Classic Commercials, Classic Music From TV Adverts

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Old Spice (O Fortuna From Carmina Burana)
producer:
Günter Appenheimer (producer/engineer)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (from 1988-10-28 until 1988-11-02)
vocals:
Slovenský filharmonický zbor (Slovak Philharmonic Choir)
orchestra:
Slovak Radio New Philharmonic Orchestra and CSR Symphony Orchestra (Bratislava) (Slovak Radio Symphony Orchestra) (from 1988-10-28 until 1988-11-02)
conductor:
Stephen Gunzenhauser (conductor) (from 1988-10-28 until 1988-11-02)
chorus master:
Pavol Procházka (choirmaster, conductor and composer) (from 1988-10-28 until 1988-11-02)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Studio of the Czechoslovak Radio (Bratislava) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1988-10-28 until 1988-11-02)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1988-10-28 until 1988-11-02)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1988-10-28 until 1988-11-02)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
partial recording of:
Carmina Burana: Fortuna Imperatrix Mundi
composer:
Carl Orff (composer)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:40
2Bao Chocolates/Kleenex Tissues (Intermezzo Sinfonico From Cavalleria rusticana)
orchestra:
Czecho-Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Cavalleria rusticana: Intermezzo
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:40
3Black And Decker (Flight of the Bumble-Bee)
producer:
Günter Appenheimer (producer/engineer)
orchestra:
CSR Symphony Orchestra (Slovak Radio Symphony Orchestra) (from 1987-12-13 until 1987-12-16)
conductor:
Anthony Bramall (conductor) (from 1987-12-13 until 1987-12-16)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1988)
recorded at:
Concert Hall of the Czecho‐Slovak Radio (Bratislava) in Praha (Prague), Czechia (from 1987-12-13 until 1987-12-16)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) (from 1987-12-13 until 1987-12-16)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Nikolai Rimsky-Korsakov1:31
4British Airways (Flower Duet From Lakmé)
mezzo-soprano vocals:
Denisa Šlepkovská (mezzo-soprano)
soprano vocals:
Adriana Kohútková (soprano)
orchestra:
Slovak Radio Symphony Orchestra
conductor:
Johannes Wildner (conductor)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes6:39
5Hovis (Largo From Symphony no. 9 "From the New World")
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Stephen Gunzenhauser (conductor)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák4:56
6Ragu Pasta Sauces (Anvil Chorus From Il trovatore)
choir vocals:
Budapest Festival Chorus
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor:
Will Humburg (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:51
7Hamlet (Air on a G String)
producer:
Hubert Geschwandtner (producer/engineer) (from 1989-01 until 1989-03) and Karol Kopernický (producer) (from 1989-01 until 1989-03)
orchestra:
Capella Istropolitana (from 1989-01 until 1989-03)
conductor:
Jaroslav Dvořák (Jaroslav Krcek) (from 1989-01 until 1989-03)
phonographic copyright (℗) by:
Naxos International
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1989-01 until 1989-03)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1989-01 until 1989-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3.35:18
8Cadbury's Fruit and Nut (Danse des mirlitons From Nutcracker)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Michael Halász (conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Pyotr Ilyich Tchaikovski2:23
9Peugeot (Die Moldau)
orchestra:
Polish National Radio Symphony Orchestra (revived in 1945 in Katowice)
conductor:
Antoni Wit (conductor)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana4:24
10Woolworths (Arrival of the Queen of Sheba)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel3:25
11Threshers (Canon)
producer:
Günter Appenheimer (producer/engineer) (in 1988-08)
orchestra:
Capella Istropolitana (in 1988-08)
conductor:
Richard Edlinger (conductor and composer) (in 1988-08)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia and Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-08)
cover recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (in 1988-08)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:45
12Royal Bank Of Scotland (Playful Pizzicato From Simple Symphony)
orchestra:
Bournemouth Sinfonietta
conductor:
Richard Studt (violinist, conductor)
recording of:
Simple Symphony, op. 4: II. Playful Pizzicato
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1933-12 until 1934-02)
part of:
Simple Symphony, op. 4
Benjamin Britten3:17
13Mercedes Benz (Soave sia il vento From Così fan tutte)
producer:
Hubert Geschwandtner (producer/engineer) (from 1990-02 until 1990-04) and Karol Kopernický (producer) (from 1990-02 until 1990-04)
bass vocals:
Peter Mikuláš (operatic bass) (from 1990-02 until 1990-04)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (from 1990-02 until 1990-04)
mezzo-soprano vocals:
Rohangiz Yachmi (mezzo-soprano) (from 1990-02 until 1990-04)
soprano vocals:
Joanna Borowska (soprano) (from 1990-02 until 1990-04)
orchestra:
Capella Istropolitana (from 1990-02 until 1990-04)
conductor:
Johannes Wildner (conductor) (from 1990-02 until 1990-04)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1990, in 1994)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-02 until 1990-04)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (from 1990-02 until 1990-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:10
14Boursin Cheese (Clair de Lune)
orchestra:
Czecho-Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra)
conductor:
Ondrej Lenárd (conductor)
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:25
15Rover (Largo From Serse)
orchestra:
Capella Istropolitana
conductor:
Richard Edlinger (conductor and composer)
instrumental recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
George Frideric Handel3:40
16Dulux Weathershield (Jupiter From The Planets)
orchestra:
Czecho-Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (from 1988-11-26 until 1988-11-30)
conductor:
Adrian Leaper (conductor) (from 1988-11-26 until 1988-11-30)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (from 1988-11-26 until 1988-11-30)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:54
17IBM Computers (Für Elise)
engineer:
Radányi Endre (Endre Radányi, engineer) (in 1988-01)
producer:
Dóra Antal (in 1988-01)
piano:
Balázs Szokolay (pianist) (from 1988-01-20 until 1988-01-28)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59) (from 1988-01-20 until 1988-01-28)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven3:05
18Chanel L'Égoiste (Dance of the Knights From Romeo and Juliet)
orchestra:
Czecho-Slovak State Philharmonic Orchestra (Slovak State Philharmonic Orchestra, Košice)
conductor:
Andrew Mogrelia (conductor)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev5:52
19Lloyds Bank (Wachet auf From Cantata 140)
orchestra:
Capella Istropolitana
conductor:
Richard Edlinger (conductor and composer)
instrumental recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach4:36