Super 70’s Summer

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Dreadlock Holiday
Techniker(in):
Keith Bessey, Eric Stewart und Tony Spath
Produzent(in):
Graham Gouldman und Eric Stewart
Mix:
Eric Stewart
Agogô, Conga, cowbell, Marimba, Timbales und triangle:
Paul Burgess (UK rock drummer)
Bassgitarre, cabasa und Hintergrundgesang und Sologesang:
Graham Gouldman
E-Gitarre:
Rick Fenn und Graham Gouldman
Hybrid-Piano und Maracas / Rumba-Rasseln:
Eric Stewart
Orgel:
Rick Fenn und Eric Stewart
Schlagzeug und Tamburin:
Stuart Tosh
Synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
Hintergrundgesang:
Rick Fenn, Eric Stewart und Stuart Tosh
arranger:
10cc
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1978) und Phonogram Ltd. (not for release label use!) (in 1978)
aufgenommen bei und mixed at:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich
Musikvideos:
Dreadlock Holiday von 10cc
recording of:
Dreadlock Holiday
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Man-Ken Music Ltd.
10cc4.654:29
2In the Summertime
Produzent(in):
Barry Murray (producer, associated with Mungo Jerry)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1970)
früheste Veröffentlichung:
In the Summertime von Mungo Jerry
Musikvideos:
In the Summertime von Mungo Jerry
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 40) und Billboard Year-End Hot 100 singles of 1970 (Nummer: 53)
recording of:
In the Summertime
Texter und Komponist(in):
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.653:31
3Barbados
recording of:
Barbados
Verfasser(in):
Jeffrey Calvert und Max West
publisher:
Castle (publisher)
Typically Tropical3:35
4Beach Baby
phonographisches Urheberrecht (℗) von:
Peermusic Ltd. (BMI) (in 1974)
recording of:
Beach Baby
Verfasser(in):
John Carter (songwriter & producer, b. 1942) und Gillian Shakespeare (songwriter)
publisher:
Image Music (Australian) und Peermusic Pty. Ltd. (Australia)
First Class4.54:47
5My Baby Loves Lovin’
recording of:
My Baby Loves Lovin’
Texter:
Roger Greenaway
Komponist(in):
Roger Cook (US‐based British singer, songwriter and producer)
White Plains2:46
6Love Is in the Air
Produzent(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1977, in 1978), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (in 1978) und Volcano Entertainment III, L.L.C. (in 1998)
recording of:
Love Is in the Air (in 1978)
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
John Paul Young33:26
7You to Me Are Everything
Produzent(in):
Ken Gold
phonographisches Urheberrecht (℗) von:
Pye Records (in 1976) und Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
Verfasser(in):
Michael Denne und Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Screen Gems–EMI Music Ltd.
The Real Thing3.653:24
8Get Down
recording of:
Get Down
Texter und Komponist(in):
Gilbert O’Sullivan
Gilbert O’Sullivan4.52:42
9Dancin’ (on a Saturday Night)
Produzent(in):
Barry Blue (singer, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
Crimson Copyrights Ltd. (in 1973) und Demon Music Group (in 1973)
recording of:
Dancin’ (On a Saturday Night)
Verfasser(in):
Barry Blue (singer, producer, and songwriter) und Lynsey de Paul
publisher:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:12
10Una paloma blanca
recording of:
Paloma blanca
Texter und Komponist(in):
Hans Bouwens
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) und EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
George Baker Selection32:49
11Rose Garden
cover recording of:
Rose Garden (in 1970)
Texter und Komponist(in):
Joe South
publisher:
BMG Music Publishing Ltd. und Sony/ATV Songs LLC
Version von:
’k Blijf op je wachten
Lynn Anderson4.152:52
12Cottonfields
cover recording of:
Cotton Fields
Texter und Komponist(in):
Huddie William Ledbetter
The Beach Boys2:57
13Girls Girls Girls
Techniker(in):
Jeffrey Lesser und Al Scott (Oysterband, engineer, song writer)
Partner-Produzent(in):
Rupert Holmes
Produzent(in):
Georg Kajanus, Jeffrey Lesser und Al Scott (Oysterband, engineer, song writer)
Mix:
Jeffrey Lesser
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1974)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1975-10)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 51)
recording of:
Girls, Girls, Girls (in 1975-10)
Texter und Komponist(in):
Georg Kajanus
publisher:
Chappell Morris Ltd.
