Steve Wright’s Sunday Love Songs: Chocolates & Champagne

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Too Lost in You
recording of:
Too Lost in You
lyricist and composer:
Diane Warren (US songwriter)
Sugababes3.53:34
2Signed, Sealed, Delivered
conductor:
Simon Hale
performer:
Stevie Wonder
recording of:
Signed, Sealed, Delivered I’m Yours
writer:
Lee Garrett, Lula Mae Hardaway (songwriter), Syreeta (US singer‐songwriter active 1970s–80s) and Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Blue feat. Stevie Wonder33:33
3Sacrifice
assistant recording engineer:
Karl Lever
recording engineer and engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
bass guitar:
Romeo Williams
drums (drum set):
Jonathan Moffett
keyboard:
Guy Babylon, Elton John (English singer, songwriter, pianist, and composer) and Fred Mandel
background vocals:
Davey Johnstone
lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
phonographic copyright (℗) by:
Happenstance Ltd. (record and publishing company) (in 1989)
recorded at:
Puk Recording Studios in Gjerlev, Central Denmark Region, Denmark
recording of:
Sacrifice
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher), Rocket Music Ltd. and Universal–Songs of PolyGram International, Inc.
Elton John2.95:04
4Addicted
recording of:
Addicted
Enrique Iglesias4:12
5You Make Me Feel Brand New
recording of:
You Make Me Feel Brand New
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Simply Red4:19
6The Closest Thing to Crazy
engineer:
Steve Sale
producer:
Mike Batt
lead vocals:
Katie Melua
arranger:
Mike Batt
phonographic copyright (℗) by:
Dramatico Entertainment Ltd. (not release label) (in 2003) and BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 2023)
recording of:
The Closest Thing to Crazy
lyricist and composer:
Mike Batt
publisher:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) and Sony/ATV Music Publishing (UK) Ltd.
Katie Melua3.54:12
7Dilemma
producer:
BAM and Ryan Bowser
guest vocals:
Kelly Rowland
lead vocals:
Nelly (US rapper) and Kelly Rowland
performer:
Kelly Rowland
produced for:
Suga Shack Entertainment
samples:
Love, Need and Want You by Patti LaBelle
recording of:
Dilemma
lyricist:
Kenneth Gamble (songwriter for Philadelphia International), Nelly (US rapper) and Bunny Sigler
composer:
BAM and Ryan Bowser
publisher:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (ended), Jackie Frost Music (ended), Phat Nasty (ended), Suga Shack (ended), EMI April Music Inc., Hipgnosis SFH I Limited, Kobalt Songs Music Publishing (USA, ASCAP affiliated), Shack Suga Entertainment, Universal Music–MGB Songs and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
is based on:
Love, Need and Want You
Nelly feat. Kelly3.353:56
8Tired of Being Alone
recorded at:
Royal Studios in Memphis, Tennessee, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 293)
recording of:
Tired of Being Alone
lyricist and composer:
Al Green (US soul singer, songwriter, pastor and record producer)
publisher:
Burlington Music Ltd., Irving Music, Inc. and Universal Music Publishing Group
Al Green4.452:49
9You’re Still the One
recording of:
You’re Still the One
writer:
Eilleen Shania Lange and Robert John Lange
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. and PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3:33
10Too Much Heaven
assistant engineer:
John Blanche and Dennis Hetzendorfer
engineer:
Karl Richardson
producer:
Bee Gees, Albhy Galuten and Karl Richardson
horn:
Boneroo Horns (from 1978-03 until 1978-11), Neal Bonsanti (from 1978-03 until 1978-11), Ken Faulk (trumpet player) (from 1978-03 until 1978-11), Peter Graves (trombonist) (from 1978-03 until 1978-11), Bill Purse (songwriter, keyboard player, producer and horn chart arranger) (from 1978-03 until 1978-11), Whit Sidener (from 1978-03 until 1978-11) and Stan Webb (US jazz saxophone, flute) (from 1978-03 until 1978-11)
conductor:
Albhy Galuten
phonographic copyright (℗) by:
Barry Gibb (in 1978, in 1979), Maurice Gibb (in 1978), Robin Gibb (in 1978) and Yvonne Gibb (in 1979)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1978), PolyGram International Music B.V. (not for release label use!) (in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978) and The Estate of Robin Gibb (in 1979)
recorded at:
Criteria Studios in Miami, Florida, United States (from 1978-03 until 1978-11)
recording of:
Too Much Heaven (from 1978-03 until 1978-11)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell Music Ltd., Gibb Brothers Music, Music For Unicef, RSO Publishing Inc., Unichappell Music, Inc., Warner Chappell (Warner/Chappell Music, Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bee Gees44:56
11Maybe That’s What It TakesAlex Parks2.353:53
12The Look of Love
recording of:
The Look of Love
lyricist:
Hal David
writer:
Burt Bacharach and Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Dusty Springfield53:32
13Love and Affection
recording of:
Love and Affection
lyricist and composer:
Joan Armatrading
publisher:
Irving Music (BMI)
Joan Armatrading4:20
14Always
edit of:
Always by Atlantic Starr
recording of:
Always
writer:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
Atlantic Starr33:59
15Tracks of My Tears
producer:
Bill “Smokey” Robinson
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 50) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 54)
recording of:
The Tracks of My Tears (on 1965-05-19)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
recording of:
The Tracks of My Tears (on 1971-05-06)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
Smokey Robinson & The Miracles4.253:01
16The Crying Game
performer:
Dave Berry
cover recording of:
The Crying Game
lyricist and composer:
Geoff Stephens
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
recording of:
The Crying Game
lyricist and composer:
Geoff Stephens
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Dave Berry32:41
17Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E King4.652:58
18Reach Out I’ll Be There
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1966)
background vocals:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
lead vocals:
Levi Stubbs (in 1966)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Four Tops42:59
19I Get the Sweetest Feeling
phonographic copyright (℗) by:
Brunswick Recordings (in 1968)
recording of:
I Get the Sweetest Feeling (in 1968)
writer:
Alicia Evelyn (songwriter and performer) and Van McCoy
publisher:
Alley Music, TM Music Ltd., Trio Music (publisher) and Van McCoy Music
Jackie Wilson4.52:54
20Hang on in There Baby
recording of:
Hang on in There Baby
lyricist and composer:
Johnny W. Bristol
publisher:
Bushka Music (publishing) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Johnny Bristol3:22
2CD

Credits

Release group

part of:Steve Wright's Sunday Love Songs (order: 4)