English Music

~ Release by Purcell, Arne, Boyce, Byrd; The Academy of Ancient Music, Christopher Hogwood (see all versions of this release, 1 available)

Tracklist

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1▼CD: The Echoing Air
#TitleArtistRatingLength
1Staircase Overture
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
The Staircase Overture for 2 violins and basso continuo in B-flat major, Z. 614
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 614)
Henry Purcell2:41
2If Music Be the Food of Love
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994-08)
soprano vocals:
Sylvia McNair (soprano) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
If Music Be the Food of Love, Z. 379
lyricist:
Col. Henry Heveningham
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 379)
Henry Purcell3:17
3Cebell
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
Trumpet tune called the Cibell, ZT. 678
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: ZT. 678)
Henry Purcell1:09
4To Arms, to Arms, Heroic Prince
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994-08)
soprano vocals:
Sylvia McNair (soprano) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
The Libertine Destroyed, Z. 600: No. 3. Prelude and Song "To arms, heroic prince"
composer:
Henry Purcell (Baroque composer)
librettist:
Thomas Shadwell
part of:
The Libertine Destroyed, Z. 600
Henry Purcell2:52
5To Arms
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
Henry Purcell1:25
6Tell Me, Some Pitying Angel
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
soprano vocals:
Sylvia McNair (soprano) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
Tell me, some pitying angel, Z. 196
lyricist:
Nahum Tate
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 196)
Henry Purcell7:04
7Slow Air
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
Henry Purcell1:49
8We Come To Sing
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
Henry Purcell0:39
9Oh Lead Me to Some Peaceful Gloom
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
soprano vocals:
Sylvia McNair (soprano) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
Bonduca, or the British Heroine, Z. 574: “Oh! Lead me to some peaceful gloom” (Bonvica)
composer:
Henry Purcell (Baroque composer)
part of:
Bonduca, or the British Heroine, Z. 574
Henry Purcell2:50
10O Solitude
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
soprano vocals:
Sylvia McNair (soprano) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
O Solitude, Z. 406
lyricist:
Katherine Philips (17th century poet)
composer:
Henry Purcell (Baroque composer) (from 1684 until 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 406)
is based on:
O Solitude
Henry Purcell4:16
11Hark! hark! The Echoing air
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994-08)
soprano vocals:
Sylvia McNair (soprano) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
The Fairy Queen, Z. 629: Part IV "Epithalamium": "Hark! hark! the echoing air"
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:25
12Trumpet Tune
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
Henry Purcell0:43
13Sweeter Than Roses
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
soprano vocals:
Sylvia McNair (soprano) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
Pausanias, the Betrayer of his Country, Z. 585: I. "Sweeter than roses"
composer:
Henry Purcell (Baroque composer)
part of:
Pausanias, the Betrayer of his Country, Z. 585
Henry Purcell3:06
14Fairest Isle
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
soprano vocals:
Sylvia McNair (soprano) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
King Arthur, Z. 628: Act V, Scene II, 38. “Fairest Isle” (Venus)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell2:00
15She that Would Gain a Faithful Lover
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
soprano vocals:
Sylvia McNair (soprano) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
Henry Purcell3:01
16Cupid, the Slyest Rogue Alive
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
soprano vocals:
Sylvia McNair (soprano) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
Cupid, the slyest rogue alive, Z. 367
composer:
Henry Purcell (Baroque composer) (in 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 367)
Henry Purcell2:20
17I Attempt from Love's Sickness to Fly
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
soprano vocals:
Sylvia McNair (soprano) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
The Indian Queen, Z. 630: Act III: 17h. "I Attempt From Love's Sickness to Fly"
lyricist:
John Dryden (English poet)
composer:
Henry Purcell (Baroque composer)
part of:
The Indian Queen, Z. 630: Act III
Henry Purcell1:36
18Jig
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
Henry Purcell1:08
19Music for a While
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
soprano vocals:
Sylvia McNair (soprano) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
Music for a While
lyricist:
John Dryden (English poet)
composer:
Henry Purcell (Baroque composer)
Henry Purcell3:14
20The Fatal Hour Comes on Apace
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
soprano vocals:
Sylvia McNair (soprano) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
The fatal hour comes on apace, Z. 421
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 421)
Henry Purcell3:40
21Hear, Mighty Love
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
Henry Purcell1:36
22Plainte: O, Let Me Weep
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
violin:
Simon Standage (English violinist and conductor) (in 1994-08)
soprano vocals:
Sylvia McNair (soprano) (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
The Fairy Queen, Z. 629: Part III "The sweet passion": "The Plaint: O let me weep, for ever weep!"