recording of:
Girls, Girls, Girls
Texter:
Nikki Sixx
Komponist(in):
Tommy Lee (Mötley Crüe drummer), Mick Mars und Nikki Sixx
publisher:
Mars Mountain Music, Sixx/Gunner Music, Tommyland Music und WB Music Corp. (1929–2019)
Sailor33:04
14Seaside Shuffle
recording of:
Seaside Shuffle
Verfasser(in):
Jona Lewie
Terry Dactyl and the Dinosaurs2:41
15Jeans On
phonographisches Urheberrecht (℗) von:
Air (UK record company and label, related to Air Studios) (in 1976) und Chrysalis Copyrights Ltd. (in 1976)
recording of:
Jeans On (in 1976)
Verfasser(in):
David Dundas und Roger Greenaway
publisher:
Mushroom Music Pty. Ltd. und Air Edel Associates Ltd. (vom 1976 bis heute)
David Dundas3:21
16Freedom Come Freedom Go
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Freedom Come, Freedom Go
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) (in 1971), Roger Greenaway (in 1971), Albert Hammond (in 1971) und Mike Hazlewood (in 1971)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und PolyGram Music Publishing
The Fortunes3:22
17One Man Band
Produzent(in):
David Courtney (songwriter, singer and producer) und Adam Faith
Gitarre:
James Litherland
Klavier:
Dave Rose (US electro/house/progressive DJ/producer)
Schlagzeug:
Theodore Thunder
vocals:
Leo Sayer
Interpret(in):
Bill Smith (Bass Player)
cover recording of:
One Man Band
Texter:
Leo Sayer
Komponist(in):
David Courtney (songwriter, singer and producer)
publisher:
Rondor Music (London) Ltd., Silverbird Songs Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Leo Sayer33:35
18Hooked on a Feeling
Produzent(in):
Bengt Palmers
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) und EMI Records Group (in 1973)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 284)
recording of:
Hooked on a Feeling
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:54
19I Can See Clearly Now
recording of:
I Can See Clearly Now
Texter und Komponist(in):
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash2:56
20Silly Love Songs
Assistent recording engineer und assistierende(r) Mix:
Mark Vigars (engineer) (von 1976-01-16 bis 1976-03)
recording engineer und Mix:
Pete Henderson (engineer) (von 1976-01-16 bis 1976-03)
Produzent(in):
Paul McCartney (The Beatles)
Bass und Sologesang:
Paul McCartney (The Beatles) (von 1976-01-16 bis 1976-03)
E-Gitarre:
Jimmy McCulloch (von 1976-01-16 bis 1976-03)
Horn:
Howie Casey (von 1976-01-16 bis 1976-03), Tony Dorsey (von 1976-01-16 bis 1976-03), Steve Howard (trumpeter) (von 1976-01-16 bis 1976-03) und Thaddeus Richard (von 1976-01-16 bis 1976-03)
Schlagzeug:
Joe English (von 1976-01-16 bis 1976-03)
Hintergrundgesang:
Denny Laine (von 1976-01-16 bis 1976-03), Linda McCartney (von 1976-01-16 bis 1976-03) und Paul McCartney (The Beatles) (von 1976-01-16 bis 1976-03)
conductor:
Paul McCartney (The Beatles) (von 1976-01-16 bis 1976-03)
Saiteninstrumente arranger:
Tony Dorsey
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 2014) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 2014)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-16, von 1976-01-16 bis 1976-03)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1976-01-16 bis 1976-03)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 45) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 67)
recording of:
Silly Love Songs (von 1976-01-16 bis 1976-03)
Texter und Komponist(in):
Paul McCartney (The Beatles)
Verfasser(in):
Linda McCartney
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Wings3.45:55
21Summer Breeze
recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
cover recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Isley Brothers3:51
22Moonlight Feels Right
phonographisches Urheberrecht (℗) von:
Private Stock Records Ltd. (not for release label use, for company relationships only) (in 1976)
recording of:
Moonlight Feels Right
Texter und Komponist(in):
Bruce Blackman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Starbuck3.53:37
23Here Comes the Sun
cover recording of:
Here Comes the Sun
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Teil von:
Reprise
Steve Harley & Cockney Rebel3.653:01
2▼CD
Nr.TitelKünstlerBewertungLänge
1Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.64:05
2Mr. Blue Sky
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (in 1977)
Gitarre, Synthesizer und Sologesang:
Jeff Lynne (in 1977)
Keyboard:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1977)
Schlagzeug, andere Instrumente [fire extinguisher] und Perkussion:
Bev Bevan (English rock drummer) (in 1977)
Hintergrundgesang:
Bev Bevan (English rock drummer) (in 1977) und Kelly Groucutt (in 1977)
conductor:
Louis Clark (in 1977)
arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
Jet Records (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977, in 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1977)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (in 1977)
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 17) und Q50 – December 2005 (Nummer: 33)
recording of:
Mr. Blue Sky (in 1977)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
Concerto for a Rainy Day
Electric Light Orchestra4.555:02
3Sunday Girl
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
recording of:
Sunday Girl (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc (in 1978)
Blondie3.83:10
4We Don’t Talk Any More
recording of:
We Don’t Talk Anymore
Texter und Komponist(in):
Alan Tarney
publisher:
ATV Music Ltd., Sony/ATV Songs LLC und Warner Chappell
Cliff Richard4:10
5Groovin’ With Mr. Bloe
recording of:
Groovin’ With Mr. Bloe
Komponist(in):
Bo Gentry, Ken Laguna und Paul Naumann
Mr. Bloe2:39
6Rock the Boat
recording of:
Rock the Boat
Texter und Komponist(in):
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation3:02
7Mississippi
phonographisches Urheberrecht (℗) von:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Mississippi
Texter und Komponist(in):
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:35
8Young, Gifted and Black
cover recording of:
To Be Young, Gifted and Black
Texter:
Weldon Irvine
Komponist(in):
Nina Simone
Bob & Marcia3:03
9Double Barrel
Produzent(in):
Winston Riley
Bass:
Robert “Robbie” Shakespeare
Gitarre:
Ranchie McLean
Keyboard:
Ansel Collins (JM reggae keyboardist & producer)
membranophone:
Lowell “Sly” Dunbar
Sologesang:
Dave Barker (reggae artist)
Interpret(in):
Techniques All Stars
recording of:
Double Barrel
Texter und Komponist(in):
Dave Barker (reggae artist), Ansel Collins (JM reggae keyboardist & producer) und Winston Riley
Dave & Ansel Collins52:43
10Uptown Top Ranking
recording of:
Uptown Top Ranking
Verfasser(in):
Althea Forrest, Joe Gibbs, Donna Reid und Errol Thompson (Jamaican reggae/dub producer & engineer)
publisher:
Carlin Music und EMI Virgin Music Ltd. (do not use this as a release label!)
Althea and Donna3.53:54
11Rock Me Gently
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 1992)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 91)
recording of:
Rock Me Gently
Texter und Komponist(in):
Andy Kim (pop singer & songwriter)
Andy Kim53:23
12That’s the Way (I Like It)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.33:02
13Angel Fingers
recording of:
Angel Fingers
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Wizzard54:32
14Malt & Barley Blues
sonstige Unterstützung:
Chris Kimsey
Techniker(in) und Produzent(in):
Glyn Johns
Bass und Gitarre:
Benny Gallagher, Graham Lyle und Tom McGuinness
Keyboard [keyboards]:
Dennis Coulson und Benny Gallagher
Mandoline:
Graham Lyle
Perkussion:
Hughie Flint
Sologesang [vocals]:
Dennis Coulson, Benny Gallagher und Graham Lyle
phonographisches Urheberrecht (℗) von:
Capitol Recording (imprint of Capitol Records, Inc.) (in 1971)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Malt and Barley Blues
Verfasser(in):
Benny Gallagher und Graham Lyle
publisher:
Gallagher & Lyle Music (publisher; do NOT use as release label)
McGuinness Flint2:13
15Spanish Wine
recording of:
Spanish Wine
Texter und Komponist(in):
Chris White (UK singer/songwriter “Spanish Wine”)
Chris White3:05
16Lady Eleanor
recording of:
Lady Eleanor
Texter und Komponist(in):
Alan Hull
publisher:
Hazy Music
Lindisfarne4:13
17If You Think You Know How to Love Me
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
recording of:
If You Think You Know How to Love Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Smokie3:25
18So You Win Again
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977) und RAK (in 1977)
recording of:
So You Win Again
Texter und Komponist(in):
Russ Ballard
publisher:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) und Universal Music–MGB Songs
Hot Chocolate4.254:21
19A Little Bit More
Interpret(in):
Ray Sawyer
cover recording of:
A Little Bit More
Texter und Komponist(in):
Bobby Gosh (pianist, songwriter, and producer)
publisher:
Bygosh Music Corp., Intersong Music Ltd., Sunbury Music Ltd., Warner Chappell und Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Dr. Hook3:14
20Afternoon Delight
vocals:
Jon Carroll (of Starland Vocal Band, on vocals, keyboard, guitar), Margot Chapman (singer with Starland Vocal Band), Bill Danoff und Taffy Nivert
phonographisches Urheberrecht (℗) von:
Cherry Lane Music Publishing Company Inc. (in 1976)
recording of:
Afternoon Delight
Texter und Komponist(in):
Bill Danoff
publisher:
Cherry Lane Music Publishing Company Inc. und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Starland Vocal Band3.53:13
21Loving You
Produzent(in):
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) und Stevie Wonder
Bassgitarre:
Reggie McBride
Becken, Klavier, Mundharmonika und Schlagzeug:
El Toro Negro
Conga:
Kwasi "Rocki" Dzidzornu
Gitarre:
Marlo Henderson und Michael Sembello
Schlagzeug [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) und El Toro Negro
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
vocals:
Minnie Riperton
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:23
22Summer (The First Time)
recording of:
Summer (The First Time)
Texter und Komponist(in):
Bobby Goldsboro
Bobby Goldsboro4:36

Nennungen