Now That’s What I Call HMV Singer & Song

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1Jesus to a Child (special radio edit)
recording of:
Jesus to a Child
Texter und Komponist(in):
George Michael
publisher:
Dick Leahy Music Ltd.
George Michael?:??
A2Your Song
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Gus Dudgeon
Akustikgitarre:
Frank Clark (Guitar/bassist)
Bassgitarre:
Dave Richmond
Gitarre:
Colin Green
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Barry Morgan (English drummer)
zwölfsaitige Gitarre:
Clive Hicks
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 54), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 136) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 202)
recording of:
Your Song
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (beendet), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.95?:??
A3Fields of Gold
recording of:
Fields of Gold
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Music Publishing Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS‐affiliated) und Steerpike Ltd. (PRS-affiliated)
Sting?:??
A4My Love
Assistent recording engineer:
Mark Vigars (engineer) (von 1973-01-25 bis 1973-01-27)
recording engineer:
Richard Lush (von 1973-01-25 bis 1973-01-27)
Produzent(in):
Paul McCartney (The Beatles) (von 1973-01-25 bis 1973-01-27)
Mix:
Richard Lush (am 1973-01-27)
Bassgitarre:
Denny Laine (von 1973-01-25 bis 1973-01-27)
E-Gitarre:
Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (von 1973-01-25 bis 1973-01-27)
Hybrid-Piano und Sologesang:
Paul McCartney (The Beatles) (von 1973-01-25 bis 1973-01-27)
Schlagzeug:
Denny Seiwell (US drummer) (von 1973-01-25 bis 1973-01-27)
Hintergrundgesang:
Denny Laine (von 1973-01-25 bis 1973-01-27) und Linda McCartney (von 1973-01-25 bis 1973-01-27)
Orchestrator(in):
Richard Hewson
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1993, in 2001) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1993, in 2001)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-01-25 bis 1973-01-26)
zusätzlich aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1973-01-27)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1973-01-27)
recording of:
My Love (von 1973-01-25 bis 1973-01-27)
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Wings4?:??
A5Maggie May (single version)
recording of:
Maggie May
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart?:??
A6In Dreams
recording engineer und Mix:
Richard Bosworth
assistierende(r) Techniker(in):
Julie Last und Duane Seykora
zusätzliche(r) Techniker(in):
Arthur Kelm (engineer)
Produzent(in):
T‐Bone Burnett (musician, songwriter and producer), David Lynch (filmmaker) und Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Inc. (in 1987)
aufgenommen bei und mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
In Dreams (in 1987-04)
Texter und Komponist(in):
Roy Orbison
publisher:
Barbara Orbison Music Company, Roy Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1963-02-13)
Roy Orbison?:??
A7Knocking on Heaven's Door
recording of:
Knockin’ on Heaven’s Door
Texter und Komponist(in):
Bob Dylan
zusätzlicher Texter:
Bob Dylan (am 1975-03-23)
publisher:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Ram’s Horn Music (in 1973)
Bob Dylan?:??
A8Perfect Day
Produzent(in):
David Bowie (English singer‐songwriter) und Mick Ronson (British guitarist)
Sologesang:
Lou Reed (in 1972-08)
arranger:
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1972) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 334)
recording of:
Perfect Day (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. und Screen Gems–EMI Music Ltd.
Lou Reed4.3?:??
B1The River
recording of:
The River
publisher:
Bruce Springsteen (in 1979)
Texter:
Bruce Springsteen (von 1979 bis 1980)
Komponist(in):
Bruce Springsteen (in 1979)
publisher:
Zomba Music Publishing Ltd.
Version von:
Oh Angelyne
Bruce Springsteen3?:??
B2Piano Man
Produzent(in):
Phil Ramone und Michael Stewart (US producer/guitarist from California, 1945–2002)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recording of:
Piano Man
Texter und Komponist(in):
Billy Joel (American singer-songwriter and pianist)
publisher:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Australia Pty. Ltd., Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1973) und Joelsongs (in 1973)
Billy Joel?:??
B3Sweet Caroline
recording of:
Sweet Caroline
Texter:
Neil Diamond
Komponist(in):
Neil Diamond (in 1969)
publisher:
Ahab Music Co., Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Sony Tunes, Inc., Stone Bridge Music Co., Tree Publishing und MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1969)
Neil Diamond?:??
B4You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.55?:??