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell5:56
23Chacony in G minor
archlute:
Paul O’Dette (American conductor and lute player specialising in early music) (in 1994-08)
cello and viola da gamba:
Laurence Dreyfus (musicologist / gambist) (in 1994-08)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
strings:
Academy of Ancient Music (in 1994-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1994-08)
recording of:
Chacony in G minor for 2 violins, viola and continuo, Z. 730
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 730)
Henry Purcell4:34
24Ah! How sweet it is to love
recording of:
Tyrannic Love, or The Royal Martyr, Z. 613: Act IV "Ah! How Sweet It Is to Love"
lyricist:
John Dryden (English poet)
composer:
Henry Purcell (Baroque composer)
part of:
Tyrannic Love, or The Royal Martyr, Z. 613
Henry Purcell3:42
2▼CD: Songs and Airs
#TitleArtistRatingLength
1Hark! Hark! How all things
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
spinet:
Christopher Hogwood (conductor, harpsichordist) (in 1982-10)
viola da gamba:
Richard Campbell (Viol Player) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
recording of:
The Fairy Queen, Z. 629: Act V, no. 50. Song: "Hark, How All Things" (1st Woman) (in 1982-10)
lyricist:
Elkanah Settle (Poet and playwright)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell1:43
2Crown the altar, deck the shrine
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
lute:
Anthony Rooley (lute player / conductor) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
partial recording of:
Celebrate This Festival, Z. 321 (in 1982-10)
composer:
Henry Purcell (Baroque composer) (in 1693)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 321)
Henry Purcell2:28
3If music be the food of love
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
spinet:
Christopher Hogwood (conductor, harpsichordist) (in 1982-10)
viola da gamba:
Richard Campbell (Viol Player) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
recording of:
If Music Be the Food of Love, Z. 379 (in 1982-10)
lyricist:
Col. Henry Heveningham
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 379)
Henry Purcell3:25
4Not all my torments
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
spinet:
Christopher Hogwood (conductor, harpsichordist) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
recording of:
Not All My Torments Can Your Pity Move, Z. 400 (in 1982-10)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 400)
Henry Purcell1:58
5O, O let me weep!
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
lute:
Anthony Rooley (lute player / conductor) (in 1982-10)
viola da gamba:
Richard Campbell (Viol Player) (in 1982-10)
violin:
Catherine Mackintosh (violinist) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
recording of:
The Fairy Queen, Z. 629: Part III "The sweet passion": "The Plaint: O let me weep, for ever weep!" (in 1982-10)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell6:32
6I attempt from love's sickness to fly
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
spinet:
Christopher Hogwood (conductor, harpsichordist) (in 1982-10)
viola da gamba:
Richard Campbell (Viol Player) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
recording of:
The Indian Queen, Z. 630: Act III: 17h. "I Attempt From Love's Sickness to Fly" (in 1982-10)
lyricist:
John Dryden (English poet)
composer:
Henry Purcell (Baroque composer)
part of:
The Indian Queen, Z. 630: Act III
Henry Purcell1:20
7Olinda in the shades unseen
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
lute:
Anthony Rooley (lute player / conductor) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
recording of:
Olinda in the shades unseen, Z. 404 (in 1982-10)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 404)
Henry Purcell1:03
8Urge me no more
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
lute:
Anthony Rooley (lute player / conductor) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
recording of:
Urge me no more, Z. 426 (in 1982-10)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 426)
Henry Purcell3:17
9Bess of Bedlam
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
lute:
Anthony Rooley (lute player / conductor) (in 1982-10)
viola da gamba:
Richard Campbell (Viol Player) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
recording of:
Mad Bess of Bedlam, Z. 370 "From Silent Shades and the Elysian Groves" (in 1982-10)
composer:
Henry Purcell (Baroque composer) (in 1683)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 370)
Henry Purcell3:43
10Lovely, lovely Albina
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
spinet:
Christopher Hogwood (conductor, harpsichordist) (in 1982-10)
viola da gamba:
Richard Campbell (Viol Player) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
recording of:
Lovely Albina's come ashore, Z. 394 (in 1982-10)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 394)
Henry Purcell2:10
11Sweeter than roses
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
lute:
Anthony Rooley (lute player / conductor) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
recording of:
Pausanias, the Betrayer of his Country, Z. 585: I. "Sweeter than roses" (in 1982-10)
composer:
Henry Purcell (Baroque composer)
part of:
Pausanias, the Betrayer of his Country, Z. 585
Henry Purcell3:12
12Dear pretty youth
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
spinet:
Christopher Hogwood (conductor, harpsichordist) (in 1982-10)
viola da gamba:
Richard Campbell (Viol Player) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
recording of:
Dear Pretty Youth (in 1982-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Tempest, Z. 631
Henry Purcell1:55
13When first Amintas sued for a kiss
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
lute:
Anthony Rooley (lute player / conductor) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
recording of:
When first Amintas sued for a kiss, Z. 430 (in 1982-10)
composer:
Henry Purcell (Baroque composer) (in 1687)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 430)
Henry Purcell1:55
14The cares of lovers
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
lute:
Anthony Rooley (lute player / conductor) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
recording of:
Timon of Athens, Z. 632: 10. Solo "The cares of lovers" (Cupid) (in 1982-10)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:47
15Ye gentle spirits of the air
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
lute:
Anthony Rooley (lute player / conductor) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
partial recording of:
The Fairy Queen, Z. 629 (catch-all for arrangements) (in 1982-10)
composer:
Henry Purcell (Baroque composer)
arrangement of:
The Fairy Queen, Z. 629
Henry Purcell4:50
16An Evening Hymn
sound engineer:
John Pellowe (audio engineer)
producer:
Peter Wadland (producer)
lute:
Anthony Rooley (lute player / conductor) (in 1982-10)
organ:
Christopher Hogwood (conductor, harpsichordist) (in 1982-10)
soprano vocals:
Emma Kirkby (soprano) (in 1982-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1982-10)
recording of:
An Evening Hymn Upon a Ground (in 1982-10)
composer:
Henry Purcell (Baroque composer)
Henry Purcell4:17
3▼CD: Dido and Aeneas
#TitleArtistRatingLength
1Dido and Aeneas: Overture
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Overture (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626
Henry Purcell32:04
2Dido and Aeneas: Act I. "Shake the cloud from off your brow"
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
vocals:
Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell31:02
3Dido and Aeneas: Act I. "Ah! Belinda, I am prest with torment"
vocals:
Julianne Baird (soprano) (in 1992-09), Catherine Bott (soprano) (in 1992-09) and Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell34:13
4Dido and Aeneas: Act I. "When monarchs unite"
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell30:17
5Dido and Aeneas: Act I. "Whence could so much virtue spring?"
vocals:
Julianne Baird (soprano) (in 1992-09), Catherine Bott (soprano) (in 1992-09) and Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell31:31
6Dido and Aeneas: Act I. "Fear no danger" / Dance
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
vocals:
Julianne Baird (soprano) (in 1992-09) and Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, VII. "Fear no danger" / Dance (in 1992-09)
composer:
Henry Purcell (Baroque composer)
Henry Purcell32:08
7Dido and Aeneas: Act I. "See, your royal guest appears"
vocals:
John Mark Ainsley (tenor) (in 1992-09), Catherine Bott (soprano) (in 1992-09) and Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell30:47
8Dido and Aeneas: Act I. "Cupid only throws the dart"
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell30:35
9Dido and Aeneas: Act I. "If not for mine"
vocals:
John Mark Ainsley (tenor) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell30:22
10Dido and Aeneas: Act I. "Pursue thy conquest, Love"
vocals:
Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell30:51
11Dido and Aeneas: Act I. A Dance Gittars Chacony
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I. Guitar Dance (interstitial, unnumbered, after Act I, 10) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell30:20
12Dido and Aeneas: Act I. "To the hills and the vales"
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell31:10
13Dido and Aeneas: Act I. The triumphing Dance
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (in 1992-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell31:12
14Dido and Aeneas: Act II. Prelude for the Witches / "Wayward sisters"
