982-02-18)
conductor:
Herbert von Karajan (conductor) (from 1982-01-27 until 1982-02-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1982-01-27 until 1982-02-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1982-01-27 until 1982-02-18)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) (from 1982-01-27 until 1982-02-18)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:39
52The Swan of Tuonela, op. 22
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
cor anglais:
Gerhard Stempnik (oboist) (in 1984-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1984-02-19 until 1984-02-24)
conductor:
Herbert von Karajan (conductor) (from 1984-02-19 until 1984-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1984-02-19 until 1984-02-24)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1984-02-19 until 1984-02-24)
recording of:
Lemminkäis-sarja (Neljä legendaa), op. 22: II. Tuonelan joutsen (Lemminkäinen Suite, op. 22: II. The Swan of Tuonela) (from 1984-02-19 until 1984-02-24)
composer:
Jean Sibelius (Finnish composer) (in 1895)
part of:
Lemminkäis-sarja (Neljä legendaa), op. 22 (Lemminkäinen Suite, op. 22)
Jean Sibelius7:56
53Für Elise, WoO 59
piano:
Anatol Ugorski (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven4:02
54Deux Arabesques: No. 1. Andante con moto
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal (Plenarsaal der Akademie der Künste in Berlin) in Berlin, Germany (in 1969-04) and Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-04)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano) (in 1969-04)
composer:
Claude Debussy (French composer) (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
Claude Debussy3:47
55Madama Butterfly: Humming Chorus
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1974-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:00
56Lakmé: "Viens, Mallika… Dôme épais"
engineer:
Michael Mailes (engineer) (on 1967-10-12) and Kenneth Wilkinson (engineer) (on 1967-10-12)
producer:
John Mordler (producer)
mezzo-soprano vocals [Mallika]:
Jane Berbié (mezzo-soprano) (on 1967-10-12)
soprano vocals [Lakmé]:
Joan Sutherland (soprano) (on 1967-10-12)
orchestra:
Orchestre National de lʼOpéra de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (on 1967-10-12)
conductor:
Richard Bonynge (conductor and pianist) (on 1967-10-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo (Monte Carlo), Monaco (on 1967-10-12)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (on 1967-10-12)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes6:00
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