B5My Cherie Amour
Produzent(in):
Henry Cosby
Sologesang:
Stevie Wonder (von 1967 bis 1968)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1967 bis 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 399)
recording of:
My Cherie Amour (von 1967 bis 1968)
Verfasser(in):
Henry Cosby, Sylvia Moy und Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder4.35?:??
B6Sweet Love (45 version)
Techniker(in):
Barney Perkins
Produzent(in):
Michael J. Powell
Bassgitarre:
Freddie Washington (US session bassist)
Gitarre:
Greg Moore (US guitarist & songwriter)
Keyboard:
Dean Gant
membranophone:
Ricky Lawson
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
Jim Gilstrap, Bunny Hull und Darryl Phinnessee
Hintergrundgesang und Sologesang:
Anita Baker
Musikvideos:
Sweet Love von Anita Baker
recording of:
Sweet Love
Komponist(in):
Anita Baker, Gary Bias (jazz saxophonist) und Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.5?:??
B7Hello
Produzent(in):
James Anthony Carmichael und Lionel Richie
Interpret(in):
Ocobamba
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
Texter und Komponist(in):
Lionel Richie
Verfasser(in):
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.85?:??
2▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
C1Imagine
recording of:
Imagine
Texter:
John Lennon (The Beatles) und Yoko Ono (Japanese‐American musician and artist)
Komponist(in):
John Lennon (The Beatles)
publisher:
Downtown DMP Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!) und Lenono Music
sub-publisher:
フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
John Lennon?:??
C2Bridge Over Troubled Water
recording engineer:
Ted Brosnan (am 1969-11-09)
Techniker(in):
Roy Halee
Produzent(in):
Arthur Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter) (am 1969-11-09)
Gitarre:
Fred Carter, Jr. (am 1969-11-09) und Paul Simon (of Simon & Garfunkel) (am 1969-11-09)
Keyboard:
Larry Knechtel (am 1969-11-09)
Saiteninstrumente:
Ernie Freeman (am 1969-11-09) und Jimmie Haskell (am 1969-11-09)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1969-11-09)
vocals:
Art Garfunkel (am 1969-11-09) und Paul Simon (of Simon & Garfunkel) (am 1969-11-09)
phonographisches Urheberrecht (℗) von:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 1), The Co-Op: Top 10 British Funeral Songs (Nummer: 9), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 58) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 66)
recording of:
Bridge Over Troubled Water (am 1969-11-09)
Texter:
Paul Simon (of Simon & Garfunkel)
Komponist(in):
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simon & Garfunkel4.05?:??
C3Hallelujah
recording engineer und Mix:
Leanne Ungar
zusätzlich recording engineer:
John Smith (US recording engineer)
assistierende(r) Techniker(in):
Lee Friedman
Produzent(in):
John Lissauer
Sologesang:
Leonard Cohen (Canadian singer‐songwriter and poet)
vocals:
Jennifer Warnes
arranger:
John Lissauer
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
aufgenommen bei:
Quadrasonic Sound in New York, New York, Vereinigte Staaten
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 38) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 74)
recording of:
Hallelujah (in 1984)
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Leonard Cohen4.15?:??
C4Why
recording of:
Why
Texter und Komponist(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Records (not for release label use! primarily named as distributor in the UK), La Lennoxa Music Co. Ltd. und Universal Music Publishing MGB Ltd.
Annie Lennox?:??
C5You’re Beautiful
Bearbeitung von:
You’re Beautiful (explicit) von James Blunt
Musikvideos:
You’re Beautiful (music video) von James Blunt
recording of:
You’re Beautiful
Verfasser(in):
James Blunt, Amanda Ghost und Sacha Skarbek
publisher:
David Platz Music Inc., EMI Blackwood Music Inc. und Universal–Songs of PolyGram International, Inc.
James Blunt3.5?:??
C6Budapest
Programmierung und Produzent(in):
Cam Blackwood
Techniker(in):
Cam Blackwood und Liam Thorne
assistierende(r) Produzent(in):
Liam Thorne
assistierende(r) Mix:
Sean Julliard
Mix:
Cenzo Townshend (engineer)
Bass-Synthesizer [bass synth] und Keyboard [keys]:
Cam Blackwood
Gitarre [guitars] und Perkussion:
Cam Blackwood und George Ezra
Keyboard [keyboards]:
George Ezra
vocals:
George Ezra
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
produced for:
Big Life Management
aufgenommen bei:
Voltaire Road Recording Studios in Clapham, Lambeth, London (Greater London), England, Vereinigtes Königreich
mixed at:
Decoy Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 89)
recording of:
Budapest
Verfasser(in):
George Ezra Barnett und Joel Pott
publisher:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE), BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
George Ezra3.65?:??