vocals:
Elisabeth Priday (soprano) (in 1992-09) and David Thomas (British operatic bass) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell31:27
15Dido and Aeneas: Act II. "Harm's our delight"
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell30:14
16Dido and Aeneas: Act II. "The Queen of Carthage, whom we hate"
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
vocals:
Elisabeth Priday (soprano) (in 1992-09), Sara Stowe (British soprano) (in 1992-09) and David Thomas (British operatic bass) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell32:41
17Dido and Aeneas: Act II. "In our deep vaulted cell"
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell31:12
18Dido and Aeneas: Act II. Echo Dance of Furies
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (in 1992-09)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell31:05
19Dido and Aeneas: Act II. Ritornelle / "Thanks to these lonesome vales"
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
vocals:
Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas: Act II. Ritornelle / "Thanks to these lonesome vales" (in 1992-09)
composer:
Henry Purcell (Baroque composer)
Henry Purcell33:13
20Dido and Aeneas: Act II. Gitter ground / a dance
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. Gittar Ground a Dance (interstitial, unnumbered) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell30:29
21Dido and Aeneas: Act II. "Oft she visits" / Ritornelle
vocals:
Julianne Baird (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell31:36
22Dido and Aeneas: Act II. "Behold, upon my bending spear"
vocals:
John Mark Ainsley (tenor) (in 1992-09) and Catherine Bott (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell30:32
23Dido and Aeneas: Act II. "Haste, haste to town"
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
vocals:
Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell30:45
24Dido and Aeneas: Act II. "Stay, Prince"
vocals:
John Mark Ainsley (tenor) (in 1992-09) and Michael Chance (British countertenor) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell32:45
25Dido and Aeneas: Act II. Ritornelle
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (in 1992-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell30:54
26Dido and Aeneas: Act III. Prelude / "Come away, fellow sailors"
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
vocals:
Daniel Lochmann (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell31:36
27Dido and Aeneas: Act III. The Sailors' Dance
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (in 1992-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell30:48
28Dido and Aeneas: Act III. "See the flags and streamers curling"
vocals:
Elisabeth Priday (soprano) (in 1992-09), Sara Stowe (British soprano) (in 1992-09) and David Thomas (British operatic bass) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell31:26
29Dido and Aeneas: Act III. "Destruction's our delight"
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell30:34
30Dido and Aeneas: Act III. The Witches' Dance
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (in 1992-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell31:36
31Dido and Aeneas: Act III. "Your counsel all is urg'd in vain"
vocals:
John Mark Ainsley (tenor) (in 1992-09), Catherine Bott (soprano) (in 1992-09) and Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell33:41
32Dido and Aeneas: Act III. "Great minds against themselves conspire"
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell30:58
33Dido and Aeneas: Act III. "Thy hand Belinda" / "When I am laid in earth"
vocals:
Catherine Bott (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell34:06
34Dido and Aeneas: Act III. "With drooping wings"
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell34:21
4▶CD: The Indian Queen
5▶CD: Theatre Music I
6▶CD: Theatre Music II
7▶CD: Theatre Music III
8▶CD: Theatre Music IV
9▶CD: Theatre Music V
10▶CD: Theatre Music VI
11▶CD: 12 Sonatas of Three Parts, Z790-801
12▶CD: 10 Sonatas in Four Parts, Z802-811
13▶CD: Eight Overtures
14▶CD: Eight Harpsichord Sonatas
15▶CD: Symphonies, op. 2
16▶CD: My Ladye Nevells Booke I
17▶CD: My Ladye Nevells Booke II
18▶CD: My Ladye Nevells Booke III
19▶CD: The Fitzwilliam Virginal Book, Selected Pieces I
20▶CD: The Fitzwilliam Virginal Book, Selected Pieces II

Credits

Release

transliterated/translated track listings:Theatre Music by Purcell (Baroque composer) - Kirkby (soprano) • Nelson (soprano) • Bowman (UK countertenor) • Hill (tenor) • Thomas (British operatic bass) • Academy of Ancient Music • Christopher Hogwood (conductor, harpsichordist)
Discogs:https://www.discogs.com/release/13308540 [info]
purchase for mail-order:https://www.prestomusic.com/classical/products/8075229--english-music [info]