Klara Top 75: 2009

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Magnificat, "Magnificat anima mea Dominum / Et exultavit spiritus meus / Quia respexit humilitatem / Omnes generationes"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
soprano vocals [Soprano I]:
Nancy Argenta (soprano)
soprano vocals [Soprano II]:
Patrizia Kwella (soprano)
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach8:32
2Serse, "Ombra mai fu"
countertenor vocals [Serse]:
Andreas Scholl (countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Roger Norrington (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel3:02
3Symfonie nr. 9 ('Uit de Nieuwe Wereld'), "Largo"
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1991-05-21 until 1991-05-23)
conductor:
Charles Mackerras (Australian conductor) (from 1991-05-21 until 1991-05-23)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (from 1991-05-21 until 1991-05-23)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo) (from 1991-05-21 until 1991-05-23)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák13:15
4La Norma, "Casta diva"
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals:
Maria Callas (soprano) (from 1954-04-23 until 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-04-23 until 1954-05-03)
conductor:
Tullio Serafin (conductor) (from 1954-04-23 until 1954-05-03)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1954-04-23 until 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:44
5De Parelvissers, "Au fond du temple saint"
baritone vocals:
Gregory Cross (tenor) and Gino Quilico (baritone)
baritone vocals [Zurga]:
Gino Quilico (baritone)
tenor vocals and tenor vocals [Nadir]:
Gregory Cross (tenor)
orchestra:
Montréal Symphony Orchestra (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1993)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (in 1992)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Récit « C’est toi, toi qu’enfin je revois ! » (Zurga, Nadir)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet7:29
6Carmina Burana, "O Fortuna / Fortuna plango vulnera"
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Christian Thielemann (German conductor)
recording of:
Carmina Burana: Fortuna Imperatrix Mundi
composer:
Carl Orff (composer)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff5:13
7Peer Gynt, "Morgenstemming"
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1982-01-27 until 1982-02-18)
conductor:
Herbert von Karajan (conductor) (from 1982-01-27 until 1982-02-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1982-01-27 until 1982-02-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1982-01-27 until 1982-02-18)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (from 1982-01-27 until 1982-02-18)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:06
8Toccata en Fuga in d
organ:
Peter Hurford (organist)
recorded at:
Sydney Opera House in Sydney, New South Wales, Australia
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
Johann Sebastian Bach9:20
9Adagio in g
engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
organ:
Edward Brewer (harpsichordist) (in 1989-04)
violin:
Eriko Sato (violinist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (from 1989-04 to present) and State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Adagio for Strings and Organ in G minor (in 1989-04)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni7:18
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