C7Angels
Programmierung:
Steve Power und Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistierende(r) Techniker(in):
Jim Brumby (UK engineer) und Matt Hay
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
Mix:
Steve Power
Bass:
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
Gitarre:
Andre Barreau, Chester Kamen und Gary Nuttall
Keyboard [keyboards]:
Guy Chambers (English songwriter and record producer) und Steve Power
Perkussion:
Andy Duncan (UK drummer and producer)
Schlagzeug [drums]:
Chris Sharrock
Hintergrundgesang:
Andre Barreau, Gary Nuttall und Nicole Patterson
Sologesang:
Robbie Williams
Orchester:
London Session Orchestra
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1997)
aufgenommen bei:
Matrix Maison Rouge Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 5)
recording of:
Angels
Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) und Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.65?:??
D1Perfect
Programmierung:
Will Hicks
assistierende(r) Techniker(in):
Jack Fairbrother, Johnny Solway, Matt Jones (engineer, Abbey Road), George Oulton (sound engineer) und Paul Pritchard (recording engineer)
Techniker(in):
Joe Rubel (songwriter and producer) und Chris Sclafani
Produzent(in):
Will Hicks und Ed Sheeran (UK singer‐songwriter)
zusätzliche(r) Produzent(in):
benny blanco (producer Benjamin Levin)
assistierende(r) Mix:
Michael Freeman (UK engineer and recording professional) und Geoff Swan
Mix:
Mark “Spike” Stent (producer, engineer)
Akustikgitarre, Hintergrundgesang und Sologesang:
Ed Sheeran (UK singer‐songwriter)
Bass:
Pino Palladino
Bratsche / Viola:
Laurie Anderson (violist), Meghan Cassidy, Rachel Roberts (viola player) und Kotono Sato (Japanese violinist)
Cello:
Nick Cooper (UK cellist), Katherine Jenkinson (cellist) und Tim Lowe (cellist)
E-Gitarre:
Will Hicks und Ed Sheeran (UK singer‐songwriter)
flute und Piccoloflöte:
Nick Cartledge
Geige / Violine:
Fenella Barton (violinist/violist), Mandhira de Saram (violinist, composer, improviser), Matthew Denton, James Dickenson, Alison Dods (violinist), Martyn Jackson (violinist), Magnus Johnston (violinist), Marije Johnston (dutch violinist, née Ploemacher), Simon Hewitt Jones, Patrick Kiernan (violinist), Kirsty Mangan, Jeremy Morris (violinist), Jan Regulski (violinist) und Debbie Widdup (violinist)
Hammond-Orgel und Klavier:
John Tilley
Klarinette:
Charys Green (clarinetist)
Kontrabass:
Leon Bosch (double bassist) und Ben Russell (double bass player)
Perkussion:
Will Hicks
Schlagzeug:
Jay Lewis (drummer)
conductor:
Peter Gregson (British cellist and composer)
instruments arranger:
Matthew Sheeran
phonographisches Urheberrecht (℗) von:
Asylum Records UK (company credits only; do not use as release label!) (in 2017) und Warner Music UK Limited (not for release label use!) (in 2024)
aufgenommen bei:
555 Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, Dean St. Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich, Decoy Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten, Gingerbread Man Studios (Suffolk) in Suffolk, England, Vereinigtes Königreich, Gingerbread Man Studios (London) in London (Greater London), England, Vereinigtes Königreich, Pixel Studios in London (Greater London), England, Vereinigtes Königreich und The Village Studio (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Mix Suite in London (Greater London), England, Vereinigtes Königreich und The Mixsuite in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2018 (Nummer: 2), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 4), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 40), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 62) und Top Songs of 2024: Global (Nummer: 100)
recording of:
Perfect
Texter und Komponist(in):
Ed Sheeran (UK singer‐songwriter)
publisher:
Ed Sheeran Limited und Sony/ATV Music Publishing (UK) Ltd.
Ed Sheeran3?:??
