The Very Best of the Cole Porter Songbook

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Jewel case in cardboard sleeve

Annotation last modified on 2018-10-05 16:36 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1You’d Be So Nice to Come Home to
recording of:
You’d Be So Nice to Come Home To (in 1958)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Johnny Mathis2:12
2Just One of Those Things
cover recording of:
Just One of Those Things (in 1955)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Sammy Davis Jr.2:53
3So in Love
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1958-10-19)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-10-19)
vocals:
Peggy Lee (jazz vocalist) (on 1958-10-19)
cover recording of:
So in Love (from Kiss Me, Kate) (on 1958-10-19)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
Peggy Lee2:34
4I Get a Kick Out of You
recording of:
I Get a Kick Out of You (in 1962)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Frank Sinatra2:56
5All Through the Night
recording of:
All Through the Night (in 1951)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
part of:
Anything Goes
Mary Martin3:11
6Miss Otis Regrets
engineer:
Val Valentin
producer:
Norman Granz
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Miss Otis Regrets (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1934)
Ella Fitzgerald33:02
7Begin the Beguine
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1959)
recording of:
Begin the Beguine (in 1959)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Perry Como3:29
8Most Gentlemen Don’t Like Love
recording of:
Most Gentlemen Don't Like Love (in 1959)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
Nancy Walker2:16
9True Love
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
cover recording of:
True Love (High Society) (in 1960)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
part of:
The 29th Academy Award for Best Original Song (number: 2)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
Dean Martin2:33
10Tom, Dick or Harry
recording of:
Tom, Dick or Harry (from Kiss Me, Kate) (in 1953)
lyricist and composer:
Cole Porter (composer)
part of:
Kiss Me, Kate (musical)
Kathryn Grayson with Bob Fosse & Bobby Van3:28
11Paris Loves Lovers
producer:
George Feltenstein
vocals:
Carol Richards
arranger:
Conrad Salinger
orchestrator:
Robert Franklyn and Conrad Salinger
recording of:
Paris Loves Lovers (Silk Stockings) (on 1956-10-31)
lyricist and composer:
Cole Porter (composer)
part of:
Silk Stockings (1957 musical film)
part of:
Silk Stockings (1955 musical)
Fred Astaire with Carol Richards2:44
12Get Out of Town
producer:
Norman Granz
vocals:
Anita O’Day (on 1959-04-09)
orchestra:
Billy May & His Orchestra (on 1959-04-09)
recording of:
Get Out of Town (on 1959-04-09)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
Anita O’Day2:31
13The Physician
producer:
Norman Granz
piano:
Blossom Dearie (on 1960-02-22)
vocals:
Blossom Dearie (on 1960-02-22)
orchestra:
Russell Garcia's Orchestra (on 1960-02-22)
conductor:
Russell Garcia (on 1960-02-22)
arranger:
Russell Garcia
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1960)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-02-22)
recording of:
The Physician (from the musical “Nymph Errant”) (on 1960-02-22)
lyricist and composer:
Cole Porter (composer) (in 1933)
part of:
Nymph Errant (Cole Porter Musical)
Blossom Dearie2:12
14I Love You
vocals:
Billy Eckstine (on 1949-12-22) and Sarah Vaughan (on 1949-12-22)
orchestra:
Orchestra conducted by Joe Lipman (on 1949-12-22)
cover recording of:
I Love You (Mexican Hayride musical) (in 1957)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sarah Vaughan with Billy Eckstine2:39
15Who Wants to Be a Millionaire?
vocals:
Celeste Holm and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
recording of:
Who Wants to Be a Millionaire? (High Society) (in 1956)
lyricist and composer:
Cole Porter (composer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Chappell & Co. (in 1955)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
Frank Sinatra with Celeste Holm2:06
16I Love You Samantha
vocals:
Bing Crosby
recording of:
I Love You, Samantha (High Society musical romantic comedy film) (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Chappell & Co Ltd.
Bing Crosby4:27
17At Long Last Love
cover recording of:
At Long Last Love (in 1946)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
Lena Horne2:44
18Down in the Depths on the Ninetieth Floor
recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue") (in 1955)
lyricist and composer:
Cole Porter (composer) (in 1936)
Sylvia Syms4:33
19Experiment
recorded in:
New York, New York, United States (on 1954-11-07)
vocals:
Mabel Mercer (on 1954-11-07)
recording of:
Experiment (Nymph Errant) (on 1954-11-07)
lyricist and composer:
Cole Porter (composer) (in 1933)
part of:
Nymph Errant (Cole Porter Musical)
Mabel Mercer3:17
20Satin and Silk
recording of:
Satin and Silk (in 1955)
lyricist and composer:
Cole Porter (composer)
Gretchen Wyler3:42
21Everything I Love
recording of:
Everything I Love (Let’s Face It! musical) (in 1941)
lyricist and composer:
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
Dinah Shore2:59
22Don’t Fence Me In
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-07-25) and Los Angeles, California, United States (on 1944-07-25)
lead vocals:
The Andrews Sisters (on 1944-07-25) and Bing Crosby (on 1944-07-25)
orchestra:
Vic Schoen and His Orchestra (on 1944-07-25)
conductor:
Vic Schoen (on 1944-07-25)
recording of:
Don’t Fence Me In (on 1944-07-25)
lyricist:
Robert Fletcher (US poet) (in 1934) and Cole Porter (composer) (in 1934)
composer:
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Bing Crosby with The Andrews Sisters3.53:12
23Let’s Misbehave
recording of:
Let’s Misbehave (Paris musical) (in 1928)
lyricist and composer:
Cole Porter (composer) (in 1927)
part of:
Anything Goes
Irene Bordoni2:47
24In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song) (in 1961)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
Billy Eckstine3:48
25Every Time We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:34

Credits

Release

ASIN:US: B014MGP7HI [info]