D2Shallow (radio edit)
Assistent recording engineer:
Bo Bodnar und Alex Williams (engineer)
recording engineer:
Benjamin Rice (American producer)
Produzent(in):
Lady Gaga und Benjamin Rice (American producer)
assistierende(r) Mix:
Brandon Bost
Mix:
Tom Elmhirst (mixing engineer)
Akustikgitarre:
Lukas Nelson
Bassgitarre [bass]:
Corey McCormick
Keyboard [keyboards]:
Alberto Bof
Lap-Steel-Gitarre [lapsteel guitar]:
Jesse Siebenberg
Perkussion:
Eduardo "Tato" Melgar
Schlagzeug [drums]:
Anthony LoGerfo
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2018)
aufgenommen bei:
Greek Theater in Los Feliz, Los Angeles, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
Eastwest Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Bearbeitung von:
Shallow (with audience noises) von Lady Gaga & Bradley Cooper (actor)
a cappella versions:
Shallow von Forte A Cappella (Centerville High School)
Teil von:
Rolling Stone: The 50 Best Tunes by Made-Up Musicians (Nummer: 3), World Soundtrack Awards: Best Original Song (Nummer: 2019), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 14), Billboard Year-End Hot 100 singles of 2019 (Nummer: 19), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 23), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 24), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2019 winner) und Stereogum: The 200 Best Songs of the 2010s (Nummer: 46)
recording of:
Shallow
Verfasser(in):
Mark Ronson (British DJ and producer), Anthony Rossomando, Stefani Germanotta und Andrew Wyatt (US vocalist, songwriter)
publisher:
Stephaniesays Music
Teil von:
The 91st Academy Award for Best Original Song (Nummer: 1), Prix de l’œuvre internationale de l’année (Nummer: 2019) und Academy Award for Best Original Song (Nummer: 2018 winner)
Lady Gaga3.45?:??
D3Rehab
Assistent recording engineer:
Jesse Gladstone und Mike Makowski
recording engineer:
Vaughan Merrick und Mark Ronson (British DJ and producer)
sonstige Unterstützung:
Isobel Griffiths (Aufgabe: contractor / orchestra)
Techniker(in):
Dom Morley
Produzent(in):
Mark Ronson (British DJ and producer)
assistierende(r) Mix:
Matt Paul
Mix:
Tom Elmhirst (mixing engineer)
alto saxophone:
Chris Davies und Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Dave Bishop (saxophonist) und Ian Hendrickson-Smith
Bassgitarre:
Nick Movshon
Bratsche / Viola:
Rachel Bolt (violist), Jonathan Thorne (viola player), Bruce White (violist) und Katie Wilkinson (violist)
Cello:
John Heley (cellist), Joely Koos (cellist) und Anthony Pleeth (cellist)
Geige / Violine:
Mark Berrow (violinist), Elizabeth Edwards (violinist), Peter Hanson (violinist), Boguslaw Kostecki (violinist), Perry Montague‐Mason (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Jonathan Rees, Chris Tombling (violinist) und Warren Zielinski (violinist)
Gitarre:
Thomas Brenneck und Binky Griptite
Händeklatschen:
Vaughan Merrick und Mark Ronson (British DJ and producer)
Harfe:
Helen Tunstall
Hybrid-Piano, Händeklatschen und Klavier und Klavier:
Victor Axelrod
Perkussion:
Frank Ricotti (percussionist)
Posaune:
Richard Edwards (trombonist)
Schlagzeug:
Homer Steinweiss
Tenorsaxophon:
Mike Smith (British saxophonist/keyboardist/composer/arranger/conductor), Neal Sugarman und Jamie Talbot (English jazz alto saxophonist)
Trompete:
Dave Guy und Steve Sidwell (English composer & wind instrumentalist)
conductor:
Chris Elliott (composer and arranger)
Blasinstrumente arranger:
Gabriel Roth und Mark Ronson (British DJ and producer)
Saiteninstrumente arranger:
Chris Elliott (composer and arranger)
arranger:
Gabriel Roth (Gabriel Alexander Roth)
aufgenommen bei:
Chung King Studios in New York, New York, Vereinigte Staaten, Daptone’s House of Soul in Bushwick, New York, New York, Vereinigte Staaten und Metropolis (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Amazon – Best Songs of 2007: Editor Picks (Nummer: 57), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 73) und Indie 88: Top 500 Indie Rock Songs (Nummer: 419)
recording of:
Rehab
Texter und Komponist(in):
Amy Winehouse
publisher:
EMI Music Publishing (do not use as a release label!)
Amy Winehouse4.15?:??
D4Save Your Tears
Programmierung und Produzent(in):
Oscar Holter, Max Martin (Swedish record producer) und The Weeknd (Canadian R&B singer)
assistierende(r) Techniker(in):
Cory Bice und Jeremy Lertola
Techniker(in):
Sam Holland (sound engineer), Michael Ilbert und Shin Kamiyama
assistierende(r) Mix:
John Hanes (audio engineer, mixer)
Mix:
Serban Ghenea
Bass, Gitarre, Keyboard [keyboards] und Schlagzeug:
Oscar Holter, Max Martin (Swedish record producer) und The Weeknd (Canadian R&B singer)
Gitarre [guitars]:
Max Grahn
Hintergrundgesang:
The Weeknd (Canadian R&B singer)
produced for:
MXM Productions und Wolf Cousins Productions
aufgenommen bei:
Conway Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, House Mouse Studios in Stockholm, Stockholms län (Stockholm county), Schweden, Jungle City Studios in New York, New York, Vereinigte Staaten, MXM Studios in Stockholm, Stockholms län (Stockholm county), Schweden und MXM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Save Your Tears (music video) von The Weeknd (Canadian R&B singer)
Teil von:
Billboard Hot 100: 2022-02-05 (Nummer: 19), Billboard Year-End Hot 100 singles of 2022 (Nummer: 40) und BILLIONS CLUB
recording of:
Save Your Tears
Verfasser(in):
Abel “The Weeknd” Tesfaye (Canadian R&B singer), Ahmad Balshe (Palestinian-Canadian rapper), Oscar Holter, Jason “DaHeala” Quenneville und Karl Martin Sandberg (Swedish record producer)
publisher:
KMR Music Royalties II SCSp, Kobalt (publisher), Kobalt Songs Music Publishing (USA, ASCAP affiliated), MXM, SAL&CO, Songs of Wolf Cousins, Universal Music Corp. (USA, affiliated with ASCAP), Warner Chappell Music Scand (STIM), WB Music Corp. (1929–2019), WC Music Corp. und Wolf Cousins
The Weeknd3.9?:??
D5Crazy
Produzent(in):
Trevor Horn
Gitarre:
Chrissie Schefts
Gitarre [wah-wah pedal guitar]:
Kenji Suzuki (Simply Red)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1990, in 1991), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
aufgenommen bei:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Crazy (Seal song)
Verfasser(in):
Seal (English‐born singer and songwriter) und Guy Sigsworth
publisher:
Beethoven Street Music Ltd und Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Seal4.1?:??
D6You Do Something to Me
Produzent(in):
Brendan Lynch (London producer) und Paul Weller (English singer‐songwriter and musician)
Mix:
Brendan Lynch (London producer)
andere Instrumente [novatron], Gitarre, Klavier und Sologesang:
Paul Weller (English singer‐songwriter and musician)
Bassgitarre:
Yolanda Charles
Schlagzeug:
Steve White (Style Council drummer)
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1995)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich und Finsbury Park in Haringey, London (Greater London), England, Vereinigtes Königreich (am 1996-06-09)
live recording of:
You Do Something to Me (am 1996-06-09)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. und Stylist Music Ltd.
recording of:
You Do Something to Me
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. und Stylist Music Ltd.
Paul Weller4?:??
D7Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) und Bill Lazarus (in 1971)
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
Akustikgitarre:
Stephen Stills (in 1971)
E-Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
Sologesang:
Bill Withers (in 1971)
Saiteninstrumente arranger:
Booker T. Jones
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
Teil von:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 280) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 309)
recording of:
Ain’t No Sunshine (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Bill Withers4.5?:??
D8What’s Going On
Produzent(in):
Marvin Gaye
Mix:
Lawrence Miles (am 1971-05-06)
Instrumente:
Detroit Symphony Orchestra (am 1971-05-06) und The Funk Brothers (am 1971-05-06)
Klavier, Perkussion [box drum] und Sologesang:
Marvin Gaye (am 1971-05-06)
Hintergrundgesang:
Lem Barney (am 1971-05-06), Mel Farr (am 1971-05-06) und Marvin Gaye (am 1971-05-06)
conductor:
David Van dePitte (am 1971-05-06)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1971)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1971-05-06)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 102) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
What’s Going On (am 1971-05-06)
Texter und Komponist(in):
Renaldo Benson, Al Cleveland (songwriter 1930-1996) und Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. und Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Marvin Gaye4.25?:??